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Recommended
Reading Archives |
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Please
note that some of the links below are likely to have 'expired' or been moved. |
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April 2010 |
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Senses of Cinema When
Rohmer
was making 'silent films.' |
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The Guardian
Tilda Swinton and
Luca Guadagnino: a match made in arthouse cinema heaven. |
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Midnight Eye The makers of Midnight Eye
bring you their best ten Japanese films from the first decade of
the 21st century. |
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MovieMaker The Hughes Brothers’ Gentle Art of
Collaboration. |
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| |
Moving Image Source
Intersecting Paths:
How cinema has confronted the tragedy of the 20th century. |
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The New York Times A Critic’s Place, Thumb and All. |
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Offscreen
Do genres in the cinema really
exist and if so, can they be defined? |
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Slant Magazine
Interview with
Atom
Egoyan. |
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Time Out The
50 greatest sports movies. |
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Sight & Sound Alice through the lens. |
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February 2010 |
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The Guardian
Wolf Man, Dracula
and the beasts that gave birth to cinematic horror. |
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Bright Lights Film Journal Val Lewton's Symbolic Statuary. |
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Senses of Cinema Brother Feeney: Francis Ford. |
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The Boston Phoenix
Karen Schmeer: 1970-2010. |
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Cineaste
The Battle Inside: Infection and the Modern Horror Film. |
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| |
Cinema-Scope Songs of Innocence & Experience:
Spike Jonze,
Wes
Anderson and the Post-Boomer Construction of Childhood. |
|
| |
CineScene
Eric
Rohmer: An Appreciation. |
|
| |
Film Comment Terra Incognita: 19
unknown pleasures from around the world to look out for. |
|
| |
Film International In Memoriam: Robin Wood. |
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| |
Future Movies
Richard Linklater Q&A: The ace indie director discusses
casting
Orson Welles, directing Zac Efron and making music with
Jools Holland. |
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January 2010 |
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Screening the Past The Long Path Back:
Medievalism and Film (Adrian Martin). |
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Little White Lies Reflections on Russian Cinema: The
Ward No. 6 director and head of Mosfilm studios gives
LWLies an exclusive insight into the history of Russian cinema. |
|
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Midnight Eye
An underground
visionary returns to filmmaking. Shozin Fukui looks back on his
career and discusses his latest film S-94. |
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MovieMaker Film Rules: Why
10 of the world’s top cinematographers have still not bought
into the digital revolution. |
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Moving Image Source Mission: Improbable. Hollywood's
controversial contribution to the wartime effort. |
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The New York Times
Iranian Filmmakers
Keep Focus on the Turmoil. |
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| |
Offscreen
In
Real Time: An Interview with
Jafar
Panahi. |
|
| |
Reverse Shot Best of 2009. |
|
| |
Slant Magazine Interview with
Terry
Gilliam. |
|
| |
Time Out
The A-Z of
Ozu:
A bluffers' guide to the films of
Yasujiro
Ozu. |
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November 2009 |
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Moving Image Source
Love letter:
A centenary valentine to Japanese
screen legend Kinuyo Tanaka,
by Chris Fujiwara. |
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| |
The Boston Phoenix
Interview:
Lars von Trier on the
redeeming qualities of Antichrist. |
|
| |
Cineaste
A
Filmmaker at the Barricades: The Cinematic and Political
Evolution of
Mohsen Makhmalbaf. |
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| |
Cinema-Scope
Cryptographies and Blood:
Francis
Ford Coppola’s Tetro. |
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| |
Cineuropa
Interview
with Margarethe von Trotta. |
|
| |
Film Comment
Michael Haneke uncut: Talking
shop, theory, and practice with the director of The White
Ribbon. |
|
| |
Film International
Joseph
Losey profile. |
|
| |
GreenCine
In "Adoration" of
Atom Egoyan. |
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| |
The Guardian
Sergei Dvortsevoy: the man who films goats. |
|
| |
LA Weekly
Past, moving forward: The little theater of Pedro Costa.
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September 2009 |
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Reverse Shot
Claire
Denis: The Art of Seduction. |
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| |
Little White Lies Interview with Marc Webb, director
of (500) Days of Summer. |
|
| |
Midnight Eye
Interview
with Yuki Tanada. |
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| |
MovieMaker
Park Chan-Wook's Thirst for
a Great Vampire Movie. |
|
| |
Moving Image Source Fleeting Glimpses: The three-film
universe of
Sadao Yamanaka. |
|
| |
Slant Magazine Interview with
Kathryn Bigelow. |
|
| |
Time Out 50 greatest directorial debuts of all time. |
|
| |
Bright Lights Film Journal Here Come the Bromides:
Living in the Era of the Bromantic Comedy. |
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| |
Sight & Sound
In the realm of
Oshima: Best
known in the
west for the period co-productions In the Realm of the
Senses and Merry Christmas Mr Lawrence,
Oshima's
finest
works are the fiercely modern Japanese films he made in the
'60s. |
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Senses of Cinema Luc Moullet, a Bootleg Filmmaker at
the Centre Georges Pompidou. |
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July 2009 |
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Bright Lights Film Journal
Tex
Avery: Arch-Radicalizer of the Hollywood Cartoon. |
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The Terror Trap
Ladies of
the Grand Guignol. |
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Sight & Sound
Stars in His Eyes:
David Lynch's new music
collaboration sees him use singing and photography in his
continued exposing of the dark psyche of suburbia. |
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Senses of Cinema
Andrew V.
McLaglen: Last of the Hollywood Professionals. |
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Cinema-Scope
Return of the Grievous Angel:
Richard Dutcher’s Post-Mormon Cinema. |
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Film Comment
Shadow of
a Doubt: |
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Filmmaker
Agnès Varda Interview. |
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| |
GreenCine
Interview:
Kathryn
Bigelow on The Hurt Locker. |
|
| |
The Guardian
Karl Malden Obituary by Ronald Bergan.
|
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LA Weekly
Back in
Blue: Battered But Not Broken,
Jean Jacques-Beineix Returns. |
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May 2009 |
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Undercurrent
John Ford: An
Undercurrent Special
Section. |
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Film-Philosophy Occupy without Counting: Furtive
Urbanism in the Films of
Jean-Pierre and Luc
Dardenne (pdf). |
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| |
Filmmaker
Interview with
Götz Spielmann, director of Revanche. |
|
| |
GreenCine
Profit Motive and the Whispering Wind:
Interview with John Gianvito |
|
| |
The Guardian
David Thomson on Charlie Kaufman: Kaufman has a case as the most
original screenwriter in America - the anarchist ready to blow
convention to smithereens. |
|
| |
Moving Image Source
Time Regained:
Remembering
Julien Duvivier, a
casualty of auteurism (by Michael Atkinson). |
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Reverse Shot
Defining a New Queer Cinema. |
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Rouge
Teenage Wildlife Issue. |
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Screening the Past
"It
Has Come to My Ears":
Fritz Lang’s
Sound Design (by Adrian Martin). |
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Slant Magazine
Interview with
Guillermo del Toro. |
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March 2009 |
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Bright Lights Film Journal
Jerry Lewis. |
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GreenCine
Courtney Hunt: "As a Director, You Have Five Minutes". |
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The Guardian
Cheap thrills: On Hollywood's 'Poverty Row' in
the 1940s and 50s, minor studios made B-movies on tiny budgets.
The best of these films were surprisingly stylish and
subversive, and defined the moral murk of noir. |
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LA Weekly Morphine in His Coffee: Remembering Dennis
Potter on DVD. |
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Midnight Eye
Inuhiko Yomota:
One of Japan's most respected cultural critics
and film historians shares his views on the state of cinema and
film criticism in Japan. |
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Offscreen
Food for Thought: Sensorium of the Iranian Cinema. |
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Sight & Sound From romance to ritual:
Barry Lyndon
takes its inspiration from Thackeray's source novel. But in
Kubrick's hands the tone - and
the hero - are transformed. |
|
| |
Senses of Cinema The Girl with the Speck of Dust in
Her Eye: Living London Returns. |
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| |
The Boston Phoenix
Interview with Roberto Saviano: Fire and brimstone from Gomorrah's author. |
|
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Film International Robert De Niro: The Pursuit of
Nothingness. |
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January 2009 |
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Midnight Eye Jun Ichikawa: An appreciation. |
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| |
The Guardian
Inside the
head of
Sam Peckinpah: So the
great director's films are about violence? Not really. Are they
about honour? Hardly. In fact, says Rick Moody, Sam Peckinpah
offered us realism - albeit of a very particular kind. |
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Cineaste Cult Film: A Critical Symposium. |
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| |
Cinema-Scope
The Rules of the Game: A Conversation with Miguel
Gomes. |
|
| |
LA Weekly Village Voice/LA Weekly Film Poll 2008:
WALL-E World. |
|
| |
The Criterion Collection Me and
Sam Fuller. |
|
| |
Little White Lies Interview with
Danny Boyle. |
|
| |
Stop Smiling The Year in Movies. |
|
| |
GreenCine
Laurent Cantet: "The Classroom is a Place for
Democracy". |
|
| |
The Boston Phoenix Interview: Ari Folman on
Waltz
with Bashir. |
|
| |
Film Comment
Terra Incognita: 23 films to look out for. |
|
| |
Filmmaker
Interview with Ole Bornedal, Just
Another Love Story. |
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December
2008 |
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Sight & Sound
Game for a century: For eight decades
Manoel de Oliveira has played
with audiences' expectations of cinema. Now, at the age of 100,
this contradictory figure is not merely Portugal's most
important director, he's an international treasure. |
|
| |
The Guardian
Rouben
Mamoulian, the natural born cineaste: A consistent
innovator,
Mamoulian was one
of the first directors to rise to the challenges of sound and
colour. |
|
| |
Henry Sheehan
Japanese filmmaker Eiichi Kudo. |
|
| |
indieWIRE Viva La Revolution:
Steven Soderbergh Rebels
Again with "Che". |
|
| |
Undercurrent
The
Durability of Filmmaking in a Temporary Country. |
|
| |
LA Weekly
How acclaimed indie director
Gus
Van Sant finally got Milk. |
|
| |
Offscreen
The Face of Quatermass: National Identity in
British Science-Fiction. |
|
| |
Screening the Past
Against the Flow of Time:
Michael Mann
and Edward Hopper. |
|
| |
Slant Magazine Redefining success: An interview with
Kelly Reichardt. |
|
| |
Moving Image Source Children of Paradise: How to
watch Hal Roach's Our Gang comedies and why. |
|
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Sight & Sound The DVDs of 2008. |
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November
2008 |
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Rouge
Mitchell Leisen. |
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Offscreen
Form Inversion in
Alfred Hitchcock. |
|
| |
Reverse Shot
Hou Hsiao-hsien:
In Search of Lost Time. |
|
| |
Sight & Sound
Who needs
critics? and
Critics on Critics. |
|
| |
Bright
Lights Film Journal
Dana Andrews: The Forties Hero and His Shadow. |
|
| |
Cineaste
Mr. Freedom: An
Interview with William Klein. |
|
| |
Cineuropa
Interview with Thomas Vinterberg. |
|
| |
Film
Comment
A Blast from the Past: Kent
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Filmmaker The Play's the Thing: For Charlie Kaufman,
the whole world fits into Synecdoche, New York. |
|
| |
GreenCine
Errol Morris:
"The Photographs Actually Hide Things From Us". |
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October
2008 |
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Film
Comment
A Samurai Among Farmers:
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Senses of Cinema 1963-1968. Paris: The
Godard Years. |
|
| |
The Boston Phoenix Brief Fling: Carole Lombard’s nine
years of stardom. |
|
| |
Cinema-Scope
Time and
the Hour: For the Melancholy Mastery of Jean-Claude Van Damme. |
|
| |
Film International
Interview with Etgar Keret, co-director of Cannes Golden
Camera winner Jellyfish. |
|
| |
Film-Philosophy
Towards a Theory of Film Worlds
(pdf). |
|
| |
Filmmaker
Mood Swings: An interview with
Mike Leigh. |
|
| |
GreenCine
Alex Gibney: "There's Nothing Tough About Torturing a
Defenseless Man". |
|
| |
The Guardian Something happened:
Thorold Dickinson's 1949 film
The Queen of Spades has been called 'a masterpiece' by
Martin Scorsese - so why is his
work not better known? Philip Horne celebrates a daring director
who was beset by bad luck. |
|
| |
IonCinema!
46th
NYFF
Interview:
Steven Soderbergh
(Che). |
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September
2008 |
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Sight & Sound Reflections In A Golden Eye:
Frederick
Wiseman's respect for civic institutions makes him a champion of
democratic values but his artistry should not be forgotten. |
|
| |
Filmmaker
25 New Faces of Independent Film:
Filmmaker's 10th
annual survey of new talent. |
|
| |
Future Movies
Shane Meadows talks
Somers
Town. |
|
| |
GreenCine
Guy Maddin: "I Had
This Haunted Childhood". |
|
| |
The Guardian
Sex, violence and classroom action:
Everyone has a favourite film about school, whether they were
the best days of your life or the worst. Peter Bradshaw reveals
his ahead of a poll to find the top 10. |
|
| |
LA Weekly Manny Farber, 1917-2008:
Critic's passing leaves a Space. |
|
| |
MovieMaker
Giuseppe Tornatore Dives Into the
Great Unknown. |
|
| |
Time Out Guy Ritchie on ‘RocknRolla’. |
|
| |
Village Voice Anthology Film Archives Revives the
Public Mischief of Robert Downey Sr. |
|
| |
Bright Lights Film Journal Men in Women-in-Prison:
Masochism, Feminism, Fetish. |
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August
2008 |
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Sight & Sound Dream Tickets:
The once hugely
popular double bill saw unlikely pairings throwing new light
upon one another. Now a selection of experts pick their perfect
twosomes that are more than the sum of their parts (PDF
File). |
|
| |
LA Weekly
Richard Quine:
Dying is Easy. A
journalist recalls
his fateful encounter with Hollywood's most tragic comedy
director. |
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| |
Reverse Shot
The Kuchar
Brothers. |
|
| |
Time Out
James Marsh on ‘Man on Wire’. |
|
| |
Village Voice
On the Eve of Their Momma's Man
Opening, Jacobs Father and Son Talk Shop and Family: The films
of Azazel Jacobs are on the offbeat end of the cinema spectrum. |
|
| |
Bright Lights Film Journal
Paradise Betrayed: Talking with
Terence Davies about
Of Time and the City. |
|
| |
Senses of Cinema Forgotten
Lean: The Ann Todd Trilogy. |
|
| |
The Boston Phoenix Our superheroes, ourselves: What
the current crop of comic-book action movies tells us about
America's identity crisis. |
|
| |
Cinema-Scope
Out of Time: Notes
on
Marker. |
|
| |
Film
Comment
The Classical
Modernist: |
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July
2008 |
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Bright Lights Film Journal
A Quiet Storm:
Charles Burnett on Namibia and His Post-Killer of
Sheep Career. |
|
| |
Slant Magazine An interview
with
Catherine Breillat. |
|
| |
Time Out
Guy Maddin on
‘My Winnipeg’. |
|
| |
Sight & Sound
Cannes 2008: A royal rumpus. |
|
| |
Filmmaker
Moral Burdens: Interview with Fatih Akin. |
|
| |
GreenCine
Tell No One: Guillaume Canet and Harlan Coben. |
|
| |
The Guardian
Pedro Almodóvar: I'm not to
blame for UK tastes. |
|
| |
IonCinema!
Interview: Jonathan
Levine (The Wackness). |
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June
2008 |
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Film
Comment A Blast from the Past:
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Senses of Cinema
Sweet
Movie: The Gentle Side of
“Destructive Art” by
Dusan
Makavejev. |
|
| |
The
Boston Phoenix
The awful truth:
Leo McCarey was better
in the ’30s. |
|
| |
Cineaste
The Cinema of Identification Gets
on my Nerves: An Interview with Christian Petzold. |
|
| |
Cineuropa Interview with Laurent Cantet. |
|
| |
Filmmaker
Werner Herzog
interview, Encounters at the End of the World. |
|
| |
GreenCine
Interview:
Olivier Assayas's "Archetypally Modern
Drama". |
|
| |
The Guardian Untold stories of the LA Rebellion:
While Hollywood rejoiced in blaxploitation, an underground
generation of black film-makers came out of Los Angeles in the
60s and 70s to forge a series of forgotten masterpieces. |
|
| |
LA Weekly Border Stories: Fatih Akin's
Edge of
Heaven. |
|
| |
Midnight Eye Tomoyasu Murata and Company. |
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May
2008 |
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| |
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| |
GreenCine
Pedro Costa: "I Have to Risk Each Shot." |
|
| |
Filmmaker They Shoot Pictures Don't They?:
Famed documentarian
Errol Morris dissects what we saw (and didn‘t see) in the
Abu Ghraib prison abuse photos in Standard Operating
Procedure. |
|
| |
The Guardian
'The bloodshed had to be shown': At
80, Andrzej Wajda has made the
bravest film of his career: a graphic account of the killing of
8,000 Polish officers. |
|
| |
indieWIRE Interview with "Mister Lonely" director
Harmony Korine. |
|
| |
Reverse Shot
Interview with
Olivier Assayas. |
|
| |
Time Out
Mike
Leigh's London locations. |
|
| |
Sight & Sound French Cinema Now: French Exceptions. |
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| |
April
2008 |
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| |
Sight & Sound
Mizoguchi Kenji:
Artist Of The Floating World. |
|
| |
The Guardian
Master manipulator:
Michael Haneke's
shot-for-shot remake of his own torture thriller sets out to
critique US film violence. But hasn't he just become everything
he hates? |
|
| |
indieWIRE
Profile: "My Blueberry Nights" Director
Wong Kar-Wai. |
|
| |
LA Weekly
Manoel de
Oliveira: A Man for All Seasons. As he prepares to celebrate
his centenary, nothing can stop the Portuguese director. |
|
| |
Time Out
Park Chan-wook interview. |
|
| |
Senses of Cinema
Nina Menkes: The Warrior
and her Jiang Hu. |
|
| |
Cinema-Scope
Trainspotting with
James Benning. |
|
| |
Close-Up Film
Brian De Palma talks about Redacted. |
|
| |
Film
Comment
|
|
| |
Film
International
Sergei Eisenstein and the Cine-Eye. |
|
| |
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|
| |
March
2008 |
|
| |
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|
| |
Bright
Lights Film Journal
Peter Watkins and the Politics of
Expression. |
|
| |
Pop Matters The Grand Tension of
Peter Watkins. |
|
| |
Time Out
The genius of
Derek Jarman. |
|
| |
The
Boston Phoenix
Separate Ways:
Ritwik Ghatak at the
Harvard Film Archive. |
|
| |
Cineaste
Contemplating Status and Morality
in Cassandra's Dream: An Interview with
Woody Allen. |
|
| |
Cineuropa Interview with
Carlos Saura. |
|
| |
Close-Up Film A Short Piece About
Kieslowski. |
|
| |
Filmmaker
The Director Interviews: Ramin Bahrani, Chop Shop. |
|
| |
GreenCine
Tony Gilroy and His "Parallel Universe Thriller". |
|
| |
The Guardian
'Films are a way to kill my father':
After decades of analysis,
Bernardo Bertolucci has a new take on his 1970 classic
The Conformist. |
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| |
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| |
February
2008 |
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| |
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| |
Film
Comment Fresh Meat:
|
|
| |
Village Voice
Next
Generation: Bridging worlds and eras,
Olivier Assayas is uniquely of
his (our) time, |
|
| |
Sight & Sound Brothers in Harm: Veteran director
Sidney Lumet is back in the hot
seat with a heist thriller Before the Devil Knows You're Dead. |
|
| |
GreenCine
Gregg Araki's Stoner
Comedy. |
|
| |
The Guardian
A camera instead of a rifle:
Combining real and staged footage, Overlord is a remarkable
account of D-Day. Director Stuart Cooper explains his debt to
the film-makers who followed soldiers into battle. |
|
| |
indieWIRE Interview with
4 Months, 3 Weeks, and 2
Days Director Cristian Mungiu. |
|
| |
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|
| |
January
2008 |
|
| |
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| |
Sight & Sound
The Road
Goes On Forever:
Wim Wenders' early
films use the language of American cinema to express a
sensibility that's inescapably European. |
|
| |
Bright Lights Film Journal
Beyond the Fifth Generation: An
Interview with
Zhang Yimou. |
|
| |
Senses of Cinema Fast Worker: The Films of Sam
Newfield. |
|
| |
The
Boston Phoenix
Shohei Imamura: The Anti-Ozu. |
|
| |
Cinema-Scope
Songs Sung Blue:
The Films of Michael Robinson. |
|
| |
Filmmaker
The Great Debater: Interview with
Denzel Washington. |
|
| |
GreenCine
John Sayles:
"I Want My Characters to Be Like Your Friends." |
|
| |
The Guardian
Down with the Kids: First there was
Elephant, about the Columbine High School massacre, and
now Gus van Sant has made Paranoid Park, about a young skateboarder. |
|
| |
Midnight Eye
Interview
with Koji Wakamatsu. |
|
| |
Rouge
Pretending that life has no meaning: Interview with
Paul Schrader. |
|
| |
|
|
| |
December
2007 |
|
| |
|
|
| |
Cineaste
Avoiding Labels and Lullabies: An
Interview with
James Mangold. |
|
| |
Film
Comment A Blast from the Past:
. |
|
| |
Filmmaker Reaching Out: 10 Years of grassroots
casting for
John Sayles. |
|
| |
GreenCine
Charles Burnett Celebrates a
Milestone. |
|
| |
The Observer
Who does Bob think
he is?: There are six - or is it seven? - 'Dylans' in
Todd Haynes's I'm Not There. The
director talks exclusively to Sean O'Hagan about the weirdest
rock biopic ever. |
|
| |
indieWIRE Interview with Julian Schnabel, director of
The Diving Bell and the Butterfly. |
|
| |
IonCinema!
Interview: Noah
Baumbach - Margot at the Wedding. |
|
| |
MovieMaker
Francis Ford Coppola: Exclusive Video
Interview. |
|
| |
Reverse Shot
Gus Van Sant Feature. |
|
| |
Village Voice
Senegal's Son:
For
Ousmane Sembène, an
icon of African cinema, the personal was always political. |
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| |
|
|
| |
November
2007 |
|
| |
|
|
| |
Sight & Sound
Robert
Bresson: Alias Grace. |
|
| |
Filmmaker
The Director Interviews:
Julien
Temple, Joe Strummer: The Future is Unwritten. |
|
| |
GreenCine
Catching Up with Christoffer Boe. |
|
| |
The Guardian
'Film-making is an adventure': Shekhar Kapur's
film Elizabeth was a critical and commercial success that
broke all the conventions of costume drama. Can he repeat the
trick with its sequel? |
|
| |
IonCinema!
NYFF Interview:
Catherine Breillat. |
|
| |
LA Weekly
Robert Redford and the façade of a nation. |
|
| |
Midnight Eye
Paul
Verhoeven Like It:
Takashi Miike
at the 2007 Venice Film Festival. |
|
| |
MovieMaker
John
Carpenter's Business of Insanity:
With five remakes of his
work in two years,
John Carpenter
is happily riding the Halloween gravy train. |
|
| |
Time Out Interview with
Michael Haneke. |
|
| |
The
Boston Phoenix
Wes Anderson
talks about India, Owen, and the short. |
|
| |
|
|
| |
October
2007 |
|
| |
|
|
| |
The Guardian
'Storytelling was his life's elixir': Crime reporter,
screenwriter, soldier, director -
Sam
Fuller was a lot of things. But whatever he did, he was
foremost a master yarn-spinner, his friend
Wim Wenders remembers. |
|
| |
Film
Comment |
|
| |
Film International
From Short Story to Film to
Autobiography: Intermedial Variations in
Ingmar Bergman's Writings and
Films. |
|
| |
Filmmaker
Last Man Standing:
After making only two features,
Andrew Dominik deserves to be recognized as one of the most
exciting and talented writer-directors working today. |
|
| |
GreenCine
Béla Tarr's Man from London
interview. |
|
| |
indieWIRE Interview with
"Lust,
Caution" Director
Ang Lee. |
|
| |
IonCinema!
Interview with Johnnie To (Exiled). |
|
| |
Sight
& Sound
A World
Without Pity: A Mighty Heart, based on Mariane Pearl's
memoir of the kidnap of her journalist husband Daniel, completes
a trilogy of films by
Michael
Winterbottom that probe the post-9/11 world. |
|
| |
Cineaste
Making Friends
the Hard Way: An Interview with
Patrice Leconte. |
|
| |
Cinema-Scope
The Stubborn Utopian: The Films of
Alexander Kluge. |
|
| |
|
|
| |
September
2007 |
|
| |
|
|
| |
Senses of Cinema "Me, I Just Film My Life": An
Interview with
Jonas Mekas. [
Jonas Mekas.com ] |
|
| |
Reverse Shot
An Interview with
Volker Schlöndorff. |
|
| |
Roger Ebert.com
Fighting over
Bergman's legacy. |
|
| |
Screening the Past
Douglas Sirk’s
Theatres of Imitation. |
|
| |
Time Out
Ken Loach interview. |
|
| |
Village Voice
Scotland Bard:
Bill Douglas filmed life as it
was: hard, bleak, cruel. |
|
| |
Bright Lights Film Journal
Silent Light or Absolute Miracle: An
Interview with Carlos Reygadas at Cannes 2007. |
|
| |
Sight
& Sound
Love in the
afternoon: D.H. Lawrence's iconic tale of unbridled passion has
had many interpreters. But none has captured its title
character's sensual awakening as effectively as Pascale Ferran
in Lady Chatterley. |
|
| |
The Boston Phoenix
Michelangelo Antonioni
1912-2007 |
|
| |
Close-Up Film
God’s Lonely Man: An Interview with
Paul Schrader. |
|
| |
|
|
| |
August
2007 |
|
| |
|
|
| |
The Guardian
Ingmar
Bergman 1918-2007. |
|
| |
indieWIRE
The Start of a
Journey: An Appreciation of
Ingmar
Bergman. |
|
| |
The
New York Times In Art’s Old Sanctuary, a
High Priest of Film. |
|
| |
Cineuropa Interview with Jaco Van Dormael. |
|
| |
Film Comment
Steve Buscemi
Uncut: T |
|
| |
Filmmaker
Survivor:
With Rescue Dawn
director
Werner Herzog returns to
the jungle to adapt one of his most powerful documentaries, Little Dieter Needs to Fly. |
|
| |
GreenCine
Philip Haas:
Understanding the Situation. |
|
| |
IonCinema!
Interview: Shane
Meadows. |
|
| |
Kamera
International man of mystery:
David Lynch. |
|
| |
MovieMaker Henry Jaglom's Moment of Truth:
Film's freest director
dissects the Hollywood machine in Hollywood Dreams. |
|
| |
|
|
| |
July
2007 |
|
| |
|
|
| |
Sight & Sound
Ken Russell:
Sweet Swell of Excess. |
|
| |
Film Monthly Michael
Bay Transforms Very Well. |
|
| |
Film-Philosophy (pdf)
Hitchcock and Hume Revisited: Fear, Confusion and
Stage
Fright. |
|
| |
Filmmaker You Don’t
Know Jack: In Jack Smith and the Destruction of Atlantis,
Mary Jordan takes us into the mind of one of the forgotten
geniuses from the 1960s New York avant-garde scene. |
|
| |
GreenCine “The
Structure of Human Life”: Kim Ki-duk. |
|
| |
The New York Times
Edward Yang, 59,
Director Prominent in New Taiwan Cinema, Is Dead. Plus,
Remembering
Edward Yang
(Village
Voice). |
|
| |
The Boston Phoenix
Keeping it Real:
Sticking to the
facts in a post-9/111 world,
Michael Winterbottom and
Paul Greengrass lead a new breed of filmmaker. |
|
| |
Cinema-Scope Beyond
Brut: The Art of Cornel Wilde. |
|
| |
|
|
| |
June
2007 |
|
| |
|
|
| |
LA Weekly
The Devil May Care:
William Friedkin on
Bug,
Cruising and nights at
the opera. |
|
| |
Midnight Eye
Eiichi Kudo's Guerrilla Filmmaking. |
|
| |
Reverse Shot
An
Interview with Sarah Polley. |
|
| |
Village Voice
Cannes and
Abel:
Talking With The Go Go Tales Director. |
|
| |
Bright Lights Film Journal
The Mothering of Evil: In Several
Hitchcock Films. |
|
| |
Senses of Cinema
The
Low-Key Jester: An Interview with
Andrew Bujalski. |
|
| |
Cahiers
du Cinema
Danièle
Huillet (1936-2006), A Materialist Filmmaker. |
|
| |
Cinema-Scope Killing
Time: The Economical Diversity of Johnnie To. |
|
| |
Cineuropa Interview
with Béla Tarr. |
|
| |
Film Comment
Films of Ruin and Rapture:
|
|
| |
|
|
| |
May
2007 |
|
| |
|
|
| |
GreenCine
Jean Renoir: Master of
the Game. |
|
| |
LA Weekly
Death, Landscape
and Raymond Carver:
Ray Lawrence maps the human heart. |
|
| |
Midnight Eye
Interview with Nobuhiro Yamashita. |
|
| |
Off Screen
Eisenstein: ‘Intellectual Montage’,
Post-structuralism, and Ideology. |
|
| |
Reverse Shot
An
Interview with Andrea Arnold. |
|
| |
Sight & Sound
You Must Be Joking:
Roberto
Rossellini was initially known as a neorealist , but was
among the first to break towards a life-celebrating spiritual
cinema with Francis, God's Jester. |
|
| |
Close-Up Film
Not Such a Still Life:
Peter Fraser interviews
Terence Davies one of Britain's
most impressive auteurs, as his 1989 film Distant Voices, Still
Lives is re-released. |
|
| |
Film Monthly Sam Raimi
Talks Spider-Man 3... And Beyond. |
|
| |
The Guardian Just
say Noah: Darren Aronofsky finally got eternal-life epic The
Fountain made through sheer belief. Now he's turning to the
Bible to resurrect another great survivor. |
|
| |
|
|
| |
April
2007 |
|
| |
|
|
| |
Cinema-Scope
Inside/Out: A Modest Proposal Concerning
William A. Wellman. |
|
| |
Cineaste
The Cinema of
Peter Watkins. |
|
| |
Close-Up Film
Interview with
Agnès Varda on the
Restoration of "Les Parapluies de Cherbourg." |
|
| |
Film Comment
School of Hard Knocks:
|
|
| |
Film Monthly
Mira Nair
Returns To Her Roots. |
|
| |
Filmmaker
Susanne Bier interview. |
|
| |
Flickhead “This
is a movie…isn’t it?”: Henry Jaglom x 3 on DVD. |
|
| |
GreenCine
Jafar
Panahi and the Rules of the Game. |
|
| |
The Guardian Topo
the world: If only Jodorowsky had been allowed to make more
movies. John Patterson salutes the hippy genius who was never
trusted by the suits. |
|
| |
kamera
Emerging from the shadows: Nick Bicanic has made one
of the greatest documentaries that you might never see. |
|
| |
|
|
| |
March
2007 |
|
| |
|
|
| |
Sight & Sound
Degraded Dupes
Steven Soderbergh. |
|
| |
Time
Out
The directors:
Steven
Soderbergh. |
|
| |
Film Monthly
Michael Apted Has 'Grace' In New
Epic. |
|
| |
GreenCine
. |
|
| |
The Guardian
'I figured I'd retire gradually,
just ride off into the sunset ...' Interview with
Clint Eastwood. |
|
| |
Midnight Eye
Mikio
Naruse: A Modern Classic. |
|
| |
Offscreen The
Video Work of Jean Pierre Lefebvre. |
|
| |
Senses of Cinema
American Triptych:
Vidor,
Hawks and
Ford. |
|
| |
|
|
| |
February
2007 |
|
| |
|
|
| |
Rouge
Things to Look Into: The Cinema of
Terrence Malick. Also
recommended. |
|
| |
Sight & Sound
Sleeping with the Enemy:
Paul Verhoeven. |
|
| |
Film Monthly Noonan's
No Babe In The Woods. |
|
| |
Filmmaker
Open Your Eyes: Experimental filmmaker Barbara Hammer
looks back on her thirty-plus years in film. |
|
| |
GreenCine
. |
|
| |
The Guardian
'He is fun and he is bright': The
Oscar-nominated
director of
United 93 has no qualms about Hollywood. |
|
| |
Undercurrent (FIPRESCI)
Max Ophüls's Adaptation to and Subversion of Classical
Hollywood Cinema and Their Effect on his European Filmmaking. |
|
| |
Offscreen
The Rules of His Game:
Schrader's Canon. |
|
| |
Village Voice
Kenneth Anger Comes Home:
Five shorts, one
mindblowing DVD, and your couch. |
|
| |
The
Boston Phoenix
Rain Man: The lingering gaze of Béla Tarr. |
|
| |
|
|
| |
January
2007 |
|
| |
|
|
| |
Reverse
Shot
Junk Art:
Brian
De Palma. |
|
| |
Kamera Cult
Files: An interview with Mark Lester. |
|
| |
Midnight Eye
Katsuhiro Otomo: The man behind the epoch-making
Akira
sits down for an exclusive interview about his latest film Bugmaster. |
|
| |
MovieMaker
Shaker of Souls:
Mexican
director of
Amores Perros creates another emotional earthquake with
Babel. |
|
| |
Offscreen
Good Day and Good Night: A
Conversation with Filmmaker Julia Loktev. |
|
| |
Screening the Past
Ticket to ride:
Claire Denis and the cinema of the
body. |
|
| |
Slant Magazine
Mirror Mirror: The Films of
Jacques Rivette. |
|
| |
Sight & Sound
British Cinema Now: The
Lost
Leader. |
|
| |
Cineaste
The Art of Memory:
Andrzej Wajda's Three War Films. |
|
| |
Cinema-Scope
A
Fragmented
Epistemology:The Films of Abderrahmane Sissako. |
|
| |
|
|
| |
December
2006 |
|
| |
|
|
| |
Village Voice A
Critics' Duet on Nashville:
Remembering
Robert
Altman through the words of Voice critics past. |
|
| |
The Observer
Showman and shaman: From M*A*S*H to
country-house murder, the
maverick
from Kansas followed his own star, says Philip French,
delighting us and changing the course of cinema along the way. |
|
| |
indieWIRE
Saluting a Maverick Filmmaker,
Robert Altman: 1925 - 2006. |
|
| |
Film International
Charles Warren discusses the links between
Robert Altman,
John Cassavetes, and American
philosopher Stanley Cavell. |
|
| |
Sight & Sound
Girl Interrupted:
Guillermo del Toro's Pan's Labyrinth creates a beautiful and terrifying
fantasy netherworld for the young girl at its centre. Could it
be an update of A Nightmare on Elm Street, Mark
Kermode asks the director. |
|
| |
Senses of Cinema
Dziga Vertov: The Idiot. |
|
| |
Film Monthly
Interview: Aronofsky's Fountain of Love. |
|
| |
Filmmaker
Interview:
Richard
Linklater’s new film is an affectionate comedy that
critiques American corporate culture by telling the stories of
the working class people it most often neglects. |
|
| |
GreenCine
Tales from the Brothers Quay. |
|
| |
Undercurrent (FIPRESCI)
Danièle Huillet
1936-2006: A Tribute. |
|
| |
|
|
| |
November
2006 |
|
| |
|
|
| |
indieWIRE Interview:
Barbara Kopple, co-director of
"Shut Up & Sing". |
|
| |
Filmmaker
James Ponsoldt talks with Kelly Reichardt about
Old Joy |
|
| |
The Guardian
'This is
seat-of-your-pants stuff': Who says film has to be a costly,
lumbering beast?
Mike Figgis is
capturing the capital with cheap cameras and a trumpet. |
|
| |
Midnight Eye
Interview with director Takashi Yamazaki. |
|
| |
MovieMaker
Requiem for a Dreamer: Michel Gondry explores
The Science of
Sleep. |
|
| |
Pop Matters
Beautiful Freaks:
Frequently presenting people living cruel and impossible lives,
Lech Kowalski's films observe in detail how they navigate their
existence, successfully or not. |
|
| |
Reverse Shot
Nicolas Winding Refn: An Interview. |
|
| |
Time
Out
Alan Bennett: Interview. |
|
| |
|
|
| |
October
2006 |
|
| |
|
|
| |
GreenCine
|
|
| |
Rouge
Erice-Kiarostami:
The Pathways of Creation. |
|
| |
Sight & Sound I'm Not A Political Filmmaker
Goddamit!: Interview with
Oliver Stone. |
|
| |
BBC
The
co-directors of Echo Park LA on making a film in the
blink of an eye (Video Interview). |
|
| |
BBC: Calling the Shots
Interview with
Ridley Scott. |
|
| |
The Boston Phoenix
John Huston: Reflections on a
Golden Filmmaker. |
|
| |
Cinema-Scope
Scratch That Itch:
William
Friedkin on Bug. |
|
| |
Film Comment
Paul Schrader: The Book I Didn't Write. |
|
| |
Film International
Resurrecting Horror: "Rottweiler" and the Fantastic Films of
Brian Yuzna |
|
| |
Film Monthly
Guillermo Del Toro/Pan’s Labyrinth Interview. |
|
| |
|
|
| |
September
2006 |
|
| |
|
|
| |
Senses of Cinema
Otto Preminger and the End of
Classical Cinema. |
|
| |
Undercurrent
In an excerpt
from his forthcoming book on
Alexander Dovzhenko, author Marco Carynnyk weaves biography
and analysis in a consideration of the sources and patterns of
Dovzhenko's
Earth. |
|
| |
LA Weekly Not
of this Earth:
American Cinematheque fetes
Roger Corman at 80.
|
|
| |
MovieMaker
Master of the Universe:
Director Frank Coraci has the world in the palm of his hand. |
|
| |
Village Voice
In Living Color:
Tashlin's eye-popping '50s
artifacts pile on gags like live-action Looney Tunes. |
|
| |
Slant Magazine
Tashlin. |
|
| |
Bright
Lights Film Journal
"How My Brain Works": An Interview with Michel Gondry.
|
|
| |
British Film
Institute
Carol Reed Centenary. |
|
| |
Close-Up Film
Pedro Almodóvar chats about
Volver. |
|
| |
Filmmaker
Check Your Head: Two years after his short film about a
drug-addicted inner-city teacher won Sundance, Ryan Fleck
returned with his feature-length adaptation of that story,
Half Nelson. |
|
| |
|
|
| |
August
2006 |
|
| |
Sight & Sound
Songs For
Swinging Lovers:
Hou Hsiao-Hsien
may be a long-established name to the cognoscenti, but his work
is still little known in the UK. Three Times, his
exquisite new tripartite film, is about to change all that. |
|
| |
Off Screen The
Great Artist, the Little Fellow: Reading
Charlie Chaplin and James Agee. |
|
| |
Reverse
Shot
Robert Altman: An Interview. |
|
| |
Rouge
Dziga Vertov: Storyboard. |
|
| |
Slant Magazine Flesh and Desire:
The
Films of
Frank Borzage. |
|
| |
Close-Up Film
Urban Heroes/Urban Monsters:
The Cinema of
Martin Scorsese. |
|
| |
Future Movies
North &
South: Acclaimed director Laurent Cantet discusses his new film,
Heading South. |
|
| |
Bright
Lights Film Journal
Four Films in Search of an
Author: Egoyan Since Exotica. |
|
| |
Film
Comment
Elaine
May in Conversation with
Mike
Nichols. |
|
| |
The Guardian
Where angels fear to tread: No subject could be more
sensitive and difficult to film than the destruction of the
World Trade Center. But after a particularly bad run in
Hollywood, director
Oliver Stone
has everything to play for.
|
|
| |
|
|
| |
July
2006 |
|
| |
|
|
| |
Off Screen
The "Cult" of
Kubrick. |
|
| |
Cinema-Scope
Richard Kelly's Revelations: Defending Southland Tales. |
|
| |
Filmmaker
Agent Provocateur:
With
The
Outsider, cinematic bad-boy
James
Toback gets in front of the camera for first-time filmmaker
Nicholas Jarecki. |
|
| |
GreenCine
. |
|
| |
The Guardian
Man on
the moon: Women with a fetish for smelling rice, people shot
through plugholes and now a musical about a prince and a raccoon
in love. Dare you enter the extraordinary world of film-maker
Seijun Suzuki? |
|
| |
indieWIRE Interview:
Larry Clark, Director of "Wassup Rockers". |
|
| |
I On Cinema!
Interview:
Michael Winterbottom. |
|
| |
LA Weekly
Remembering
Pitfall:
How
De Toth’s noir
prefigured the era of the antihero (by
Bertrand Tavernier). |
|
| |
Midnight Eye Interview:
Shunichi Nagasaki. |
|
| |
MovieMaker
The Color of Forbidden
Fruit: Chen Kaige lights up the
screen with The Promise. |
|
| |
|
|
| |
June
2006 |
|
| |
|
|
| |
Off Screen
Dario Argento,
Maestro Auteur or Master Misogynist? |
|
| |
Cineuropa
Bruno Dumont: An interview with the provocative French director
who brought his latest film, Flandres, to the Cannes Film
Festival competition. |
|
| |
Film Comment
A Painful Case: A Conversation with Cristi Puiu, a director
under the influence. |
|
| |
Filmmaker
Teenage Wasteland: Scott Macaulay talks with David Slade about
his searing story of sexual trespass and vigilante justice, Hard Candy. |
|
| |
GreenCine
Fernando Solanas: “I am the Camera”. |
|
| |
The Guardian
'I've never been in the firing line like this before': Director
Richard Linklater is known for his gentle, Gen-X movies. Now
he's taking on the American meat industry with Fast Food Nation. |
|
| |
kamera
The Ozon layer: Antonio Pasolini talks to
François Ozon about his career and his new film, Le temps
qui reste (Time to Leave). |
|
| |
MovieMaker
Writer-Director David Jacobson tackles complex characters in
Down in the Valley. |
|
| |
Pop Matters
Shh…Its’s Starting: Mechanical Animal.
Who's the perfect silent film comedian for our techno-centric
age? Here's a hint: he's the classic
'stoneface' who made machines his friends, not his
entertainment enemies, during the course of his amazing
cinematic career. |
|
| |
Senses of Cinema
Spotlight on
Hou Hsiao-hsien. |
|
| |
|
|
| |
May
2006 |
|
| |
|
|
| |
The Guardian Slave to beauty:
Jacques Rivette's films are a
celebration of women, light, Paris in summer - and the power of
storytelling. David Thomson pays tribute to one of the greatest
living directors. |
|
| |
Film
Comment A Painful Case: A Conversation with Cristi Puiu,
a director under the influence. |
|
| |
Filmmaker L.A. Stories: Matthew Ross talks with
legendary writer/director Robert Towne about his filmic
meditations on Los Angeles, including his latest, Ask the
Dust, an adaptation of John Fante’s classic novel. |
|
| |
GreenCine Crossing
Borders with Eran Riklis. |
|
| |
LA Weekly Art School Rejects: Breakfast with
Terry Zwigoff and Daniel Clowes. |
|
| |
MovieMaker
Auteur Seeks Complex Character:
Writer-Director David Jacobson
tackles complex characters in Down in the Valley. |
|
| |
Sight & Sound
Under The Influence:
Dominik Moll openly avows
Hitchcock as an influence on
his film Lemming. But what is the meaning of this
affinity between the French and the lugubrious suspense master,
asks Robin Buss Plus Moll talks to James Bell. |
|
| |
Chicago Reader
The Epistemologist of Despair: If you're watching
Douglas Sirk for the camp value,
look deeper. |
|
| |
|
|
| |
April
2006 |
|
| |
|
|
| |
GreenCine
. |
|
| |
The Guardian Burning desire: John Turturro made his name
playing edgy outsiders - but he has always longed to make movies
based on his own turbulent upbringing. |
|
| |
kamera
Kieslowski special: the
director today. |
|
| |
LA Weekly Border Crossings:
Claire Denis On Intruders Internal and External.
|
|
| |
MovieMaker
The Lingering Auteur:
Legendary writer-director-photographer
Wim Wenders redefines the western
with Don’t Come Knocking. |
|
| |
Reverse Shot
Horns and Halos:
Neil Jordan’s Bedtime Stories. |
|
| |
Sight & Sound
Weight Of Water:
Award-winning films such as L'Enfant
have the
Dardenne
brothers pegged as grim realists but the painstaking pair do
far more than simply shoot what's there. |
|
| |
Chicago Reader Luc Moullet: Agent Provocateur of the New
Wave |
|
| |
Cineaste
Robert Bresson: Fire and Ice. |
|
| |
Cinema-Scope Song of Myself: Caveh Zahedi’s Cinema of
Self-Exposure. |
|
| |
|
|
| |
March
2006 |
|
| |
|
|
| |
Village Voice May Days:
Recapping a reclusive auteur's brilliant career,
from the Jewish new wave to a legendary bomb. |
|
| |
The New York Times The Fireworks of Elaine May. |
|
| |
Offscreen Dissecting the Branded Brain: An Interview
with Guy Maddin. |
|
| |
MovieMaker Original Voice, Weirdly Poetic:
Writer-director Rian Johnson
redefines film noir with Brick. |
|
| |
Rouge The '60s Without Compromise: Watching
Warhol's Films. |
|
| |
Bright Lights Film Journal
What the Sound Is Saying: How Music Moves in
Bertolucci. |
|
| |
Sight & Sound Ballad Of The Wild Boys:
The Proposition is an intense Australian Western set in the
harsh 19th-century outback. Director John Hillcoat and writer
Nick Cave describe its long gestation to Nick Roddick. |
|
| |
The Film Journal
Follow Him
Quietly:
Richard Fleischer
and the Consideration of Metteurs-en-scène. |
|
| |
Senses of Cinema Ride Lonesome: The Career of
Budd Boetticher. |
|
| |
GreenCine Pablo Berger: "I have to hypnotize." |
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| |
February
2006 |
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| |
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| |
Film
Comment
Claire Denis:
Interviewed by Gavin Smith. |
|
| |
MovieMaker Everything Comes Together:
For Marc Forster,
it’s still all about telling stories. |
|
| |
Offscreen
Another Time, Another Place: The horrific, the fantastic and
the fairy-like in the films of Agustín Villaronga. |
|
| |
Sight & Sound
Secrets, Lies & Videotape:
Michael Haneke's
Hidden
continues his probing of western audiences' guilt at their own
privilege. But are the threats we perceive all in the mind, asks
Catherine Wheatley. |
|
| |
Cinema-Scope
Peter Watkins—Notes and
Questions: Edvard Munch. |
|
| |
Cineuropa
Interview with Laurent Cantet. |
|
| |
GreenCine From the Drawing Board to Immersive Media with
Douglas Trumball. |
|
| |
kamera Director's cult:
Andrei Tarkovsky. An exclusive extract from Sean Martin's
new book
The Pocket Essential
Tarkovsky. |
|
| |
LA Weekly The Last of the Independents:
Michael Almereyda holds forth
on his William Eggleston documentary, multiple realities and his
own so-called career. |
|
| |
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|
| |
January
2006 |
|
| |
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|
| |
Sight & Sound
Mexico Rising: Interview with
Raúl Ruiz. |
|
| |
Offscreen
An Interview with
Peter Kubelka. |
|
| |
Audience
Billy Wilder
at London's National Film Theater: The Major and the Minor. |
|
| |
Cinema-Scope History is the Enemy of Art:
Philippe Garrel on Les
amants régulier. |
|
| |
Film Monthly
Lasse Helms All New Casanova. |
|
| |
GreenCine
|
|
| |
The Guardian
Mel Brooks: 'I do bad taste with
intelligence'. |
|
| |
Midnight Eye
Interview with Norio Tsuruta. |
|
| |
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|
| |
December
2005 |
|
| |
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|
| |
Rouge
Ford's Depth. |
|
| |
Reverse Shot
Land of the Dead: An Interview with Kiyoshi
Kurosawa . |
|
| |
Bright
Lights Film Journal Family Is Hell and So Is the
World: Talking to
Michael Haneke
at Cannes 2005. |
|
| |
Boston Phoenix
Figures in a landscape:
Budd
Boetticher’s American myths.. |
|
| |
Cineuropa Interview with Alain Berliner. |
|
| |
Film
Comment Rules
of Engagement: |
|
| |
Film Monthly
Memoirs of a Director:
Rob Marshall/Memoirs of a Geisha
Interview. |
|
| |
GreenCine
. |
|
| |
The Guardian Homeward bound:
Paul Verhoeven, the director who brought us
Robocop,
has left Hollywood to go back to his roots: freezing weather,
coffins and pig muck in the Netherlands. |
|
| |
Midnight Eye
Interview with Kohei Oguri. |
|
| |
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|
| |
November
2005 |
|
| |
|
|
| |
GreenCine
. |
|
| |
Senses of Cinema
Jacques Tati:
Last Bastion of Innocence. |
|
| |
Cineuropa Interview with Carlos Reygadas. |
|
| |
Film Monthly A Trip With Mr. Park and
All New Wallace and Gromit. |
|
| |
Filmmaker
Prime Time: With Good Night, and Good Luck
and Syriana, George Clooney continues to defy the
expectations of Hollywood stardom. |
|
| |
Gerald Peary
Remembering
Nicholas Ray. |
|
| |
The Guardian 'This film is unmarketable': Mike Mills
signed up Keanu Reeves, Tilda Swinton and Vince Vaughn for his
first feature. And still no one wanted to fund it. |
|
| |
ioncinema!
|
|
| |
L.A. Weekly Holistic Healer: Israel takes Gidi Dar’s
fundamentalist comedy to heart. |
|
| |
Midnight Eye A meeting with Shinji Aoyama, one of the
leading filmmakers of his generation. |
|
| |
|
|
| |
October
2005 |
|
| |
|
|
| |
Film
Comment
Mikio
Naruse: The Other Women and the View from the Outside. |
|
| |
Cineaste
Saying
'Yes' to Taking Risks: An Interview with Sally Potter. |
|
| |
Cinema-Scope
Mutual Appreciation Society: The World of Andrew Bujalski. |
|
| |
Film
International
|
|
| |
Film
Monthly
Exclusive
Cameron
Crowe Elizabethtown Interview. |
|
| |
Filmmaker
Presumed Missing: Shari Roman Interviews Keane's Lodge
Kerrigan. |
|
| |
GreenCine
Andrew Niccol Finds a World of "Macabre Absurdity". |
|
| |
The
Guardian Back from the Cold: After 20 years,
Ingmar
Bergman returns to cinema. We ask what the reclusive
director means to today's film-makers. |
|
| |
kamera
Walter Salles on Sound. |
|
| |
Midnight
Eye Kunihiko Tomioka: A meeting with the godfather of
Osaka's bustling indie film scene. |
|
| |
|
|
| |
September
2005 |
|
| |
|
|
| |
Reverse
Shot
Jim Jarmusch
Symposium. |
|
| |
Roger
Ebert A conversation with
Werner
Herzog. |
|
| |
Film
Monthly
Craven
Takes His Nightmares Above The Clouds. |
|
| |
GreenCine
|
|
| |
The
Guardian At the age of 78, documentary maker Albert
Maysles is still going strong. Geoffrey Macnab meets the father
confessor of factual cinema, who claims to love all people -
except George Bush. |
|
| |
LA
Weekly Man of the World: Though he
makes political films, Fernando Meirelles doesn’t see himself
as a political filmmaker. |
|
| |
Bright
Lights Film Journal Looking at
Charlie — the Mutuals: An Occasional Series on the Life and
Work of
Charlie Chaplin.
|
|
| |
BFI
The NFT celebrates the centenary of
Michael
Powell's birth with a season of films by the great British
director. |
|
| |
|
|
| |
August 2005 |
|
| |
|
|
| |
Senses
of Cinema “Why Not Have Our Own World?”:
Interview with
Andrzej Wajda. |
|
| |
Film
International
Larry Cohen:
Film Crazy. |
|
| |
Film
Monthly
Rob Cohen
Takes On New Territory in Summer Blockbuster. |
|
| |
Film-Philosophy
Carax - Philosophy in Film: On Daly and Dowd's "Leos Carax". |
|
| |
Filmmaker
Scott Macaulay speaks with filmmaker Craig Brewer, who won the
Audience Award at Sundance with Hustle & Flow, a
gritty love song to the Memphis rap scene and the creative
spirit. |
|
| |
GreenCine
|
|
| |
The
Guardian 'People were more afraid of the poetry': Sally
Potter's east-meets-west movie features an English pot-washer
hurling abuse at 'Arab bombers'. Did such topicality worry its
backers? |
|
| |
indieWIRE
Reworking
Toback's
"Fingers,"
Jacques Audiard On "The Beat". |
|
| |
Midnight
Eye Lee Sang-Il Interview. |
|
| |
Pop
Matters Something Else New: Interview with John
Singleton. |
|
| |
|
|
| |
July 2005 |
|
| |
|
|
| |
Cinema-Scope
A Man and a Movie Camera: Raymond Depardon’s Recent Films. |
|
| |
Audience
Director with a Thousand Faces:
George
Lucas, George W. Bush, and the Power of Myth. |
|
| |
BritMovie
The Rest Is Just Propaganda: The Influence
of Karel Reisz on the British New
Wave.
|
|
| |
Cineaste
Against the Grain: An Interview with Pawel
Pawlikowski.
|
|
| |
GreenCine
The Miranda Act: Miranda July and You and Everyone We Know.
|
|
| |
The
Guardian 'Trust me. I am not God,
but I am
Antonioni'.
|
|
| |
indieWIRE
5 Questions for Andrew Wagner,
Writer/Director of "The Talent Given Us".
|
|
| |
kamera
A Quick Chat With Patrick Keiller.
|
|
| |
MovieMaker
Even Sweeter the Second Time Around: With
her new film, Lords of Dogtown, Catherine Hardwicke shows
the success of Thirteen was no fluke.
|
|
| |
Reverse
Shot King of Kings: An
Interview with Arnaud Desplechin. |
|
| |
|
|
| |
June 2005 |
|
| |
|
|
| |
Film
Comment
Michael Powell:
Rethinking a British legend. |
|
| |
Senses
of Cinema
Maurice Pialat
and John Cassavetes: A
scholarly – and long overdue – analysis of the affinities
and differences between these two filmmakers of immense stature. |
|
| |
Boston
Phoenix Difficult People:
The
microcosms of Kira Muratova. |
|
| |
Filmmaker Home Movie: An Interview With Writer-Director Matt
Zoller Seitz. |
|
| |
GreenCine
. |
|
| |
The
Guardian The lost prophet: Jonathan Coe stays up past
midnight with some French admirers of
Lindsay
Anderson. |
|
| |
indieWIRE
Papa Dearest: "Tell Them Who You Are's" Haskell Wexler
Battles His Offspring. |
|
| |
Off
Screen
Tsai Ming-liang Retrospective. |
|
| |
Rouge
The Arc of Passions: Bill Viola’s New
Works.
|
|
| |
Village
Voice
Wrath of
'Zog:
At 62,
Werner
Herzog is still documenting obsessions, and struggling with
his own. |
|
| |
|
|
| |
May 2005 |
|
| |
|
|
| |
Bright
Lights Film Journal
Douglas
Sirk!: A salute to the zany Dane from Bright Lights' dusty archives.
|
|
| |
Cineaste
The Testaments of
Fritz Lang. |
|
| |
Filmmaker
The Wonder Years: After a six-year hiatus,
Gregg Araki returns to feature filmmaking with Mysterious Skin,
a haunting story about childhood sexual abuse. |
|
| |
GreenCine "Free to Investigate":
Hal
Hartley. |
|
| |
The
Guardian When Worlds Collide:
Ridley
Scott explains how 9/11,
David Lean
and cheating at conkers led him to make his epic film of the
crusades, Kingdom of Heaven. |
|
| |
kamera
An Interview with Minh Nguyen-Vo.
|
|
| |
Midnight
Eye Midnight Eye salutes the
multi-faceted talents of director Kihachi Okamoto - of Sword of
Doom, Human Bullet and Red Lion fame - who passed away last
February at the age of 81. |
|
| |
MovieMaker
Appetite for Self Destruction: David
Duchovny writes and directs House of D.
|
|
| |
Spliced
Wire Ballard Goes Back to Nature: Director known for
quality kids-and-animals fare talks about avoiding clichés for
'Duma'. |
|
| |
Sight
& Sound Impulse: How good was
Otto
Preminger? Here David Thomson puts the director on trial,
linking two Lauras to make his defence case. |
|
| |
|
|
| |
April 2005 |
|
| |
|
|
| |
Cinemad
The Universal Language: An Interview with Alejandro Jodorowsky. |
|
| |
Cinema-Scope
Garden Party:
Frederick
Wiseman’s Society of the Spectacle. |
|
| |
Filmmaker
Sticks and Stones: Patrick Z. McGavin speaks with French
writer-director Agnès Jaoui about her Cannes prize-winning
social satire Look at Me. |
|
| |
Gerald
Peary 1977 Interview with
Agnes
Varda. |
|
| |
The
Guardian Joshua Marston went to Colombia to find actors
for Maria Full of Grace, his film about drug mules. And that was
just the first hurdle, he tells fellow director
Anthony
Minghella. |
|
| |
indieWIRE
Talking about the Terroir: Jonathan Nossiter's Wine Doc,
"Mondovino". |
|
| |
Midnight
Eye Interview with Shinji Aramaki. |
|
| |
Bright
Lights Film Journal An interview with
Clint
Eastwood. |
|
| |
Senses
of Cinema
Renoir
and the Scandal of “First Love” or The Perils of Catherine.
|
|
| |
|
|
| |
March 2005 |
|
| |
|
|
| |
Sight & Sound
| Lesser spotted fish and other stories…Wes
Anderson's latest offbeat ensemble comedy The Life
Aquatic plays like 8 1/2 made by Jacques
Cousteau. [
TSPDT
Info ] |
|
| |
Guardian
| Into the Deep:
Wes
Anderson is funny on the surface, but with something
subterranean going on. [
TSPDT
Info ] |
|
| |
GreenCine
| Two
Conversations with
Christopher Munch. |
|
| |
indieWIRE
| Talking
About "Nobody Knows" with A Magician of the Cinema,
Hirokazu
Kore-Eda. |
|
| |
Midnight Eye
|
He has made everything from Sonny Chiba actioners to Edo-period
torture chronicles. Midnight Eye talks to the 'King of Cult',
Teruo
Ishii. |
|
| |
MovieMaker
| In True Indie Fashion:
Editor-turned-director
Curtiss
Clayton strikes out on his own with Daniel "Lemony
Snicket" Handler's script, Rick. |
|
| |
Bright
Lights Film Journal |
Howard
Hughes and Hollywood: A Salute to the playboy entrepeneur of
Tinseltown. |
|
| |
Senses
of Cinema | Hell's
Angels: An Interview with
Catherine
Breillat on Anatomy of Hell. |
|
| |
Boston
Phoenix | Broken
lines, interrupted movements:
A
‘warrior
of conscience’ at the MFA. [
TSPDT
Info ] |
|
| |
|
|
| |
February
2005 |
|
| |
|
|
| |
Kinoeye
| From
the eye to the hand:
The victim's
double vision in the films of
Roman
Polanski. [
TSPDT
Info ] |
|
| |
Filmmaker |
Wise
Men: Interview with
Lama
Khyentse Norbu, director of Travellers and Magicians,
the first film ever to be shot in Bhutan. |
|
| |
GreenCine |
|
|
| |
Guardian | Tale
of the Century:
Greece's
greatest living film-maker has embarked on his most
ambitious project yet. [
TSPDT
Info ] |
|
| |
kamera
| Career Retrospective:
Jean-Pierre
Melville. [
TSPDT
Info ] |
|
| |
MovieMaker
| Taking Aim at the Establishment:
Robert
Greenwald on politics, moviemaking and innovative ways to
make self-distribution profitable. |
|
| |
Reverse
Shot |
Tsai
Ming-liang Symposium. |
|
| |
Sight & Sound
|
James
Toback is one of the few true film mavericks. Here Easy
Riders, Raging Bulls author Peter Biskind talks to him
about sex scenes in his new When Will I Be Loved.
[
TSPDT
Info ] |
|
| |
The
Film Journal | In-Focus
Series: The Films of
Robert
Mulligan. [
TSPDT
Info ] |
|
| |
Film
Monthly |
Paul
Weitz/In Good Company Interview. |
|
| |
|
|
| |
January
2005 |
|
| |
|
|
| |
LA
Weekly | For
a Few Million More...In his 24th film since Play Misty for Me,
Clint
Eastwood is still working on Hollywood’s longest second
act. [
TSPDT
Info ] |
|
| |
Midnight
Eye | An interview with
one
of the great unknown giants of Japanese animation. |
|
| |
MovieMaker |
The
Power of “Warts and All” Moviemaking.
Taylor
Hackford takes on Ray Charles and Jamie Foxx. [
TSPDT
Info ] |
|
| |
Rouge
|
Ozu's
Angry Women. [
TSPDT
Info ] |
|
| |
Bright
Lights Film Journal |
Capra's
Corn? Dante...Dickens...Capra [
TSPDT
Info ] |
|
| |
Sight
& Sound |
[
TSPDT
Info ] |
|
| |
Cineaste
|
Almodóvar
and the New Politics of Spain.
[
TSPDT
Info ] |
|
| |
Cinema-Scope
|
Woman Is the Future of Man:
Ousmane
Sembène on Moolaadé. [
TSPDT
Info ] |
|
| |
Film
Monthly |
Schumacher
Takes On A Different Kind of Icon. [
TSPDT
Info ] |
|
| |
|
|
| |
December
2004 |
|
| |
|
|
| |
Guardian | What
Stanley
didn't say. [
TSPDT
Info ] |
|
| |
Filmmaker | Check-Up
with
Dr.
Strangelove by Terry Southern. [
TSPDT
Info ] |
|
| |
Film
Comment |
Pedro
Almodóvar Interviewed. [
TSPDT
Info ] |
|
| |
The
Film Journal | The
Farrelly
Brothers' Body (dys)functions. [
TSPDT
Info ] |
|
| |
Film
Monthly
|
Stone
Takes On A Great Alexander.
[
TSPDT
Info ] |
|
| |
Flickhead
|
Luis
Buñuel Remembered by Jean-Claude Carrière. [
TSPDT
Info ] |
|
| |
Green
Cine |
|
|
| |
indieWIRE |
Jean-Pierre
Jeunet, With A Distaste for War, On His Bittersweet "A
Very Long Engagement". |
|
| |
kamera | A
Quick Chat With
Bruce
LaBruce. |
|
| |
Kinoeye |
A stubborn quest for historical
truth:
Aleksei
German interviewed. |
|
| |
|
|
| |
November
2004 |
|
| |
|
|
| |
The
Film Journal | There's
No Magic: A Conversation With
George
A. Romero. [
TSPDT
Info ] |
|
| |
Film
Monthly | Payne Goes Sideways and Smells The Wine:
Interview with
Alexander
Payne. Plus
Filmmaker
Interview. |
|
| |
Filmmaker
| Midwife Crisis: An
interview with
Mike
Leigh. [
TSPDT
Info ] |
|
| |
Flickhead |
Russ
Meyer: 1922-2004. |
|
| |
indieWIRE |
David
Gordon Green Talks About "Undertow," His
"Southern Tall Tale". |
|
| |
kamera | A
Quick Chat With
Pawel
Pawlikowski. |
|
| |
kinoeye |
He
came, he saw...:
An overview of
Elem
Klimov's career. |
|
| |
Slant
Magazine |
Jerry
Lewis: The Clown Who Cried. [
TSPDT
Info ] |
|
| |
Senses
of Cinema |
Keith
Gordon on Keith Gordon, Part One: From Actor to Director.
[
TSPDT
Info ] |
|
| |
DGA
| Reconstructing
Sam
Fuller's The Big Red One. [
TSPDT
Info ] **A
different
perspective on The Big Red One restoration** |
|
| |
|
|
| |
October
2004 |
|
| |
|
|
| |
|