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| George
A. Romero |
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| Director
/ Screenwriter / Editor / Actor / Cinematographer |
| 1940 - |
| Born February 4,
New York, New York, USA |
| Key
Production Country: USA |
| Key Genres:
Horror, Monster Film,
Natural Horror |
| Key
Collaborators: Richard P. Rubinstein
(Producer), Michael Gornick (Cinematographer), Christine Forrest (Character Player), John Amplas
(Character Player), Tom
Savini (Character Player), Pasquale Buba (Editor), Cletus Anderson (Production Designer),
Joseph Pilato (Character Player) |
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Highly Recommended: Night
of the Living Dead (1968) |
| Recommended:
Martin (1977), Dawn
of the Dead (1978) |
| Links:
[ IMDB ] [ All-Movie
Guide ] [
Senses of Cinema: Great Directors ] [
Film Reference ]
[ Official Website ]
[ Homepage
of the Dead ] [
Film Journal
Interview ] [ House
of Horrors Biography ] [ GreenCine
Interview (2005) ] [
Film
Comment Article (2008) ] |
| Books: [
Gospel of the Living Dead: George Romero's Visions of Hell on Earth
]
[
The Cinema of George A. Romero: Knight of the Living Dead ] [
The
Zombies That Ate Pittsburgh: The Films of George A. Romero ] |
| DVD's:
[ Amazon
] |
| 1,000
Greatest Films: Night of the
Living Dead (1968), Dawn
of the Dead (1978), Day of the Dead (1985) |
|
21st Century's Most Acclaimed Films:
Land of the Dead (2005) |
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"One
of America's most effective directors of chillers and horror
films from 1968 to 1988, Romero has dissipated his talents too
much. Still, his Night of the Living Dead, made in black
and white, remains one of the rare examples of true horror in
recent Hollywood history." - David
Quinlan (Quinlan's Film Directors, 1999) |
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"Romero's first
feature, Night of the Living Dead (1968), remains a
landmark of the modern horror film...Two sequels ensued, the
equally gripping Dawn of the Dead (1978) and the
disappointing Day of the Dead (1985)...Although Romero's
work has been uneven and at its best erratic, the influence of
his blood-and-gore approach to horror can be detected in the
films of such directors as Brian De
Palma,
John Carpenter,
David Cronenberg,
and Wes Craven." - (The
MacMillan International Film Encyclopedia, 1994) |
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"Although
an erratic talent, George Andrew Romero remains important for
his virtually single-handed development of the horror film from
a form where menace was suggested and shadowy to a newly
visceral genre in which gore and violence are largely
explicit...Romero may be seen to have taken up where
Hitchcock's Psycho and
the Italian
Mario Bava
left off" - Geoff
Andrew (The Film Handbook, 1989) |
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