TSPDT

Below is a straightforward listing of the 1,000 Greatest Films in ascending ranking order. The number in brackets is the position each film held in last year's edition (2025).

1. (1) CITIZEN KANE (Orson Welles, 1941, USA, 119m, BW)
2. (2) VERTIGO (Alfred Hitchcock, 1958, USA, 128m, Col)
3. (3) 2001: A SPACE ODYSSEY (Stanley Kubrick, 1968, UK-USA, 139m, Col)
4. (4) TOKYO STORY (Yasujiro Ozu, 1953, Japan, 134m, BW)
5. (5) THE RULES OF THE GAME (Jean Renoir, 1939, France, 113m, BW)
6. (6) THE GODFATHER (Francis Ford Coppola, 1972, USA, 175m, Col)
7. (7) 8½ (Federico Fellini, 1963, Italy, 135m, BW)
8. (8) SUNRISE: A SONG OF TWO HUMANS (F.W. Murnau, 1927, USA, 110m, BW)
9. (9) THE SEARCHERS (John Ford, 1956, USA, 119m, Col)
10. (10) SEVEN SAMURAI (Akira Kurosawa, 1954, Japan, 200m, BW)

11. (11) SINGIN' IN THE RAIN (Stanley Donen & Gene Kelly, 1952, USA, 102m, Col)
12. (12) JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Akerman, 1975, Belgium-France, 201m, Col)
13. (13) APOCALYPSE NOW (Francis Ford Coppola, 1979, USA, 150m, Col)
14. (15) TAXI DRIVER (Martin Scorsese, 1976, USA, 113m, Col)
15. (14) BICYCLE THIEVES (Vittorio De Sica, 1948, Italy, 89m, BW)
16. (16) PERSONA (Ingmar Bergman, 1966, Sweden, 83m, BW)
17. (17) IN THE MOOD FOR LOVE (Wong Kar-wai, 2000, Hong Kong-France, 97m, Col)
18. (18) BREATHLESS (Jean-Luc Godard, 1960, France, 89m, BW)
19. (19) THE PASSION OF JOAN OF ARC (Carl Theodor Dreyer, 1928, France, 110m, BW)
20. (21) BATTLESHIP POTEMKIN (Sergei Eisenstein, 1925, USSR, 71m, BW)
21. (20) L'ATALANTE (Jean Vigo, 1934, France, 89m, BW)
22. (22) MAN WITH A MOVIE CAMERA (Dziga Vertov, 1929, USSR, 80m, BW)
23. (23) MIRROR (Andrei Tarkovsky, 1975, USSR, 107m, Col-BW)
24. (26) PSYCHO (Alfred Hitchcock, 1960, USA, 109m, BW)
25. (24) RASHOMON (Akira Kurosawa, 1950, Japan, 88m, BW)
26. (25) CITY LIGHTS (Charles Chaplin, 1931, USA, 86m, BW)
27. (27) THE 400 BLOWS (François Truffaut, 1959, France, 99m, BW)
28. (28) ANDREI RUBLEV (Andrei Tarkovsky, 1966, USSR, 185m, Col-BW)
29. (30) MULHOLLAND DR. (David Lynch, 2001, USA-France, 147m, Col)
30. (33) THE GODFATHER PART II (Francis Ford Coppola, 1974, USA, 200m, Col)
31. (31) SOME LIKE IT HOT (Billy Wilder, 1959, USA, 121m, BW)
32. (29) AU HASARD BALTHAZAR (Robert Bresson, 1966, France, 95m, BW)
33. (34) LA DOLCE VITA (Federico Fellini, 1960, Italy, 175m, BW)
34. (32) ORDET (Carl Theodor Dreyer, 1955, Denmark, 125m, BW)
35. (35) RAGING BULL (Martin Scorsese, 1980, USA, 129m, BW)
36. (36) THE NIGHT OF THE HUNTER (Charles Laughton, 1955, USA, 92m, BW)
37. (38) CASABLANCA (Michael Curtiz, 1942, USA, 102m, BW)
38. (37) L'AVVENTURA (Michelangelo Antonioni, 1960, Italy-France, 145m, BW)
39. (39) BLADE RUNNER (Ridley Scott, 1982, USA, 118m, Col)
40. (40) REAR WINDOW (Alfred Hitchcock, 1954, USA, 112m, Col)
41. (43) SUNSET BLVD. (Billy Wilder, 1950, USA, 110m, BW)
42. (41) TOUCH OF EVIL (Orson Welles, 1958, USA, 108m, BW)
43. (44) BARRY LYNDON (Stanley Kubrick, 1975, UK, 183m, Col)
44. (45) CONTEMPT (Jean-Luc Godard, 1963, France-Italy, 103m, Col)
45. (42) PLAYTIME (Jacques Tati, 1967, France, 108m, Col)
46. (46) PATHER PANCHALI (Satyajit Ray, 1955, India, 112m, BW)
47. (47) CLOSE-UP (Abbas Kiarostami, 1990, Iran, 98m, Col)
48. (49) LAWRENCE OF ARABIA (David Lean, 1962, UK, 216m, Col)
49. (48) STALKER (Andrei Tarkovsky, 1979, USSR, 160m, Col-BW)
50. (50) THE GENERAL (Buster Keaton & Clyde Bruckman, 1926, USA, 74m, BW)

51. (51) MODERN TIMES (Charles Chaplin, 1936, USA, 89m, BW)
52. (52) BEAU TRAVAIL (Claire Denis, 1999, France, 92m, Col)
53. (55) M (Fritz Lang, 1931, Germany, 99m, BW)
54. (54) THE THIRD MAN (Carol Reed, 1949, UK, 104m, BW)
55. (56) LATE SPRING (Yasujiro Ozu, 1949, Japan, 108m, BW)
56. (53) THE APARTMENT (Billy Wilder, 1960, USA, 125m, BW)
57. (57) NORTH BY NORTHWEST (Alfred Hitchcock, 1959, USA, 136m, Col)
58. (58) UGETSU MONOGATARI (Kenji Mizoguchi, 1953, Japan, 96m, BW)
59. (60) GOODFELLAS (Martin Scorsese, 1990, USA, 146m, Col)
60. (59) THE BATTLE OF ALGIERS (Gillo Pontecorvo, 1966, Italy-Algeria, 121m, BW)
61. (61) LA GRANDE ILLUSION (Jean Renoir, 1937, France, 117m, BW)
62. (62) WILD STRAWBERRIES (Ingmar Bergman, 1957, Sweden, 90m, BW)
63. (63) RIO BRAVO (Howard Hawks, 1959, USA, 141m, Col)
64. (64) FANNY AND ALEXANDER (Ingmar Bergman, 1982, Sweden, 189m, Col)
65. (66) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964, UK-USA, 93m, BW)
66. (65) SHOAH (Claude Lanzmann, 1985, France, 566m, Col)
67. (67) ONCE UPON A TIME IN THE WEST (Sergio Leone, 1968, Italy-USA, 165m, Col)
68. (70) CHINATOWN (Roman Polanski, 1974, USA, 131m, Col)
69. (69) JOURNEY TO ITALY (Roberto Rossellini, 1954, Italy, 97m, BW)
70. (68) PIERROT LE FOU (Jean-Luc Godard, 1965, France-Italy, 110m, Col)
71. (71) DO THE RIGHT THING (Spike Lee, 1989, USA, 120m, Col)
72. (72) METROPOLIS (Fritz Lang, 1927, Germany, 153m, BW)
73. (73) A WOMAN UNDER THE INFLUENCE (John Cassavetes, 1974, USA, 155m, Col)
74. (76) LES ENFANTS DU PARADIS (Marcel Carné, 1945, France, 195m, BW)
75. (74) LA STRADA (Federico Fellini, 1954, Italy, 115m, BW)
76. (75) THE LEOPARD (Luchino Visconti, 1963, Italy-France, 186m, Col)
77. (77) AMARCORD (Federico Fellini, 1973, Italy, 127m, Col)
78. (82) IT'S A WONDERFUL LIFE (Frank Capra, 1946, USA, 129m, BW)
79. (79) THE WILD BUNCH (Sam Peckinpah, 1969, USA, 135m, Col)
80. (78) PULP FICTION (Quentin Tarantino, 1994, USA, 154m, Col)
81. (80) VIRIDIANA (Luis Buñuel, 1961, Spain, 90m, BW)
82. (91) JAWS (Steven Spielberg, 1975, USA, 124m, Col)
83. (86) THE SHINING (Stanley Kubrick, 1980, USA-UK, 142m, Col)
84. (81) A MAN ESCAPED (Robert Bresson, 1956, France, 102m, BW)
85. (90) BLUE VELVET (David Lynch, 1986, USA, 120m, Col)
86. (85) SANSHO THE BAILIFF (Kenji Mizoguchi, 1954, Japan, 125m, BW)
87. (87) THE CONFORMIST (Bernardo Bertolucci, 1970, Italy-France-West Germany, 107m, Col)
88. (84) THE SEVENTH SEAL (Ingmar Bergman, 1957, Sweden, 96m, BW)
89. (83) THE MAN WHO SHOT LIBERTY VALANCE (John Ford, 1962, USA, 119m, BW)
90. (92) NASHVILLE (Robert Altman, 1975, USA, 160m, Col)
91. (89) THE MAGNIFICENT AMBERSONS (Orson Welles, 1942, USA, 88m, BW)
92. (88) PICKPOCKET (Robert Bresson, 1959, France, 75m, BW)
93. (93) THE GOLD RUSH (Charles Chaplin, 1925, USA, 82m, BW)
94. (95) LA JETÉE (Chris Marker, 1962, France, 27m, BW)
95. (94) GERTRUD (Carl Theodor Dreyer, 1964, Denmark, 116m, BW)
96. (96) SANS SOLEIL (Chris Marker, 1983, France, 100m, Col)
97. (97) CLÉO FROM 5 TO 7 (Agnès Varda, 1962, France, 90m, BW)
98. (99) JULES ET JIM (François Truffaut, 1962, France, 104m, BW)
99. (98) TO BE OR NOT TO BE (Ernst Lubitsch, 1942, USA, 99m, BW)
100. (100) MESHES OF THE AFTERNOON (Maya Deren & Alexander Hammid, 1943, USA, 15m, BW)

101. (101) THE MOTHER AND THE WHORE (Jean Eustache, 1973, France, 210m, BW)
102. (102) SÁTÁNTANGÓ (Béla Tarr, 1994, Hungary-Germany-Switzerland, 439m, BW)
103. (104) MADAME DE... (Max Ophüls, 1953, France-Italy, 105m, BW)
104. (103) SHERLOCK JR. (Buster Keaton, 1924, USA, 45m, BW)
105. (105) A CLOCKWORK ORANGE (Stanley Kubrick, 1971, UK, 137m, Col)
106. (106) IKIRU (Akira Kurosawa, 1952, Japan, 143m, BW)
107. (107) ALI: FEAR EATS THE SOUL (Rainer Werner Fassbinder, 1974, West Germany, 94m, Col)
108. (108) AGUIRRE, THE WRATH OF GOD (Werner Herzog, 1972, West Germany, 94m, Col)
109. (110) COME AND SEE (Elem Klimov, 1985, USSR, 142m, Col)
110. (109) ANNIE HALL (Woody Allen, 1977, USA, 93m, Col)
111. (112) THE SPIRIT OF THE BEEHIVE (Víctor Erice, 1973, Spain, 95m, Col)
112. (111) LAST YEAR AT MARIENBAD (Alain Resnais, 1961, France-Italy, 94m, BW)
113. (113) ONCE UPON A TIME IN AMERICA (Sergio Leone, 1984, Italy-USA, 229m, Col)
114. (114) GREED (Erich von Stroheim, 1924, USA, 140m, BW)
115. (117) THE WIZARD OF OZ (Victor Fleming, 1939, USA, 101m, Col-BW)
116. (115) THE PIANO (Jane Campion, 1993, New Zealand-Australia-France, 121m, Col)
117. (116) A BRIGHTER SUMMER DAY (Edward Yang, 1991, Taiwan-South Korea, 237m, Col)
118. (118) YI YI (Edward Yang, 2000, Taiwan-Japan, 173m, Col)
119. (119) DON'T LOOK NOW (Nicolas Roeg, 1973, UK-Italy, 110m, Col)
120. (120) HIROSHIMA MON AMOUR (Alain Resnais, 1959, France-Japan, 91m, BW)
121. (121) THE RED SHOES (Michael Powell & Emeric Pressburger, 1948, UK, 133m, Col)
122. (128) ALIEN (Ridley Scott, 1979, USA-UK, 117m, Col)
123. (132) E.T. THE EXTRA-TERRESTRIAL (Steven Spielberg, 1982, USA, 115m, Col)
124. (123) BRINGING UP BABY (Howard Hawks, 1938, USA, 102m, BW)
125. (122) BLOW-UP (Michelangelo Antonioni, 1966, Italy-UK, 111m, Col)
126. (126) A DAY IN THE COUNTRY (Jean Renoir, 1936, France, 40m, BW)
127. (127) NOTORIOUS (Alfred Hitchcock, 1946, USA, 101m, BW)
128. (129) VIVRE SA VIE (Jean-Luc Godard, 1962, France, 85m, BW)
129. (125) INTOLERANCE (D.W. Griffith, 1916, USA, 178m, BW)
130. (124) L'ECLISSE (Michelangelo Antonioni, 1962, Italy-France, 126m, BW)
131. (137) SPIRITED AWAY (Hayao Miyazaki, 2001, Japan, 124m, Col)
132. (131) A MATTER OF LIFE AND DEATH (Michael Powell & Emeric Pressburger, 1946, UK, 104m, Col-BW)
133. (130) LETTER FROM AN UNKNOWN WOMAN (Max Ophüls, 1948, USA, 90m, BW)
134. (134) ALL ABOUT EVE (Joseph L. Mankiewicz, 1950, USA, 138m, BW)
135. (135) LOS OLVIDADOS (Luis Buñuel, 1950, Mexico, 88m, BW)
136. (133) THE EXTERMINATING ANGEL (Luis Buñuel, 1962, Mexico, 95m, BW)
137. (152) STAR WARS (George Lucas, 1977, USA, 121m, Col)
138. (136) IMITATION OF LIFE (Douglas Sirk, 1959, USA, 124m, Col)
139. (141) HIS GIRL FRIDAY (Howard Hawks, 1940, USA, 92m, BW)
140. (138) HISTOIRE(S) DU CINÉMA (Jean-Luc Godard, 1988-98, France, 267m, Col-BW)
141. (140) GONE WITH THE WIND (Victor Fleming, 1939, USA, 222m, Col)
142. (146) NOSFERATU (F.W. Murnau, 1922, Germany, 84m, BW)
143. (153) THERE WILL BE BLOOD (Paul Thomas Anderson, 2007, USA, 158m, Col)
144. (139) MY DARLING CLEMENTINE (John Ford, 1946, USA, 97m, BW)
145. (142) ROME, OPEN CITY (Roberto Rossellini, 1945, Italy, 105m, BW)
146. (145) DAISIES (Věra Chytilová, 1966, Czechoslovakia, 76m, Col-BW)
147. (151) WANDA (Barbara Loden, 1970, USA, 105m, Col)
148. (143) CÉLINE AND JULIE GO BOATING (Jacques Rivette, 1974, France, 192m, Col)
149. (144) THE GOSPEL ACCORDING TO ST. MATTHEW (Pier Paolo Pasolini, 1964, Italy-France, 135m, BW)
150. (147) ONE FLEW OVER THE CUCKOO'S NEST (Milos Forman, 1975, USA, 133m, Col)
151. (148) THE UMBRELLAS OF CHERBOURG (Jacques Demy, 1964, France-Germany, 91m, Col)
152. (150) THE CONVERSATION (Francis Ford Coppola, 1974, USA, 113m, Col)
153. (149) KILLER OF SHEEP (Charles Burnett, 1977, USA, 83m, BW)
154. (155) UN CHIEN ANDALOU (Luis Buñuel, 1928, France, 16m, BW)
155. (157) DAYS OF HEAVEN (Terrence Malick, 1978, USA, 95m, Col)
156. (154) THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966, Italy-Spain, 161m, Col)
157. (163) DOUBLE INDEMNITY (Billy Wilder, 1944, USA, 106m, BW)
158. (158) TROUBLE IN PARADISE (Ernst Lubitsch, 1932, USA, 83m, BW)
159. (168) THE DEER HUNTER (Michael Cimino, 1978, USA, 183m, Col)
160. (156) L'ARGENT (Robert Bresson, 1983, France-Switzerland, 90m, Col)
161. (159) CHUNGKING EXPRESS (Wong Kar-wai, 1994, Hong Kong, 104m, Col)
162. (161) MY NEIGHBOUR TOTORO (Hayao Miyazaki, 1988, Japan, 86m, Col)
163. (160) CRIES AND WHISPERS (Ingmar Bergman, 1972, Sweden, 106m, Col)
164. (164) TROPICAL MALADY (Apichatpong Weerasethakul, 2004, Thailand-France-Germany-Italy, 118m, Col)
165. (162) MANHATTAN (Woody Allen, 1979, USA, 96m, BW)
166. (172) ROSEMARY'S BABY (Roman Polanski, 1968, USA, 136m, Col)
167. (166) THE PASSENGER (Michelangelo Antonioni, 1975, Italy, 119m, Col)
168. (165) BADLANDS (Terrence Malick, 1973, USA, 95m, Col)
169. (167) L'ÂGE D'OR (Luis Buñuel, 1930, France, 63m, BW)
170. (170) THE TEXAS CHAIN SAW MASSACRE (Tobe Hooper, 1974, USA, 83m, Col)
171. (169) DEKALOG (Krzysztof Kieslowski, 1989, Poland-West Germany, 550m, Col)
172. (176) THE DISCREET CHARM OF THE BOURGEOISIE (Luis Buñuel, 1972, France-Italy-Spain, 102m, Col)
173. (182) PORTRAIT OF A LADY ON FIRE (Céline Sciamma, 2019, France, 121m, Col)
174. (200) RAIDERS OF THE LOST ARK (Steven Spielberg, 1981, USA, 115m, Col)
175. (171) ONLY ANGELS HAVE WINGS (Howard Hawks, 1939, USA, 121m, BW)
176. (173) STAGECOACH (John Ford, 1939, USA, 96m, BW)
177. (177) BRIEF ENCOUNTER (David Lean, 1945, UK, 85m, BW)
178. (174) TOUKI BOUKI (Djibril Diop Mambéty, 1973, Senegal, 85m, Col)
179. (175) DUCK SOUP (Leo McCarey, 1933, USA, 70m, BW)
180. (204) CLOSE ENCOUNTERS OF THE THIRD KIND (Steven Spielberg, 1977, USA, 135m, Col)
181. (179) THE BIRDS (Alfred Hitchcock, 1963, USA, 119m, Col)
182. (183) JOHNNY GUITAR (Nicholas Ray, 1954, USA, 110m, Col)
183. (178) RAN (Akira Kurosawa, 1985, France-Japan, 161m, Col)
184. (185) MOUCHETTE (Robert Bresson, 1967, France, 80m, BW)
185. (180) THE COLOUR OF POMEGRANATES (Sergei Parajanov, 1969, USSR, 80m, Col)
186. (181) EARTH (Alexander Dovzhenko, 1930, USSR, 75m, BW)
187. (190) VAMPYR (Carl Theodor Dreyer, 1932, Germany-France, 73m, BW)
188. (188) NAPOLÉON (Abel Gance, 1927, France, 235m, BW)
189. (187) OUT OF THE PAST (Jacques Tourneur, 1947, USA, 97m, BW)
190. (196) PARIS, TEXAS (Wim Wenders, 1984, West Germany-France-UK, 150m, Col)
191. (184) THE RIVER (Jean Renoir, 1951, France-India-USA, 99m, Col)
192. (193) THE TREE OF LIFE (Terrence Malick, 2011, USA, 139m, Col)
193. (186) CHIMES AT MIDNIGHT (Orson Welles, 1965, Switzerland-Spain, 115m, BW)
194. (194) BLACK NARCISSUS (Michael Powell & Emeric Pressburger, 1947, UK, 99m, Col)
195. (199) THE GLEANERS & I (Agnès Varda, 2000, France, 82m, Col)
196. (189) LA NOTTE (Michelangelo Antonioni, 1961, Italy-France, 120m, BW)
197. (197) PAISAN (Roberto Rossellini, 1946, Italy, 120m, BW)
198. (205) KING KONG (Merian C. Cooper & Ernest B. Schoedsack, 1933, USA, 103m, BW)
199. (191) NIGHTS OF CABIRIA (Federico Fellini, 1957, Italy-France, 110m, BW)
200. (192) ROCCO AND HIS BROTHERS (Luchino Visconti, 1960, Italy-France, 180m, BW)

201. (195) SPRING IN A SMALL TOWN (Fei Mu, 1948, China, 98m, BW)
202. (201) SALÒ, OR THE 120 DAYS OF SODOM (Pier Paolo Pasolini, 1975, Italy-France, 117m, Col)
203. (198) THE LADY EVE (Preston Sturges, 1941, USA, 94m, BW)
204. (203) ON THE WATERFRONT (Elia Kazan, 1954, USA, 108m, BW)
205. (206) THE LAST LAUGH (F.W. Murnau, 1924, Germany, 77m, BW)
206. (202) A CITY OF SADNESS (Hou Hsiao-hsien, 1989, Taiwan-Hong Kong, 157m, Col)
207. (208) NEWS FROM HOME (Chantal Akerman, 1976, Belgium-France-West Germany, 85m, Col)
208. (211) THE THING (John Carpenter, 1982, USA, 108m, Col)
209. (207) VAGABOND (Agnès Varda, 1985, France, 105m, Col)
210. (210) THE GREAT DICTATOR (Charles Chaplin, 1940, USA, 128m, BW)
211. (218) MAGNOLIA (Paul Thomas Anderson, 1999, USA, 188m, Col-BW)
212. (209) DEATH IN VENICE (Luchino Visconti, 1971, Italy, 130m, Col)
213. (213) WINGS OF DESIRE (Wim Wenders, 1987, West Germany-France, 130m, Col-BW)
214. (212) THE LIFE AND DEATH OF COLONEL BLIMP (Michael Powell & Emeric Pressburger, 1943, UK, 163m, Col)
215. (216) MOONLIGHT (Barry Jenkins, 2016, USA, 111m, Col)
216. (217) BREAKING THE WAVES (Lars von Trier, 1996, Denmark-Sweden-France-Netherlands-Norway-Iceland-Spain, 156m, Col)
217. (214) SOLARIS (Andrei Tarkovsky, 1972, USSR, 165m, Col-BW)
218. (221) THE QUIET MAN (John Ford, 1952, USA, 129m, Col)
219. (215) WAVELENGTH (Michael Snow, 1967, Canada-USA, 45m, Col)
220. (225) BRAZIL (Terry Gilliam, 1985, UK, 131m, Col)
221. (220) LE SAMOURAÏ (Jean-Pierre Melville, 1967, France-Italy, 101m, Col)
222. (222) KES (Ken Loach, 1969, UK, 113m, Col)
223. (219) ZERO FOR CONDUCT (Jean Vigo, 1933, France, 41m, BW)
224. (224) UMBERTO D. (Vittorio De Sica, 1952, Italy, 89m, BW)
225. (227) WHERE IS THE FRIEND'S HOUSE? (Abbas Kiarostami, 1987, Iran, 85m, Col)
226. (223) THE GRAPES OF WRATH (John Ford, 1940, USA, 129m, BW)
227. (250) THE BIG LEBOWSKI (Joel Coen & Ethan Coen, 1998, USA-UK, 113m, Col)
228. (254) ETERNAL SUNSHINE OF THE SPOTLESS MIND (Michel Gondry, 2004, USA, 108m, Col)
229. (239) THE BEST YEARS OF OUR LIVES (William Wyler, 1946, USA, 172m, BW)
230. (226) THE LIFE OF OHARU (Kenji Mizoguchi, 1952, Japan, 146m, BW)
231. (235) PARASITE (Bong Joon-ho, 2019, South Korea, 132m, Col)
232. (228) SULLIVAN'S TRAVELS (Preston Sturges, 1941, USA, 91m, BW)
233. (279) BACK TO THE FUTURE (Robert Zemeckis, 1985, USA, 116m, Col)
234. (238) THE MATRIX (Lana Wachowski & Lilly Wachowski, 1999, USA-Australia, 136m, Col)
235. (237) MCCABE & MRS. MILLER (Robert Altman, 1971, USA, 121m, Col)
236. (230) THE TRAVELLING PLAYERS (Theo Angelopoulos, 1975, Greece, 230m, Col)
237. (231) BLACK GOD, WHITE DEVIL (Glauber Rocha, 1964, Brazil, 110m, BW)
238. (229) LOVE STREAMS (John Cassavetes, 1984, USA, 141m, Col)
239. (233) THE HOUSE IS BLACK (Forugh Farrokhzad, 1963, Iran, 20m, BW)
240. (232) GERMANY, YEAR ZERO (Roberto Rossellini, 1948, Italy-West Germany, 74m, BW)
241. (241) THE CROWD (King Vidor, 1928, USA, 104m, BW)
242. (234) ASHES AND DIAMONDS (Andrzej Wajda, 1958, Poland, 103m, BW)
243. (236) RED DESERT (Michelangelo Antonioni, 1964, Italy-France, 118m, Col)
244. (243) MEMORIES OF UNDERDEVELOPMENT (Tomás Gutiérrez Alea, 1968, Cuba, 97m, BW)
245. (246) ERASERHEAD (David Lynch, 1977, USA, 89m, BW)
246. (242) IVAN THE TERRIBLE, PART II (Sergei Eisenstein, 1946, USSR, 88m, Col-BW)
247. (248) IN A LONELY PLACE (Nicholas Ray, 1950, USA, 91m, BW)
248. (249) THE BAND WAGON (Vincente Minnelli, 1953, USA, 112m, Col)
249. (260) THE GRADUATE (Mike Nichols, 1967, USA, 105m, Col)
250. (247) IVAN THE TERRIBLE, PART I (Sergei Eisenstein, 1944, USSR, 96m, BW)
251. (251) SCHINDLER'S LIST (Steven Spielberg, 1993, USA, 195m, Col-BW)
252. (245) CACHÉ (Michael Haneke, 2005, France-Austria-Germany-Italy-USA, 117m, Col)
253. (240) AN AUTUMN AFTERNOON (Yasujiro Ozu, 1962, Japan, 115m, Col)
254. (244) PERFORMANCE (Nicolas Roeg & Donald Cammell, 1970, UK, 105m, Col)
255. (270) THE EXORCIST (William Friedkin, 1973, USA, 122m, Col)
256. (268) HEAT (Michael Mann, 1995, USA, 174m, Col)
257. (253) MEET ME IN ST. LOUIS (Vincente Minnelli, 1944, USA, 113m, Col)
258. (252) THE THIN RED LINE (Terrence Malick, 1998, USA, 170m, Col)
259. (256) CINEMA PARADISO (Giuseppe Tornatore, 1988, Italy-France, 155m, Col)
260. (258) DAUGHTERS OF THE DUST (Julie Dash, 1991, USA-UK, 112m, Col)
261. (262) BELLE DE JOUR (Luis Buñuel, 1967, France-Italy, 100m, Col)
262. (257) THE GREEN RAY (Eric Rohmer, 1986, France, 99m, Col)
263. (264) EYES WIDE SHUT (Stanley Kubrick, 1999, USA-UK, 159m, Col)
264. (259) EL VERDUGO (Luis García Berlanga, 1963, Spain-Italy, 90m, BW)
265. (271) FARGO (Joel Coen & Ethan Coen, 1996, USA, 98m, Col)
266. (255) DIARY OF A COUNTRY PRIEST (Robert Bresson, 1951, France, 120m, BW)
267. (267) UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (Apichatpong Weerasethakul, 2010, Thailand-UK-France-Germany-Spain-Netherlands, 114m, Col)
268. (273) THE TREASURE OF THE SIERRA MADRE (John Huston, 1948, USA, 124m, BW)
269. (274) F FOR FAKE (Orson Welles, 1973, France-Iran-West Germany, 89m, Col)
270. (263) THE CABINET OF DR. CALIGARI (Robert Wiene, 1920, Germany, 75m, BW)
271. (265) RED RIVER (Howard Hawks, 1948, USA, 133m, BW)
272. (261) TABU (F.W. Murnau, 1931, USA, 82m, BW)
273. (269) NIGHT AND FOG (Alain Resnais, 1955, France, 32m, Col-BW)
274. (282) LA CIÉNAGA (Lucrecia Martel, 2001, Argentina-France-Spain, 103m, Col)
275. (266) THREE COLOURS: BLUE (Krzysztof Kieslowski, 1993, France-Poland-Switzerland, 100m, Col)
276. (275) KIND HEARTS AND CORONETS (Robert Hamer, 1949, UK, 106m, BW)
277. (278) SWEET SMELL OF SUCCESS (Alexander Mackendrick, 1957, USA, 96m, BW)
278. (276) TASTE OF CHERRY (Abbas Kiarostami, 1997, Iran, 99m, Col)
279. (287) DAY OF WRATH (Carl Theodor Dreyer, 1943, Denmark, 110m, BW)
280. (277) MY NIGHT AT MAUD'S (Eric Rohmer, 1969, France, 105m, BW)
281. (272) BLACK GIRL (Ousmane Sembene, 1966, Senegal-France, 65m, BW)
282. (301) ALL THAT JAZZ (Bob Fosse, 1979, USA, 123m, Col)
283. (285) GROUNDHOG DAY (Harold Ramis, 1993, USA, 103m, Col)
284. (281) THE SHOP AROUND THE CORNER (Ernst Lubitsch, 1940, USA, 97m, BW)
285. (283) PATHS OF GLORY (Stanley Kubrick, 1957, USA, 86m, BW)
286. (290) THE ASCENT (Larisa Shepitko, 1977, USSR, 111m, BW)
287. (280) THE STORY OF THE LAST CHRYSANTHEMUMS (Kenji Mizoguchi, 1939, Japan, 148m, BW)
288. (284) GOODBYE, DRAGON INN (Tsai Ming-liang, 2003, Taiwan, 82m, Col)
289. (289) PANDORA'S BOX (G.W. Pabst, 1929, Germany, 133m, BW)
290. (294) INDIA SONG (Marguerite Duras, 1975, France, 120m, Col)
291. (292) ARMY OF SHADOWS (Jean-Pierre Melville, 1969, France-Italy, 140m, Col)
292. (286) THRONE OF BLOOD (Akira Kurosawa, 1957, Japan, 110m, BW)
293. (288) 2 OR 3 THINGS I KNOW ABOUT HER (Jean-Luc Godard, 1967, France, 87m, Col)
294. (293) ALL THAT HEAVEN ALLOWS (Douglas Sirk, 1955, USA, 89m, Col)
295. (291) THE SACRIFICE (Andrei Tarkovsky, 1986, France-Sweden, 145m, Col)
296. (298) CABARET (Bob Fosse, 1972, USA, 128m, Col)
297. (296) ALL ABOUT MY MOTHER (Pedro Almodóvar, 1999, Spain-France, 101m, Col)
298. (295) THREE COLOURS: RED (Krzysztof Kieslowski, 1994, France-Switzerland-Poland, 99m, Col)
299. (313) CITY OF GOD (Fernando Meirelles & Kátia Lund, 2002, Brazil-Germany-France, 129m, Col)
300. (300) UNFORGIVEN (Clint Eastwood, 1992, USA, 127m, Col)

301. (297) THE BIG SLEEP (Howard Hawks, 1946, USA, 114m, BW)
302. (303) MEAN STREETS (Martin Scorsese, 1973, USA, 110m, Col)
303. (302) DISTANT VOICES, STILL LIVES (Terence Davies, 1988, UK, 85m, Col)
304. (299) HAPPY TOGETHER (Wong Kar-wai, 1997, Hong Kong, 97m, Col)
305. (326) THE EMPIRE STRIKES BACK (Irvin Kershner, 1980, USA, 124m, Col)
306. (308) THE MALTESE FALCON (John Huston, 1941, USA, 100m, BW)
307. (314) WERCKMEISTER HARMONIES (Béla Tarr, 2000, Hungary-Germany-France-Switzerland-Italy, 145m, BW)
308. (305) TERRA EM TRANSE (Glauber Rocha, 1967, Brazil, 106m, BW)
309. (307) THE MUSIC ROOM (Satyajit Ray, 1958, India, 95m, BW)
310. (306) MR. HULOT'S HOLIDAY (Jacques Tati, 1953, France, 86m, BW)
311. (317) A SEPARATION (Asghar Farhadi, 2011, Iran-France-Australia, 123m, Col)
312. (304) FLOATING CLOUDS (Mikio Naruse, 1955, Japan, 123m, BW)
313. (322) FREAKS (Tod Browning, 1932, USA, 64m, BW)
314. (342) MIDNIGHT COWBOY (John Schlesinger, 1969, USA, 113m, Col)
315. (309) CHARULATA (Satyajit Ray, 1964, India, 117m, BW)
316. (316) NANOOK OF THE NORTH (Robert J. Flaherty, 1922, USA, 79m, BW)
317. (310) THE WORLD OF APU (Satyajit Ray, 1959, India, 103m, BW)
318. (312) FACES (John Cassavetes, 1968, USA, 130m, BW)
319. (311) MELANCHOLIA (Lars von Trier, 2011, Denmark-Sweden-France-Germany, 136m, Col)
320. (332) AMADEUS (Milos Forman, 1984, USA, 158m, Col)
321. (327) HIGH AND LOW (Akira Kurosawa, 1963, Japan, 142m, BW)
322. (340) THE KING OF COMEDY (Martin Scorsese, 1982, USA, 109m, Col)
323. (321) IN THE REALM OF THE SENSES (Nagisa Oshima, 1976, Japan-France, 109m, Col)
324. (319) VIDEODROME (David Cronenberg, 1983, Canada, 90m, Col)
325. (315) I AM CUBA (Mikhail Kalatozov, 1964, Cuba-USSR, 141m, BW)
326. (318) MONSIEUR VERDOUX (Charles Chaplin, 1947, USA, 123m, BW)
327. (372) HAROLD AND MAUDE (Hal Ashby, 1971, USA, 91m, Col)
328. (330) HUSBANDS (John Cassavetes, 1970, USA, 138m, Col)
329. (328) LOLA MONTÈS (Max Ophüls, 1955, France-West Germany, 116m, Col)
330. (335) PYAASA (Guru Dutt, 1957, India, 146m, BW)
331. (320) KINGS OF THE ROAD (Wim Wenders, 1976, West Germany, 175m, BW)
332. (324) LA BELLE ET LA BÊTE (Jean Cocteau, 1946, France, 95m, BW)
333. (325) THE PHILADELPHIA STORY (George Cukor, 1940, USA, 112m, BW)
334. (351) DOG DAY AFTERNOON (Sidney Lumet, 1975, USA, 125m, Col)
335. (323) BERLIN ALEXANDERPLATZ (Rainer Werner Fassbinder, 1980, West Germany-Italy, 931m, Col)
336. (331) A CANTERBURY TALE (Michael Powell & Emeric Pressburger, 1944, UK, 124m, BW)
337. (334) THE KID (Charles Chaplin, 1921, USA, 60m, BW)
338. (329) THE YOUNG GIRLS OF ROCHEFORT (Jacques Demy, 1967, France, 124m, Col)
339. (348) WEST SIDE STORY (Robert Wise & Jerome Robbins, 1961, USA, 151m, Col)
340. (341) THE WAGES OF FEAR (Henri-Georges Clouzot, 1953, France-Italy, 105m, BW)
341. (350) MAD MAX: FURY ROAD (George Miller, 2015, Australia-USA, 120m, Col)
342. (339) TIE XI QU: WEST OF THE TRACKS (Wang Bing, 2003, China, 551m, Col)
343. (333) BONNIE AND CLYDE (Arthur Penn, 1967, USA, 111m, Col)
344. (359) SOME CAME RUNNING (Vincente Minnelli, 1958, USA, 136m, Col)
345. (352) GET OUT (Jordan Peele, 2017, USA-Japan, 104m, Col)
346. (337) THE TIME TO LIVE AND THE TIME TO DIE (Hou Hsiao-hsien, 1985, Taiwan, 137m, Col)
347. (338) BROKEN BLOSSOMS (D.W. Griffith, 1919, USA, 90m, BW)
348. (346) KISS ME DEADLY (Robert Aldrich, 1955, USA, 106m, BW)
349. (336) UNDERGROUND (Emir Kusturica, 1995, Yugoslavia-France-Germany-Bulgaria-Czech Republic-Hungary-UK-USA, 167m, Col)
350. (360) THE TREE OF WOODEN CLOGS (Ermanno Olmi, 1978, Italy, 185m, Col)
351. (347) THE DOUBLE LIFE OF VÉRONIQUE (Krzysztof Kieslowski, 1991, France, 97m, Col)
352. (385) ALIENS (James Cameron, 1986, USA, 137m, Col)
353. (357) THE LAST PICTURE SHOW (Peter Bogdanovich, 1971, USA, 118m, BW)
354. (361) IT HAPPENED ONE NIGHT (Frank Capra, 1934, USA, 105m, BW)
355. (386) THE ELEPHANT MAN (David Lynch, 1980, USA, 125m, BW)
356. (345) WEEKEND (Jean-Luc Godard, 1967, France-Italy, 105m, Col)
357. (396) OPENING NIGHT (John Cassavetes, 1977, USA, 144m, Col)
358. (344) THE CRANES ARE FLYING (Mikhail Kalatozov, 1957, USSR, 95m, BW)
359. (343) A TOUCH OF ZEN (King Hu, 1971, Taiwan-Hong Kong, 180m, Col)
360. (354) THE PUPPETMASTER (Hou Hsiao-hsien, 1993, Taiwan, 141m, Col)
361. (349) THE CLOUD-CAPPED STAR (Ritwik Ghatak, 1960, India, 126m, BW)
362. (369) THE SILENCE OF THE LAMBS (Jonathan Demme, 1991, USA, 118m, Col)
363. (353) NIGHT OF THE LIVING DEAD (George A. Romero, 1968, USA, 96m, BW)
364. (363) LAST TANGO IN PARIS (Bernardo Bertolucci, 1972, Italy-France, 129m, Col)
365. (383) THE TURIN HORSE (Béla Tarr, 2011, Hungary-France-Germany-Switzerland, 155m, BW)
366. (358) HOW GREEN WAS MY VALLEY (John Ford, 1941, USA, 118m, BW)
367. (378) WRITTEN ON THE WIND (Douglas Sirk, 1956, USA, 99m, Col)
368. (355) EL (Luis Buñuel, 1953, Mexico, 91m, BW)
369. (384) SAFE (Todd Haynes, 1995, USA, 119m, Col)
370. (374) PEEPING TOM (Michael Powell, 1960, UK, 101m, Col)
371. (415) ALL THE PRESIDENT'S MEN (Alan J. Pakula, 1976, USA, 138m, Col)
372. (356) OUT 1 (Jacques Rivette, 1971, France, 729m, Col-BW)
373. (364) THE QUINCE TREE SUN (Víctor Erice, 1992, Spain, 133m, Col)
374. (362) MAKE WAY FOR TOMORROW (Leo McCarey, 1937, USA, 92m, BW)
375. (365) HEAVEN'S GATE (Michael Cimino, 1980, USA, 219m, Col)
376. (387) THE KILLING OF A CHINESE BOOKIE (John Cassavetes, 1976, USA, 109m, Col)
377. (371) YOJIMBO (Akira Kurosawa, 1961, Japan, 110m, BW)
378. (366) MURIEL (Alain Resnais, 1963, France-Italy, 115m, Col)
379. (375) FITZCARRALDO (Werner Herzog, 1982, West Germany, 157m, Col)
380. (368) THROUGH THE OLIVE TREES (Abbas Kiarostami, 1994, Iran-France, 103m, Col)
381. (367) MARNIE (Alfred Hitchcock, 1964, USA, 130m, Col)
382. (388) THIS IS SPINAL TAP (Rob Reiner, 1984, USA, 82m, Col)
383. (382) THE WHITE RIBBON (Michael Haneke, 2009, Germany-Austria-France-Italy-Canada, 144m, BW)
384. (381) TWO-LANE BLACKTOP (Monte Hellman, 1971, USA, 101m, Col)
385. (380) STROMBOLI (Roberto Rossellini, 1950, Italy, 107m, BW)
386. (370) AN AFFAIR TO REMEMBER (Leo McCarey, 1957, USA, 115m, Col)
387. (373) TEOREMA (Pier Paolo Pasolini, 1968, Italy, 98m, Col)
388. (376) LOST HIGHWAY (David Lynch, 1997, USA-France, 134m, Col)
389. (379) I WAS BORN, BUT... (Yasujiro Ozu, 1932, Japan, 100m, BW)
390. (377) STRANGER THAN PARADISE (Jim Jarmusch, 1984, USA-West Germany, 89m, BW)
391. (394) DOGVILLE (Lars von Trier, 2003, Denmark-Sweden-France-UK-Germany-Finland-Italy-Netherlands-Norway, 177m, Col)
392. (390) UNDER THE SKIN (Jonathan Glazer, 2013, UK-Switzerland, 108m, Col)
393. (391) TRISTANA (Luis Buñuel, 1970, Spain-Italy-France, 98m, Col)
394. (392) THE HOUR OF THE FURNACES (Octavio Getino & Fernando E. Solanas, 1968, Argentina, 260m, BW)
395. (401) WOMAN IN THE DUNES (Hiroshi Teshigahara, 1964, Japan, 147m, BW)
396. (393) MON ONCLE (Jacques Tati, 1958, France, 126m, Col)
397. (399) DAY FOR NIGHT (François Truffaut, 1973, France, 120m, Col)
398. (428) THE LONG GOODBYE (Robert Altman, 1973, USA, 112m, Col)
399. (398) IN A YEAR WITH 13 MOONS (Rainer Werner Fassbinder, 1978, West Germany, 129m, Col)
400. (389) NOSTALGHIA (Andrei Tarkovsky, 1983, Italy, 120m, Col)

401. (397) LIMITE (Mario Peixoto, 1931, Brazil, 114m, BW)
402. (403) THE THIN BLUE LINE (Errol Morris, 1988, USA, 101m, Col)
403. (395) ORLANDO (Sally Potter, 1992, UK-Russia-France-Italy-Netherlands, 94m, Col)
404. (418) FANTASIA (Various Directors, 1940, USA, 120m, Col)
405. (400) THE FLOWERS OF ST. FRANCIS (Roberto Rossellini, 1950, Italy, 83m, BW)
406. (411) EYES WITHOUT A FACE (Georges Franju, 1960, France-Italy, 88m, BW)
407. (408) THE TENANT (Roman Polanski, 1976, France, 126m, Col)
408. (409) THE BIRTH OF A NATION (D.W. Griffith, 1915, USA, 187m, BW)
409. (414) DAWN OF THE DEAD (George A. Romero, 1978, USA, 126m, Col)
410. (407) CRIMES AND MISDEMEANORS (Woody Allen, 1989, USA, 104m, Col)
411. (404) THE HEADLESS WOMAN (Lucrecia Martel, 2008, Argentina-Spain-France-Italy, 87m, Col)
412. (406) SUSPIRIA (Dario Argento, 1977, Italy, 92m, Col)
413. (405) I KNOW WHERE I'M GOING! (Michael Powell & Emeric Pressburger, 1945, UK, 92m, BW)
414. (402) 1900 (Bernardo Bertolucci, 1976, Italy-France-West Germany, 245m, Col)
415. (413) LOST IN TRANSLATION (Sofia Coppola, 2003, USA-Japan, 102m, Col)
416. (450) TONI ERDMANN (Maren Ade, 2016, Germany-Austria-Monaco-Romania-France-Switzerland-Belgium, 162m, Col)
417. (410) ORPHEUS (Jean Cocteau, 1950, France, 95m, BW)
418. (416) SNOW WHITE AND THE SEVEN DWARFS (David Hand, 1937, USA, 83m, Col)
419. (412) MIRACLE IN MILAN (Vittorio De Sica, 1951, Italy, 95m, BW)
420. (417) SPLENDOR IN THE GRASS (Elia Kazan, 1961, USA, 124m, Col)
421. (421) LE PLAISIR (Max Ophüls, 1952, France, 97m, BW)
422. (431) TWENTY YEARS LATER (Eduardo Coutinho, 1984, Brazil, 119m, Col-BW)
423. (447) THE INNOCENTS (Jack Clayton, 1961, UK, 100m, BW)
424. (423) EUROPA '51 (Roberto Rossellini, 1952, Italy, 113m, BW)
425. (442) NETWORK (Sidney Lumet, 1976, USA, 121m, Col)
426. (427) LE BONHEUR (Agnès Varda, 1965, France, 79m, Col)
427. (420) SCENES FROM A MARRIAGE (Ingmar Bergman, 1973, Sweden, 168m, Col)
428. (432) HOLY MOTORS (Leos Carax, 2012, France-Germany, 115m, Col)
429. (419) THE AWFUL TRUTH (Leo McCarey, 1937, USA, 92m, BW)
430. (429) AN ANGEL AT MY TABLE (Jane Campion, 1990, New Zealand-Australia-UK, 158m, Col)
431. (422) CHELSEA GIRLS (Andy Warhol, 1966, USA, 210m, Col-BW)
432. (425) BRIDE OF FRANKENSTEIN (James Whale, 1935, USA, 75m, BW)
433. (466) A.I. ARTIFICIAL INTELLIGENCE (Steven Spielberg, 2001, USA, 145m, Col)
434. (424) SALVATORE GIULIANO (Francesco Rosi, 1962, Italy, 125m, BW)
435. (436) DAYS OF BEING WILD (Wong Kar-wai, 1990, Hong Kong, 94m, Col)
436. (430) POSSESSION (Andrzej Żuławski, 1981, France-West Germany, 124m, Col)
437. (439) CASINO (Martin Scorsese, 1995, USA, 182m, Col)
438. (445) NAKED (Mike Leigh, 1993, UK, 126m, Col)
439. (498) NO COUNTRY FOR OLD MEN (Joel Coen & Ethan Coen, 2007, USA, 122m, Col)
440. (476) PHANTOM THREAD (Paul Thomas Anderson, 2017, USA, 130m, Col)
441. (426) IF…. (Lindsay Anderson, 1968, UK, 112m, Col-BW)
442. (437) A STAR IS BORN (George Cukor, 1954, USA, 154m, Col)
443. (433) WINTER LIGHT (Ingmar Bergman, 1963, Sweden, 80m, BW)
444. (451) FRENCH CANCAN (Jean Renoir, 1955, France-Italy, 102m, Col)
445. (434) SHADOWS OF FORGOTTEN ANCESTORS (Sergei Parajanov, 1965, USSR, 97m, Col)
446. (487) CARRIE (Brian De Palma, 1976, USA, 97m, Col)
447. (521) BOOGIE NIGHTS (Paul Thomas Anderson, 1997, USA, 155m, Col)
448. (459) THE ACT OF KILLING (Joshua Oppenheimer, 2012, Denmark-Norway-UK-Finland, 115m, Col)
449. (435) THE SHAWSHANK REDEMPTION (Frank Darabont, 1994, USA, 142m, Col)
450. (465) LISTEN TO BRITAIN (Humphrey Jennings & Stewart McAllister, 1942, UK, 20m, BW)
451. (457) SONGS FROM THE SECOND FLOOR (Roy Andersson, 2000, Sweden-Norway-Denmark-France, 98m, Col)
452. (454) IVAN'S CHILDHOOD (Andrei Tarkovsky, 1962, USSR, 94m, BW)
453. (438) ACCATTONE (Pier Paolo Pasolini, 1961, Italy, 120m, BW)
454. (446) LIMELIGHT (Charles Chaplin, 1952, USA, 145m, BW)
455. (441) THE CAMERAMAN (Buster Keaton & Edward Sedgwick, 1928, USA, 69m, BW)
456. (440) THE SCARLET EMPRESS (Josef von Sternberg, 1934, USA, 110m, BW)
457. (444) LA TERRA TREMA (Luchino Visconti, 1948, Italy, 160m, BW)
458. (448) THE WIND (Victor Sjöström, 1928, USA, 88m, BW)
459. (474) SYNDROMES AND A CENTURY (Apichatpong Weerasethakul, 2006, Thailand-France-Austria-Netherlands, 105m, Col)
460. (449) THE CRIME OF MONSIEUR LANGE (Jean Renoir, 1936, France, 90m, BW)
461. (456) FESTEN (Thomas Vinterberg, 1998, Denmark, 105m, Col)
462. (463) OCTOBER (Sergei Eisenstein & Grigori Aleksandrov, 1928, USSR, 103m, BW)
463. (443) FLOWERS OF SHANGHAI (Hou Hsiao-hsien, 1998, Taiwan, 130m, Col)
464. (458) A TRIP TO THE MOON (Georges Méliès, 1902, France, 14m, BW)
465. (471) IN VANDA'S ROOM (Pedro Costa, 2000, Portugal-Germany-Switzerland-Italy, 170m, Col)
466. (467) PAN'S LABYRINTH (Guillermo del Toro, 2006, Spain-Mexico-USA, 120m, Col)
467. (452) À NOS AMOURS (Maurice Pialat, 1983, France, 102m, Col)
468. (453) KOYAANISQATSI (Godfrey Reggio, 1982, USA, 87m, Col)
469. (461) DERSU UZALA (Akira Kurosawa, 1975, USSR-Japan, 144m, Col)
470. (469) PINOCCHIO (Ben Sharpsteen & Hamilton Luske, 1940, USA, 88m, Col)
471. (484) LOLA (Jacques Demy, 1961, France, 90m, BW)
472. (462) GRAVE OF THE FIREFLIES (Isao Takahata, 1988, Japan, 89m, Col)
473. (488) BARREN LIVES (Nelson Pereira dos Santos, 1963, Brazil, 103m, BW)
474. (479) THE DEAD (John Huston, 1987, USA, 83m, Col)
475. (460) SHOOT THE PIANO PLAYER (François Truffaut, 1960, France, 81m, BW)
476. (485) PLATFORM (Jia Zhangke, 2000, China-Hong Kong-Japan-France, 154m, Col)
477. (492) ONCE UPON A TIME IN ANATOLIA (Nuri Bilge Ceylan, 2011, Turkey-Bosnia and Herzergovina, 157m, Col)
478. (477) ELEPHANT (Gus Van Sant, 2003, USA, 81m, Col)
479. (481) WAGON MASTER (John Ford, 1950, USA, 86m, BW)
480. (516) OLDBOY (Park Chan-wook, 2003, South Korea, 120m, Col)
481. (464) PARIS IS BURNING (Jennie Livingston, 1990, USA, 78m, Col)
482. (478) HIGH NOON (Fred Zinnemann, 1952, USA, 84m, BW)
483. (504) TO KILL A MOCKINGBIRD (Robert Mulligan, 1962, USA, 129m, BW)
484. (472) TALK TO HER (Pedro Almodóvar, 2002, Spain-USA, 112m, Col)
485. (490) WITHNAIL & I (Bruce Robinson, 1987, UK, 107m, Col)
486. (468) HARLAN COUNTY, U.S.A. (Barbara Kopple, 1976, USA, 103m, Col)
487. (473) STEAMBOAT BILL, JR. (Buster Keaton & Charles Reisner, 1928, USA, 71m, BW)
488. (455) LA RÉGION CENTRALE (Michael Snow, 1971, Canada, 180m, Col)
489. (500) FIVE EASY PIECES (Bob Rafelson, 1970, USA, 98m, Col)
490. (470) THE PALM BEACH STORY (Preston Sturges, 1942, USA, 88m, BW)
491. (489) SENSO (Luchino Visconti, 1954, Italy, 123m, Col)
492. (495) FIGHT CLUB (David Fincher, 1999, USA-Germany, 139m, Col)
493. (483) THE DEATH OF MR. LAZARESCU (Cristi Puiu, 2005, Romania, 153m, Col)
494. (480) LANDSCAPE IN THE MIST (Theo Angelopoulos, 1988, Greece-Italy-France, 127m, Col)
495. (475) BY THE BLUEST OF SEAS (Boris Barnet, 1936, USSR, 71m, BW)
496. (493) ZAMA (Lucrecia Martel, 2017, Argentina-Brazil-Spain-Dominican Republic-France-Netherlands-Mexico-Switzerland-USA-Portugal-Lebanon, 115m, Col)
497. (486) SECRETS & LIES (Mike Leigh, 1996, UK, 142m, Col)
498. (547) CHILDREN OF MEN (Alfonso Cuarón, 2006, USA-UK, 109m, Col)
499. (482) RESERVOIR DOGS (Quentin Tarantino, 1992, USA, 99m, Col)
500. (491) RAISE THE RED LANTERN (Zhang Yimou, 1991, China-Hong Kong-Taiwan, 125m, Col)

501. (496) THE HUSTLER (Robert Rossen, 1961, USA, 134m, BW)
502. (531) THE LIVES OF OTHERS (Florian Henckel von Donnersmarck, 2006, Germany, 138m, Col)
503. (555) PUNCH-DRUNK LOVE (Paul Thomas Anderson, 2002, USA, 95m, Col)
504. (535) MEMORIES OF MURDER (Bong Joon-ho, 2003, South Korea, 132m, Col)
505. (497) TWIN PEAKS: FIRE WALK WITH ME (David Lynch, 1992, USA-France, 134m, Col)
506. (518) DIE HARD (John McTiernan, 1988, USA, 131m, Col)
507. (503) SHANE (George Stevens, 1953, USA, 118m, Col)
508. (508) AFTER LIFE (Hirokazu Koreeda, 1998, Japan, 118m, Col)
509. (514) INLAND EMPIRE (David Lynch, 2006, USA-France-Poland, 180m, Col)
510. (501) BLOW OUT (Brian De Palma, 1981, USA, 108m, Col)
511. (494) THE BITTER TEARS OF PETRA VON KANT (Rainer Werner Fassbinder, 1972, West Germany, 124m, Col)
512. (499) THE BRIDGE ON THE RIVER KWAI (David Lean, 1957, UK, 161m, Col)
513. (515) EARLY SUMMER (Yasujiro Ozu, 1951, Japan, 135m, BW)
514. (520) TWIN PEAKS: THE RETURN (David Lynch, 2017, USA, 1024m, Col-BW)
515. (510) PRINCESS MONONOKE (Hayao Miyazaki, 1997, Japan, 134m, Col)
516. (502) TO HAVE AND HAVE NOT (Howard Hawks, 1944, USA, 100m, BW)
517. (517) CRASH (David Cronenberg, 1996, Canada, 100m, Col)
518. (572) BEING THERE (Hal Ashby, 1979, USA, 130m, Col)
519. (509) OUR HOSPITALITY (Buster Keaton & John G. Blystone, 1923, USA, 74m, BW)
520. (505) MONTY PYTHON'S LIFE OF BRIAN (Terry Jones, 1979, UK, 93m, Col)
521. (506) MASCULIN FÉMININ (Jean-Luc Godard, 1966, France-Sweden, 103m, BW)
522. (529) 12 ANGRY MEN (Sidney Lumet, 1957, USA, 95m, BW)
523. (511) CLOSELY WATCHED TRAINS (Jirí Menzel, 1966, Czechoslovakia, 89m, BW)
524. (597) JURASSIC PARK (Steven Spielberg, 1993, USA, 127m, Col)
525. (507) MARKETA LAZAROVÁ (Frantisek Vlácil, 1967, Czechoslovakia, 162m, BW)
526. (523) DEAD RINGERS (David Cronenberg, 1988, Canada, 115m, Col)
527. (530) ALICE IN THE CITIES (Wim Wenders, 1974, West Germany, 110m, BW)
528. (525) EAST OF EDEN (Elia Kazan, 1955, USA, 115m, Col)
529. (573) MAD MAX 2 (George Miller, 1981, Australia, 96m, Col)
530. (526) THE FRENCH CONNECTION (William Friedkin, 1971, USA, 104m, Col)
531. (513) SHORT CUTS (Robert Altman, 1993, USA, 188m, Col)
532. (558) THE SOUND OF MUSIC (Robert Wise, 1965, USA, 174m, Col)
533. (545) DOCTOR ZHIVAGO (David Lean, 1965, USA, 197m, Col)
534. (560) BUTCH CASSIDY AND THE SUNDANCE KID (George Roy Hill, 1969, USA-Mexico, 110m, Col)
535. (512) A MOMENT OF INNOCENCE (Mohsen Makhmalbaf, 1996, Iran-France, 78m, Col)
536. (554) SE7EN (David Fincher, 1995, USA, 127m, Col)
537. (522) THE AGE OF INNOCENCE (Martin Scorsese, 1993, USA, 133m, Col)
538. (549) HANNAH AND HER SISTERS (Woody Allen, 1986, USA, 107m, Col)
539. (533) BOYHOOD (Richard Linklater, 2014, USA, 165m, Col)
540. (543) A NIGHT AT THE OPERA (Sam Wood, 1935, USA, 96m, BW)
541. (519) AND LIFE GOES ON... (Abbas Kiarostami, 1992, Iran, 108m, Col)
542. (532) FAUST (F.W. Murnau, 1926, Germany, 116m, BW)
543. (566) MORVERN CALLAR (Lynne Ramsay, 2002, UK-Canada, 97m, Col)
544. (561) THE DEVIL, PROBABLY (Robert Bresson, 1977, France, 95m, Col)
545. (527) LES VAMPIRES (Louis Feuillade, 1915, France, 421m, BW)
546. (524) THE ENIGMA OF KASPAR HAUSER (Werner Herzog, 1974, West Germany, 110m, Col)
547. (528) THE DAMNED (Luchino Visconti, 1969, Italy-West Germany, 155m, Col)
548. (536) ALEXANDER NEVSKY (Sergei Eisenstein, 1938, USSR, 107m, BW)
549. (538) THE WIND WILL CARRY US (Abbas Kiarostami, 1999, France-Iran, 118m, Col)
550. (556) STRANGERS ON A TRAIN (Alfred Hitchcock, 1951, USA, 101m, BW)
551. (550) LA HAINE (Mathieu Kassovitz, 1995, France, 98m, BW)
552. (546) NOSTALGIA FOR THE LIGHT (Patricio Guzmán, 2010, France-Germany-Chile-Spain, 90m, Col)
553. (537) YEELEN (Souleymane Cissé, 1987, Mali-Burkina Faso-France-West Germany-Japan, 105m, Col)
554. (539) BLUE (Derek Jarman, 1993, UK-Japan, 79m, Col)
555. (601) TOOTSIE (Sydney Pollack, 1982, USA, 116m, Col)
556. (578) THE MASTER (Paul Thomas Anderson, 2012, USA, 144m, Col)
557. (534) APARAJITO (Satyajit Ray, 1956, India, 108m, BW)
558. (551) THE LADY FROM SHANGHAI (Orson Welles, 1948, USA, 87m, BW)
559. (552) PICNIC AT HANGING ROCK (Peter Weir, 1975, Australia, 110m, Col)
560. (542) ROSETTA (Jean-Pierre Dardenne & Luc Dardenne, 1999, Belgium-France, 94m, Col)
561. (603) TERMINATOR 2: JUDGMENT DAY (James Cameron, 1991, USA, 136m, Col)
562. (544) THE TERMINATOR (James Cameron, 1984, USA, 107m, Col)
563. (559) RUSSIAN ARK (Aleksandr Sokurov, 2002, Russia-Germany-Japan-Canada-Finland-Denmark, 99m, Col)
564. (541) NINOTCHKA (Ernst Lubitsch, 1939, USA, 110m, BW)
565. (557) YOUNG MR. LINCOLN (John Ford, 1939, USA, 100m, BW)
566. (567) AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (Jonas Mekas, 2000, USA, 288m, Col)
567. (540) POINT BLANK (John Boorman, 1967, USA, 92m, Col)
568. (586) FORREST GUMP (Robert Zemeckis, 1994, USA, 142m, Col)
569. (594) AMÉLIE (Jean-Pierre Jeunet, 2001, France-Germany, 122m, Col-BW)
570. (591) BIGGER THAN LIFE (Nicholas Ray, 1956, USA, 95m, Col)
571. (548) MAN OF ARAN (Robert J. Flaherty, 1934, UK, 77m, BW)
572. (563) I WALKED WITH A ZOMBIE (Jacques Tourneur, 1943, USA, 69m, BW)
573. (600) CROUCHING TIGER, HIDDEN DRAGON (Ang Lee, 2000, Taiwan-Hong Kong-USA-China, 120m, Col)
574. (568) LAND WITHOUT BREAD (Luis Buñuel, 1933, Spain, 28m, BW)
575. (553) JE, TU, IL, ELLE (Chantal Akerman, 1974, Belgium-France, 86m, BW)
576. (562) WALL-E (Andrew Stanton, 2008, USA, 98m, Col)
577. (576) THE BLUE ANGEL (Josef von Sternberg, 1930, Germany, 103m, BW)
578. (569) BROKEBACK MOUNTAIN (Ang Lee, 2005, USA-Canada, 134m, Col)
579. (581) LAURA (Otto Preminger, 1944, USA, 85m, BW)
580. (582) CAT PEOPLE (Jacques Tourneur, 1942, USA, 73m, BW)
581. (593) HALLOWEEN (John Carpenter, 1978, USA, 93m, Col)
582. (564) DEAD MAN (Jim Jarmusch, 1995, USA-Germany, 121m, BW)
583. (565) KAGEMUSHA (Akira Kurosawa, 1980, Japan, 159m, Col)
584. (570) FELLINI SATYRICON (Federico Fellini, 1969, Italy, 129m, Col)
585. (577) THE TESTAMENT OF DR. MABUSE (Fritz Lang, 1933, Germany, 120m, BW)
586. (583) SHADOW OF A DOUBT (Alfred Hitchcock, 1943, USA, 108m, BW)
587. (615) DELIVERANCE (John Boorman, 1972, USA, 109m, Col)
588. (585) THAT OBSCURE OBJECT OF DESIRE (Luis Buñuel, 1977, France-Spain, 103m, Col)
589. (606) ZODIAC (David Fincher, 2007, USA, 158m, Col)
590. (648) ROCKY (John G. Avildsen, 1976, USA, 119m, Col)
591. (596) THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (Peter Jackson, 2001, New Zealand-USA, 178m, Col)
592. (571) THE WEDDING MARCH (Erich von Stroheim, 1928, USA, 113m, BW)
593. (687) WHEN HARRY MET SALLY... (Rob Reiner, 1989, USA, 95m, Col)
594. (574) YELLOW EARTH (Chen Kaige, 1984, China, 89m, Col)
595. (575) SAMBIZANGA (Sarah Maldoror, 1972, Angola-France, 97m, Col)
596. (612) FULL METAL JACKET (Stanley Kubrick, 1987, USA, 116m, Col)
597. (579) LOVES OF A BLONDE (Milos Forman, 1965, Czechoslovakia, 88m, BW)
598. (598) REPULSION (Roman Polanski, 1965, UK, 105m, BW)
599. (580) EASY RIDER (Dennis Hopper, 1969, USA, 95m, Col)
600. (609) HATARI! (Howard Hawks, 1962, USA, 157m, Col)

601. (592) THE SERVANT (Joseph Losey, 1963, UK, 115m, BW)
602. (670) AMOUR (Michael Haneke, 2012, Austria-France-Germany, 127m, Col)
603. (584) THE SILENCE (Ingmar Bergman, 1963, Sweden, 96m, BW)
604. (589) PLÁCIDO (Luis García Berlanga, 1961, Spain, 85m, BW)
605. (625) THE ASPHALT JUNGLE (John Huston, 1950, USA, 112m, BW)
606. (636) REBECCA (Alfred Hitchcock, 1940, USA, 130m, BW)
607. (587) BARTON FINK (Joel Coen & Ethan Coen, 1991, USA, 117m, Col)
608. (588) D'EST (Chantal Akerman, 1993, Belgium-France-Portugal, 107m, Col)
609. (613) FELLINI'S ROMA (Federico Fellini, 1972, Italy, 128m, Col)
610. (605) GREY GARDENS (David Maysles, Albert Maysles, Ellen Hovde & Muffie Meyer, 1975, USA, 95m, Col)
611. (611) SEVEN CHANCES (Buster Keaton, 1925, USA, 56m, BW)
612. (590) BANDE À PART (Jean-Luc Godard, 1964, France, 95m, BW)
613. (622) SHADOWS (John Cassavetes, 1959, USA, 87m, BW)
614. (624) EDVARD MUNCH (Peter Watkins, 1974, Sweden-Norway, 210m, Col)
615. (607) COLOSSAL YOUTH (Pedro Costa, 2006, France-Portugal-Switzerland, 155m, Col)
616. (595) THE TAKING OF POWER BY LOUIS XIV (Roberto Rossellini, 1966, France, 100m, Col)
617. (602) SYMBIOPSYCHOTAXIPLASM: TAKE ONE (William Greaves, 1968, USA, 75m, Col-BW)
618. (671) THE PIANO TEACHER (Michael Haneke, 2001, Austria-France-Germany, 130m, Col)
619. (647) FRANKENSTEIN (James Whale, 1931, USA, 70m, BW)
620. (610) WEST INDIES: THE FUGITIVE SLAVES OF LIBERTY (Med Hondo, 1979, France-Algeria-Mauritania, 110m, Col)
621. (599) TALE OF TALES (Yuriy Norshteyn, 1979, USSR, 29m, Col)
622. (620) PROVIDENCE (Alain Resnais, 1977, France-Switzerland, 110m, Col)
623. (604) GENTLEMEN PREFER BLONDES (Howard Hawks, 1953, USA, 91m, Col)
624. (617) THE DEVILS (Ken Russell, 1971, UK, 109m, Col)
625. (614) SYNECDOCHE, NEW YORK (Charlie Kaufman, 2008, USA, 124m, Col)
626. (623) THE WICKER MAN (Robin Hardy, 1973, UK, 103m, Col)
627. (626) 3 WOMEN (Robert Altman, 1977, USA, 124m, Col)
628. (608) THE LONG DAY CLOSES (Terence Davies, 1992, UK, 83m, Col)
629. (759) RAISING ARIZONA (Joel Coen & Ethan Coen, 1987, USA, 94m, Col)
630. (616) DOWN BY LAW (Jim Jarmusch, 1986, USA, 107m, BW)
631. (634) DON'T LOOK BACK (D.A. Pennebaker, 1967, USA, 96m, BW)
632. (630) THE LADIES MAN (Jerry Lewis, 1961, USA, 95m, Col)
633. (641) THE ROYAL TENENBAUMS (Wes Anderson, 2001, USA, 109m, Col)
634. (619) THE ROUND-UP (Miklós Jancsó, 1966, Hungary, 90m, BW)
635. (618) MY FRIEND IVAN LAPSHIN (Aleksei German, 1985, USSR, 100m, Col-BW)
636. (659) I VITELLONI (Federico Fellini, 1953, Italy, 104m, BW)
637. (629) THE RED CIRCLE (Jean-Pierre Melville, 1970, France-Italy, 150m, Col)
638. (621) LES AMANTS DU PONT-NEUF (Leos Carax, 1991, France, 126m, Col)
639. (692) MR. SMITH GOES TO WASHINGTON (Frank Capra, 1939, USA, 129m, BW)
640. (676) FAT CITY (John Huston, 1972, USA, 96m, Col)
641. (642) TITANIC (James Cameron, 1997, USA, 194m, Col)
642. (627) BOUDU SAVED FROM DROWNING (Jean Renoir, 1932, France, 87m, BW)
643. (657) WALKABOUT (Nicolas Roeg, 1971, UK-Australia, 100m, Col)
644. (639) HARAKIRI (Masaki Kobayashi, 1962, Japan, 133m, BW)
645. (628) SCORPIO RISING (Kenneth Anger, 1963, USA, 28m, Col)
646. (631) PINK FLAMINGOS (John Waters, 1972, USA, 92m, Col)
647. (637) HOUR OF THE WOLF (Ingmar Bergman, 1968, Sweden, 88m, BW)
648. (643) THE DARK KNIGHT (Christopher Nolan, 2008, USA-UK, 152m, Col)
649. (677) ACE IN THE HOLE (Billy Wilder, 1951, USA, 112m, BW)
650. (645) HANA-BI (Takeshi Kitano, 1997, Japan, 103m, Col)
651. (668) A PROPHET (Jacques Audiard, 2009, France-Italy, 155m, Col)
652. (655) NAZARÍN (Luis Buñuel, 1958, Mexico, 94m, BW)
653. (633) ALPHAVILLE (Jean-Luc Godard, 1965, France, 95m, BW)
654. (632) PORTRAIT OF JASON (Shirley Clarke, 1967, USA, 105m, BW)
655. (640) CASQUE D'OR (Jacques Becker, 1952, France, 96m, BW)
656. (743) Y TU MAMÁ TAMBIÉN (Alfonso Cuarón, 2001, Mexico, 105m, Col)
657. (667) MILLENNIUM MAMBO (Hou Hsiao-hsien, 2001, Taiwan-France, 119m, Col)
658. (638) PAT GARRETT AND BILLY THE KID (Sam Peckinpah, 1973, USA, 122m, Col)
659. (724) MALCOLM X (Spike Lee, 1992, USA-Japan, 201m, Col)
660. (635) THE GOLDEN COACH (Jean Renoir, 1952, Italy-France, 100m, Col)
661. (686) ROBOCOP (Paul Verhoeven, 1987, USA, 102m, Col)
662. (793) FERRIS BUELLER'S DAY OFF (John Hughes, 1986, USA, 103m, Col)
663. (675) SILENT LIGHT (Carlos Reygadas, 2007, Mexico-France-Netherlands, 136m, Col)
664. (656) RATCATCHER (Lynne Ramsay, 1999, UK-France, 94m, Col)
665. (651) SCARFACE (Howard Hawks, 1932, USA, 93m, BW)
666. (654) HOOP DREAMS (Steve James, 1994, USA, 170m, Col)
667. (644) THE WATERMELON WOMAN (Cheryl Dunye, 1996, USA, 84m, Col)
668. (669) THE VIRGIN SPRING (Ingmar Bergman, 1960, Sweden, 88m, BW)
669. (653) STRIKE (Sergei Eisenstein, 1925, USSR, 82m, BW)
670. (661) TOP HAT (Mark Sandrich, 1935, USA, 99m, BW)
671. (673) YOUNG FRANKENSTEIN (Mel Brooks, 1974, USA, 105m, BW)
672. (666) ARREBATO (Iván Zulueta, 1979, Spain, 105m, Col)
673. (650) MY OWN PRIVATE IDAHO (Gus Van Sant, 1991, USA, 102m, Col)
674. (646) THEY LIVE BY NIGHT (Nicholas Ray, 1948, USA, 95m, BW)
675. (652) BRING ME THE HEAD OF ALFREDO GARCIA (Sam Peckinpah, 1974, USA, 112m, Col)
676. (649) DR. MABUSE, THE GAMBLER (Fritz Lang, 1922, Germany, 270m, BW)
677. (665) THE LADY VANISHES (Alfred Hitchcock, 1938, UK, 97m, BW)
678. (660) THE MARRIAGE OF MARIA BRAUN (Rainer Werner Fassbinder, 1979, West Germany, 120m, Col)
679. (664) AKIRA (Katsuhiro Otomo, 1988, Japan, 124m, Col)
680. (658) THE MANCHURIAN CANDIDATE (John Frankenheimer, 1962, USA, 126m, BW)
681. (663) THE NAVIGATOR (Buster Keaton & Donald Crisp, 1924, USA, 59m, BW)
682. (697) WAKE IN FRIGHT (Ted Kotcheff, 1971, Australia-USA-UK, 109m, Col)
683. (683) RUSHMORE (Wes Anderson, 1998, USA, 93m, Col)
684. (662) XALA (Ousmane Sembene, 1975, Senegal, 123m, Col)
685. (786) AN AMERICAN WEREWOLF IN LONDON (John Landis, 1981, UK-USA, 97m, Col)
686. (678) IL POSTO (Ermanno Olmi, 1961, Italy, 93m, BW)
687. (717) A PLACE IN THE SUN (George Stevens, 1951, USA, 122m, BW)
688. (702) DANCER IN THE DARK (Lars von Trier, 2000, Denmark-France-Sweden-Italy-Germany-Norway-Netherlands-Iceland-Finland-UK-USA, 140m, Col)
689. (691) HYÈNES (Djibril Diop Mambéty, 1992, Senegal-France-Switzerland-UK-Netherlands-Italy, 110m, Col)
690. (672) THE PURPLE ROSE OF CAIRO (Woody Allen, 1985, USA, 82m, Col-BW)
691. (684) CHRONICLE OF A SUMMER (Jean Rouch & Edgar Morin, 1961, France, 85m, BW)
692. (690) TRAINSPOTTING (Danny Boyle, 1996, UK, 95m, Col)
693. (674) BAMBI (David Hand, 1942, USA, 69m, Col)
694. (689) THE KILLING (Stanley Kubrick, 1956, USA, 85m, BW)
695. (681) THE GHOST AND MRS. MUIR (Joseph L. Mankiewicz, 1947, USA, 104m, BW)
696. (694) THE GREAT BEAUTY (Paolo Sorrentino, 2013, Italy-France, 141m, Col)
697. (680) FAREWELL, MY CONCUBINE (Chen Kaige, 1993, China-Hong Kong, 155m, Col)
698. (685) THE INTRUDER (Claire Denis, 2004, France-South Korea, 130m, Col)
699. (720) A HARD DAY'S NIGHT (Richard Lester, 1964, UK, 87m, BW)
700. (679) TOY STORY (John Lasseter, 1995, USA, 81m, Col)

701. (682) WILD AT HEART (David Lynch, 1990, USA, 127m, Col)
702. (716) CAROL (Todd Haynes, 2015, UK-USA, 118m, Col)
703. (688) THE SORROW AND THE PITY (Marcel Ophüls, 1969, Switzerland-Germany, 261m, BW)
704. (703) THELMA & LOUISE (Ridley Scott, 1991, USA, 128m, Col)
705. (696) GIMME SHELTER (Albert Maysles, David Maysles & Charlotte Zwerin, 1970, USA, 91m, Col)
706. (699) CHRONICLE OF ANNA MAGDALENA BACH (Jean-Marie Straub, 1968, West Germany-Italy, 94m, BW)
707. (707) ROMA (Alfonso Cuarón, 2018, Mexico-USA, 135m, BW)
708. (705) CURE (Kiyoshi Kurosawa, 1997, Japan, 111m, Col)
709. (713) SALESMAN (Albert Maysles, David Maysles & Charlotte Zwerin, 1969, USA, 91m, BW)
710. (698) WR: MYSTERIES OF THE ORGANISM (Dušan Makavejev, 1971, Yugoslavia-West Germany, 84m, Col)
711. (708) 4 MONTHS, 3 WEEKS AND 2 DAYS (Cristian Mungiu, 2007, Romania-Netherlands-France-Germany, 113m, Col)
712. (711) BEFORE SUNSET (Richard Linklater, 2004, USA-Austria, 80m, Col)
713. (693) DISTANT (Nuri Bilge Ceylan, 2002, Turkey-Netherlands, 110m, Col)
714. (695) LOCAL HERO (Bill Forsyth, 1983, UK, 111m, Col)
715. (715) THE HOLY MOUNTAIN (Alejandro Jodorowsky, 1973, Mexico-USA, 114m, Col)
716. (752) THE SOCIAL NETWORK (David Fincher, 2010, USA, 120m, Col)
717. (725) BEN-HUR (William Wyler, 1959, USA, 212m, Col)
718. (709) LANCELOT DU LAC (Robert Bresson, 1974, France-Italy, 85m, Col)
719. (763) MEMENTO (Christopher Nolan, 2000, USA, 113m, Col)
720. (700) 7 WOMEN (John Ford, 1965, USA, 87m, Col)
721. (852) ONCE UPON A TIME... IN HOLLYWOOD (Quentin Tarantino, 2019, USA-UK-China, 161m, Col-BW)
722. (706) THE PARTY (Blake Edwards, 1968, USA, 99m, Col)
723. (740) IL GRIDO (Michelangelo Antonioni, 1957, Italy, 111m, BW)
724. (701) THE PHANTOM OF LIBERTY (Luis Buñuel, 1974, France-Italy, 104m, Col)
725. (756) THE FIREMEN'S BALL (Milos Forman, 1967, Czechoslovakia-Italy, 73m, Col)
726. (704) FISH TANK (Andrea Arnold, 2009, UK, 123m, Col)
727. (751) PAPER MOON (Peter Bogdanovich, 1973, USA, 102m, BW)
728. (714) SAUVE QUI PEUT (LA VIE) (Jean-Luc Godard, 1980, France-Switzerland, 87m, Col)
729. (722) KAAGAZ KE PHOOL (Guru Dutt, 1959, India, 148m, BW)
730. (719) THE SUN SHINES BRIGHT (John Ford, 1953, USA, 101m, BW)
731. (710) THE ADVENTURES OF PRINCE ACHMED (Lotte Reiniger, 1926, Germany, 65m, Col)
732. (757) BIG DEAL ON MADONNA STREET (Mario Monicelli, 1958, Italy, 91m, BW)
733. (777) GOOD MORNING (Yasujiro Ozu, 1959, Japan, 94m, Col)
734. (734) DAZED AND CONFUSED (Richard Linklater, 1993, USA, 103m, Col)
735. (712) NOUVELLE VAGUE (Jean-Luc Godard, 1990, France-Switzerland, 90m, Col)
736. (739) RED BEARD (Akira Kurosawa, 1965, Japan, 185m, BW)
737. (741) LOVE ME TONIGHT (Rouben Mamoulian, 1932, USA, 96m, BW)
738. (718) HUNGER (Steve McQueen, 2008, UK-Ireland, 96m, Col)
739. (750) THE IDIOTS (Lars von Trier, 1998, Denmark-Spain-Sweden-France-Netherlands-Italy, 117m, Col)
740. (735) MOONFLEET (Fritz Lang, 1955, USA, 89m, Col)
741. (729) A NEW LEAF (Elaine May, 1971, USA, 102m, Col)
742. (723) THE HAWKS AND THE SPARROWS (Pier Paolo Pasolini, 1966, Italy, 91m, BW)
743. (748) THE EMPEROR'S NAKED ARMY MARCHES ON (Kazuo Hara, 1987, Japan, 122m, Col)
744. (728) THE BIG HEAT (Fritz Lang, 1953, USA, 90m, BW)
745. (721) MOULIN ROUGE! (Baz Luhrmann, 2001, Australia-USA, 127m, Col)
746. (732) STAND BY ME (Rob Reiner, 1986, USA, 89m, Col)
747. (726) ANTONIO DAS MORTES (Glauber Rocha, 1969, Brazil, 95m, Col)
748. (754) A STREETCAR NAMED DESIRE (Elia Kazan, 1951, USA, 122m, BW)
749. (733) LES DAMES DU BOIS DE BOULOGNE (Robert Bresson, 1945, France, 85m, BW)
750. (742) THE FLY (David Cronenberg, 1986, USA, 96m, Col)
751. (792) MILLER'S CROSSING (Joel Coen & Ethan Coen, 1990, USA, 115m, Col)
752. (736) TITICUT FOLLIES (Frederick Wiseman, 1967, USA, 84m, BW)
753. (727) A SHORT FILM ABOUT KILLING (Krzysztof Kieslowski, 1987, Poland, 85m, Col)
754. (776) REBEL WITHOUT A CAUSE (Nicholas Ray, 1955, USA, 111m, Col)
755. (747) OH, SUN (Med Hondo, 1970, France-Mauritania, 98m, BW)
756. (738) THE BAD AND THE BEAUTIFUL (Vincente Minnelli, 1952, USA, 118m, BW)
757. (744) THE TIGER OF ESCHNAPUR (Fritz Lang, 1958, West Germany-France-Italy, 101m, Col)
758. (799) 35 SHOTS OF RUM (Claire Denis, 2008, France-Germany, 101m, Col)
759. (730) THE CIRCUS (Charles Chaplin, 1928, USA, 72m, BW)
760. (731) ONE WAY OR ANOTHER (Sara Gómez, 1977, Cuba, 78m, BW)
761. (737) DESIGN FOR LIVING (Ernst Lubitsch, 1933, USA, 91m, BW)
762. (765) LOLITA (Stanley Kubrick, 1962, UK, 152m, BW)
763. (746) PHANTOM OF THE PARADISE (Brian De Palma, 1974, USA, 91m, Col)
764. (753) TRIUMPH OF THE WILL (Leni Riefenstahl, 1935, Germany, 110m, BW)
765. (782) JFK (Oliver Stone, 1991, USA-France, 189m, Col-BW)
766. (758) BORN IN FLAMES (Lizzie Borden, 1983, USA, 79m, Col)
767. (745) NEW YORK, NEW YORK (Martin Scorsese, 1977, USA, 155m, Col)
768. (760) THE NEW WORLD (Terrence Malick, 2005, USA, 135m, Col)
769. (755) DIARIES, NOTES AND SKETCHES (Jonas Mekas, 1969, USA, 177m, Col)
770. (762) SUBARNAREKHA (Ritwik Ghatak, 1965, India, 126m, BW)
771. (790) THE COOK, THE THIEF, HIS WIFE & HER LOVER (Peter Greenaway, 1989, UK-Netherlands-France, 124m, Col)
772. (749) THE WILD CHILD (François Truffaut, 1970, France, 85m, BW)
773. (865) CLUELESS (Amy Heckerling, 1995, USA, 97m, Col)
774. (761) FORT APACHE (John Ford, 1948, USA, 127m, BW)
775. (798) DIABOLIQUE (Henri-Georges Clouzot, 1955, France, 117m, BW)
776. (774) OSSESSIONE (Luchino Visconti, 1943, Italy, 140m, BW)
777. (768) MÄDCHEN IN UNIFORM (Leontine Sagan, 1931, Germany, 87m, BW)
778. (764) DETOUR (Edgar G. Ulmer, 1945, USA, 69m, BW)
779. (766) LA BELLE NOISEUSE (Jacques Rivette, 1991, France, 240m, Col)
780. (772) TWO ENGLISH GIRLS (François Truffaut, 1971, France, 108m, Col)
781. (767) FLAMING CREATURES (Jack Smith, 1963, USA, 45m, BW)
782. (769) THE MAN WHO WOULD BE KING (John Huston, 1975, UK-USA, 129m, Col)
783. (773) VIVE L'AMOUR (Tsai Ming-liang, 1994, Taiwan, 118m, Col)
784. (775) HELLZAPOPPIN' (H.C. Potter, 1941, USA, 84m, BW)
785. (770) THE AGE OF THE EARTH (Glauber Rocha, 1980, Brazil, 158m, Col)
786. (831) EDWARD SCISSORHANDS (Tim Burton, 1990, USA, 105m, Col)
787. (778) GREAT EXPECTATIONS (David Lean, 1946, UK, 118m, BW)
788. (797) BLISSFULLY YOURS (Apichatpong Weerasethakul, 2002, Thailand-France, 125m, Col)
789. (771) VERONIKA VOSS (Rainer Werner Fassbinder, 1982, West Germany, 105m, BW)
790. (783) MOTHER AND SON (Aleksandr Sokurov, 1997, Russia-Germany, 73m, Col)
791. (802) CODE UNKNOWN (Michael Haneke, 2000, France-Germany-Romania, 118m, Col)
792. (820) MY LIFE AS A DOG (Lasse Hallström, 1985, Sweden, 101m, Col)
793. (779) THE TRIAL (Orson Welles, 1962, France-Italy-West Germany, 119m, BW)
794. (895) AIRPLANE! (Jim Abrahams, David Zucker & Jerry Zucker, 1980, USA, 86m, Col)
795. (781) FOOLISH WIVES (Erich von Stroheim, 1922, USA, 117m, BW)
796. (816) EL SUR (Víctor Erice, 1983, Spain-France, 95m, Col)
797. (780) MAMMA ROMA (Pier Paolo Pasolini, 1962, Italy, 110m, BW)
798. (784) MOROCCO (Josef von Sternberg, 1930, USA, 92m, BW)
799. (791) THE 39 STEPS (Alfred Hitchcock, 1935, UK, 87m, BW)
800. (858) MIKEY AND NICKY (Elaine May, 1976, USA, 106m, Col)

801. (805) SCARFACE (Brian De Palma, 1983, USA, 170m, Col)
802. (785) CHIKAMATSU MONOGATARI (Kenji Mizoguchi, 1954, Japan, 100m, BW)
803. (787) WINGS (Larisa Shepitko, 1966, USSR, 85m, BW)
804. (800) TROUBLE EVERY DAY (Claire Denis, 2001, France-Germany-Japan-Luxembourg, 101m, Col)
805. (794) REQUIEM FOR A DREAM (Darren Aronofsky, 2000, USA, 100m, Col)
806. (814) DOG STAR MAN (Stan Brakhage, 1964, USA, 75m, Col)
807. (789) UN CHANT D'AMOUR (Jean Genet, 1950, France, 26m, BW)
808. (796) EVIL DEAD II (Sam Raimi, 1987, USA, 84m, Col)
809. (822) THE THIEF OF BAGDAD (Michael Powell, Ludwig Berger & Tim Whelan, 1940, UK, 106m, Col)
810. (788) CAIRO STATION (Youssef Chahine, 1958, Egypt, 77m, BW)
811. (833) LET THE RIGHT ONE IN (Tomas Alfredson, 2008, Sweden-Norway, 114m, Col)
812. (795) ZELIG (Woody Allen, 1983, USA, 79m, Col-BW)
813. (815) BROADCAST NEWS (James L. Brooks, 1987, USA, 133m, Col)
814. (807) MARGARET (Kenneth Lonergan, 2011, USA, 150m, Col)
815. (804) ALL QUIET ON THE WESTERN FRONT (Lewis Milestone, 1930, USA, 133m, BW)
816. (801) FASTER, PUSSYCAT! KILL! KILL! (Russ Meyer, 1965, USA, 83m, BW)
817. (841) THE GREAT ESCAPE (John Sturges, 1963, USA, 172m, Col)
818. (868) SAVING PRIVATE RYAN (Steven Spielberg, 1998, USA, 169m, Col)
819. (806) FUNNY GAMES (Michael Haneke, 1997, Austria, 108m, Col)
820. (803) TAIPEI STORY (Edward Yang, 1985, Taiwan, 119m, Col)
821. (818) A WOMAN OF PARIS (Charles Chaplin, 1923, USA, 78m, BW)
822. (836) DUMBO (Ben Sharpsteen, 1941, USA, 64m, Col)
823. (845) INGLOURIOUS BASTERDS (Quentin Tarantino, 2009, USA-Germany, 153m, Col)
824. (808) THE PRODUCERS (Mel Brooks, 1968, USA, 88m, Col)
825. (832) SHE WORE A YELLOW RIBBON (John Ford, 1949, USA, 103m, Col)
826. (823) SMILES OF A SUMMER NIGHT (Ingmar Bergman, 1955, Sweden, 108m, BW)
827. (812) FORBIDDEN GAMES (René Clément, 1952, France, 87m, BW)
828. (819) STILL LIFE (Jia Zhangke, 2006, China-Hong Kong, 113m, Col)
829. (810) VAN GOGH (Maurice Pialat, 1991, France, 158m, Col)
830. (809) SHOCK CORRIDOR (Samuel Fuller, 1963, USA, 101m, BW)
831. (826) GRIZZLY MAN (Werner Herzog, 2005, USA, 103m, Col)
832. (811) WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (Pedro Almodóvar, 1988, Spain, 88m, Col)
833. (---) AFTER HOURS (Martin Scorsese, 1985, USA, 97m, Col)
834. (813) ABRAHAM'S VALLEY (Manoel de Oliveira, 1993, Portugal-France-Switzerland, 187m, Col)
835. (821) PASSION (Jean-Luc Godard, 1982, France-Switzerland, 87m, Col)
836. (866) MY LITTLE LOVES (Jean Eustache, 1974, France, 123m, Col)
837. (843) GUMMO (Harmony Korine, 1997, USA, 88m, Col)
838. (870) SHANGHAI EXPRESS (Josef von Sternberg, 1932, USA, 82m, BW)
839. (842) INVASION OF THE BODY SNATCHERS (Don Siegel, 1956, USA, 80m, BW)
840. (817) ROSE HOBART (Joseph Cornell, 1936, USA, 20m, Col)
841. (857) BLUE IS THE WARMEST COLOUR (Abdellatif Kechiche, 2013, France-Belgium-Spain, 179m, Col)
842. (839) FUNERAL PARADE OF ROSES (Toshio Matsumoto, 1969, Japan, 105m, BW)
843. (824) PETITE MAMAN (Céline Sciamma, 2021, France, 73m, Col)
844. (830) AMORES PERROS (Alejandro González Iñárritu, 2000, Mexico, 153m, Col)
845. (849) POINT BREAK (Kathryn Bigelow, 1991, USA-Japan, 122m, Col)
846. (838) THE SON (Jean-Pierre Dardenne & Luc Dardenne, 2002, Belgium-France, 103m, Col)
847. (825) O LUCKY MAN! (Lindsay Anderson, 1973, UK-USA, 178m, Col)
848. (827) DEEP END (Jerzy Skolimowski, 1970, UK-West Germany, 88m, Col)
849. (837) STREET OF SHAME (Kenji Mizoguchi, 1956, Japan, 87m, BW)
850. (847) WHITE HEAT (Raoul Walsh, 1949, USA, 114m, BW)
851. (840) LA COMMUNE (PARIS, 1871) (Peter Watkins, 2000, France, 345m, BW)
852. (860) TOUTE UNE NUIT (Chantal Akerman, 1982, Belgium-France-Netherlands-Canada, 90m, Col)
853. (829) LOSING GROUND (Kathleen Collins, 1982, USA, 86m, Col)
854. (835) IRRÉVERSIBLE (Gaspar Noé, 2002, France, 97m, Col)
855. (879) THE RED AND THE WHITE (Miklós Jancsó, 1967, Hungary-USSR, 90m, BW)
856. (828) THE NAKED ISLAND (Kaneto Shindo, 1960, Japan, 96m, BW)
857. (888) WHO'S AFRAID OF VIRGINIA WOOLF? (Mike Nichols, 1966, USA, 129m, BW)
858. (869) SPIONE (Fritz Lang, 1928, Germany, 90m, BW)
859. (834) DODES'KA-DEN (Akira Kurosawa, 1970, Japan, 140m, Col)
860. (851) THE ASTHENIC SYNDROME (Kira Muratova, 1989, USSR, 153m, Col-BW)
861. (856) STARSHIP TROOPERS (Paul Verhoeven, 1997, USA, 129m, Col)
862. (844) PERSEPOLIS (Vincent Paronnaud & Marjane Satrapi, 2007, France-USA, 96m, Col-BW)
863. (883) L'AMOUR FOU (Jacques Rivette, 1969, France, 252m, BW)
864. (848) ANGEL (Ernst Lubitsch, 1937, USA, 91m, BW)
865. (878) THE ADVENTURES OF ROBIN HOOD (Michael Curtiz & William Keighley, 1938, USA, 102m, Col)
866. (854) MON ONCLE D'AMÉRIQUE (Alain Resnais, 1980, France, 123m, Col)
867. (855) THE RIGHT STUFF (Philip Kaufman, 1983, USA, 193m, Col)
868. (862) THEY WERE EXPENDABLE (John Ford, 1945, USA, 135m, BW)
869. (846) FEMALE TROUBLE (John Waters, 1974, USA, 98m, Col)
870. (863) CLAIRE'S KNEE (Eric Rohmer, 1970, France, 105m, Col)
871. (853) TIME OF THE GYPSIES (Emir Kusturica, 1988, Yugoslavia-Italy-UK, 142m, Col)
872. (850) HITLER: A FILM FROM GERMANY (Hans-Jürgen Syberberg, 1977, West Germany-France-UK, 442m, Col)
873. (874) THE UNKNOWN (Tod Browning, 1927, USA, 63m, BW)
874. (867) THE TIN DRUM (Volker Schlöndorff, 1979, West Germany-France-Poland-Yugoslavia, 142m, Col)
875. (859) TOO EARLY, TOO LATE (Jean-Marie Straub & Danièle Huillet, 1981, France-Egypt, 100m, Col-BW)
876. (915) WELFARE (Frederick Wiseman, 1975, USA, 167m, BW)
877. (872) BREAKFAST AT TIFFANY'S (Blake Edwards, 1961, USA, 115m, Col)
878. (983) THE LAST DETAIL (Hal Ashby, 1973, USA, 105m, Col)
879. (897) SHOWGIRLS (Paul Verhoeven, 1995, USA-France, 128m, Col)
880. (861) SHAME (Ingmar Bergman, 1968, Sweden, 103m, BW)
881. (885) MYSTERIES OF LISBON (Raúl Ruiz, 2010, Portugal-France, 272m, Col)
882. (---) THE PRINCESS BRIDE (Rob Reiner, 1987, USA, 98m, Col)
883. (864) SICILIA! (Jean-Marie Straub & Danièle Huillet, 1999, Italy-France-Germany, 66m, BW)
884. (880) ATLANTICS (Mati Diop, 2019, France-Senegal-Belgium, 106m, Col)
885. (871) WE ALL LOVED EACH OTHER SO MUCH (Ettore Scola, 1974, Italy, 124m, Col-BW)
886. (873) GLORIA (John Cassavetes, 1980, USA, 121m, Col)
887. (875) CRÍA CUERVOS (Carlos Saura, 1976, Spain, 110m, Col)
888. (898) JULIET OF THE SPIRITS (Federico Fellini, 1965, Italy, 148m, Col)
889. (957) EXCALIBUR (John Boorman, 1981, UK, 140m, Col)
890. (944) ELEPHANT (Alan Clarke, 1989, UK, 39m, Col)
891. (877) MONTY PYTHON AND THE HOLY GRAIL (Terry Gilliam & Terry Jones, 1975, UK, 90m, Col)
892. (884) THE MISFITS (John Huston, 1961, USA, 125m, BW)
893. (876) OUTSKIRTS (Boris Barnet, 1933, USSR, 98m, BW)
894. (909) WENDY AND LUCY (Kelly Reichardt, 2008, USA, 80m, Col)
895. (962) AVATAR (James Cameron, 2009, USA-UK, 161m, Col)
896. (911) PORT OF SHADOWS (Marcel Carné, 1938, France, 91m, BW)
897. (881) RED SORGHUM (Zhang Yimou, 1987, China, 91m, Col)
898. (889) THE MIRACLE OF MORGAN'S CREEK (Preston Sturges, 1944, USA, 99m, BW)
899. (887) THE AFRICAN QUEEN (John Huston, 1951, UK-USA, 105m, Col)
900. (891) SPRING, SUMMER, AUTUMN, WINTER… AND SPRING (Kim Ki-duk, 2003, South Korea-Germany, 103m, Col)

901. (894) THE WOMAN NEXT DOOR (François Truffaut, 1981, France, 106m, Col)
902. (882) THE BRIDGES OF MADISON COUNTY (Clint Eastwood, 1995, USA, 135m, Col)
903. (899) THEY LIVE (John Carpenter, 1988, USA, 93m, Col)
904. (886) THE NIGHT OF COUNTING THE YEARS (Shadi Abdel Salam, 1969, Egypt, 102m, Col)
905. (946) L'ENFANCE NUE (Maurice Pialat, 1968, France, 80m, Col)
906. (967) THE TARNISHED ANGELS (Douglas Sirk, 1957, USA, 91m, BW)
907. (930) SHAUN OF THE DEAD (Edgar Wright, 2004, UK-USA-France, 99m, Col)
908. (902) EXOTICA (Atom Egoyan, 1994, Canada, 104m, Col)
909. (896) CARO DIARIO (Nanni Moretti, 1993, Italy-France, 100m, Col)
910. (890) AKIRA KUROSAWA'S DREAMS (Akira Kurosawa, 1990, Japan-USA, 119m, Col)
911. (892) STROSZEK (Werner Herzog, 1977, West Germany, 115m, Col)
912. (893) THE SEASONS (Artavazd Peleshian, 1975, USSR, 29m, BW)
913. (914) MEEK'S CUTOFF (Kelly Reichardt, 2010, USA, 104m, Col)
914. (925) THE FOUNTAINHEAD (King Vidor, 1949, USA, 114m, BW)
915. (---) SIDEWAYS (Alexander Payne, 2004, USA, 123m, Col)
916. (917) TABU (Miguel Gomes, 2012, Portugal-Germany-Brazil-France, 118m, BW)
917. (904) DEEP RED (Dario Argento, 1975, Italy, 98m, Col)
918. (901) TONGUES UNTIED (Marlon Riggs, 1989, USA, 55m, Col)
919. (903) ASSAULT ON PRECINCT 13 (John Carpenter, 1976, USA, 90m, Col)
920. (908) THE PHANTOM CARRIAGE (Victor Sjöström, 1921, Sweden, 107m, BW)
921. (927) PEOPLE ON SUNDAY (Robert Siodmak & Edgar G. Ulmer, 1930, Germany, 74m, BW)
922. (900) ZABRISKIE POINT (Michelangelo Antonioni, 1970, USA, 112m, Col)
923. (---) THE BLUES BROTHERS (John Landis, 1980, USA, 130m, Col)
924. (905) IT'S A GIFT (Norman Z. McLeod, 1934, USA, 73m, BW)
925. (907) HEIMAT (Edgar Reitz, 1984, West Germany, 924m, Col-BW)
926. (937) SEVEN BEAUTIES (Lina Wertmüller, 1975, Italy, 116m, Col)
927. (931) REDS (Warren Beatty, 1981, USA, 200m, Col)
928. (910) THE RIVER (Tsai Ming-liang, 1997, Taiwan, 115m, Col)
929. (996) SHOLAY (Ramesh Sippy, 1975, India, 162m, Col)
930. (921) NIGHT OF THE DEMON (Jacques Tourneur, 1957, UK-USA, 95m, BW)
931. (913) THE END OF SUMMER (Yasujiro Ozu, 1961, Japan, 103m, Col)
932. (912) THE CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ (Luis Buñuel, 1955, Mexico, 91m, BW)
933. (918) CEDDO (Ousmane Sembene, 1977, Senegal-France, 120m, Col)
934. (936) A HISTORY OF VIOLENCE (David Cronenberg, 2005, USA-Germany, 96m, Col)
935. (939) LE TROU (Jacques Becker, 1960, France-Italy, 131m, BW)
936. (964) DUEL (Steven Spielberg, 1971, USA, 90m, Col)
937. (---) LA FLOR (Mariano Llinás, 2018, Argentina, 808m, Col-BW)
938. (916) SIMON OF THE DESERT (Luis Buñuel, 1965, Mexico, 43m, BW)
939. (919) ANATOMY OF A MURDER (Otto Preminger, 1959, USA, 160m, BW)
940. (920) AN AMERICAN IN PARIS (Vincente Minnelli, 1951, USA, 115m, Col)
941. (992) KWAIDAN (Masaki Kobayashi, 1964, Japan, 183m, Col)
942. (933) LE BOUCHER (Claude Chabrol, 1970, France-Italy, 94m, Col)
943. (---) THE STRAIGHT STORY (David Lynch, 1999, USA-France-UK, 111m, Col)
944. (922) THE LAST TEMPTATION OF CHRIST (Martin Scorsese, 1988, USA-Canada, 164m, Col)
945. (975) CARLITO'S WAY (Brian De Palma, 1993, USA, 144m, Col)
946. (926) ROMAN HOLIDAY (William Wyler, 1953, USA, 118m, BW)
947. (923) ZORNS LEMMA (Hollis Frampton, 1970, USA, 60m, Col)
948. (960) THE HURT LOCKER (Kathryn Bigelow, 2008, USA, 130m, Col)
949. (961) COOL HAND LUKE (Stuart Rosenberg, 1967, USA, 126m, Col)
950. (938) PORTRAIT OF JENNIE (William Dieterle, 1948, USA, 86m, BW)
951. (---) NO HOME MOVIE (Chantal Akerman, 2015, Belgium-France, 115m, Col)
952. (940) MOTHLIGHT (Stan Brakhage, 1963, USA, 4m, Col)
953. (928) BEFORE SUNRISE (Richard Linklater, 1995, USA, 101m, Col)
954. (932) 7TH HEAVEN (Frank Borzage, 1927, USA, 119m, BW)
955. (934) NEAR DARK (Kathryn Bigelow, 1987, USA, 95m, Col)
956. (929) THE KILLER (John Woo, 1989, Hong Kong, 110m, Col)
957. (999) THE GODFATHER PART III (Francis Ford Coppola, 1990, USA, 161m, Col)
958. (966) Z (Constantin Costa-Gavras, 1969, France-Algeria, 127m, Col)
959. (949) THE LORD OF THE RINGS: THE RETURN OF THE KING (Peter Jackson, 2003, New Zealand-USA, 201m, Col)
960. (942) AMERICAN GRAFFITI (George Lucas, 1973, USA, 110m, Col)
961. (935) BLOOD SIMPLE (Joel Coen & Ethan Coen, 1984, USA, 97m, Col)
962. (943) DIRTY HARRY (Don Siegel, 1971, USA, 102m, Col)
963. (941) IL SORPASSO (Dino Risi, 1962, Italy, 108m, BW)
964. (---) ENTER THE DRAGON (Robert Clouse, 1973, USA-Hong Kong, 97m, Col)
965. (948) LA CHIENNE (Jean Renoir, 1931, France, 95m, BW)
966. (945) FROM THE CLOUDS TO THE RESISTANCE (Jean-Marie Straub & Danièle Huillet, 1979, Italy-West Germany-UK-France, 104m, Col)
967. (959) OTHELLO (Orson Welles, 1951, Italy-Morocco-USA, 90m, BW)
968. (963) DOOMED LOVE (Manoel de Oliveira, 1978, Portugal, 262m, Col)
969. (953) THE RETURN (Andrey Zvyagintsev, 2003, Russia, 110m, Col)
970. (979) A PAGE OF MADNESS (Teinosuke Kinugasa, 1926, Japan, 70m, BW)
971. (973) GHOSTBUSTERS (Ivan Reitman, 1984, USA, 107m, Col)
972. (956) AMERICAN BEAUTY (Sam Mendes, 1999, USA, 121m, Col)
973. (950) KHRUSTALYOV, MY CAR! (Aleksei German, 1998, Russia-France, 147m, BW)
974. (972) DUEL IN THE SUN (King Vidor, 1946, USA, 130m, Col)
975. (952) THE LAST EMPEROR (Bernardo Bertolucci, 1987, China-Italy-UK-France, 163m, Col)
976. (955) SPARTACUS (Stanley Kubrick, 1960, USA, 197m, Col)
977. (951) DIARY (David Perlov, 1983, Israel, 330m, Col-BW)
978. (---) BERLIN: SYMPHONY OF A GREAT CITY (Walter Ruttmann, 1927, Germany, 65m, BW)
979. (990) ELEVATOR TO THE GALLOWS (Louis Malle, 1958, France, 92m, BW)
980. (986) THE HOST (Bong Joon-ho, 2006, South Korea-Japan, 119m, Col)
981. (985) THE RECKLESS MOMENT (Max Ophüls, 1949, USA, 82m, BW)
982. (---) DEAD POETS SOCIETY (Peter Weir, 1989, USA, 128m, Col)
983. (970) GUN CRAZY (Joseph H. Lewis, 1950, USA, 86m, BW)
984. (978) THE BREAKFAST CLUB (John Hughes, 1985, USA, 97m, Col)
985. (988) LA BÊTE HUMAINE (Jean Renoir, 1938, France, 100m, BW)
986. (958) PERFUMED NIGHTMARE (Kidlat Tahimik, 1977, Philippines, 93m, Col)
987. (980) FOX AND HIS FRIENDS (Rainer Werner Fassbinder, 1975, West Germany, 123m, Col)
988. (968) OLYMPIA (Leni Riefenstahl, 1938, Germany, 201m, BW)
989. (954) THE ICE STORM (Ang Lee, 1997, USA, 113m, Col)
990. (982) THE PIANIST (Roman Polanski, 2002, France-Poland-Germany-UK, 148m, Col)
991. (965) LÉON (Luc Besson, 1994, France, 119m, Col)
992. (993) SATURDAY NIGHT AND SUNDAY MORNING (Karel Reisz, 1960, UK, 89m, BW)
993. (974) TRUE HEART SUSIE (D.W. Griffith, 1919, USA, 87m, BW)
994. (997) ED WOOD (Tim Burton, 1994, USA, 124m, BW)
995. (971) THE LONG FAREWELL (Kira Muratova, 1971, USSR, 97m, BW)
996. (976) ROPE (Alfred Hitchcock, 1948, USA, 80m, Col)
997. (---) LADY WINDERMERE'S FAN (Ernst Lubitsch, 1925, USA, 120m, BW)
998. (969) SAWDUST AND TINSEL (Ingmar Bergman, 1953, Sweden, 92m, BW)
999. (981) RIDE THE HIGH COUNTRY (Sam Peckinpah, 1962, USA, 94m, Col)
1000. (---) L.A. CONFIDENTIAL (Curtis Hanson, 1997, USA, 137m, Col)