TSPDT

Below is a straightforward listing of the 1,000 Greatest Films in ascending ranking order. The number in brackets is the position each film held in last year's edition (2024).

1. (1) CITIZEN KANE (Orson Welles, 1941, USA, 119m, BW)
2. (2) VERTIGO (Alfred Hitchcock, 1958, USA, 128m, Col)
3. (3) 2001: A SPACE ODYSSEY (Stanley Kubrick, 1968, UK-USA, 139m, Col)
4. (4) TOKYO STORY (Yasujiro Ozu, 1953, Japan, 134m, BW)
5. (5) THE RULES OF THE GAME (Jean Renoir, 1939, France, 113m, BW)
6. (6) THE GODFATHER (Francis Ford Coppola, 1972, USA, 175m, Col)
7. (7) 8½ (Federico Fellini, 1963, Italy, 135m, BW)
8. (8) SUNRISE: A SONG OF TWO HUMANS (F.W. Murnau, 1927, USA, 110m, BW)
9. (9) THE SEARCHERS (John Ford, 1956, USA, 119m, Col)
10. (10) SEVEN SAMURAI (Akira Kurosawa, 1954, Japan, 200m, BW)

11. (11) SINGIN' IN THE RAIN (Stanley Donen & Gene Kelly, 1952, USA, 102m, Col)
12. (12) JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (Chantal Akerman, 1975, Belgium-France, 201m, Col)
13. (13) APOCALYPSE NOW (Francis Ford Coppola, 1979, USA, 150m, Col)
14. (15) BICYCLE THIEVES (Vittorio De Sica, 1948, Italy, 89m, BW)
15. (14) TAXI DRIVER (Martin Scorsese, 1976, USA, 113m, Col)
16. (16) PERSONA (Ingmar Bergman, 1966, Sweden, 83m, BW)
17. (17) IN THE MOOD FOR LOVE (Wong Kar-wai, 2000, Hong Kong-France, 97m, Col)
18. (19) BREATHLESS (Jean-Luc Godard, 1960, France, 89m, BW)
19. (18) THE PASSION OF JOAN OF ARC (Carl Theodor Dreyer, 1928, France, 110m, BW)
20. (20) L'ATALANTE (Jean Vigo, 1934, France, 89m, BW)
21. (21) BATTLESHIP POTEMKIN (Sergei Eisenstein, 1925, USSR, 71m, BW)
22. (22) MAN WITH A MOVIE CAMERA (Dziga Vertov, 1929, USSR, 80m, BW)
23. (23) MIRROR (Andrei Tarkovsky, 1975, USSR, 107m, Col-BW)
24. (24) RASHOMON (Akira Kurosawa, 1950, Japan, 88m, BW)
25. (25) CITY LIGHTS (Charles Chaplin, 1931, USA, 86m, BW)
26. (28) PSYCHO (Alfred Hitchcock, 1960, USA, 109m, BW)
27. (26) THE 400 BLOWS (François Truffaut, 1959, France, 99m, BW)
28. (27) ANDREI RUBLEV (Andrei Tarkovsky, 1966, USSR, 185m, Col-BW)
29. (29) AU HASARD BALTHAZAR (Robert Bresson, 1966, France, 95m, BW)
30. (30) MULHOLLAND DR. (David Lynch, 2001, USA-France, 147m, Col)
31. (32) SOME LIKE IT HOT (Billy Wilder, 1959, USA, 121m, BW)
32. (33) ORDET (Carl Theodor Dreyer, 1955, Denmark, 125m, BW)
33. (31) THE GODFATHER PART II (Francis Ford Coppola, 1974, USA, 200m, Col)
34. (34) LA DOLCE VITA (Federico Fellini, 1960, Italy, 175m, BW)
35. (35) RAGING BULL (Martin Scorsese, 1980, USA, 129m, BW)
36. (36) THE NIGHT OF THE HUNTER (Charles Laughton, 1955, USA, 92m, BW)
37. (37) L'AVVENTURA (Michelangelo Antonioni, 1960, Italy-France, 145m, BW)
38. (38) CASABLANCA (Michael Curtiz, 1942, USA, 102m, BW)
39. (41) BLADE RUNNER (Ridley Scott, 1982, USA, 118m, Col)
40. (39) REAR WINDOW (Alfred Hitchcock, 1954, USA, 112m, Col)
41. (45) TOUCH OF EVIL (Orson Welles, 1958, USA, 108m, BW)
42. (40) PLAYTIME (Jacques Tati, 1967, France, 108m, Col)
43. (46) SUNSET BLVD. (Billy Wilder, 1950, USA, 110m, BW)
44. (43) BARRY LYNDON (Stanley Kubrick, 1975, UK, 183m, Col)
45. (42) CONTEMPT (Jean-Luc Godard, 1963, France-Italy, 103m, Col)
46. (44) PATHER PANCHALI (Satyajit Ray, 1955, India, 112m, BW)
47. (48) CLOSE-UP (Abbas Kiarostami, 1990, Iran, 98m, Col)
48. (47) STALKER (Andrei Tarkovsky, 1979, USSR, 160m, Col-BW)
49. (49) LAWRENCE OF ARABIA (David Lean, 1962, UK, 216m, Col)
50. (50) THE GENERAL (Buster Keaton & Clyde Bruckman, 1926, USA, 74m, BW)

51. (52) MODERN TIMES (Charles Chaplin, 1936, USA, 89m, BW)
52. (51) BEAU TRAVAIL (Claire Denis, 1999, France, 92m, Col)
53. (59) THE APARTMENT (Billy Wilder, 1960, USA, 125m, BW)
54. (55) THE THIRD MAN (Carol Reed, 1949, UK, 104m, BW)
55. (54) M (Fritz Lang, 1931, Germany, 99m, BW)
56. (53) LATE SPRING (Yasujiro Ozu, 1949, Japan, 108m, BW)
57. (56) NORTH BY NORTHWEST (Alfred Hitchcock, 1959, USA, 136m, Col)
58. (57) UGETSU MONOGATARI (Kenji Mizoguchi, 1953, Japan, 96m, BW)
59. (58) THE BATTLE OF ALGIERS (Gillo Pontecorvo, 1966, Italy-Algeria, 121m, BW)
60. (63) GOODFELLAS (Martin Scorsese, 1990, USA, 146m, Col)
61. (60) LA GRANDE ILLUSION (Jean Renoir, 1937, France, 117m, BW)
62. (61) WILD STRAWBERRIES (Ingmar Bergman, 1957, Sweden, 90m, BW)
63. (65) RIO BRAVO (Howard Hawks, 1959, USA, 141m, Col)
64. (62) FANNY AND ALEXANDER (Ingmar Bergman, 1982, Sweden, 189m, Col)
65. (64) SHOAH (Claude Lanzmann, 1985, France, 566m, Col)
66. (66) DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (Stanley Kubrick, 1964, UK-USA, 93m, BW)
67. (69) ONCE UPON A TIME IN THE WEST (Sergio Leone, 1968, Italy-USA, 165m, Col)
68. (67) PIERROT LE FOU (Jean-Luc Godard, 1965, France-Italy, 110m, Col)
69. (68) JOURNEY TO ITALY (Roberto Rossellini, 1954, Italy, 97m, BW)
70. (70) CHINATOWN (Roman Polanski, 1974, USA, 131m, Col)
71. (71) DO THE RIGHT THING (Spike Lee, 1989, USA, 120m, Col)
72. (72) METROPOLIS (Fritz Lang, 1927, Germany, 153m, BW)
73. (74) A WOMAN UNDER THE INFLUENCE (John Cassavetes, 1974, USA, 155m, Col)
74. (73) LA STRADA (Federico Fellini, 1954, Italy, 115m, BW)
75. (76) THE LEOPARD (Luchino Visconti, 1963, Italy-France, 186m, Col)
76. (75) LES ENFANTS DU PARADIS (Marcel Carné, 1945, France, 195m, BW)
77. (77) AMARCORD (Federico Fellini, 1973, Italy, 127m, Col)
78. (79) PULP FICTION (Quentin Tarantino, 1994, USA, 154m, Col)
79. (80) THE WILD BUNCH (Sam Peckinpah, 1969, USA, 135m, Col)
80. (88) VIRIDIANA (Luis Buñuel, 1961, Spain, 90m, BW)
81. (78) A MAN ESCAPED (Robert Bresson, 1956, France, 102m, BW)
82. (81) IT'S A WONDERFUL LIFE (Frank Capra, 1946, USA, 129m, BW)
83. (91) THE MAN WHO SHOT LIBERTY VALANCE (John Ford, 1962, USA, 119m, BW)
84. (82) THE SEVENTH SEAL (Ingmar Bergman, 1957, Sweden, 96m, BW)
85. (84) SANSHO THE BAILIFF (Kenji Mizoguchi, 1954, Japan, 125m, BW)
86. (86) THE SHINING (Stanley Kubrick, 1980, USA-UK, 142m, Col)
87. (83) THE CONFORMIST (Bernardo Bertolucci, 1970, Italy-France-West Germany, 107m, Col)
88. (89) PICKPOCKET (Robert Bresson, 1959, France, 75m, BW)
89. (85) THE MAGNIFICENT AMBERSONS (Orson Welles, 1942, USA, 88m, BW)
90. (87) BLUE VELVET (David Lynch, 1986, USA, 120m, Col)
91. (92) JAWS (Steven Spielberg, 1975, USA, 124m, Col)
92. (90) NASHVILLE (Robert Altman, 1975, USA, 160m, Col)
93. (93) THE GOLD RUSH (Charles Chaplin, 1925, USA, 82m, BW)
94. (94) GERTRUD (Carl Theodor Dreyer, 1964, Denmark, 116m, BW)
95. (95) LA JETÉE (Chris Marker, 1962, France, 27m, BW)
96. (96) SANS SOLEIL (Chris Marker, 1983, France, 100m, Col)
97. (97) CLÉO FROM 5 TO 7 (Agnès Varda, 1962, France, 90m, BW)
98. (102) TO BE OR NOT TO BE (Ernst Lubitsch, 1942, USA, 99m, BW)
99. (98) JULES ET JIM (François Truffaut, 1962, France, 104m, BW)
100. (99) MESHES OF THE AFTERNOON (Maya Deren & Alexander Hammid, 1943, USA, 15m, BW)

101. (105) THE MOTHER AND THE WHORE (Jean Eustache, 1973, France, 210m, BW)
102. (100) SÁTÁNTANGÓ (Béla Tarr, 1994, Hungary-Germany-Switzerland, 439m, BW)
103. (101) SHERLOCK JR. (Buster Keaton, 1924, USA, 45m, BW)
104. (103) MADAME DE... (Max Ophüls, 1953, France-Italy, 105m, BW)
105. (106) A CLOCKWORK ORANGE (Stanley Kubrick, 1971, UK, 137m, Col)
106. (108) IKIRU (Akira Kurosawa, 1952, Japan, 143m, BW)
107. (104) ALI: FEAR EATS THE SOUL (Rainer Werner Fassbinder, 1974, West Germany, 94m, Col)
108. (107) AGUIRRE, THE WRATH OF GOD (Werner Herzog, 1972, West Germany, 94m, Col)
109. (110) ANNIE HALL (Woody Allen, 1977, USA, 94m, Col)
110. (111) COME AND SEE (Elem Klimov, 1985, USSR, 136m, Col)
111. (109) LAST YEAR AT MARIENBAD (Alain Resnais, 1961, France-Italy, 94m, BW)
112. (112) THE SPIRIT OF THE BEEHIVE (Víctor Erice, 1973, Spain, 95m, Col)
113. (116) ONCE UPON A TIME IN AMERICA (Sergio Leone, 1984, Italy-USA, 229m, Col)
114. (113) GREED (Erich von Stroheim, 1924, USA, 140m, BW)
115. (114) THE PIANO (Jane Campion, 1993, New Zealand-Australia-France, 121m, Col)
116. (115) A BRIGHTER SUMMER DAY (Edward Yang, 1991, Taiwan-South Korea, 237m, Col)
117. (117) THE WIZARD OF OZ (Victor Fleming, 1939, USA, 101m, Col-BW)
118. (118) YI YI (Edward Yang, 2000, Taiwan-Japan, 173m, Col)
119. (121) DON'T LOOK NOW (Nicolas Roeg, 1973, UK, 110m, Col)
120. (119) HIROSHIMA MON AMOUR (Alain Resnais, 1959, France-Japan, 91m, BW)
121. (120) THE RED SHOES (Michael Powell & Emeric Pressburger, 1948, UK, 133m, Col)
122. (124) BLOW-UP (Michelangelo Antonioni, 1966, Italy-UK, 111m, Col)
123. (122) BRINGING UP BABY (Howard Hawks, 1938, USA, 102m, BW)
124. (126) L'ECLISSE (Michelangelo Antonioni, 1962, Italy-France, 126m, BW)
125. (123) INTOLERANCE (D.W. Griffith, 1916, USA, 178m, BW)
126. (125) A DAY IN THE COUNTRY (Jean Renoir, 1936, France, 40m, BW)
127. (130) NOTORIOUS (Alfred Hitchcock, 1946, USA, 101m, BW)
128. (131) ALIEN (Ridley Scott, 1979, USA-UK, 117m, Col)
129. (129) VIVRE SA VIE (Jean-Luc Godard, 1962, France, 85m, BW)
130. (127) LETTER FROM AN UNKNOWN WOMAN (Max Ophüls, 1948, USA, 90m, BW)
131. (128) A MATTER OF LIFE AND DEATH (Michael Powell & Emeric Pressburger, 1946, UK, 104m, Col-BW)
132. (136) E.T. THE EXTRA-TERRESTRIAL (Steven Spielberg, 1982, USA, 115m, Col)
133. (138) THE EXTERMINATING ANGEL (Luis Buñuel, 1962, Mexico, 95m, BW)
134. (133) ALL ABOUT EVE (Joseph L. Mankiewicz, 1950, USA, 138m, BW)
135. (139) LOS OLVIDADOS (Luis Buñuel, 1950, Mexico, 88m, BW)
136. (132) IMITATION OF LIFE (Douglas Sirk, 1959, USA, 124m, Col)
137. (137) SPIRITED AWAY (Hayao Miyazaki, 2001, Japan, 124m, Col)
138. (134) HISTOIRE(S) DU CINÉMA (Jean-Luc Godard, 1988-98, France, 267m, Col-BW)
139. (135) MY DARLING CLEMENTINE (John Ford, 1946, USA, 97m, BW)
140. (143) GONE WITH THE WIND (Victor Fleming, 1939, USA, 222m, Col)
141. (140) HIS GIRL FRIDAY (Howard Hawks, 1940, USA, 92m, BW)
142. (154) ROME, OPEN CITY (Roberto Rossellini, 1945, Italy, 105m, BW)
143. (142) CÉLINE AND JULIE GO BOATING (Jacques Rivette, 1974, France, 192m, Col)
144. (141) THE GOSPEL ACCORDING TO ST. MATTHEW (Pier Paolo Pasolini, 1964, Italy-France, 135m, BW)
145. (146) DAISIES (Věra Chytilová, 1966, Czechoslovakia, 76m, Col-BW)
146. (147) NOSFERATU (F.W. Murnau, 1922, Germany, 84m, BW)
147. (145) ONE FLEW OVER THE CUCKOO'S NEST (Milos Forman, 1975, USA, 133m, Col)
148. (148) THE UMBRELLAS OF CHERBOURG (Jacques Demy, 1964, France-Germany, 91m, Col)
149. (144) KILLER OF SHEEP (Charles Burnett, 1977, USA, 83m, BW)
150. (150) THE CONVERSATION (Francis Ford Coppola, 1974, USA, 113m, Col)
151. (151) WANDA (Barbara Loden, 1970, USA, 105m, Col)
152. (158) STAR WARS (George Lucas, 1977, USA, 121m, Col)
153. (161) THERE WILL BE BLOOD (Paul Thomas Anderson, 2007, USA, 158m, Col)
154. (156) THE GOOD, THE BAD AND THE UGLY (Sergio Leone, 1966, Italy-Spain, 161m, Col)
155. (149) UN CHIEN ANDALOU (Luis Buñuel, 1928, France, 16m, BW)
156. (152) L'ARGENT (Robert Bresson, 1983, France-Switzerland, 90m, Col)
157. (153) DAYS OF HEAVEN (Terrence Malick, 1978, USA, 95m, Col)
158. (155) TROUBLE IN PARADISE (Ernst Lubitsch, 1932, USA, 83m, BW)
159. (157) CHUNGKING EXPRESS (Wong Kar-wai, 1994, Hong Kong, 104m, Col)
160. (163) CRIES AND WHISPERS (Ingmar Bergman, 1972, Sweden, 106m, Col)
161. (160) MY NEIGHBOUR TOTORO (Hayao Miyazaki, 1988, Japan, 86m, Col)
162. (159) MANHATTAN (Woody Allen, 1979, USA, 96m, BW)
163. (170) DOUBLE INDEMNITY (Billy Wilder, 1944, USA, 106m, BW)
164. (162) TROPICAL MALADY (Apichatpong Weerasethakul, 2004, Thailand-France-Germany-Italy, 118m, Col)
165. (165) BADLANDS (Terrence Malick, 1973, USA, 95m, Col)
166. (164) THE PASSENGER (Michelangelo Antonioni, 1975, Italy, 119m, Col)
167. (166) L'ÂGE D'OR (Luis Buñuel, 1930, France, 63m, BW)
168. (167) THE DEER HUNTER (Michael Cimino, 1978, USA, 183m, Col)
169. (168) DEKALOG (Krzysztof Kieslowski, 1989, Poland-West Germany, 550m, Col)
170. (169) THE TEXAS CHAIN SAW MASSACRE (Tobe Hooper, 1974, USA, 83m, Col)
171. (176) ONLY ANGELS HAVE WINGS (Howard Hawks, 1939, USA, 121m, BW)
172. (175) ROSEMARY'S BABY (Roman Polanski, 1968, USA, 136m, Col)
173. (174) STAGECOACH (John Ford, 1939, USA, 96m, BW)
174. (173) TOUKI BOUKI (Djibril Diop Mambéty, 1973, Senegal, 85m, Col)
175. (171) DUCK SOUP (Leo McCarey, 1933, USA, 70m, BW)
176. (172) THE DISCREET CHARM OF THE BOURGEOISIE (Luis Buñuel, 1972, France, 100m, Col)
177. (179) BRIEF ENCOUNTER (David Lean, 1945, UK, 85m, BW)
178. (184) RAN (Akira Kurosawa, 1985, France-Japan, 161m, Col)
179. (180) THE BIRDS (Alfred Hitchcock, 1963, USA, 119m, Col)
180. (178) THE COLOUR OF POMEGRANATES (Sergei Parajanov, 1969, USSR, 80m, Col)
181. (177) EARTH (Alexander Dovzhenko, 1930, USSR, 75m, BW)
182. (181) PORTRAIT OF A LADY ON FIRE (Céline Sciamma, 2019, France, 121m, Col)
183. (185) JOHNNY GUITAR (Nicholas Ray, 1954, USA, 110m, Col)
184. (182) THE RIVER (Jean Renoir, 1951, France-India-USA, 99m, Col)
185. (183) MOUCHETTE (Robert Bresson, 1967, France, 80m, BW)
186. (186) CHIMES AT MIDNIGHT (Orson Welles, 1965, Switzerland-Spain, 115m, BW)
187. (189) OUT OF THE PAST (Jacques Tourneur, 1947, USA, 97m, BW)
188. (193) NAPOLÉON (Abel Gance, 1927, France, 235m, BW)
189. (188) LA NOTTE (Michelangelo Antonioni, 1961, Italy-France, 120m, BW)
190. (187) VAMPYR (Carl Theodor Dreyer, 1932, Germany-France, 73m, BW)
191. (200) NIGHTS OF CABIRIA (Federico Fellini, 1957, Italy-France, 110m, BW)
192. (194) ROCCO AND HIS BROTHERS (Luchino Visconti, 1960, Italy-France, 180m, BW)
193. (190) THE TREE OF LIFE (Terrence Malick, 2011, USA, 139m, Col)
194. (192) BLACK NARCISSUS (Michael Powell & Emeric Pressburger, 1947, UK, 99m, Col)
195. (191) SPRING IN A SMALL TOWN (Fei Mu, 1948, China, 98m, BW)
196. (201) PARIS, TEXAS (Wim Wenders, 1984, West Germany-France-UK, 150m, Col)
197. (195) PAISAN (Roberto Rossellini, 1946, Italy, 120m, BW)
198. (199) THE LADY EVE (Preston Sturges, 1941, USA, 94m, BW)
199. (208) THE GLEANERS & I (Agnès Varda, 2000, France, 82m, Col)
200. (207) RAIDERS OF THE LOST ARK (Steven Spielberg, 1981, USA, 115m, Col)

201. (196) SALÒ, OR THE 120 DAYS OF SODOM (Pier Paolo Pasolini, 1975, Italy-France, 117m, Col)
202. (197) A CITY OF SADNESS (Hou Hsiao-hsien, 1989, Taiwan-Hong Kong, 157m, Col)
203. (203) ON THE WATERFRONT (Elia Kazan, 1954, USA, 108m, BW)
204. (206) CLOSE ENCOUNTERS OF THE THIRD KIND (Steven Spielberg, 1977, USA, 135m, Col)
205. (202) KING KONG (Merian C. Cooper & Ernest B. Schoedsack, 1933, USA, 103m, BW)
206. (204) THE LAST LAUGH (F.W. Murnau, 1924, Germany, 77m, BW)
207. (198) VAGABOND (Agnès Varda, 1985, France, 105m, Col)
208. (205) NEWS FROM HOME (Chantal Akerman, 1976, Belgium-France-West Germany, 85m, Col)
209. (210) DEATH IN VENICE (Luchino Visconti, 1971, Italy, 130m, Col)
210. (214) THE GREAT DICTATOR (Charles Chaplin, 1940, USA, 128m, BW)
211. (211) THE THING (John Carpenter, 1982, USA, 108m, Col)
212. (209) THE LIFE AND DEATH OF COLONEL BLIMP (Michael Powell & Emeric Pressburger, 1943, UK, 163m, Col)
213. (213) WINGS OF DESIRE (Wim Wenders, 1987, West Germany-France, 130m, Col-BW)
214. (215) SOLARIS (Andrei Tarkovsky, 1972, USSR, 165m, Col-BW)
215. (212) WAVELENGTH (Michael Snow, 1967, Canada-USA, 45m, Col)
216. (216) MOONLIGHT (Barry Jenkins, 2016, USA, 111m, Col)
217. (219) BREAKING THE WAVES (Lars von Trier, 1996, Denmark-Sweden-France-Netherlands-Norway-Iceland-Spain, 156m, Col)
218. (223) MAGNOLIA (Paul Thomas Anderson, 1999, USA, 188m, Col-BW)
219. (217) ZERO FOR CONDUCT (Jean Vigo, 1933, France, 41m, BW)
220. (220) LE SAMOURAÏ (Jean-Pierre Melville, 1967, France-Italy, 101m, Col)
221. (227) THE QUIET MAN (John Ford, 1952, USA, 129m, Col)
222. (218) KES (Ken Loach, 1969, UK, 113m, Col)
223. (221) THE GRAPES OF WRATH (John Ford, 1940, USA, 129m, BW)
224. (222) UMBERTO D. (Vittorio De Sica, 1952, Italy, 89m, BW)
225. (225) BRAZIL (Terry Gilliam, 1985, UK, 131m, Col)
226. (224) THE LIFE OF OHARU (Kenji Mizoguchi, 1952, Japan, 146m, BW)
227. (226) WHERE IS THE FRIEND'S HOUSE? (Abbas Kiarostami, 1987, Iran, 85m, Col)
228. (228) SULLIVAN'S TRAVELS (Preston Sturges, 1941, USA, 91m, BW)
229. (229) LOVE STREAMS (John Cassavetes, 1984, USA, 141m, Col)
230. (231) THE TRAVELLING PLAYERS (Theo Angelopoulos, 1975, Greece, 230m, Col)
231. (230) BLACK GOD, WHITE DEVIL (Glauber Rocha, 1964, Brazil, 110m, BW)
232. (233) GERMANY, YEAR ZERO (Roberto Rossellini, 1948, Italy-West Germany, 74m, BW)
233. (232) THE HOUSE IS BLACK (Forugh Farrokhzad, 1963, Iran, 20m, BW)
234. (238) ASHES AND DIAMONDS (Andrzej Wajda, 1958, Poland, 96m, BW)
235. (242) PARASITE (Bong Joon-ho, 2019, South Korea, 132m, Col)
236. (234) RED DESERT (Michelangelo Antonioni, 1964, Italy-France, 118m, Col)
237. (235) MCCABE & MRS. MILLER (Robert Altman, 1971, USA, 121m, Col)
238. (237) THE MATRIX (Lana Wachowski & Lilly Wachowski, 1999, USA-Australia, 136m, Col)
239. (246) THE BEST YEARS OF OUR LIVES (William Wyler, 1946, USA, 172m, BW)
240. (239) AN AUTUMN AFTERNOON (Yasujiro Ozu, 1962, Japan, 115m, Col)
241. (236) THE CROWD (King Vidor, 1928, USA, 104m, BW)
242. (244) IVAN THE TERRIBLE, PART II (Sergei Eisenstein, 1946, USSR, 88m, Col-BW)
243. (240) MEMORIES OF UNDERDEVELOPMENT (Tomás Gutiérrez Alea, 1968, Cuba, 97m, BW)
244. (241) PERFORMANCE (Nicolas Roeg & Donald Cammell, 1970, UK, 105m, Col)
245. (247) CACHÉ (Michael Haneke, 2005, France-Austria-Germany-Italy-USA, 117m, Col)
246. (243) ERASERHEAD (David Lynch, 1977, USA, 85m, BW)
247. (251) IVAN THE TERRIBLE, PART I (Sergei Eisenstein, 1944, USSR, 96m, BW)
248. (250) IN A LONELY PLACE (Nicholas Ray, 1950, USA, 91m, BW)
249. (245) THE BAND WAGON (Vincente Minnelli, 1953, USA, 112m, Col)
250. (253) THE BIG LEBOWSKI (Joel Coen & Ethan Coen, 1998, USA-UK, 113m, Col)
251. (268) SCHINDLER'S LIST (Steven Spielberg, 1993, USA, 195m, Col-BW)
252. (248) THE THIN RED LINE (Terrence Malick, 1998, USA, 170m, Col)
253. (249) MEET ME IN ST. LOUIS (Vincente Minnelli, 1944, USA, 113m, Col)
254. (252) ETERNAL SUNSHINE OF THE SPOTLESS MIND (Michel Gondry, 2004, USA, 108m, Col)
255. (257) DIARY OF A COUNTRY PRIEST (Robert Bresson, 1951, France, 120m, BW)
256. (261) CINEMA PARADISO (Giuseppe Tornatore, 1988, Italy-France, 155m, Col)
257. (255) THE GREEN RAY (Eric Rohmer, 1986, France, 99m, Col)
258. (254) DAUGHTERS OF THE DUST (Julie Dash, 1991, USA-UK, 112m, Col)
259. (313) EL VERDUGO (Luis García Berlanga, 1963, Spain-Italy, 90m, BW)
260. (260) THE GRADUATE (Mike Nichols, 1967, USA, 105m, Col)
261. (259) TABU (F.W. Murnau, 1931, USA, 82m, BW)
262. (256) BELLE DE JOUR (Luis Buñuel, 1967, France-Italy, 100m, Col)
263. (265) THE CABINET OF DR. CALIGARI (Robert Wiene, 1920, Germany, 75m, BW)
264. (271) EYES WIDE SHUT (Stanley Kubrick, 1999, USA-UK, 159m, Col)
265. (258) RED RIVER (Howard Hawks, 1948, USA, 133m, BW)
266. (276) THREE COLOURS: BLUE (Krzysztof Kieslowski, 1993, France-Poland-Switzerland, 100m, Col)
267. (263) UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (Apichatpong Weerasethakul, 2010, Thailand-UK-France-Germany-Spain-Netherlands, 114m, Col)
268. (264) HEAT (Michael Mann, 1995, USA, 174m, Col)
269. (262) NIGHT AND FOG (Alain Resnais, 1955, France, 32m, Col-BW)
270. (270) THE EXORCIST (William Friedkin, 1973, USA, 122m, Col)
271. (269) FARGO (Joel Coen & Ethan Coen, 1996, USA, 98m, Col)
272. (272) BLACK GIRL (Ousmane Sembene, 1966, Senegal-France, 65m, BW)
273. (266) THE TREASURE OF THE SIERRA MADRE (John Huston, 1948, USA, 124m, BW)
274. (274) F FOR FAKE (Orson Welles, 1973, France-Iran-West Germany, 89m, Col)
275. (267) KIND HEARTS AND CORONETS (Robert Hamer, 1949, UK, 106m, BW)
276. (273) TASTE OF CHERRY (Abbas Kiarostami, 1997, Iran, 99m, Col)
277. (280) MY NIGHT AT MAUD'S (Eric Rohmer, 1969, France, 105m, BW)
278. (279) SWEET SMELL OF SUCCESS (Alexander Mackendrick, 1957, USA, 96m, BW)
279. (292) BACK TO THE FUTURE (Robert Zemeckis, 1985, USA, 116m, Col)
280. (278) THE STORY OF THE LAST CHRYSANTHEMUMS (Kenji Mizoguchi, 1939, Japan, 148m, BW)
281. (277) THE SHOP AROUND THE CORNER (Ernst Lubitsch, 1940, USA, 97m, BW)
282. (275) LA CIÉNAGA (Lucrecia Martel, 2001, Argentina-France-Spain, 103m, Col)
283. (291) PATHS OF GLORY (Stanley Kubrick, 1957, USA, 86m, BW)
284. (284) GOODBYE, DRAGON INN (Tsai Ming-liang, 2003, Taiwan, 82m, Col)
285. (281) GROUNDHOG DAY (Harold Ramis, 1993, USA, 103m, Col)
286. (286) THRONE OF BLOOD (Akira Kurosawa, 1957, Japan, 110m, BW)
287. (282) DAY OF WRATH (Carl Theodor Dreyer, 1943, Denmark, 110m, BW)
288. (288) 2 OR 3 THINGS I KNOW ABOUT HER (Jean-Luc Godard, 1967, France, 87m, Col)
289. (283) PANDORA'S BOX (G.W. Pabst, 1929, Germany, 133m, BW)
290. (285) THE ASCENT (Larisa Shepitko, 1977, USSR, 111m, BW)
291. (300) THE SACRIFICE (Andrei Tarkovsky, 1986, France-Sweden, 145m, Col)
292. (295) ARMY OF SHADOWS (Jean-Pierre Melville, 1969, France-Italy, 140m, Col)
293. (287) ALL THAT HEAVEN ALLOWS (Douglas Sirk, 1955, USA, 89m, Col)
294. (290) INDIA SONG (Marguerite Duras, 1975, France, 120m, Col)
295. (289) THREE COLOURS: RED (Krzysztof Kieslowski, 1994, France-Switzerland-Poland, 99m, Col)
296. (293) ALL ABOUT MY MOTHER (Pedro Almodóvar, 1999, Spain-France, 101m, Col)
297. (294) THE BIG SLEEP (Howard Hawks, 1946, USA, 114m, BW)
298. (319) CABARET (Bob Fosse, 1972, USA, 128m, Col)
299. (296) HAPPY TOGETHER (Wong Kar-wai, 1997, Hong Kong, 97m, Col)
300. (302) UNFORGIVEN (Clint Eastwood, 1992, USA, 127m, Col)

301. (314) ALL THAT JAZZ (Bob Fosse, 1979, USA, 123m, Col)
302. (297) DISTANT VOICES, STILL LIVES (Terence Davies, 1988, UK, 85m, Col)
303. (298) MEAN STREETS (Martin Scorsese, 1973, USA, 110m, Col)
304. (299) FLOATING CLOUDS (Mikio Naruse, 1955, Japan, 123m, BW)
305. (304) TERRA EM TRANSE (Glauber Rocha, 1967, Brazil, 106m, BW)
306. (301) MR. HULOT'S HOLIDAY (Jacques Tati, 1953, France, 86m, BW)
307. (303) THE MUSIC ROOM (Satyajit Ray, 1958, India, 95m, BW)
308. (307) THE MALTESE FALCON (John Huston, 1941, USA, 100m, BW)
309. (306) CHARULATA (Satyajit Ray, 1964, India, 117m, BW)
310. (320) THE WORLD OF APU (Satyajit Ray, 1959, India, 103m, BW)
311. (321) MELANCHOLIA (Lars von Trier, 2011, Denmark-Sweden-France-Germany, 136m, Col)
312. (308) FACES (John Cassavetes, 1968, USA, 130m, BW)
313. (315) CITY OF GOD (Fernando Meirelles & Kátia Lund, 2002, Brazil-Germany-France, 129m, Col)
314. (310) WERCKMEISTER HARMONIES (Béla Tarr, 2000, Hungary-Germany-France-Switzerland-Italy, 145m, BW)
315. (323) I AM CUBA (Mikhail Kalatozov, 1964, Cuba-USSR, 141m, BW)
316. (305) NANOOK OF THE NORTH (Robert J. Flaherty, 1922, USA, 79m, BW)
317. (311) A SEPARATION (Asghar Farhadi, 2011, Iran-France-Australia, 123m, Col)
318. (309) MONSIEUR VERDOUX (Charles Chaplin, 1947, USA, 123m, BW)
319. (312) VIDEODROME (David Cronenberg, 1983, Canada, 90m, Col)
320. (316) KINGS OF THE ROAD (Wim Wenders, 1976, West Germany, 175m, BW)
321. (330) IN THE REALM OF THE SENSES (Nagisa Oshima, 1976, Japan-France, 109m, Col)
322. (318) FREAKS (Tod Browning, 1932, USA, 64m, BW)
323. (324) BERLIN ALEXANDERPLATZ (Rainer Werner Fassbinder, 1980, West Germany-Italy, 931m, Col)
324. (322) LA BELLE ET LA BÊTE (Jean Cocteau, 1946, France, 95m, BW)
325. (329) THE PHILADELPHIA STORY (George Cukor, 1940, USA, 112m, BW)
326. (333) THE EMPIRE STRIKES BACK (Irvin Kershner, 1980, USA, 124m, Col)
327. (348) HIGH AND LOW (Akira Kurosawa, 1963, Japan, 142m, BW)
328. (317) LOLA MONTÈS (Max Ophüls, 1955, France-West Germany, 116m, Col)
329. (326) THE YOUNG GIRLS OF ROCHEFORT (Jacques Demy, 1967, France, 124m, Col)
330. (327) HUSBANDS (John Cassavetes, 1970, USA, 138m, Col)
331. (325) A CANTERBURY TALE (Michael Powell & Emeric Pressburger, 1944, UK, 124m, BW)
332. (337) AMADEUS (Milos Forman, 1984, USA, 158m, Col)
333. (335) BONNIE AND CLYDE (Arthur Penn, 1967, USA, 111m, Col)
334. (331) THE KID (Charles Chaplin, 1921, USA, 60m, BW)
335. (328) PYAASA (Guru Dutt, 1957, India, 146m, BW)
336. (332) UNDERGROUND (Emir Kusturica, 1995, Yugoslavia-France-Germany-Bulgaria-Czech Republic-Hungary-UK-USA, 167m, Col)
337. (336) THE TIME TO LIVE AND THE TIME TO DIE (Hou Hsiao-hsien, 1985, Taiwan, 137m, Col)
338. (334) BROKEN BLOSSOMS (D.W. Griffith, 1919, USA, 90m, BW)
339. (339) TIE XI QU: WEST OF THE TRACKS (Wang Bing, 2003, China, 551m, Col)
340. (338) THE KING OF COMEDY (Martin Scorsese, 1982, USA, 109m, Col)
341. (341) THE WAGES OF FEAR (Henri-Georges Clouzot, 1953, France-Italy, 105m, BW)
342. (343) MIDNIGHT COWBOY (John Schlesinger, 1969, USA, 113m, Col)
343. (340) A TOUCH OF ZEN (King Hu, 1971, Taiwan-Hong Kong, 180m, Col)
344. (364) THE CRANES ARE FLYING (Mikhail Kalatozov, 1957, USSR, 95m, BW)
345. (344) WEEKEND (Jean-Luc Godard, 1967, France-Italy, 105m, Col)
346. (342) KISS ME DEADLY (Robert Aldrich, 1955, USA, 106m, BW)
347. (345) THE DOUBLE LIFE OF VÉRONIQUE (Krzysztof Kieslowski, 1991, France, 97m, Col)
348. (352) WEST SIDE STORY (Robert Wise & Jerome Robbins, 1961, USA, 151m, Col)
349. (349) THE CLOUD-CAPPED STAR (Ritwik Ghatak, 1960, India, 126m, BW)
350. (357) MAD MAX: FURY ROAD (George Miller, 2015, Australia-USA, 120m, Col)
351. (353) DOG DAY AFTERNOON (Sidney Lumet, 1975, USA, 125m, Col)
352. (354) GET OUT (Jordan Peele, 2017, USA-Japan, 104m, Col)
353. (356) NIGHT OF THE LIVING DEAD (George A. Romero, 1968, USA, 96m, BW)
354. (347) THE PUPPETMASTER (Hou Hsiao-hsien, 1993, Taiwan, 141m, Col)
355. (346) EL (Luis Buñuel, 1953, Mexico, 91m, BW)
356. (350) OUT 1 (Jacques Rivette, 1971, France, 729m, Col-BW)
357. (351) THE LAST PICTURE SHOW (Peter Bogdanovich, 1971, USA, 118m, BW)
358. (358) HOW GREEN WAS MY VALLEY (John Ford, 1941, USA, 118m, BW)
359. (359) SOME CAME RUNNING (Vincente Minnelli, 1958, USA, 136m, Col)
360. (355) THE TREE OF WOODEN CLOGS (Ermanno Olmi, 1978, Italy, 185m, Col)
361. (367) IT HAPPENED ONE NIGHT (Frank Capra, 1934, USA, 105m, BW)
362. (363) MAKE WAY FOR TOMORROW (Leo McCarey, 1937, USA, 92m, BW)
363. (360) LAST TANGO IN PARIS (Bernardo Bertolucci, 1972, Italy-France, 129m, Col)
364. (365) THE QUINCE TREE SUN (Víctor Erice, 1992, Spain, 133m, Col)
365. (362) HEAVEN'S GATE (Michael Cimino, 1980, USA, 219m, Col)
366. (361) MURIEL (Alain Resnais, 1963, France-Italy, 115m, Col)
367. (370) MARNIE (Alfred Hitchcock, 1964, USA, 130m, Col)
368. (373) THROUGH THE OLIVE TREES (Abbas Kiarostami, 1994, Iran-France, 103m, Col)
369. (375) THE SILENCE OF THE LAMBS (Jonathan Demme, 1991, USA, 118m, Col)
370. (379) AN AFFAIR TO REMEMBER (Leo McCarey, 1957, USA, 115m, Col)
371. (371) YOJIMBO (Akira Kurosawa, 1961, Japan, 110m, BW)
372. (372) HAROLD AND MAUDE (Hal Ashby, 1971, USA, 91m, Col)
373. (381) TEOREMA (Pier Paolo Pasolini, 1968, Italy, 98m, Col)
374. (374) PEEPING TOM (Michael Powell, 1960, UK, 101m, Col)
375. (369) FITZCARRALDO (Werner Herzog, 1982, West Germany, 157m, Col)
376. (377) LOST HIGHWAY (David Lynch, 1997, USA-France, 134m, Col)
377. (378) STRANGER THAN PARADISE (Jim Jarmusch, 1984, USA-West Germany, 89m, BW)
378. (366) WRITTEN ON THE WIND (Douglas Sirk, 1956, USA, 99m, Col)
379. (368) I WAS BORN, BUT... (Yasujiro Ozu, 1932, Japan, 100m, BW)
380. (385) STROMBOLI (Roberto Rossellini, 1950, Italy, 107m, BW)
381. (376) TWO-LANE BLACKTOP (Monte Hellman, 1971, USA, 101m, Col)
382. (382) THE WHITE RIBBON (Michael Haneke, 2009, Germany-Austria-France-Italy-Canada, 144m, BW)
383. (391) THE TURIN HORSE (Béla Tarr, 2011, Hungary-France-Germany-Switzerland, 155m, BW)
384. (386) SAFE (Todd Haynes, 1995, USA, 119m, Col)
385. (383) ALIENS (James Cameron, 1986, USA, 137m, Col)
386. (388) THE ELEPHANT MAN (David Lynch, 1980, USA, 125m, BW)
387. (380) THE KILLING OF A CHINESE BOOKIE (John Cassavetes, 1976, USA, 109m, Col)
388. (390) THIS IS SPINAL TAP (Rob Reiner, 1984, USA, 82m, Col)
389. (393) NOSTALGHIA (Andrei Tarkovsky, 1983, Italy, 120m, Col)
390. (414) UNDER THE SKIN (Jonathan Glazer, 2013, UK-Switzerland, 108m, Col)
391. (384) TRISTANA (Luis Buñuel, 1970, Spain-Italy-France, 98m, Col)
392. (387) THE HOUR OF THE FURNACES (Octavio Getino & Fernando E. Solanas, 1968, Argentina, 260m, BW)
393. (389) MON ONCLE (Jacques Tati, 1958, France, 126m, Col)
394. (403) DOGVILLE (Lars von Trier, 2003, Denmark-Sweden-France-UK-Germany-Finland-Italy-Netherlands-Norway, 177m, Col)
395. (397) ORLANDO (Sally Potter, 1992, UK-Russia-France-Italy-Netherlands, 94m, Col)
396. (400) OPENING NIGHT (John Cassavetes, 1977, USA, 144m, Col)
397. (392) LIMITE (Mario Peixoto, 1931, Brazil, 114m, BW)
398. (394) IN A YEAR WITH 13 MOONS (Rainer Werner Fassbinder, 1978, West Germany, 129m, Col)
399. (413) DAY FOR NIGHT (François Truffaut, 1973, France, 120m, Col)
400. (404) THE FLOWERS OF ST. FRANCIS (Roberto Rossellini, 1950, Italy, 83m, BW)

401. (395) WOMAN IN THE DUNES (Hiroshi Teshigahara, 1964, Japan, 147m, BW)
402. (415) 1900 (Bernardo Bertolucci, 1976, Italy-France-West Germany, 245m, Col)
403. (401) THE THIN BLUE LINE (Errol Morris, 1988, USA, 101m, Col)
404. (399) THE HEADLESS WOMAN (Lucrecia Martel, 2008, Argentina-Spain-France-Italy, 87m, Col)
405. (396) I KNOW WHERE I'M GOING! (Michael Powell & Emeric Pressburger, 1945, UK, 92m, BW)
406. (402) SUSPIRIA (Dario Argento, 1977, Italy, 92m, Col)
407. (398) CRIMES AND MISDEMEANORS (Woody Allen, 1989, USA, 104m, Col)
408. (407) THE TENANT (Roman Polanski, 1976, France, 126m, Col)
409. (405) THE BIRTH OF A NATION (D.W. Griffith, 1915, USA, 187m, BW)
410. (411) ORPHEUS (Jean Cocteau, 1950, France, 95m, BW)
411. (409) EYES WITHOUT A FACE (Georges Franju, 1960, France-Italy, 88m, BW)
412. (416) MIRACLE IN MILAN (Vittorio De Sica, 1951, Italy, 95m, BW)
413. (418) LOST IN TRANSLATION (Sofia Coppola, 2003, USA-Japan, 102m, Col)
414. (408) DAWN OF THE DEAD (George A. Romero, 1978, USA, 126m, Col)
415. (429) ALL THE PRESIDENT'S MEN (Alan J. Pakula, 1976, USA, 138m, Col)
416. (410) SNOW WHITE AND THE SEVEN DWARFS (David Hand, 1937, USA, 83m, Col)
417. (406) SPLENDOR IN THE GRASS (Elia Kazan, 1961, USA, 124m, Col)
418. (417) FANTASIA (Various Directors, 1940, USA, 120m, Col)
419. (412) THE AWFUL TRUTH (Leo McCarey, 1937, USA, 92m, BW)
420. (431) SCENES FROM A MARRIAGE (Ingmar Bergman, 1973, Sweden, 168m, Col)
421. (421) LE PLAISIR (Max Ophüls, 1952, France, 97m, BW)
422. (419) CHELSEA GIRLS (Andy Warhol, 1966, USA, 210m, Col-BW)
423. (424) EUROPA '51 (Roberto Rossellini, 1952, Italy, 113m, BW)
424. (420) SALVATORE GIULIANO (Francesco Rosi, 1962, Italy, 125m, BW)
425. (422) BRIDE OF FRANKENSTEIN (James Whale, 1935, USA, 75m, BW)
426. (442) IF…. (Lindsay Anderson, 1968, UK, 111m, Col-BW)
427. (425) LE BONHEUR (Agnès Varda, 1965, France, 79m, Col)
428. (439) THE LONG GOODBYE (Robert Altman, 1973, USA, 112m, Col)
429. (433) AN ANGEL AT MY TABLE (Jane Campion, 1990, New Zealand-Australia-UK, 158m, Col)
430. (427) POSSESSION (Andrzej Zulawski, 1981, France-West Germany, 124m, Col)
431. (451) TWENTY YEARS LATER (Eduardo Coutinho, 1984, Brazil, 119m, Col-BW)
432. (423) HOLY MOTORS (Leos Carax, 2012, France-Germany, 115m, Col)
433. (435) WINTER LIGHT (Ingmar Bergman, 1963, Sweden, 80m, BW)
434. (430) SHADOWS OF FORGOTTEN ANCESTORS (Sergei Parajanov, 1965, USSR, 97m, Col)
435. (444) THE SHAWSHANK REDEMPTION (Frank Darabont, 1994, USA, 142m, Col)
436. (428) DAYS OF BEING WILD (Wong Kar-wai, 1990, Hong Kong, 94m, Col)
437. (426) A STAR IS BORN (George Cukor, 1954, USA, 154m, Col)
438. (441) ACCATTONE (Pier Paolo Pasolini, 1961, Italy, 120m, BW)
439. (456) CASINO (Martin Scorsese, 1995, USA, 182m, Col)
440. (432) THE SCARLET EMPRESS (Josef von Sternberg, 1934, USA, 110m, BW)
441. (463) THE CAMERAMAN (Buster Keaton & Edward Sedgwick, 1928, USA, 69m, BW)
442. (469) NETWORK (Sidney Lumet, 1976, USA, 121m, Col)
443. (434) FLOWERS OF SHANGHAI (Hou Hsiao-hsien, 1998, Taiwan, 130m, Col)
444. (462) LA TERRA TREMA (Luchino Visconti, 1948, Italy, 160m, BW)
445. (458) NAKED (Mike Leigh, 1993, UK, 126m, Col)
446. (447) LIMELIGHT (Charles Chaplin, 1952, USA, 145m, BW)
447. (443) THE INNOCENTS (Jack Clayton, 1961, UK, 100m, BW)
448. (438) THE WIND (Victor Sjöström, 1928, USA, 88m, BW)
449. (436) THE CRIME OF MONSIEUR LANGE (Jean Renoir, 1936, France, 90m, BW)
450. (487) TONI ERDMANN (Maren Ade, 2016, Germany-Austria-Switzerland-Romania, 162m, Col)
451. (440) FRENCH CANCAN (Jean Renoir, 1955, France-Italy, 102m, Col)
452. (461) À NOS AMOURS (Maurice Pialat, 1983, France, 102m, Col)
453. (448) KOYAANISQATSI (Godfrey Reggio, 1982, USA, 87m, Col)
454. (437) IVAN'S CHILDHOOD (Andrei Tarkovsky, 1962, USSR, 94m, BW)
455. (445) LA RÉGION CENTRALE (Michael Snow, 1971, Canada, 180m, Col)
456. (446) FESTEN (Thomas Vinterberg, 1998, Denmark, 105m, Col)
457. (460) SONGS FROM THE SECOND FLOOR (Roy Andersson, 2000, Sweden-Norway-Denmark-France, 98m, Col)
458. (449) A TRIP TO THE MOON (Georges Méliès, 1902, France, 14m, BW)
459. (466) THE ACT OF KILLING (Joshua Oppenheimer, 2012, Denmark-Norway-UK-Finland, 115m, Col)
460. (450) SHOOT THE PIANO PLAYER (François Truffaut, 1960, France, 81m, BW)
461. (482) DERSU UZALA (Akira Kurosawa, 1975, USSR-Japan, 144m, Col)
462. (467) GRAVE OF THE FIREFLIES (Isao Takahata, 1988, Japan, 93m, Col)
463. (452) OCTOBER (Sergei Eisenstein & Grigori Aleksandrov, 1928, USSR, 103m, BW)
464. (459) PARIS IS BURNING (Jennie Livingston, 1990, USA, 78m, Col)
465. (453) LISTEN TO BRITAIN (Humphrey Jennings & Stewart McAllister, 1942, UK, 20m, BW)
466. (465) A.I. ARTIFICIAL INTELLIGENCE (Steven Spielberg, 2001, USA, 145m, Col)
467. (516) PAN'S LABYRINTH (Guillermo del Toro, 2006, Spain-Mexico-USA, 120m, Col)
468. (468) HARLAN COUNTY, U.S.A. (Barbara Kopple, 1976, USA, 103m, Col)
469. (457) PINOCCHIO (Ben Sharpsteen & Hamilton Luske, 1940, USA, 88m, Col)
470. (464) THE PALM BEACH STORY (Preston Sturges, 1942, USA, 90m, BW)
471. (454) IN VANDA'S ROOM (Pedro Costa, 2000, Portugal-Germany-Switzerland-Italy, 170m, Col)
472. (471) TALK TO HER (Pedro Almodóvar, 2002, Spain, 112m, Col)
473. (490) STEAMBOAT BILL, JR. (Buster Keaton & Charles Reisner, 1928, USA, 71m, BW)
474. (470) SYNDROMES AND A CENTURY (Apichatpong Weerasethakul, 2006, Thailand-France-Austria-Netherlands, 105m, Col)
475. (484) BY THE BLUEST OF SEAS (Boris Barnet, 1936, USSR, 71m, BW)
476. (455) PHANTOM THREAD (Paul Thomas Anderson, 2017, USA, 130m, Col)
477. (483) ELEPHANT (Gus Van Sant, 2003, USA, 81m, Col)
478. (478) HIGH NOON (Fred Zinnemann, 1952, USA, 84m, BW)
479. (480) THE DEAD (John Huston, 1987, USA, 83m, Col)
480. (479) LANDSCAPE IN THE MIST (Theo Angelopoulos, 1988, Greece-Italy-France, 127m, Col)
481. (474) WAGON MASTER (John Ford, 1950, USA, 86m, BW)
482. (488) RESERVOIR DOGS (Quentin Tarantino, 1992, USA, 99m, Col)
483. (496) THE DEATH OF MR. LAZARESCU (Cristi Puiu, 2005, Romania, 153m, Col)
484. (477) LOLA (Jacques Demy, 1961, France, 90m, BW)
485. (472) PLATFORM (Jia Zhangke, 2000, China-Hong Kong-Japan-France, 154m, Col)
486. (499) SECRETS & LIES (Mike Leigh, 1996, UK, 142m, Col)
487. (475) CARRIE (Brian De Palma, 1976, USA, 97m, Col)
488. (473) BARREN LIVES (Nelson Pereira dos Santos, 1963, Brazil, 103m, BW)
489. (476) SENSO (Luchino Visconti, 1954, Italy, 123m, Col)
490. (489) WITHNAIL & I (Bruce Robinson, 1987, UK, 107m, Col)
491. (486) RAISE THE RED LANTERN (Zhang Yimou, 1991, China-Hong Kong-Taiwan, 125m, Col)
492. (481) ONCE UPON A TIME IN ANATOLIA (Nuri Bilge Ceylan, 2011, Turkey-Bosnia and Herzergovina, 157m, Col)
493. (485) ZAMA (Lucrecia Martel, 2017, Argentina-Brazil-Spain-Dominican Republic-France-Netherlands-Mexico-Switzerland-USA-Portugal-Lebanon, 115m, Col)
494. (491) THE BITTER TEARS OF PETRA VON KANT (Rainer Werner Fassbinder, 1972, West Germany, 124m, Col)
495. (537) FIGHT CLUB (David Fincher, 1999, USA-Germany, 139m, Col)
496. (521) THE HUSTLER (Robert Rossen, 1961, USA, 134m, BW)
497. (509) TWIN PEAKS: FIRE WALK WITH ME (David Lynch, 1992, USA-France, 134m, Col)
498. (523) NO COUNTRY FOR OLD MEN (Joel Coen & Ethan Coen, 2007, USA, 122m, Col)
499. (498) THE BRIDGE ON THE RIVER KWAI (David Lean, 1957, UK, 161m, Col)
500. (501) FIVE EASY PIECES (Bob Rafelson, 1970, USA, 98m, Col)

501. (492) BLOW OUT (Brian De Palma, 1981, USA, 107m, Col)
502. (525) TO HAVE AND HAVE NOT (Howard Hawks, 1944, USA, 100m, BW)
503. (495) SHANE (George Stevens, 1953, USA, 118m, Col)
504. (507) TO KILL A MOCKINGBIRD (Robert Mulligan, 1962, USA, 129m, BW)
505. (505) MONTY PYTHON'S LIFE OF BRIAN (Terry Jones, 1979, UK, 93m, Col)
506. (493) MASCULIN FÉMININ (Jean-Luc Godard, 1966, France-Sweden, 103m, BW)
507. (502) MARKETA LAZAROVÁ (Frantisek Vlácil, 1967, Czechoslovakia, 162m, BW)
508. (494) AFTER LIFE (Hirokazu Koreeda, 1998, Japan, 118m, Col)
509. (497) OUR HOSPITALITY (Buster Keaton & John G. Blystone, 1923, USA, 74m, BW)
510. (522) PRINCESS MONONOKE (Hayao Miyazaki, 1997, Japan, 134m, Col)
511. (518) CLOSELY WATCHED TRAINS (Jirí Menzel, 1966, Czechoslovakia, 89m, BW)
512. (500) A MOMENT OF INNOCENCE (Mohsen Makhmalbaf, 1996, Iran-France, 78m, Col)
513. (520) SHORT CUTS (Robert Altman, 1993, USA, 189m, Col)
514. (510) INLAND EMPIRE (David Lynch, 2006, USA-France-Poland, 180m, Col)
515. (503) EARLY SUMMER (Yasujiro Ozu, 1951, Japan, 135m, BW)
516. (508) OLDBOY (Park Chan-wook, 2003, South Korea, 120m, Col)
517. (512) CRASH (David Cronenberg, 1996, Canada, 100m, Col)
518. (524) DIE HARD (John McTiernan, 1988, USA, 131m, Col)
519. (517) AND LIFE GOES ON... (Abbas Kiarostami, 1992, Iran, 108m, Col)
520. (504) TWIN PEAKS: THE RETURN (David Lynch, 2017, USA, 1024m, Col-BW)
521. (511) BOOGIE NIGHTS (Paul Thomas Anderson, 1997, USA, 155m, Col)
522. (530) THE AGE OF INNOCENCE (Martin Scorsese, 1993, USA, 133m, Col)
523. (513) DEAD RINGERS (David Cronenberg, 1988, Canada, 115m, Col)
524. (514) THE ENIGMA OF KASPAR HAUSER (Werner Herzog, 1974, West Germany, 110m, Col)
525. (534) EAST OF EDEN (Elia Kazan, 1955, USA, 115m, Col)
526. (568) THE FRENCH CONNECTION (William Friedkin, 1971, USA, 104m, Col)
527. (506) LES VAMPIRES (Louis Feuillade, 1915, France, 421m, BW)
528. (515) THE DAMNED (Luchino Visconti, 1969, Italy-West Germany, 155m, Col)
529. (533) 12 ANGRY MEN (Sidney Lumet, 1957, USA, 95m, BW)
530. (519) ALICE IN THE CITIES (Wim Wenders, 1974, West Germany, 110m, BW)
531. (528) THE LIVES OF OTHERS (Florian Henckel von Donnersmarck, 2006, Germany, 138m, Col)
532. (529) FAUST (F.W. Murnau, 1926, Germany, 116m, BW)
533. (544) BOYHOOD (Richard Linklater, 2014, USA, 165m, Col)
534. (531) APARAJITO (Satyajit Ray, 1956, India, 108m, BW)
535. (539) MEMORIES OF MURDER (Bong Joon-ho, 2003, South Korea, 132m, Col)
536. (535) ALEXANDER NEVSKY (Sergei Eisenstein, 1938, USSR, 107m, BW)
537. (526) YEELEN (Souleymane Cissé, 1987, Mali-Burkina Faso-France-West Germany-Japan, 105m, Col)
538. (550) THE WIND WILL CARRY US (Abbas Kiarostami, 1999, France-Iran, 118m, Col)
539. (527) BLUE (Derek Jarman, 1993, UK-Japan, 79m, Col)
540. (536) POINT BLANK (John Boorman, 1967, USA, 92m, Col)
541. (567) NINOTCHKA (Ernst Lubitsch, 1939, USA, 110m, BW)
542. (532) ROSETTA (Jean-Pierre Dardenne & Luc Dardenne, 1999, Belgium-France, 94m, Col)
543. (579) A NIGHT AT THE OPERA (Sam Wood, 1935, USA, 96m, BW)
544. (547) THE TERMINATOR (James Cameron, 1984, USA, 107m, Col)
545. (561) DOCTOR ZHIVAGO (David Lean, 1965, USA, 197m, Col)
546. (541) NOSTALGIA FOR THE LIGHT (Patricio Guzmán, 2010, France-Germany-Chile-Spain, 90m, Col)
547. (569) CHILDREN OF MEN (Alfonso Cuarón, 2006, USA-UK, 109m, Col)
548. (538) MAN OF ARAN (Robert J. Flaherty, 1934, UK, 77m, BW)
549. (543) HANNAH AND HER SISTERS (Woody Allen, 1986, USA, 106m, Col)
550. (552) LA HAINE (Mathieu Kassovitz, 1995, France, 98m, BW)
551. (542) THE LADY FROM SHANGHAI (Orson Welles, 1948, USA, 87m, BW)
552. (546) PICNIC AT HANGING ROCK (Peter Weir, 1975, Australia, 110m, Col)
553. (540) JE, TU, IL, ELLE (Chantal Akerman, 1974, Belgium, 85m, BW)
554. (558) SE7EN (David Fincher, 1995, USA, 127m, Col)
555. (556) PUNCH-DRUNK LOVE (Paul Thomas Anderson, 2002, USA, 95m, Col)
556. (545) STRANGERS ON A TRAIN (Alfred Hitchcock, 1951, USA, 101m, BW)
557. (559) YOUNG MR. LINCOLN (John Ford, 1939, USA, 100m, BW)
558. (551) THE SOUND OF MUSIC (Robert Wise, 1965, USA, 174m, Col)
559. (548) RUSSIAN ARK (Aleksandr Sokurov, 2002, Russia-Germany-Japan-Canada-Finland-Denmark, 99m, Col)
560. (571) BUTCH CASSIDY AND THE SUNDANCE KID (George Roy Hill, 1969, USA-Mexico, 110m, Col)
561. (549) THE DEVIL, PROBABLY (Robert Bresson, 1977, France, 95m, Col)
562. (553) WALL-E (Andrew Stanton, 2008, USA, 98m, Col)
563. (555) I WALKED WITH A ZOMBIE (Jacques Tourneur, 1943, USA, 69m, BW)
564. (554) DEAD MAN (Jim Jarmusch, 1995, USA-Germany, 121m, BW)
565. (570) KAGEMUSHA (Akira Kurosawa, 1980, Japan, 159m, Col)
566. (563) MORVERN CALLAR (Lynne Ramsay, 2002, UK-Canada, 97m, Col)
567. (608) AS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY (Jonas Mekas, 2000, USA, 288m, Col)
568. (584) LAND WITHOUT BREAD (Luis Buñuel, 1933, Spain, 28m, BW)
569. (566) BROKEBACK MOUNTAIN (Ang Lee, 2005, USA-Canada, 134m, Col)
570. (557) FELLINI SATYRICON (Federico Fellini, 1969, Italy, 129m, Col)
571. (565) THE WEDDING MARCH (Erich von Stroheim, 1928, USA, 113m, BW)
572. (582) BEING THERE (Hal Ashby, 1979, USA, 130m, Col)
573. (578) MAD MAX 2 (George Miller, 1981, Australia, 96m, Col)
574. (560) YELLOW EARTH (Chen Kaige, 1984, China, 89m, Col)
575. (564) SAMBIZANGA (Sarah Maldoror, 1972, Angola-France, 97m, Col)
576. (562) THE BLUE ANGEL (Josef von Sternberg, 1930, Germany, 103m, BW)
577. (572) THE TESTAMENT OF DR. MABUSE (Fritz Lang, 1933, Germany, 120m, BW)
578. (575) THE MASTER (Paul Thomas Anderson, 2012, USA, 144m, Col)
579. (624) LOVES OF A BLONDE (Milos Forman, 1965, Czechoslovakia, 88m, BW)
580. (581) EASY RIDER (Dennis Hopper, 1969, USA, 94m, Col)
581. (577) LAURA (Otto Preminger, 1944, USA, 85m, BW)
582. (574) CAT PEOPLE (Jacques Tourneur, 1942, USA, 73m, BW)
583. (573) SHADOW OF A DOUBT (Alfred Hitchcock, 1943, USA, 108m, BW)
584. (583) THE SILENCE (Ingmar Bergman, 1963, Sweden, 96m, BW)
585. (576) THAT OBSCURE OBJECT OF DESIRE (Luis Buñuel, 1977, France-Spain, 103m, Col)
586. (613) FORREST GUMP (Robert Zemeckis, 1994, USA, 142m, Col)
587. (580) BARTON FINK (Joel Coen & Ethan Coen, 1991, USA, 117m, Col)
588. (596) D'EST (Chantal Akerman, 1993, Belgium-France-Portugal, 107m, Col)
589. (669) PLÁCIDO (Luis García Berlanga, 1961, Spain, 85m, BW)
590. (591) BANDE À PART (Jean-Luc Godard, 1964, France, 95m, BW)
591. (588) BIGGER THAN LIFE (Nicholas Ray, 1956, USA, 95m, Col)
592. (598) THE SERVANT (Joseph Losey, 1963, UK, 115m, BW)
593. (586) HALLOWEEN (John Carpenter, 1978, USA, 93m, Col)
594. (610) AMÉLIE (Jean-Pierre Jeunet, 2001, France-Germany, 122m, Col-BW)
595. (587) THE TAKING OF POWER BY LOUIS XIV (Roberto Rossellini, 1966, France, 100m, Col)
596. (594) THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING (Peter Jackson, 2001, New Zealand-USA, 178m, Col)
597. (595) JURASSIC PARK (Steven Spielberg, 1993, USA, 127m, Col)
598. (599) REPULSION (Roman Polanski, 1965, UK, 105m, BW)
599. (585) TALE OF TALES (Yuriy Norshteyn, 1979, USSR, 29m, Col)
600. (601) CROUCHING TIGER, HIDDEN DRAGON (Ang Lee, 2000, Taiwan-Hong Kong-USA-China, 120m, Col)

601. (592) TOOTSIE (Sydney Pollack, 1982, USA, 116m, Col)
602. (627) SYMBIOPSYCHOTAXIPLASM: TAKE ONE (William Greaves, 1968, USA, 75m, Col-BW)
603. (606) TERMINATOR 2: JUDGMENT DAY (James Cameron, 1991, USA, 136m, Col)
604. (589) GENTLEMEN PREFER BLONDES (Howard Hawks, 1953, USA, 91m, Col)
605. (590) GREY GARDENS (David Maysles, Albert Maysles, Ellen Hovde & Muffie Meyer, 1975, USA, 95m, Col)
606. (625) ZODIAC (David Fincher, 2007, USA, 158m, Col)
607. (593) COLOSSAL YOUTH (Pedro Costa, 2006, France-Portugal-Switzerland, 155m, Col)
608. (603) THE LONG DAY CLOSES (Terence Davies, 1992, UK, 83m, Col)
609. (602) HATARI! (Howard Hawks, 1962, USA, 157m, Col)
610. (605) WEST INDIES (Med Hondo, 1979, France-Algeria-Mauritania, 110m, Col)
611. (597) SEVEN CHANCES (Buster Keaton, 1925, USA, 56m, BW)
612. (609) FULL METAL JACKET (Stanley Kubrick, 1987, USA, 116m, Col)
613. (600) FELLINI'S ROMA (Federico Fellini, 1972, Italy, 128m, Col)
614. (623) SYNECDOCHE, NEW YORK (Charlie Kaufman, 2008, USA, 124m, Col)
615. (620) DELIVERANCE (John Boorman, 1972, USA, 109m, Col)
616. (653) DOWN BY LAW (Jim Jarmusch, 1986, USA, 107m, BW)
617. (611) THE DEVILS (Ken Russell, 1971, UK, 109m, Col)
618. (621) MY FRIEND IVAN LAPSHIN (Aleksei German, 1985, USSR, 100m, Col-BW)
619. (607) THE ROUND-UP (Miklós Jancsó, 1966, Hungary, 90m, BW)
620. (604) PROVIDENCE (Alain Resnais, 1977, France-Switzerland, 110m, Col)
621. (612) LES AMANTS DU PONT-NEUF (Leos Carax, 1991, France, 126m, Col)
622. (619) SHADOWS (John Cassavetes, 1959, USA, 87m, BW)
623. (628) THE WICKER MAN (Robin Hardy, 1973, UK, 103m, Col)
624. (614) EDVARD MUNCH (Peter Watkins, 1974, Sweden-Norway, 210m, Col)
625. (633) THE ASPHALT JUNGLE (John Huston, 1950, USA, 112m, BW)
626. (630) 3 WOMEN (Robert Altman, 1977, USA, 125m, Col)
627. (615) BOUDU SAVED FROM DROWNING (Jean Renoir, 1932, France, 87m, BW)
628. (617) SCORPIO RISING (Kenneth Anger, 1963, USA, 28m, Col)
629. (618) THE RED CIRCLE (Jean-Pierre Melville, 1970, France-Italy, 150m, Col)
630. (616) THE LADIES MAN (Jerry Lewis, 1961, USA, 95m, Col)
631. (622) PINK FLAMINGOS (John Waters, 1972, USA, 92m, Col)
632. (626) PORTRAIT OF JASON (Shirley Clarke, 1967, USA, 105m, BW)
633. (631) ALPHAVILLE (Jean-Luc Godard, 1965, France, 95m, BW)
634. (634) DON'T LOOK BACK (D.A. Pennebaker, 1967, USA, 96m, BW)
635. (632) THE GOLDEN COACH (Jean Renoir, 1952, Italy-France, 100m, Col)
636. (644) REBECCA (Alfred Hitchcock, 1940, USA, 130m, BW)
637. (635) HOUR OF THE WOLF (Ingmar Bergman, 1968, Sweden, 88m, BW)
638. (636) PAT GARRETT AND BILLY THE KID (Sam Peckinpah, 1973, USA, 122m, Col)
639. (629) HARAKIRI (Masaki Kobayashi, 1962, Japan, 133m, BW)
640. (647) CASQUE D'OR (Jacques Becker, 1952, France, 96m, BW)
641. (656) THE ROYAL TENENBAUMS (Wes Anderson, 2001, USA, 109m, Col)
642. (648) TITANIC (James Cameron, 1997, USA, 194m, Col)
643. (652) THE DARK KNIGHT (Christopher Nolan, 2008, USA-UK, 152m, Col)
644. (655) THE WATERMELON WOMAN (Cheryl Dunye, 1996, USA, 90m, Col)
645. (637) HANA-BI (Takeshi Kitano, 1997, Japan, 103m, Col)
646. (642) THEY LIVE BY NIGHT (Nicholas Ray, 1948, USA, 95m, BW)
647. (646) FRANKENSTEIN (James Whale, 1931, USA, 70m, BW)
648. (641) ROCKY (John G. Avildsen, 1976, USA, 119m, Col)
649. (638) DR. MABUSE, THE GAMBLER (Fritz Lang, 1922, Germany, 270m, BW)
650. (640) MY OWN PRIVATE IDAHO (Gus Van Sant, 1991, USA, 102m, Col)
651. (659) SCARFACE (Howard Hawks, 1932, USA, 93m, BW)
652. (645) BRING ME THE HEAD OF ALFREDO GARCIA (Sam Peckinpah, 1974, USA, 112m, Col)
653. (654) STRIKE (Sergei Eisenstein, 1925, USSR, 82m, BW)
654. (639) HOOP DREAMS (Steve James, 1994, USA, 170m, Col)
655. (671) NAZARÍN (Luis Buñuel, 1958, Mexico, 94m, BW)
656. (678) RATCATCHER (Lynne Ramsay, 1999, UK-France, 94m, Col)
657. (643) WALKABOUT (Nicolas Roeg, 1971, UK-Australia, 100m, Col)
658. (670) THE MANCHURIAN CANDIDATE (John Frankenheimer, 1962, USA, 126m, BW)
659. (651) I VITELLONI (Federico Fellini, 1953, Italy, 104m, BW)
660. (665) THE MARRIAGE OF MARIA BRAUN (Rainer Werner Fassbinder, 1979, West Germany, 120m, Col)
661. (649) TOP HAT (Mark Sandrich, 1935, USA, 99m, BW)
662. (650) XALA (Ousmane Sembene, 1975, Senegal, 123m, Col)
663. (675) THE NAVIGATOR (Buster Keaton & Donald Crisp, 1924, USA, 59m, BW)
664. (662) AKIRA (Katsuhiro Otomo, 1988, Japan, 124m, Col)
665. (664) THE LADY VANISHES (Alfred Hitchcock, 1938, UK, 97m, BW)
666. (672) ARREBATO (Iván Zulueta, 1979, Spain, 105m, Col)
667. (658) MILLENNIUM MAMBO (Hou Hsiao-hsien, 2001, Taiwan-France, 119m, Col)
668. (692) A PROPHET (Jacques Audiard, 2009, France-Italy, 155m, Col)
669. (657) THE VIRGIN SPRING (Ingmar Bergman, 1960, Sweden, 88m, BW)
670. (660) AMOUR (Michael Haneke, 2012, Austria-France-Germany, 127m, Col)
671. (703) THE PIANO TEACHER (Michael Haneke, 2001, Austria-France-Germany, 130m, Col)
672. (696) THE PURPLE ROSE OF CAIRO (Woody Allen, 1985, USA, 82m, Col-BW)
673. (695) YOUNG FRANKENSTEIN (Mel Brooks, 1974, USA, 105m, BW)
674. (661) BAMBI (David Hand, 1942, USA, 69m, Col)
675. (668) SILENT LIGHT (Carlos Reygadas, 2007, Mexico-France-Netherlands, 136m, Col)
676. (663) FAT CITY (John Huston, 1972, USA, 96m, Col)
677. (718) ACE IN THE HOLE (Billy Wilder, 1951, USA, 112m, BW)
678. (666) IL POSTO (Ermanno Olmi, 1961, Italy, 93m, BW)
679. (694) TOY STORY (John Lasseter, 1995, USA, 81m, Col)
680. (676) FAREWELL, MY CONCUBINE (Chen Kaige, 1993, China-Hong Kong, 155m, Col)
681. (667) THE GHOST AND MRS. MUIR (Joseph L. Mankiewicz, 1947, USA, 104m, BW)
682. (685) WILD AT HEART (David Lynch, 1990, USA, 127m, Col)
683. (687) RUSHMORE (Wes Anderson, 1998, USA, 93m, Col)
684. (682) CHRONICLE OF A SUMMER (Jean Rouch & Edgar Morin, 1961, France, 85m, BW)
685. (673) THE INTRUDER (Claire Denis, 2004, France-South Korea, 130m, Col)
686. (691) ROBOCOP (Paul Verhoeven, 1987, USA, 102m, Col)
687. (706) WHEN HARRY MET SALLY... (Rob Reiner, 1989, USA, 95m, Col)
688. (674) THE SORROW AND THE PITY (Marcel Ophüls, 1969, France-Switzerland-Germany, 260m, BW)
689. (720) THE KILLING (Stanley Kubrick, 1956, USA, 85m, BW)
690. (681) TRAINSPOTTING (Danny Boyle, 1996, UK, 95m, Col)
691. (677) HYÈNES (Djibril Diop Mambéty, 1992, Senegal-France-Switzerland-UK-Netherlands-Italy, 110m, Col)
692. (679) MR. SMITH GOES TO WASHINGTON (Frank Capra, 1939, USA, 129m, BW)
693. (749) DISTANT (Nuri Bilge Ceylan, 2002, Turkey-Netherlands, 110m, Col)
694. (715) THE GREAT BEAUTY (Paolo Sorrentino, 2013, Italy-France, 141m, Col)
695. (684) LOCAL HERO (Bill Forsyth, 1983, UK, 111m, Col)
696. (686) GIMME SHELTER (Albert Maysles, David Maysles & Charlotte Zwerin, 1970, USA, 91m, Col)
697. (700) WAKE IN FRIGHT (Ted Kotcheff, 1971, Australia-USA-UK, 109m, Col)
698. (680) WR: MYSTERIES OF THE ORGANISM (Dusan Makavejev, 1971, Yugoslavia, 84m, Col)
699. (693) CHRONICLE OF ANNA MAGDALENA BACH (Jean-Marie Straub, 1968, West Germany-Italy, 94m, BW)
700. (683) 7 WOMEN (John Ford, 1965, USA, 87m, Col)

701. (705) THE PHANTOM OF LIBERTY (Luis Buñuel, 1974, France-Italy, 104m, Col)
702. (713) DANCER IN THE DARK (Lars von Trier, 2000, Denmark-France-Sweden-Italy-Germany-Norway-Netherlands-Iceland-Finland-UK-USA, 140m, Col)
703. (716) THELMA & LOUISE (Ridley Scott, 1991, USA, 128m, Col)
704. (732) FISH TANK (Andrea Arnold, 2009, UK, 123m, Col)
705. (689) CURE (Kiyoshi Kurosawa, 1997, Japan, 111m, Col)
706. (688) THE PARTY (Blake Edwards, 1968, USA, 99m, Col)
707. (704) ROMA (Alfonso Cuarón, 2018, Mexico-USA, 135m, BW)
708. (710) 4 MONTHS, 3 WEEKS AND 2 DAYS (Cristian Mungiu, 2007, Romania-Netherlands-France-Germany, 113m, Col)
709. (701) LANCELOT DU LAC (Robert Bresson, 1974, France-Italy, 85m, Col)
710. (719) THE ADVENTURES OF PRINCE ACHMED (Lotte Reiniger, 1926, Germany, 65m, Col)
711. (702) BEFORE SUNSET (Richard Linklater, 2004, USA-Austria, 80m, Col)
712. (690) NOUVELLE VAGUE (Jean-Luc Godard, 1990, France-Switzerland, 90m, Col)
713. (697) SALESMAN (Albert Maysles, David Maysles & Charlotte Zwerin, 1969, USA, 85m, BW)
714. (699) SAUVE QUI PEUT (LA VIE) (Jean-Luc Godard, 1980, France-Switzerland, 87m, Col)
715. (698) THE HOLY MOUNTAIN (Alejandro Jodorowsky, 1973, Mexico-USA, 114m, Col)
716. (714) CAROL (Todd Haynes, 2015, UK-USA, 118m, Col)
717. (707) A PLACE IN THE SUN (George Stevens, 1951, USA, 122m, BW)
718. (709) HUNGER (Steve McQueen, 2008, UK-Ireland, 96m, Col)
719. (708) THE SUN SHINES BRIGHT (John Ford, 1953, USA, 90m, BW)
720. (730) A HARD DAY'S NIGHT (Richard Lester, 1964, UK, 87m, BW)
721. (717) MOULIN ROUGE! (Baz Luhrmann, 2001, Australia-USA, 127m, Col)
722. (711) KAAGAZ KE PHOOL (Guru Dutt, 1959, India, 148m, BW)
723. (712) THE HAWKS AND THE SPARROWS (Pier Paolo Pasolini, 1966, Italy, 91m, BW)
724. (772) MALCOLM X (Spike Lee, 1992, USA-Japan, 201m, Col)
725. (728) BEN-HUR (William Wyler, 1959, USA, 212m, Col)
726. (724) ANTONIO DAS MORTES (Glauber Rocha, 1969, Brazil, 95m, Col)
727. (729) A SHORT FILM ABOUT KILLING (Krzysztof Kieslowski, 1987, Poland, 85m, Col)
728. (733) THE BIG HEAT (Fritz Lang, 1953, USA, 90m, BW)
729. (741) A NEW LEAF (Elaine May, 1971, USA, 102m, Col)
730. (721) THE CIRCUS (Charles Chaplin, 1928, USA, 72m, BW)
731. (722) ONE WAY OR ANOTHER (Sara Gómez, 1977, Cuba, 78m, BW)
732. (726) STAND BY ME (Rob Reiner, 1986, USA, 89m, Col)
733. (751) LES DAMES DU BOIS DE BOULOGNE (Robert Bresson, 1945, France, 85m, BW)
734. (754) DAZED AND CONFUSED (Richard Linklater, 1993, USA, 103m, Col)
735. (723) MOONFLEET (Fritz Lang, 1955, USA, 89m, Col)
736. (742) TITICUT FOLLIES (Frederick Wiseman, 1967, USA, 84m, BW)
737. (735) DESIGN FOR LIVING (Ernst Lubitsch, 1933, USA, 90m, BW)
738. (739) THE BAD AND THE BEAUTIFUL (Vincente Minnelli, 1952, USA, 118m, BW)
739. (813) RED BEARD (Akira Kurosawa, 1965, Japan, 185m, BW)
740. (725) IL GRIDO (Michelangelo Antonioni, 1957, Italy, 111m, BW)
741. (736) LOVE ME TONIGHT (Rouben Mamoulian, 1932, USA, 96m, BW)
742. (744) THE FLY (David Cronenberg, 1986, USA, 96m, Col)
743. (747) Y TU MAMÁ TAMBIÉN (Alfonso Cuarón, 2001, Mexico, 105m, Col)
744. (727) THE TIGER OF ESCHNAPUR (Fritz Lang, 1958, West Germany-France-Italy, 101m, Col)
745. (731) NEW YORK, NEW YORK (Martin Scorsese, 1977, USA, 155m, Col)
746. (743) PHANTOM OF THE PARADISE (Brian De Palma, 1974, USA, 91m, Col)
747. (734) OH, SUN (Med Hondo, 1970, France-Mauritania, 98m, BW)
748. (737) THE EMPEROR'S NAKED ARMY MARCHES ON (Kazuo Hara, 1987, Japan, 122m, Col)
749. (756) THE WILD CHILD (François Truffaut, 1970, France, 85m, BW)
750. (802) THE IDIOTS (Lars von Trier, 1998, Denmark-Spain-Sweden-France-Netherlands-Italy, 117m, Col)
751. (738) PAPER MOON (Peter Bogdanovich, 1973, USA, 102m, BW)
752. (745) THE SOCIAL NETWORK (David Fincher, 2010, USA, 120m, Col)
753. (740) TRIUMPH OF THE WILL (Leni Riefenstahl, 1935, Germany, 110m, BW)
754. (755) A STREETCAR NAMED DESIRE (Elia Kazan, 1951, USA, 122m, BW)
755. (771) DIARIES, NOTES AND SKETCHES (Jonas Mekas, 1969, USA, 177m, Col)
756. (821) THE FIREMEN'S BALL (Milos Forman, 1967, Czechoslovakia-Italy, 73m, Col)
757. (780) BIG DEAL ON MADONNA STREET (Mario Monicelli, 1958, Italy, 91m, BW)
758. (761) BORN IN FLAMES (Lizzie Borden, 1983, USA, 79m, Col)
759. (748) RAISING ARIZONA (Joel Coen & Ethan Coen, 1987, USA, 94m, Col)
760. (757) THE NEW WORLD (Terrence Malick, 2005, USA, 135m, Col)
761. (790) FORT APACHE (John Ford, 1948, USA, 127m, BW)
762. (746) SUBARNAREKHA (Ritwik Ghatak, 1965, India, 126m, BW)
763. (797) MEMENTO (Christopher Nolan, 2000, USA, 113m, Col)
764. (750) DETOUR (Edgar G. Ulmer, 1945, USA, 69m, BW)
765. (770) LOLITA (Stanley Kubrick, 1962, UK, 152m, BW)
766. (752) LA BELLE NOISEUSE (Jacques Rivette, 1991, France, 240m, Col)
767. (753) FLAMING CREATURES (Jack Smith, 1963, USA, 45m, BW)
768. (803) MÄDCHEN IN UNIFORM (Leontine Sagan, 1931, Germany, 87m, BW)
769. (777) THE MAN WHO WOULD BE KING (John Huston, 1975, UK-USA, 129m, Col)
770. (760) THE AGE OF THE EARTH (Glauber Rocha, 1980, Brazil, 158m, Col)
771. (758) VERONIKA VOSS (Rainer Werner Fassbinder, 1982, West Germany, 105m, BW)
772. (789) TWO ENGLISH GIRLS (François Truffaut, 1971, France, 108m, Col)
773. (759) VIVE L'AMOUR (Tsai Ming-liang, 1994, Taiwan, 118m, Col)
774. (765) OSSESSIONE (Luchino Visconti, 1943, Italy, 140m, BW)
775. (764) HELLZAPOPPIN' (H.C. Potter, 1941, USA, 84m, BW)
776. (791) REBEL WITHOUT A CAUSE (Nicholas Ray, 1955, USA, 111m, Col)
777. (762) GOOD MORNING (Yasujiro Ozu, 1959, Japan, 94m, Col)
778. (763) GREAT EXPECTATIONS (David Lean, 1946, UK, 118m, BW)
779. (766) THE TRIAL (Orson Welles, 1962, France-Italy-West Germany, 119m, BW)
780. (787) MAMMA ROMA (Pier Paolo Pasolini, 1962, Italy, 110m, BW)
781. (768) FOOLISH WIVES (Erich von Stroheim, 1922, USA, 117m, BW)
782. (807) JFK (Oliver Stone, 1991, USA-France, 189m, Col-BW)
783. (769) MOTHER AND SON (Aleksandr Sokurov, 1997, Russia-Germany, 73m, Col)
784. (786) MOROCCO (Josef von Sternberg, 1930, USA, 92m, BW)
785. (817) CHIKAMATSU MONOGATARI (Kenji Mizoguchi, 1954, Japan, 100m, BW)
786. (776) AN AMERICAN WEREWOLF IN LONDON (John Landis, 1981, UK-USA, 97m, Col)
787. (767) WINGS (Larisa Shepitko, 1966, USSR, 85m, BW)
788. (775) CAIRO STATION (Youssef Chahine, 1958, Egypt, 77m, BW)
789. (778) UN CHANT D'AMOUR (Jean Genet, 1950, France, 26m, BW)
790. (781) THE COOK, THE THIEF, HIS WIFE & HER LOVER (Peter Greenaway, 1989, UK-Netherlands-France, 124m, Col)
791. (773) THE 39 STEPS (Alfred Hitchcock, 1935, UK, 87m, BW)
792. (794) MILLER'S CROSSING (Joel Coen & Ethan Coen, 1990, USA, 115m, Col)
793. (792) FERRIS BUELLER'S DAY OFF (John Hughes, 1986, USA, 103m, Col)
794. (801) REQUIEM FOR A DREAM (Darren Aronofsky, 2000, USA, 100m, Col)
795. (774) ZELIG (Woody Allen, 1983, USA, 79m, Col-BW)
796. (810) EVIL DEAD II (Sam Raimi, 1987, USA, 84m, Col)
797. (784) BLISSFULLY YOURS (Apichatpong Weerasethakul, 2002, Thailand-France, 125m, Col)
798. (785) LES DIABOLIQUES (Henri-Georges Clouzot, 1955, France, 114m, BW)
799. (796) 35 SHOTS OF RUM (Claire Denis, 2008, France-Germany, 101m, Col)
800. (793) TROUBLE EVERY DAY (Claire Denis, 2001, France-Germany-Japan-Luxembourg, 101m, Col)

801. (779) FASTER, PUSSYCAT! KILL! KILL! (Russ Meyer, 1965, USA, 83m, BW)
802. (783) CODE UNKNOWN (Michael Haneke, 2000, France-Germany-Romania, 118m, Col)
803. (782) TAIPEI STORY (Edward Yang, 1985, Taiwan, 119m, Col)
804. (804) ALL QUIET ON THE WESTERN FRONT (Lewis Milestone, 1930, USA, 133m, BW)
805. (843) SCARFACE (Brian De Palma, 1983, USA, 170m, Col)
806. (806) FUNNY GAMES (Michael Haneke, 1997, Austria, 108m, Col)
807. (837) MARGARET (Kenneth Lonergan, 2011, USA, 150m, Col)
808. (795) THE PRODUCERS (Mel Brooks, 1968, USA, 88m, Col)
809. (816) SHOCK CORRIDOR (Samuel Fuller, 1963, USA, 101m, BW)
810. (818) VAN GOGH (Maurice Pialat, 1991, France, 158m, Col)
811. (815) WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN (Pedro Almodóvar, 1988, Spain, 88m, Col)
812. (799) FORBIDDEN GAMES (René Clément, 1952, France, 87m, BW)
813. (812) ABRAHAM'S VALLEY (Manoel de Oliveira, 1993, Portugal-France-Switzerland, 187m, Col)
814. (800) DOG STAR MAN (Stan Brakhage, 1964, USA, 75m, Col)
815. (809) BROADCAST NEWS (James L. Brooks, 1987, USA, 133m, Col)
816. (832) EL SUR (Víctor Erice, 1983, Spain-France, 95m, Col)
817. (805) ROSE HOBART (Joseph Cornell, 1936, USA, 20m, Col)
818. (820) A WOMAN OF PARIS (Charles Chaplin, 1923, USA, 78m, BW)
819. (811) STILL LIFE (Jia Zhangke, 2006, China-Hong Kong, 113m, Col)
820. (814) MY LIFE AS A DOG (Lasse Hallström, 1985, Sweden, 101m, Col)
821. (808) PASSION (Jean-Luc Godard, 1982, France-Switzerland, 87m, Col)
822. (827) THE THIEF OF BAGDAD (Michael Powell, Ludwig Berger & Tim Whelan, 1940, UK, 106m, Col)
823. (831) SMILES OF A SUMMER NIGHT (Ingmar Bergman, 1955, Sweden, 108m, BW)
824. (829) PETITE MAMAN (Céline Sciamma, 2021, France, 73m, Col)
825. (819) O LUCKY MAN! (Lindsay Anderson, 1973, UK-USA, 178m, Col)
826. (848) GRIZZLY MAN (Werner Herzog, 2005, USA, 103m, Col)
827. (830) DEEP END (Jerzy Skolimowski, 1970, UK-West Germany, 88m, Col)
828. (835) THE NAKED ISLAND (Kaneto Shindo, 1960, Japan, 96m, BW)
829. (823) LOSING GROUND (Kathleen Collins, 1982, USA, 86m, Col)
830. (862) AMORES PERROS (Alejandro González Iñárritu, 2000, Mexico, 153m, Col)
831. (826) EDWARD SCISSORHANDS (Tim Burton, 1990, USA, 105m, Col)
832. (822) SHE WORE A YELLOW RIBBON (John Ford, 1949, USA, 103m, Col)
833. (913) LET THE RIGHT ONE IN (Tomas Alfredson, 2008, Sweden-Norway, 114m, Col)
834. (824) DODES'KA-DEN (Akira Kurosawa, 1970, Japan, 140m, Col)
835. (860) IRRÉVERSIBLE (Gaspar Noé, 2002, France, 97m, Col)
836. (828) DUMBO (Ben Sharpsteen, 1941, USA, 64m, Col)
837. (825) STREET OF SHAME (Kenji Mizoguchi, 1956, Japan, 87m, BW)
838. (838) THE SON (Jean-Pierre Dardenne & Luc Dardenne, 2002, Belgium-France, 103m, Col)
839. (833) FUNERAL PARADE OF ROSES (Toshio Matsumoto, 1969, Japan, 105m, BW)
840. (836) LA COMMUNE (PARIS, 1871) (Peter Watkins, 2000, France, 345m, BW)
841. (879) THE GREAT ESCAPE (John Sturges, 1963, USA, 172m, Col)
842. (854) INVASION OF THE BODY SNATCHERS (Don Siegel, 1956, USA, 80m, BW)
843. (834) GUMMO (Harmony Korine, 1997, USA, 88m, Col)
844. (847) PERSEPOLIS (Vincent Paronnaud & Marjane Satrapi, 2007, France-USA, 96m, Col-BW)
845. (852) INGLOURIOUS BASTERDS (Quentin Tarantino, 2009, USA-Germany, 153m, Col)
846. (839) FEMALE TROUBLE (John Waters, 1974, USA, 98m, Col)
847. (841) WHITE HEAT (Raoul Walsh, 1949, USA, 114m, BW)
848. (869) ANGEL (Ernst Lubitsch, 1937, USA, 91m, BW)
849. (856) POINT BREAK (Kathryn Bigelow, 1991, USA-Japan, 122m, Col)
850. (840) HITLER: A FILM FROM GERMANY (Hans-Jürgen Syberberg, 1977, West Germany-France-UK, 442m, Col)
851. (863) THE ASTHENIC SYNDROME (Kira Muratova, 1989, USSR, 153m, Col-BW)
852. (845) ONCE UPON A TIME... IN HOLLYWOOD (Quentin Tarantino, 2019, USA-UK-China, 161m, Col-BW)
853. (865) TIME OF THE GYPSIES (Emir Kusturica, 1988, Yugoslavia-Italy-UK, 142m, Col)
854. (934) MON ONCLE D'AMÉRIQUE (Alain Resnais, 1980, France, 123m, Col)
855. (842) THE RIGHT STUFF (Philip Kaufman, 1983, USA, 193m, Col)
856. (861) STARSHIP TROOPERS (Paul Verhoeven, 1997, USA, 129m, Col)
857. (866) BLUE IS THE WARMEST COLOUR (Abdellatif Kechiche, 2013, France-Belgium-Spain, 179m, Col)
858. (873) MIKEY AND NICKY (Elaine May, 1976, USA, 106m, Col)
859. (850) TOO EARLY, TOO LATE (Jean-Marie Straub & Danièle Huillet, 1981, France-Egypt, 100m, Col-BW)
860. (857) TOUTE UNE NUIT (Chantal Akerman, 1982, Belgium-France-Netherlands-Canada, 90m, Col)
861. (851) SHAME (Ingmar Bergman, 1968, Sweden, 103m, BW)
862. (844) THEY WERE EXPENDABLE (John Ford, 1945, USA, 135m, BW)
863. (887) CLAIRE'S KNEE (Eric Rohmer, 1970, France, 105m, Col)
864. (846) SICILIA! (Jean-Marie Straub & Danièle Huillet, 1999, Italy-France-Germany, 66m, BW)
865. (867) CLUELESS (Amy Heckerling, 1995, USA, 97m, Col)
866. (849) MY LITTLE LOVES (Jean Eustache, 1974, France, 123m, Col)
867. (853) THE TIN DRUM (Volker Schlöndorff, 1979, West Germany-France-Poland-Yugoslavia, 142m, Col)
868. (889) SAVING PRIVATE RYAN (Steven Spielberg, 1998, USA, 169m, Col)
869. (855) SPIONE (Fritz Lang, 1928, Germany, 90m, BW)
870. (859) SHANGHAI EXPRESS (Josef von Sternberg, 1932, USA, 82m, BW)
871. (864) WE ALL LOVED EACH OTHER SO MUCH (Ettore Scola, 1974, Italy, 124m, Col-BW)
872. (858) BREAKFAST AT TIFFANY'S (Blake Edwards, 1961, USA, 115m, Col)
873. (874) GLORIA (John Cassavetes, 1980, USA, 121m, Col)
874. (871) THE UNKNOWN (Tod Browning, 1927, USA, 63m, BW)
875. (924) CRÍA CUERVOS (Carlos Saura, 1976, Spain, 110m, Col)
876. (868) OUTSKIRTS (Boris Barnet, 1933, USSR, 98m, BW)
877. (875) MONTY PYTHON AND THE HOLY GRAIL (Terry Gilliam & Terry Jones, 1975, UK, 90m, Col)
878. (870) THE ADVENTURES OF ROBIN HOOD (Michael Curtiz & William Keighley, 1938, USA, 102m, Col)
879. (905) THE RED AND THE WHITE (Miklós Jancsó, 1967, Hungary-USSR, 90m, BW)
880. (912) ATLANTICS (Mati Diop, 2019, France-Senegal-Belgium, 106m, Col)
881. (872) RED SORGHUM (Zhang Yimou, 1987, China, 91m, Col)
882. (908) THE BRIDGES OF MADISON COUNTY (Clint Eastwood, 1995, USA, 135m, Col)
883. (880) L'AMOUR FOU (Jacques Rivette, 1969, France, 252m, BW)
884. (878) THE MISFITS (John Huston, 1961, USA, 124m, BW)
885. (881) MYSTERIES OF LISBON (Raúl Ruiz, 2010, Portugal-France, 272m, Col)
886. (886) THE NIGHT OF COUNTING THE YEARS (Shadi Abdel Salam, 1969, Egypt, 102m, Col)
887. (884) THE AFRICAN QUEEN (John Huston, 1951, UK-USA, 105m, Col)
888. (898) WHO'S AFRAID OF VIRGINIA WOOLF? (Mike Nichols, 1966, USA, 129m, BW)
889. (877) THE MIRACLE OF MORGAN'S CREEK (Preston Sturges, 1944, USA, 99m, BW)
890. (882) AKIRA KUROSAWA'S DREAMS (Akira Kurosawa, 1990, Japan-USA, 119m, Col)
891. (883) SPRING, SUMMER, AUTUMN, WINTER… AND SPRING (Kim Ki-duk, 2003, South Korea-Germany, 103m, Col)
892. (893) STROSZEK (Werner Herzog, 1977, West Germany, 115m, Col)
893. (885) THE SEASONS (Artavazd Peleshian, 1975, USSR, 29m, BW)
894. (890) THE WOMAN NEXT DOOR (François Truffaut, 1981, France, 106m, Col)
895. (899) AIRPLANE! (Jim Abrahams, David Zucker & Jerry Zucker, 1980, USA, 86m, Col)
896. (897) CARO DIARIO (Nanni Moretti, 1993, Italy-France, 100m, Col)
897. (894) SHOWGIRLS (Paul Verhoeven, 1995, USA-France, 128m, Col)
898. (888) JULIET OF THE SPIRITS (Federico Fellini, 1965, Italy, 148m, Col)
899. (915) THEY LIVE (John Carpenter, 1988, USA, 93m, Col)
900. (902) ZABRISKIE POINT (Michelangelo Antonioni, 1970, USA, 112m, Col)

901. (920) TONGUES UNTIED (Marlon Riggs, 1989, USA, 55m, Col)
902. (896) EXOTICA (Atom Egoyan, 1994, Canada, 104m, Col)
903. (895) ASSAULT ON PRECINCT 13 (John Carpenter, 1976, USA, 90m, Col)
904. (903) DEEP RED (Dario Argento, 1975, Italy, 98m, Col)
905. (891) IT'S A GIFT (Norman Z. McLeod, 1934, USA, 73m, BW)
906. (—) HÔTEL TERMINUS (Marcel Ophüls, 1988, USA, 267m, Col)
907. (892) HEIMAT (Edgar Reitz, 1984, West Germany, 924m, Col-BW)
908. (900) THE PHANTOM CARRIAGE (Victor Sjöström, 1921, Sweden, 107m, BW)
909. (907) WENDY AND LUCY (Kelly Reichardt, 2008, USA, 80m, Col)
910. (904) THE RIVER (Tsai Ming-liang, 1997, Taiwan, 115m, Col)
911. (962) PORT OF SHADOWS (Marcel Carné, 1938, France, 91m, BW)
912. (919) THE CRIMINAL LIFE OF ARCHIBALDO DE LA CRUZ (Luis Buñuel, 1955, Mexico, 91m, BW)
913. (901) THE END OF SUMMER (Yasujiro Ozu, 1961, Japan, 103m, Col)
914. (928) MEEK'S CUTOFF (Kelly Reichardt, 2010, USA, 104m, Col)
915. (911) WELFARE (Frederick Wiseman, 1975, USA, 167m, BW)
916. (906) SIMON OF THE DESERT (Luis Buñuel, 1965, Mexico, 43m, BW)
917. (949) TABU (Miguel Gomes, 2012, Portugal-Germany-Brazil-France, 118m, BW)
918. (909) CEDDO (Ousmane Sembene, 1977, Senegal-France, 120m, Col)
919. (922) ANATOMY OF A MURDER (Otto Preminger, 1959, USA, 160m, BW)
920. (916) AN AMERICAN IN PARIS (Vincente Minnelli, 1951, USA, 115m, Col)
921. (917) NIGHT OF THE DEMON (Jacques Tourneur, 1957, UK-USA, 95m, BW)
922. (921) THE LAST TEMPTATION OF CHRIST (Martin Scorsese, 1988, USA-Canada, 164m, Col)
923. (918) ZORNS LEMMA (Hollis Frampton, 1970, USA, 60m, Col)
924. (923) CEMETERY OF SPLENDOUR (Apichatpong Weerasethakul, 2015, Thailand-UK-Germany-France-Malaysia-South Korea-Mexico-USA-Norway, 122m, Col)
925. (945) THE FOUNTAINHEAD (King Vidor, 1949, USA, 114m, BW)
926. (932) ROMAN HOLIDAY (William Wyler, 1953, USA, 118m, BW)
927. (937) PEOPLE ON SUNDAY (Robert Siodmak & Edgar G. Ulmer, 1930, Germany, 74m, BW)
928. (946) BEFORE SUNRISE (Richard Linklater, 1995, USA, 101m, Col)
929. (927) THE KILLER (John Woo, 1989, Hong Kong, 110m, Col)
930. (963) SHAUN OF THE DEAD (Edgar Wright, 2004, UK-USA-France, 99m, Col)
931. (925) REDS (Warren Beatty, 1981, USA, 200m, Col)
932. (933) 7TH HEAVEN (Frank Borzage, 1927, USA, 119m, BW)
933. (914) LE BOUCHER (Claude Chabrol, 1970, France-Italy, 94m, Col)
934. (943) NEAR DARK (Kathryn Bigelow, 1987, USA, 95m, Col)
935. (939) BLOOD SIMPLE (Joel Coen & Ethan Coen, 1984, USA, 97m, Col)
936. (940) A HISTORY OF VIOLENCE (David Cronenberg, 2005, USA-Germany, 96m, Col)
937. (926) SEVEN BEAUTIES (Lina Wertmüller, 1975, Italy, 116m, Col)
938. (935) PORTRAIT OF JENNIE (William Dieterle, 1948, USA, 86m, BW)
939. (982) LE TROU (Jacques Becker, 1960, France-Italy, 131m, BW)
940. (929) MOTHLIGHT (Stan Brakhage, 1963, USA, 4m, Col)
941. (990) IL SORPASSO (Dino Risi, 1962, Italy, 105m, BW)
942. (957) AMERICAN GRAFFITI (George Lucas, 1973, USA, 110m, Col)
943. (931) DIRTY HARRY (Don Siegel, 1971, USA, 102m, Col)
944. (938) ELEPHANT (Alan Clarke, 1989, UK, 39m, Col)
945. (930) FROM THE CLOUDS TO THE RESISTANCE (Jean-Marie Straub & Danièle Huillet, 1979, Italy-West Germany-UK-France, 104m, Col)
946. (936) L'ENFANCE NUE (Maurice Pialat, 1968, France, 80m, Col)
947. (—) DUST IN THE WIND (Hou Hsiao-hsien, 1986, Taiwan, 109m, Col)
948. (950) LA CHIENNE (Jean Renoir, 1931, France, 95m, BW)
949. (971) THE LORD OF THE RINGS: THE RETURN OF THE KING (Peter Jackson, 2003, New Zealand-USA, 201m, Col)
950. (941) KHRUSTALYOV, MY CAR! (Aleksei German, 1998, Russia-France, 147m, BW)
951. (—) DIARY (David Perlov, 1983, Israel, 330m, Col-BW)
952. (944) THE LAST EMPEROR (Bernardo Bertolucci, 1987, China-Italy-UK-France, 163m, Col)
953. (965) THE RETURN (Andrey Zvyagintsev, 2003, Russia, 110m, Col)
954. (942) THE ICE STORM (Ang Lee, 1997, USA, 113m, Col)
955. (981) SPARTACUS (Stanley Kubrick, 1960, USA, 197m, Col)
956. (947) AMERICAN BEAUTY (Sam Mendes, 1999, USA, 121m, Col)
957. (—) EXCALIBUR (John Boorman, 1981, UK, 140m, Col)
958. (951) PERFUMED NIGHTMARE (Kidlat Tahimik, 1977, Philippines, 93m, Col)
959. (961) OTHELLO (Orson Welles, 1951, Italy-Morocco-USA, 90m, BW)
960. (—) THE HURT LOCKER (Kathryn Bigelow, 2008, USA, 130m, Col)
961. (—) COOL HAND LUKE (Stuart Rosenberg, 1967, USA, 126m, Col)
962. (980) AVATAR (James Cameron, 2009, USA-UK, 161m, Col)
963. (948) DOOMED LOVE (Manoel de Oliveira, 1978, Portugal, 262m, Col)
964. (974) DUEL (Steven Spielberg, 1971, USA, 90m, Col)
965. (958) LÉON (Luc Besson, 1994, France, 119m, Col)
966. (975) Z (Constantin Costa-Gavras, 1969, France-Algeria, 127m, Col)
967. (960) THE TARNISHED ANGELS (Douglas Sirk, 1957, USA, 91m, BW)
968. (955) OLYMPIA (Leni Riefenstahl, 1938, Germany, 201m, BW)
969. (952) SAWDUST AND TINSEL (Ingmar Bergman, 1953, Sweden, 92m, BW)
970. (964) GUN CRAZY (Joseph H. Lewis, 1950, USA, 86m, BW)
971. (—) THE LONG FAREWELL (Kira Muratova, 1971, USSR, 97m, BW)
972. (954) DUEL IN THE SUN (King Vidor, 1946, USA, 130m, Col)
973. (—) GHOSTBUSTERS (Ivan Reitman, 1984, USA, 107m, Col)
974. (956) TRUE HEART SUSIE (D.W. Griffith, 1919, USA, 87m, BW)
975. (984) CARLITO'S WAY (Brian De Palma, 1993, USA, 144m, Col)
976. (967) ROPE (Alfred Hitchcock, 1948, USA, 80m, Col)
977. (959) MOI, UN NOIR (Jean Rouch, 1958, France, 70m, Col)
978. (978) THE BREAKFAST CLUB (John Hughes, 1985, USA, 97m, Col)
979. (973) A PAGE OF MADNESS (Teinosuke Kinugasa, 1926, Japan, 70m, BW)
980. (953) FOX AND HIS FRIENDS (Rainer Werner Fassbinder, 1975, West Germany, 123m, Col)
981. (968) RIDE THE HIGH COUNTRY (Sam Peckinpah, 1962, USA, 94m, Col)
982. (—) THE PIANIST (Roman Polanski, 2002, France-Poland-Germany-UK, 148m, Col)
983. (999) THE LAST DETAIL (Hal Ashby, 1973, USA, 105m, Col)
984. (966) SUMMER WITH MONIKA (Ingmar Bergman, 1953, Sweden, 96m, BW)
985. (979) THE RECKLESS MOMENT (Max Ophüls, 1949, USA, 82m, BW)
986. (988) THE HOST (Bong Joon-ho, 2006, South Korea-Japan, 119m, Col)
987. (969) ANATAHAN (Josef von Sternberg, 1953, Japan, 92m, BW)
988. (972) LA BÊTE HUMAINE (Jean Renoir, 1938, France, 100m, BW)
989. (992) ARABIAN NIGHTS (Pier Paolo Pasolini, 1974, Italy-France, 130m, Col)
990. (—) ELEVATOR TO THE GALLOWS (Louis Malle, 1958, France, 92m, BW)
991. (—) NOT RECONCILED (Jean-Marie Straub, 1965, West Germany, 55m, BW)
992. (996) KWAIDAN (Masaki Kobayashi, 1964, Japan, 183m, Col)
993. (—) SATURDAY NIGHT AND SUNDAY MORNING (Karel Reisz, 1960, UK, 89m, BW)
994. (976) GILDA (Charles Vidor, 1946, USA, 110m, BW)
995. (983) HANDSWORTH SONGS (John Akomfrah, 1986, UK, 61m, Col-BW)
996. (987) SHOLAY (Ramesh Sippy, 1975, India, 162m, Col)
997. (991) ED WOOD (Tim Burton, 1994, USA, 124m, BW)
998. (985) SWEETIE (Jane Campion, 1989, Australia, 97m, Col)
999. (994) THE GODFATHER PART III (Francis Ford Coppola, 1990, USA, 161m, Col)
1000. (986) NUMÉRO DEUX (Jean-Luc Godard, 1975, France, 88m, Col)