Introduction / Films 1,000-251 / Top 250 Films (alpha) / Top 250 Films (250-1) / Top 250 Films (1-250) / Top 250 Films (by year) / Top 1,000 Films (sortable table) / Top 1,000 Films (ranking history) / Alternative Titles / Critics / Top 100 Directors / Starting List (sortable table) / Ex-1000 / Resources & Links
Listed below are the 606 former place-getters within the 21st Century's 1,000 Most Acclaimed Films. From left to right, the position numbers are from 2015 to 2025. The films listed in bold are the 49 most recent exclusions.
*CORPUS CALLOSUM (Michael Snow, 2002) 849 - 813 - 749 - 757 - 853 - 803 - 896 - 905 - 0 - 0 - 0
127 HOURS (Danny Boyle, 2010) 275 - 288 - 462 - 517 - 575 - 790 - 746 - 783 - 0 - 0 - 0
13 ASSASSINS (Takashi Miike, 2010) 952 - 895 - 854 - 918 - 823 - 915 - 0 - 0 - 0 - 0 - 0
3 IDIOTS (Rajkumar Hirani, 2009) 0 - 993 - 0 - 0 - 0 - 0 - 0 - 0 - 905 - 0 - 0
3:10 TO YUMA (James Mangold, 2007) 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
300 (Zack Snyder, 2006) 990 - 0 - 751 - 877 - 837 - 940 - 0 - 0 - 0 - 0 - 0
4 (Ilya Khrzhanovskiy, 2004) 724 - 787 - 846 - 988 - 0 - 0 - 0 - 0 - 0 - 0 - 0
49 UP [TV] (Michael Apted, 2005) 0 - 0 - 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
8 MILE (Curtis Hanson, 2002) 600 - 590 - 748 - 859 - 953 - 0 - 0 - 0 - 0 - 0 - 0
8 WOMEN (François Ozon, 2001) 1000 - 866 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ABOUT A BOY (Paul Weitz & Chris Weitz, 2002) 399 - 374 - 574 - 569 - 607 - 771 - 862 - 886 - 0 - 0 - 0
ACTRESS (Robert Greene, 2014) 834 - 865 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ADVENTURELAND (Greg Mottola, 2009) 542 - 563 - 609 - 631 - 703 - 836 - 922 - 958 - 0 - 0 - 0
AFTER YANG (Kogonada, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 932 - 0 - 0
AFTERSCHOOL (Antonio Campos, 2008) 797 - 903 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ALAMAR (Pedro González-Rubio, 2009) 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ALEXANDRA (Aleksandr Sokurov, 2007) 901 - 990 - 762 - 886 - 978 - 0 - 0 - 0 - 0 - 0 - 0
ALI (Michael Mann, 2001) 473 - 468 - 683 - 772 - 649 - 781 - 828 - 862 - 0 - 0 - 0
ALL IS LOST (J.C. Chandor, 2013) 386 - 373 - 442 - 425 - 488 - 692 - 770 - 777 - 0 - 0 - 0
ALL OR NOTHING (Mike Leigh, 2002) 884 - 582 - 599 - 702 - 787 - 922 - 0 - 0 - 0 - 0 - 0
ALL THE REAL GIRLS (David Gordon Green, 2002) 868 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE AMERICAN ASTRONAUT (Cory McAbee, 2001) 0 - 884 - 0 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AMERICAN HUSTLE (David O. Russell, 2013) 330 - 342 - 474 - 385 - 415 - 643 - 718 - 732 - 993 - 0 - 0
AMERICAN SNIPER (Clint Eastwood, 2014) 0 - 0 - 0 - 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ANGELS IN AMERICA [TV] (Mike Nichols, 2003) 802 - 891 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ANNA KARENINA (Joe Wright, 2012) 763 - 844 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AQUARIUS (Kleber Mendonça Filho, 2016) 0 - 0 - 996 - 0 - 0 - 734 - 534 - 558 - 939 - 1000 - 0
ARABIAN NIGHTS: VOLUME 1 - THE RESTLESS ONE (Miguel Gomes, 2015) 0 - 0 - 955 - 0 - 0 - 998 - 992 - 0 - 0 - 0 - 0
ARARAT (Atom Egoyan, 2002) 966 - 899 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARBOR VITAE (Nathaniel Dorsky, 2000) 785 - 886 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARGO (Ben Affleck, 2012) 179 - 188 - 363 - 371 - 484 - 644 - 729 - 746 - 0 - 0 - 0
ARIRANG (Kim Ki-duk, 2011) 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARTEMIS' KNEE (Jean-Marie Straub, 2008) 0 - 0 - 0 - 0 - 996 - 0 - 0 - 0 - 898 - 950 - 0
THE AURA (Fabián Bielinsky, 2005) 932 - 0 - 0 - 802 - 832 - 925 - 970 - 0 - 0 - 0 - 0
AUTO FOCUS (Paul Schrader, 2002) 841 - 928 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE AVENGERS (Joss Whedon, 2012) 647 - 637 - 725 - 808 - 777 - 591 - 632 - 656 - 0 - 992 - 0
AWAY FROM HER (Sarah Polley, 2006) 420 - 384 - 481 - 470 - 481 - 476 - 530 - 499 - 906 - 963 - 0
BABY DRIVER (Edgar Wright, 2017) 0 - 0 - 0 - 767 - 812 - 759 - 834 - 868 - 0 - 0 - 0
BACK AGAINST THE WALL (James Fotopoulos, 2002) 665 - 752 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS (Werner Herzog, 2009) 547 - 602 - 586 - 628 - 665 - 725 - 724 - 760 - 0 - 0 - 0
BAD SANTA (Terry Zwigoff, 2003) 468 - 429 - 479 - 536 - 561 - 705 - 765 - 800 - 0 - 0 - 0
BAISE-MOI (Virginie Despentes & Coralie Trinh Thi, 2000) 928 - 887 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BALLAST (Lance Hammer, 2008) 365 - 401 - 537 - 600 - 621 - 740 - 807 - 849 - 0 - 0 - 0
BALZAC AND THE LITTLE CHINESE SEAMSTRESS (Dai Sijie, 2002) 639 - 717 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BAND'S VISIT (Eran Kolirin, 2007) 717 - 782 - 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BARKING DOGS NEVER BITE (Bong Joon-ho, 2000) 674 - 704 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BATMAN BEGINS (Christopher Nolan, 2005) 941 - 986 - 712 - 753 - 850 - 848 - 872 - 898 - 0 - 0 - 0
BE KIND REWIND (Michel Gondry, 2008) 823 - 942 - 900 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEFORE THE DEVIL KNOWS YOU'RE DEAD (Sidney Lumet, 2007) 437 - 474 - 477 - 503 - 542 - 651 - 711 - 752 - 0 - 0 - 0
BEGINNERS (Mike Mills, 2011) 367 - 357 - 581 - 602 - 627 - 787 - 716 - 754 - 0 - 0 - 0
THE BELIEVER (Henry Bean, 2001) 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BENEDETTA (Paul Verhoeven, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 947 - 0 - 0 - 0
BERNIE (Richard Linklater, 2011) 764 - 778 - 925 - 944 - 797 - 636 - 706 - 727 - 0 - 0 - 0
THE BIG SICK (Michael Showalter, 2017) 0 - 0 - 0 - 946 - 906 - 0 - 0 - 0 - 0 - 0 - 0
BLADE II (Guillermo del Toro, 2002) 0 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLANCANIEVES (Pablo Berger, 2011) 0 - 0 - 913 - 881 - 988 - 908 - 0 - 0 - 0 - 0 - 0
BLIND SHAFT (Li Yang, 2003) 445 - 448 - 598 - 670 - 715 - 764 - 849 - 875 - 0 - 0 - 0
THE BLONDS (Albertina Carri, 2003) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 969 - 0 - 0
BLOODY SUNDAY (Paul Greengrass, 2001) 302 - 317 - 396 - 475 - 537 - 627 - 676 - 687 - 0 - 0 - 0
BLUE GATE CROSSING (Yee Chih-yen, 2002) 878 - 834 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLUE JASMINE (Woody Allen, 2013) 451 - 493 - 506 - 542 - 642 - 791 - 640 - 667 - 0 - 0 - 0
BLUE RUIN (Jeremy Saulnier, 2013) 0 - 0 - 977 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BOARDING GATE (Olivier Assayas, 2007) 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BORAT SUBSEQUENT MOVIEFILM (Jason Woliner, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 997 - 0 - 0 - 0 - 0
THE BOURNE IDENTITY (Doug Liman, 2002) 896 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BOXING GYM (Frederick Wiseman, 2010) 596 - 665 - 664 - 734 - 734 - 866 - 951 - 993 - 0 - 0 - 0
THE BOY AND THE HERON (Hayao Miyazaki, 2023) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 805 - 0
BRAND UPON THE BRAIN! (Guy Maddin, 2006) 842 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BREAD AND ROSES (Ken Loach, 2000) 0 - 859 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BREAKFAST ON PLUTO (Neil Jordan, 2005) 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BRIDGE OF SPIES (Steven Spielberg, 2015) 0 - 672 - 968 - 0 - 0 - 0 - 995 - 0 - 0 - 0 - 0
BRIDGET JONES'S DIARY (Sharon Maguire, 2001) 0 - 868 - 928 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BRIGHT FUTURE (Kiyoshi Kurosawa, 2002) 599 - 604 - 708 - 825 - 922 - 0 - 0 - 0 - 0 - 998 - 0
BRIGHT LEAVES (Ross McElwee, 2003) 694 - 726 - 0 - 0 - 995 - 0 - 0 - 0 - 0 - 0 - 0
BROKEN EMBRACES (Pedro Almodóvar, 2009) 913 - 0 - 872 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BROKEN FLOWERS (Jim Jarmusch, 2005) 486 - 536 - 590 - 647 - 718 - 728 - 769 - 803 - 962 - 0 - 0
BROTHER (Takeshi Kitano, 2000) 702 - 792 - 0 - 954 - 967 - 0 - 0 - 0 - 0 - 0 - 0
BUG (William Friedkin, 2006) 733 - 811 - 862 - 967 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CAESAR MUST DIE (Paolo Taviani & Vittorio Taviani, 2012) 0 - 0 - 0 - 0 - 0 - 811 - 822 - 863 - 0 - 0 - 0
CALVARY (John Michael McDonagh, 2014) 835 - 924 - 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CAN YOU EVER FORGIVE ME? (Marielle Heller, 2018) 0 - 0 - 0 - 0 - 664 - 755 - 844 - 835 - 0 - 0 - 0
CAPTAIN PHILLIPS (Paul Greengrass, 2013) 656 - 721 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CARD COUNTER (Paul Schrader, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 830 - 0 - 0 - 0
CAST AWAY (Robert Zemeckis, 2000) 861 - 812 - 828 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHANGE NOTHING (Pedro Costa, 2009) 933 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHE (Steven Soderbergh, 2008) 509 - 521 - 612 - 578 - 648 - 584 - 592 - 624 - 0 - 0 - 0
CHEESE (Mika Rottenberg, 2008) 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHICAGO (Rob Marshall, 2002) 322 - 334 - 431 - 451 - 504 - 605 - 670 - 653 - 1000 - 0 - 0
CHIHWASEON (Im Kwon-taek, 2002) 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHI-RAQ (Spike Lee, 2015) 0 - 554 - 834 - 807 - 952 - 0 - 0 - 0 - 0 - 0 - 0
CHOP SHOP (Ramin Bahrani, 2007) 678 - 748 - 882 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHUCK & BUCK (Miguel Arteta, 2000) 421 - 453 - 594 - 644 - 719 - 813 - 855 - 881 - 0 - 0 - 0
CINDERELLA MAN (Ron Howard, 2005) 922 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CLEAN (Olivier Assayas, 2004) 837 - 850 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CLIMAX (Gaspar Noé, 2018) 0 - 0 - 0 - 0 - 0 - 988 - 0 - 0 - 0 - 0 - 0
CLOSED CURTAIN (Jafar Panahi & Kambuzia Partovi, 2013) 847 - 938 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CLOSER (Mike Nichols, 2004) 832 - 921 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
COCO (Lee Unkrich, 2017) 0 - 0 - 0 - 0 - 0 - 875 - 852 - 878 - 0 - 0 - 0
COLD MOUNTAIN (Anthony Minghella, 2003) 573 - 593 - 645 - 655 - 727 - 910 - 993 - 0 - 0 - 0 - 0
COLUMBUS (Kogonada, 2017) 0 - 0 - 0 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0
COMBAT D'AMOUR EN SONGE (Raúl Ruiz, 2000) 712 - 817 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE COMPANY (Robert Altman, 2003) 776 - 867 - 807 - 939 - 957 - 0 - 0 - 0 - 0 - 0 - 0
COMPLIANCE (Craig Zobel, 2012) 936 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CONFESSIONS (Tetsuya Nakashima, 2010) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 928 - 979 - 0
CONFESSIONS OF A DANGEROUS MIND (George Clooney, 2002) 789 - 876 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CONSEQUENCES OF LOVE (Paolo Sorrentino, 2004) 820 - 734 - 519 - 598 - 643 - 792 - 887 - 912 - 0 - 0 - 0
CONSOLATION SERVICE (Eija-Liisa Ahtila, 2000) 713 - 818 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CONSTANT GARDENER (Fernando Meirelles, 2005) 689 - 770 - 703 - 794 - 833 - 0 - 0 - 0 - 0 - 0 - 0
EN CONSTRUCCIÓN (José Luis Guerín, 2001) 0 - 0 - 838 - 611 - 685 - 548 - 524 - 551 - 998 - 961 - 0
CONTAGION (Steven Soderbergh, 2011) 765 - 765 - 732 - 796 - 829 - 0 - 0 - 0 - 901 - 960 - 0
CONTROL ROOM (Jehane Noujaim, 2004) 564 - 632 - 743 - 894 - 993 - 0 - 0 - 0 - 0 - 0 - 0
THE CORPORATION (Jennifer Abbott & Mark Achbar, 2003) 411 - 425 - 622 - 712 - 737 - 727 - 797 - 833 - 0 - 0 - 0
CORSAGE (Marie Kreutzer, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 804 - 965 - 0
COW (Andrea Arnold, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 825 - 918 - 0
COWARDS BEND THE KNEE (Guy Maddin, 2003) 557 - 578 - 746 - 895 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CRANK (Mark Neveldine & Brian Taylor, 2006) 0 - 0 - 0 - 0 - 937 - 0 - 0 - 0 - 0 - 0 - 0
CRIMES OF THE FUTURE (David Cronenberg, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 648 - 935 - 0
CRY WHEN IT HAPPENS (Laida Lertxundi, 2010) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 968 - 0 - 0
DADDY LONGLEGS (Benny Safdie & Josh Safdie, 2009) 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DAMSELS IN DISTRESS (Whit Stillman, 2011) 0 - 0 - 990 - 935 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A DANGEROUS METHOD (David Cronenberg, 2011) 574 - 562 - 548 - 570 - 678 - 545 - 599 - 629 - 0 - 0 - 0
LA DANSE: THE PARIS OPERA BALLET (Frederick Wiseman, 2009) 0 - 0 - 686 - 761 - 862 - 979 - 879 - 906 - 0 - 0 - 0
DARK DAYS (Marc Singer, 2000) 394 - 388 - 549 - 648 - 717 - 778 - 868 - 891 - 0 - 0 - 0
THE DARK KNIGHT RISES (Christopher Nolan, 2012) 443 - 446 - 717 - 786 - 929 - 934 - 903 - 946 - 0 - 0 - 0
DARK WATER (Hideo Nakata, 2002) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 957 - 991 - 0
DAVE CHAPPELLE'S BLOCK PARTY (Michel Gondry, 2005) 732 - 706 - 790 - 914 - 840 - 879 - 960 - 957 - 0 - 0 - 0
DAY NIGHT DAY NIGHT (Julia Loktev, 2006) 646 - 583 - 722 - 781 - 848 - 943 - 0 - 989 - 0 - 0 - 0
DAYS OF GLORY (Rachid Bouchareb, 2006) 885 - 889 - 784 - 838 - 933 - 0 - 0 - 0 - 0 - 0 - 0
DE HUMANI CORPORIS FABRICA (Lucien Castaing-Taylor & Verena Paravel, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 980 - 0
DEAD MAN'S SHOES (Shane Meadows, 2004) 905 - 0 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DEAD OR ALIVE 2 (Takashi Miike, 2000) 625 - 711 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DEATH IN THE LAND OF ENCANTOS (Lav Diaz, 2007) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 979 - 0 - 0
THE DEATH OF STALIN (Armando Iannucci, 2017) 0 - 0 - 0 - 0 - 768 - 642 - 619 - 598 - 941 - 967 - 0
THE DEEP END (Scott McGehee & David Siegel, 2001) 425 - 445 - 604 - 692 - 780 - 924 - 0 - 0 - 0 - 0 - 0
DEEP WATER (Louise Osmond & Jerry Rothwell, 2006) 0 - 0 - 980 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DELIVER US FROM EVIL (Amy Berg, 2006) 915 - 0 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DETROIT (Kathryn Bigelow, 2017) 0 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL AND DANIEL JOHNSTON (Jeff Feuerzeig, 2005) 691 - 620 - 811 - 864 - 959 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL'S REJECTS (Rob Zombie, 2005) 560 - 574 - 554 - 573 - 606 - 965 - 0 - 0 - 0 - 0 - 0
DIFFERENTLY, MOLUSSIA (Nicolas Rey, 2012) 0 - 0 - 0 - 0 - 0 - 929 - 955 - 972 - 0 - 0 - 0
DISORDER (Huang Weikai, 2009) 0 - 0 - 993 - 0 - 0 - 0 - 0 - 0 - 921 - 975 - 0
THE DITCH (Wang Bing, 2010) 710 - 815 - 0 - 768 - 864 - 959 - 0 - 0 - 0 - 0 - 0
DOGTOWN AND Z-BOYS (Stacy Peralta, 2001) 794 - 888 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DOLLS (Takeshi Kitano, 2002) 760 - 837 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DOMESTIC VIOLENCE (Frederick Wiseman, 2001) 668 - 648 - 733 - 882 - 913 - 0 - 0 - 0 - 0 - 0 - 0
DRACULA: PAGES FROM A VIRGIN'S DIARY (Guy Maddin, 2002) 0 - 959 - 780 - 915 - 997 - 0 - 0 - 0 - 0 - 0 - 0
DRAG ME TO HELL (Sam Raimi, 2009) 799 - 883 - 753 - 758 - 796 - 827 - 883 - 908 - 0 - 0 - 0
DREAMGIRLS (Bill Condon, 2006) 838 - 925 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUCK SEASON (Fernando Eimbcke, 2004) 888 - 976 - 910 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUPLICITY (Tony Gilroy, 2009) 950 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DURIAN DURIAN (Fruit Chan, 2000) 879 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DYING AT GRACE (Allan King, 2003) 753 - 873 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ECCENTRICITIES OF A BLONDE-HAIRED GIRL (Manoel de Oliveira, 2009) 819 - 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AN EDUCATION (Lone Scherfig, 2008) 614 - 640 - 662 - 653 - 656 - 788 - 829 - 822 - 0 - 0 - 0
EIGHTH GRADE (Bo Burnham, 2018) 0 - 0 - 0 - 0 - 616 - 580 - 595 - 627 - 988 - 0 - 0
EL VALLEY CENTRO (James Benning, 2000) 563 - 654 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ENOUGH SAID (Nicole Holofcener, 2013) 906 - 923 - 0 - 0 - 895 - 944 - 0 - 0 - 0 - 0 - 0
ENRON: THE SMARTEST GUYS IN THE ROOM (Alex Gibney, 2005) 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EPISODE 3: 'ENJOY POVERTY' (Renzo Martens, 2009) 806 - 933 - 0 - 959 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ESTHER KAHN (Arnaud Desplechin, 2000) 554 - 627 - 674 - 725 - 770 - 785 - 803 - 842 - 0 - 0 - 0
THE ETERNAL DAUGHTER (Joanna Hogg, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 737 - 874 - 0
EVERLASTING MOMENTS (Jan Troell, 2008) 796 - 808 - 877 - 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EVERYBODY WANTS SOME!! (Richard Linklater, 2016) 0 - 0 - 689 - 704 - 740 - 822 - 866 - 889 - 0 - 0 - 0
EXAMINED LIFE (Astra Taylor, 2008) 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AN EXTRAORDINARY STUDY IN HUMAN DEGRADATION (Patrik Eriksson, 2008) 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FAITHLESS (Liv Ullmann, 2000) 481 - 532 - 631 - 659 - 674 - 797 - 891 - 920 - 0 - 0 - 0
THE FALL (Tarsem Singh, 2006) 848 - 881 - 831 - 844 - 936 - 0 - 0 - 0 - 0 - 0 - 0
A FANTASTIC WOMAN (Sebastián Lelio, 2017) 0 - 0 - 0 - 0 - 781 - 805 - 864 - 888 - 0 - 0 - 0
FAST FIVE (Justin Lin, 2011) 0 - 0 - 0 - 0 - 972 - 0 - 0 - 0 - 0 - 0 - 0
FATHER (José Maria de Orbe, 2010) 0 - 0 - 0 - 820 - 915 - 858 - 943 - 985 - 0 - 0 - 0
FATHER AND SON (Aleksandr Sokurov, 2003) 0 - 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FATHER OF MY CHILDREN (Mia Hansen-Løve, 2009) 0 - 0 - 954 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FATHER (Florian Zeller, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 986 - 0 - 0 - 0
FENGMING: A CHINESE MEMOIR (Wang Bing, 2007) 900 - 994 - 904 - 961 - 0 - 903 - 859 - 882 - 0 - 0 - 0
A FIELD IN ENGLAND (Ben Wheatley, 2013) 0 - 0 - 804 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FIGHTER (David O. Russell, 2010) 325 - 336 - 489 - 534 - 506 - 622 - 656 - 695 - 0 - 0 - 0
FINDING NEVERLAND (Marc Forster, 2004) 947 - 0 - 856 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A FINE DAY (Thomas Arslan, 2001) 714 - 819 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FIRE AT SEA (Gianfranco Rosi, 2016) 0 - 0 - 817 - 791 - 898 - 789 - 873 - 896 - 0 - 0 - 0
THE FITS (Anna Rose Holmer, 2015) 0 - 0 - 842 - 897 - 990 - 931 - 0 - 0 - 0 - 0 - 0
FIVE BROKEN CAMERAS (Emad Burnat & Guy Davidi, 2011) 0 - 0 - 880 - 0 - 0 - 0 - 0 - 987 - 0 - 0 - 0
FLANDERS (Bruno Dumont, 2006) 528 - 589 - 646 - 731 - 753 - 918 - 0 - 0 - 0 - 0 - 0
FLIGHT (Robert Zemeckis, 2012) 699 - 766 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FOOD, INC. (Robert Kenner, 2008) 871 - 977 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FOOTNOTE (Joseph Cedar, 2011) 956 - 0 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FORBIDDEN ROOM (Guy Maddin, 2015) 0 - 852 - 800 - 778 - 822 - 972 - 958 - 0 - 0 - 0 - 0
FOUR LIONS (Chris Morris, 2010) 810 - 741 - 726 - 832 - 748 - 633 - 644 - 604 - 0 - 0 - 0
LA FRANCE (Serge Bozon, 2007) 762 - 839 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FRANK (Lenny Abrahamson, 2014) 0 - 0 - 0 - 0 - 799 - 921 - 0 - 0 - 0 - 0 - 0
THE FRENCH DISPATCH (Wes Anderson, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 948 - 0 - 0 - 0
FRIDAY NIGHT LIGHTS (Peter Berg, 2004) 995 - 950 - 823 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FROM HELL (Albert Hughes & Allen Hughes, 2001) 893 - 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FROM THE NOTEBOOK OF... (Robert Beavers, 1971/98) 395 - 443 - 0 - 696 - 679 - 853 - 938 - 980 - 0 - 0 - 0
FRONTIER BLUES (Babak Jalali, 2009) 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FRONTIER OF THE DAWN (Philippe Garrel, 2008) 798 - 904 - 0 - 858 - 947 - 0 - 0 - 0 - 0 - 0 - 0
FUNNY HA HA (Andrew Bujalski, 2002) 676 - 750 - 864 - 960 - 911 - 930 - 964 - 0 - 0 - 0 - 0
THE FUTURE (Miranda July, 2011) 782 - 781 - 949 - 975 - 0 - 954 - 0 - 0 - 0 - 0 - 0
GABRIELLE (Patrice Chéreau, 2005) 883 - 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GAMBLING, GODS AND LSD (Peter Mettler, 2002) 968 - 798 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GARAGE (Lenny Abrahamson, 2007) 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GATEKEEPERS (Dror Moreh, 2012) 671 - 699 - 848 - 878 - 0 - 982 - 0 - 0 - 0 - 0 - 0
A GIRL AT MY DOOR (July Jung, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 964 - 0 - 0
GIRL WITH A PEARL EARRING (Peter Webber, 2003) 0 - 807 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GIRL WITH THE DRAGON TATTOO (David Fincher, 2011) 577 - 649 - 772 - 842 - 811 - 0 - 0 - 0 - 0 - 0 - 0
GIRLFIGHT (Karyn Kusama, 2000) 740 - 829 - 943 - 0 - 865 - 969 - 0 - 0 - 0 - 0 - 0
THE GIRLFRIEND EXPERIENCE (Steven Soderbergh, 2009) 923 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GLORIA (Sebastián Lelio, 2013) 0 - 0 - 873 - 938 - 910 - 826 - 916 - 959 - 936 - 990 - 0
GONE BABY GONE (Ben Affleck, 2007) 731 - 802 - 847 - 913 - 935 - 0 - 0 - 0 - 0 - 0 - 0
THE GOOD GIRL (Miguel Arteta, 2001) 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GOOD SHEPHERD (Robert De Niro, 2006) 756 - 863 - 789 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GOODBYE SOLO (Ramin Bahrani, 2008) 519 - 580 - 678 - 762 - 859 - 0 - 0 - 0 - 0 - 0 - 0
GRADUATION (Cristian Mungiu, 2016) 0 - 0 - 0 - 891 - 968 - 976 - 0 - 0 - 0 - 0 - 0
THE GRAND BIZARRE (Jodie Mack, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 825 - 926 - 0 - 0 - 0
THE GREEN KNIGHT (David Lowery, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 583 - 955 - 0 - 0
THE GREY (Joe Carnahan, 2011) 706 - 701 - 933 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GRINDHOUSE (Quentin Tarantino & Robert Rodriguez, 2007) 746 - 719 - 806 - 904 - 989 - 0 - 0 - 0 - 0 - 0 - 0
THE GROUND (Robert Beavers, 2001) 558 - 641 - 0 - 923 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GUARDIANS OF THE GALAXY (James Gunn, 2014) 937 - 955 - 0 - 972 - 0 - 941 - 885 - 824 - 0 - 0 - 0
HAIL, CAESAR! (Joel Coen & Ethan Coen, 2016) 0 - 0 - 952 - 990 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HALE COUNTY THIS MORNING, THIS EVENING (RaMell Ross, 2018) 0 - 0 - 0 - 0 - 0 - 857 - 931 - 971 - 0 - 0 - 0
HAMLET (Michael Almereyda, 2000) 869 - 965 - 884 - 853 - 948 - 0 - 0 - 0 - 0 - 0 - 0
THE HANDMAID'S TALE (SEASON 1) [TV] (Mike Barker, Reed Morano, Kate Dennis, Floria Sigismondi & Kari Skogland, 2017) 0 - 0 - 0 - 0 - 945 - 0 - 0 - 0 - 0 - 0 - 0
HAPPENING (Audrey Diwan, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 970 - 0 - 0
HAPPY FEET (George Miller, 2006) 684 - 756 - 881 - 936 - 955 - 0 - 0 - 0 - 0 - 0 - 0
HARRY, HE'S HERE TO HELP (Dominik Moll, 2000) 757 - 855 - 770 - 816 - 918 - 0 - 0 - 0 - 0 - 0 - 0
HIGH TENSION (Alexandre Aja, 2003) 866 - 912 - 756 - 885 - 750 - 884 - 919 - 955 - 0 - 0 - 0
THE HIMMLER PROJECT (Romuald Karmakar, 2000) 715 - 820 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE HISTORY BOYS (Nicholas Hytner, 2006) 907 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HONEYLAND (Ljubomir Stefanov & Tamara Kotevska, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 912 - 952 - 0
HONOR DE CAVALLERIA (Albert Serra, 2006) 996 - 0 - 0 - 866 - 960 - 902 - 985 - 0 - 0 - 0 - 0
HORS SATAN (Bruno Dumont, 2011) 0 - 0 - 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOTEL RWANDA (Terry George, 2004) 301 - 325 - 377 - 459 - 533 - 634 - 696 - 736 - 0 - 0 - 0
THE HOUSE I LIVE IN (Eugene Jarecki, 2012) 775 - 679 - 668 - 743 - 846 - 984 - 0 - 0 - 0 - 0 - 0
HOUSE OF HUMMINGBIRD (Kim Bora, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 900 - 958 - 0
HOUSE OF SAND AND FOG (Vadim Perelman, 2003) 807 - 897 - 695 - 754 - 855 - 0 - 0 - 0 - 0 - 0 - 0
THE HOUSE OF THE DEVIL (Ti West, 2009) 804 - 833 - 791 - 850 - 816 - 863 - 869 - 856 - 0 - 0 - 0
HOW TO SURVIVE A PLAGUE (David France, 2012) 611 - 529 - 794 - 874 - 786 - 980 - 0 - 0 - 0 - 0 - 0
HOW TO TRAIN YOUR DRAGON (Dean DeBlois & Chris Sanders, 2010) 0 - 0 - 875 - 819 - 765 - 741 - 779 - 816 - 0 - 0 - 0
HUMAN (Yann Arthus-Bertrand, 2015) 0 - 0 - 0 - 993 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HUSH! (Victor Kossakovsky, 2003) 0 - 705 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HUSTLE & FLOW (Craig Brewer, 2005) 882 - 827 - 844 - 604 - 680 - 821 - 909 - 902 - 0 - 0 - 0
HUSTLERS (Lorene Scafaria, 2019) 0 - 0 - 0 - 0 - 0 - 968 - 0 - 0 - 0 - 0 - 0
I HEART HUCKABEES (David O. Russell, 2004) 415 - 436 - 496 - 549 - 555 - 662 - 723 - 711 - 0 - 994 - 0
I WISH (Hirokazu Koreeda, 2011) 0 - 0 - 946 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
I, TONYA (Craig Gillespie, 2017) 0 - 0 - 0 - 948 - 851 - 911 - 0 - 0 - 0 - 0 - 0
ICHI THE KILLER (Takashi Miike, 2001) 991 - 804 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IGBY GOES DOWN (Burr Steers, 2002) 824 - 841 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE IMITATION GAME (Morten Tyldum, 2014) 908 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE IMPOSTER (Bart Layton, 2012) 0 - 0 - 0 - 0 - 0 - 956 - 0 - 0 - 0 - 0 - 0
IN AMERICA (Jim Sheridan, 2002) 311 - 322 - 330 - 384 - 427 - 553 - 571 - 601 - 933 - 956 - 0
IN CAMERA (Ranjan Palit, 2009) 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IN FABRIC (Peter Strickland, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 984 - 0 - 0 - 0
IN THE DARK (Sergei Dvortsevoy, 2004) 962 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 922 - 974 - 0
IN THE FAMILY (Patrick Wang, 2011) 853 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IN THE FOG (Sergei Loznitsa, 2012) 0 - 0 - 870 - 979 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE INFORMANT! (Steven Soderbergh, 2009) 770 - 847 - 0 - 0 - 966 - 0 - 0 - 0 - 0 - 0 - 0
INNOCENCE (Paul Cox, 2000) 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
INSIDE (Alexandre Bustillo & Julien Maury, 2007) 0 - 0 - 936 - 861 - 730 - 816 - 876 - 901 - 0 - 0 - 0
INSIDE MAN (Spike Lee, 2006) 622 - 688 - 736 - 837 - 754 - 899 - 981 - 979 - 0 - 0 - 0
THE INTERRUPTERS (Steve James, 2011) 494 - 434 - 567 - 642 - 745 - 767 - 853 - 879 - 0 - 0 - 0
INTO ETERNITY (Michael Madsen, 2010) 0 - 0 - 0 - 868 - 924 - 0 - 0 - 0 - 0 - 0 - 0
INTO GREAT SILENCE (Philip Gröning, 2005) 592 - 585 - 700 - 804 - 870 - 886 - 966 - 0 - 0 - 0 - 0
THE INVISIBLE MAN (Leigh Whannell, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 783 - 961 - 0 - 0 - 0
IRAQ IN FRAGMENTS (James Longley, 2006) 432 - 471 - 504 - 526 - 580 - 666 - 728 - 762 - 0 - 0 - 0
IRON MAN (Jon Favreau, 2008) 0 - 0 - 711 - 639 - 709 - 839 - 833 - 867 - 0 - 0 - 0
ISLE OF DOGS (Wes Anderson, 2018) 0 - 0 - 0 - 0 - 909 - 885 - 963 - 0 - 0 - 0 - 0
I'VE LOVED YOU SO LONG (Philippe Claudel, 2008) 0 - 0 - 959 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JACKASS: THE MOVIE (Jeff Tremaine, 2002) 0 - 0 - 0 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JERSEY BOYS (Clint Eastwood, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 918 - 934 - 0
JODOROWSKY'S DUNE (Frank Pavich, 2013) 851 - 944 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JOHNNY GADDAAR (Sriram Raghavan, 2007) 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JULIA (Erick Zonca, 2008) 859 - 951 - 835 - 968 - 982 - 0 - 0 - 0 - 0 - 0 - 0
JULIETA (Pedro Almodóvar, 2016) 0 - 0 - 755 - 783 - 991 - 0 - 774 - 806 - 0 - 0 - 0
JUNEBUG (Phil Morrison, 2005) 504 - 515 - 625 - 663 - 739 - 823 - 911 - 944 - 0 - 0 - 0
KANDAHAR (Mohsen Makhmalbaf, 2001) 686 - 691 - 767 - 892 - 984 - 0 - 0 - 0 - 0 - 0 - 0
KICK-ASS (Matthew Vaughn, 2010) 0 - 0 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE KID STAYS IN THE PICTURE (Nanette Burstein & Brett Morgen, 2002) 641 - 710 - 738 - 760 - 695 - 880 - 961 - 0 - 945 - 978 - 0
KILLER JOE (William Friedkin, 2011) 909 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KILLING THEM SOFTLY (Andrew Dominik, 2012) 771 - 848 - 929 - 862 - 977 - 0 - 0 - 0 - 0 - 0 - 0
THE KING OF KONG: A FISTFUL OF QUARTERS (Seth Gordon, 2007) 758 - 793 - 750 - 873 - 965 - 0 - 0 - 0 - 0 - 0 - 0
KINSEY (Bill Condon, 2004) 293 - 316 - 324 - 395 - 512 - 664 - 726 - 761 - 0 - 0 - 0
KIPPUR (Amos Gitai, 2000) 681 - 751 - 850 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KNIGHT OF CUPS (Terrence Malick, 2015) 0 - 0 - 822 - 872 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KNIVES OUT (Rian Johnson, 2019) 0 - 0 - 0 - 0 - 0 - 658 - 719 - 693 - 903 - 971 - 0
KRISHA (Trey Edward Shults, 2015) 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
L.I.E. (Michael Cuesta, 2001) 862 - 952 - 684 - 770 - 876 - 0 - 0 - 0 - 0 - 0 - 0
UN LAC (Philippe Grandrieux, 2008) 0 - 0 - 923 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0
THE LADY & THE DUKE (Eric Rohmer, 2001) 653 - 714 - 633 - 668 - 663 - 656 - 664 - 701 - 0 - 0 - 0
LADY MACBETH (William Oldroyd, 2016) 0 - 0 - 0 - 833 - 872 - 0 - 0 - 0 - 0 - 0 - 0
LAGE RAHO MUNNA BHAI (Rajkumar Hirani, 2006) 0 - 0 - 958 - 815 - 914 - 997 - 0 - 0 - 0 - 0 - 0
LAKE OF FIRE (Tony Kaye, 2006) 867 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAND OF THE DEAD (George A. Romero, 2005) 521 - 530 - 681 - 718 - 714 - 838 - 927 - 966 - 0 - 0 - 0
LARS AND THE REAL GIRL (Craig Gillespie, 2007) 978 - 0 - 976 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST KING OF SCOTLAND (Kevin Macdonald, 2006) 0 - 0 - 871 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAST LIFE IN THE UNIVERSE (Pen-Ek Ratanaruang, 2003) 752 - 835 - 926 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST MISTRESS (Catherine Breillat, 2007) 708 - 737 - 891 - 0 - 0 - 975 - 874 - 900 - 0 - 0 - 0
THE LAST OF THE UNJUST (Claude Lanzmann, 2013) 620 - 685 - 547 - 585 - 666 - 473 - 536 - 560 - 996 - 0 - 0
LAST RESORT (Pawel Pawlikowski, 2000) 0 - 0 - 735 - 793 - 891 - 844 - 933 - 974 - 0 - 0 - 0
THE LAST SAMURAI (Edward Zwick, 2003) 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST TIME I SAW MACAO (João Pedro Rodrigues & João Rui Guerra da Mata, 2012) 0 - 0 - 867 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAST TRAIN HOME (Lixin Fan, 2009) 381 - 402 - 503 - 574 - 609 - 763 - 848 - 874 - 0 - 0 - 0
LATE MARRIAGE (Dover Kosashvili, 2001) 397 - 385 - 578 - 671 - 758 - 904 - 989 - 0 - 0 - 0 - 0
LEBANON (Samuel Maoz, 2009) 727 - 757 - 0 - 747 - 842 - 995 - 0 - 0 - 0 - 0 - 0
LET ME IN (Matt Reeves, 2010) 433 - 467 - 721 - 590 - 807 - 926 - 941 - 931 - 0 - 0 - 0
LET THE FIRE BURN (Jason Osder, 2013) 846 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LETO (Kirill Serebrennikov, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 982 - 0 - 882 - 923 - 0
LIFE DURING WARTIME (Todd Solondz, 2009) 863 - 953 - 944 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIFE IS A MIRACLE (Emir Kusturica, 2004) 993 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIFE ITSELF (Steve James, 2014) 827 - 864 - 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIKE CRAZY (Drake Doremus, 2011) 854 - 946 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LIMITS OF CONTROL (Jim Jarmusch, 2009) 612 - 635 - 849 - 985 - 994 - 0 - 0 - 0 - 0 - 0 - 0
LINE DESCRIBING A CONE 2.0 (Anthony McCall, 2010) 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LISTEN UP PHILIP (Alex Ross Perry, 2014) 508 - 553 - 797 - 893 - 999 - 0 - 0 - 0 - 0 - 0 - 0
LITTLE CHILDREN (Todd Field, 2006) 522 - 573 - 526 - 597 - 653 - 773 - 861 - 885 - 0 - 0 - 0
LITTLE OTIK (Jan Švankmajer, 2000) 348 - 377 - 589 - 632 - 702 - 835 - 884 - 909 - 0 - 0 - 0
LIVERPOOL (Lisandro Alonso, 2008) 811 - 901 - 896 - 812 - 815 - 935 - 977 - 0 - 0 - 0 - 0
LOCAL LEGENDS (Matt Farley, 2013) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 992 - 0 - 0
LOCKE (Steven Knight, 2013) 850 - 874 - 836 - 707 - 623 - 602 - 611 - 613 - 0 - 0 - 0
LOGAN (James Mangold, 2017) 0 - 0 - 0 - 0 - 0 - 996 - 974 - 967 - 0 - 0 - 0
LONGING (Valeska Grisebach, 2006) 0 - 0 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOOK AT ME (Agnès Jaoui, 2004) 672 - 653 - 859 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LORNA'S SILENCE (Jean-Pierre Dardenne & Luc Dardenne, 2008) 725 - 785 - 707 - 763 - 824 - 906 - 743 - 780 - 956 - 0 - 0
THE LOST DAUGHTER (Maggie Gyllenhaal, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 964 - 949 - 0 - 0
LOURDES (Jessica Hausner, 2009) 858 - 954 - 812 - 855 - 889 - 808 - 775 - 809 - 0 - 0 - 0
LOVE & FRIENDSHIP (Whit Stillman, 2016) 0 - 0 - 566 - 554 - 591 - 714 - 660 - 696 - 0 - 0 - 0
LOVE & MERCY (Bill Pohlad, 2014) 0 - 723 - 868 - 927 - 923 - 0 - 0 - 0 - 0 - 0 - 0
LOVE IS STRANGE (Ira Sachs, 2014) 615 - 680 - 930 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOVELY & AMAZING (Nicole Holofcener, 2001) 502 - 458 - 605 - 624 - 662 - 799 - 893 - 924 - 0 - 0 - 0
LUNACY (Jan Švankmajer, 2005) 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MAD SONGS OF FERNANDA HUSSEIN (John Gianvito, 2001) 651 - 740 - 0 - 884 - 856 - 900 - 983 - 978 - 0 - 0 - 0
MADAME SATÃ (Karim Aïnouz, 2002) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 977 - 989 - 0
THE MAGDALENE SISTERS (Peter Mullan, 2002) 488 - 540 - 685 - 773 - 868 - 846 - 932 - 919 - 0 - 0 - 0
MAGIC MIKE (Steven Soderbergh, 2012) 478 - 503 - 742 - 800 - 805 - 0 - 0 - 0 - 0 - 0 - 0
THE MAID (Sebastián Silva, 2009) 938 - 875 - 860 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MAN ON THE TRAIN (Patrice Leconte, 2002) 0 - 0 - 942 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MANDERLAY (Lars von Trier, 2005) 779 - 872 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MANDY (Panos Cosmatos, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 870 - 893 - 0 - 0 - 0
MANK (David Fincher, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 570 - 654 - 972 - 0 - 0
MARCH OF THE PENGUINS (Luc Jacquet, 2005) 617 - 702 - 669 - 748 - 752 - 920 - 0 - 0 - 0 - 0 - 0
MARGIN CALL (J.C. Chandor, 2011) 624 - 643 - 906 - 899 - 983 - 0 - 0 - 0 - 0 - 0 - 0
MARGOT AT THE WEDDING (Noah Baumbach, 2007) 503 - 557 - 655 - 716 - 793 - 948 - 0 - 0 - 0 - 0 - 0
MARIA FULL OF GRACE (Joshua Marston, 2003) 347 - 352 - 443 - 514 - 590 - 757 - 842 - 872 - 0 - 0 - 0
THE MARTIAN (Ridley Scott, 2015) 0 - 519 - 698 - 688 - 699 - 739 - 808 - 805 - 0 - 0 - 0
MARWENCOL (Jeff Malmberg, 2010) 677 - 664 - 827 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MASKED AND ANONYMOUS (Larry Charles, 2003) 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MATRIX RELOADED (Lana Wachowski & Lilly Wachowski, 2003) 935 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MENUS-PLAISIRS - LES TROISGROS (Frederick Wiseman, 2023) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 878 - 0
MERCI POUR LE CHOCOLAT (Claude Chabrol, 2000) 544 - 616 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MESSENGER (Oren Moverman, 2009) 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MID-AUGUST LUNCH (Gianni Di Gregorio, 2008) 959 - 0 - 0 - 953 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MIDNIGHT IN PARIS (Woody Allen, 2011) 482 - 507 - 600 - 521 - 519 - 661 - 645 - 630 - 940 - 972 - 0
A MIGHTY WIND (Christopher Guest, 2003) 634 - 694 - 787 - 921 - 944 - 0 - 0 - 0 - 0 - 0 - 0
THE MILK OF HUMAN KINDNESS (Dominique Cabrera, 2001) 569 - 656 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MILK OF SORROW (Claudia Llosa, 2009) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 942 - 0
MILLIONS (Danny Boyle, 2004) 735 - 825 - 894 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MINDING THE GAP (Bing Liu, 2018) 0 - 0 - 0 - 0 - 939 - 694 - 717 - 728 - 0 - 0 - 0
MISSION TO MARS (Brian De Palma, 2000) 894 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MISSION: IMPOSSIBLE - FALLOUT (Christopher McQuarrie, 2018) 0 - 0 - 0 - 0 - 1000 - 873 - 815 - 854 - 0 - 0 - 0
MISSION: IMPOSSIBLE - GHOST PROTOCOL (Brad Bird, 2011) 0 - 0 - 0 - 0 - 0 - 733 - 801 - 804 - 0 - 0 - 0
MISTRESS AMERICA (Noah Baumbach, 2015) 0 - 724 - 969 - 976 - 951 - 0 - 0 - 0 - 0 - 0 - 0
MOMMA'S MAN (Azazel Jacobs, 2008) 772 - 846 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MONDAYS IN THE SUN (Fernando León de Aranoa, 2002) 0 - 0 - 0 - 721 - 795 - 962 - 0 - 0 - 963 - 966 - 0
MONEYBALL (Bennett Miller, 2011) 256 - 265 - 432 - 406 - 466 - 578 - 609 - 596 - 895 - 947 - 0
MONSTER'S BALL (Marc Forster, 2001) 359 - 398 - 629 - 713 - 791 - 877 - 959 - 0 - 0 - 0 - 0
MOTHER! (Darren Aronofsky, 2017) 0 - 0 - 0 - 679 - 742 - 824 - 750 - 792 - 0 - 0 - 0
THE MOTHER (Roger Michell, 2003) 0 - 978 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MOUNTAIN PATROL (Lu Chuan, 2004) 852 - 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MRS. FANG (Wang Bing, 2017) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 942 - 970 - 0
MUCH ADO ABOUT NOTHING (Joss Whedon, 2012) 939 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MUD (Jeff Nichols, 2012) 828 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MUDBOUND (Dee Rees, 2017) 0 - 0 - 0 - 740 - 839 - 801 - 906 - 941 - 0 - 0 - 0
MURDERBALL (Dana Adam Shapiro, Jeffrey Mandel & Henry Alex Rubin, 2005) 0 - 909 - 775 - 900 - 921 - 0 - 0 - 0 - 0 - 0 - 0
MUTUAL APPRECIATION (Andrew Bujalski, 2005) 875 - 967 - 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY ARCHITECT (Nathaniel Kahn, 2003) 747 - 830 - 0 - 869 - 961 - 987 - 0 - 0 - 0 - 0 - 0
MY COUNTRY, MY COUNTRY (Laura Poitras, 2006) 876 - 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY GOLDEN DAYS (Arnaud Desplechin, 2015) 0 - 0 - 895 - 965 - 0 - 951 - 741 - 776 - 0 - 0 - 0
MY JOY (Sergei Loznitsa, 2010) 0 - 0 - 924 - 0 - 0 - 0 - 994 - 0 - 0 - 0 - 0
MY SUMMER OF LOVE (Pawel Pawlikowski, 2004) 463 - 392 - 524 - 601 - 641 - 766 - 851 - 877 - 0 - 0 - 0
NATIONAL GALLERY (Frederick Wiseman, 2014) 829 - 790 - 676 - 739 - 852 - 897 - 965 - 0 - 0 - 0 - 0
THE NEON DEMON (Nicolas Winding Refn, 2016) 0 - 0 - 0 - 0 - 0 - 0 - 956 - 969 - 0 - 0 - 0
NEVER LET ME GO (Mark Romanek, 2010) 773 - 851 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NIGHT ACROSS THE STREET (Raúl Ruiz, 2012) 843 - 930 - 744 - 817 - 992 - 983 - 0 - 0 - 0 - 0 - 0
NIGHT AND DAY (Hong Sang-soo, 2008) 413 - 432 - 618 - 693 - 776 - 881 - 894 - 925 - 0 - 0 - 0
NIGHT MOVES (Kelly Reichardt, 2013) 918 - 939 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NINE LIVES (Rodrigo Garcia, 2005) 877 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NO BEARS (Jafar Panahi, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 973 - 0 - 0
NO END IN SIGHT (Charles Ferguson, 2007) 902 - 911 - 876 - 854 - 949 - 0 - 0 - 0 - 0 - 0 - 0
NOCTURAMA (Bertrand Bonello, 2016) 0 - 0 - 0 - 565 - 635 - 721 - 697 - 735 - 0 - 0 - 0
NOCTURNAL ANIMALS (Tom Ford, 2016) 0 - 0 - 843 - 898 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE NOTEBOOK (Nick Cassavetes, 2004) 0 - 0 - 0 - 980 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OCEAN'S ELEVEN (Steven Soderbergh, 2001) 860 - 823 - 971 - 0 - 724 - 798 - 847 - 838 - 0 - 948 - 0
OH WILLY… (Emma De Swaef & Marc James Roels, 2012) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 991 - 0 - 0
OKJA (Bong Joon-ho, 2017) 0 - 0 - 0 - 949 - 0 - 985 - 0 - 0 - 0 - 0 - 0
OLD SCHOOL (Todd Phillips, 2003) 0 - 831 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ONE FINE MORNING (Mia Hansen-Løve, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 996 - 0
ONE FINE SPRING DAY (Hur Jin-ho, 2001) 899 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ONG-BAK (Prachya Pinkaew, 2003) 818 - 755 - 801 - 799 - 694 - 850 - 936 - 976 - 0 - 0 - 0
ONLY GOD FORGIVES (Nicolas Winding Refn, 2012) 0 - 0 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OPEN RANGE (Kevin Costner, 2003) 865 - 826 - 792 - 928 - 899 - 0 - 0 - 0 - 0 - 0 - 0
THE ORDER OF MYTHS (Margaret Brown, 2008) 726 - 788 - 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OSAMA (Siddiq Barmak, 2003) 0 - 892 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE OTHER HALF (Ying Liang, 2006) 821 - 935 - 938 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUR BODY (Claire Simon, 2023) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 865 - 0
OUR LADY OF THE ASSASSINS (Barbet Schroeder, 2000) 0 - 0 - 829 - 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUR LITTLE SISTER (Hirokazu Koreeda, 2015) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 995 - 0
OUR SONG (Jim McKay, 2000) 700 - 768 - 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AN OVERSIMPLICATION OF HER BEAUTY (Terence Nance, 2012) 0 - 0 - 0 - 0 - 0 - 990 - 0 - 0 - 0 - 0 - 0
OWNING MAHOWNY (Richard Kwietniowski, 2003) 925 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PALINDROMES (Todd Solondz, 2004) 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PALM SPRINGS (Max Barbakow, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 812 - 876 - 0 - 0 - 0
PARK LANES (Kevin Jerome Everson, 2015) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 971 - 0 - 0
THE PAST (Asghar Farhadi, 2013) 0 - 0 - 899 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PERFUME: THE STORY OF A MURDERER (Tom Tykwer, 2006) 0 - 0 - 745 - 856 - 950 - 0 - 0 - 0 - 0 - 0 - 0
THE PERKS OF BEING A WALLFLOWER (Stephen Chbosky, 2012) 919 - 940 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PIG (Michael Sarnoski, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 963 - 886 - 0 - 0
PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL (Gore Verbinski, 2003) 872 - 974 - 979 - 0 - 970 - 0 - 0 - 0 - 0 - 0 - 0
PITCH BLACK (David Twohy, 2000) 742 - 853 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PITCHER OF COLORED LIGHT (Robert Beavers, 2007) 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 984 - 0 - 0
PLEASE GIVE (Nicole Holofcener, 2010) 546 - 566 - 826 - 845 - 943 - 0 - 0 - 0 - 0 - 0 - 0
THE PLEDGE (Sean Penn, 2000) 880 - 979 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE POLAR EXPRESS (Robert Zemeckis, 2004) 0 - 987 - 966 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PONYO (Hayao Miyazaki, 2008) 628 - 689 - 729 - 723 - 769 - 887 - 967 - 0 - 0 - 0 - 0
PORTO OF MY CHILDHOOD (Manoel de Oliveira, 2001) 675 - 761 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
POSSESSOR (Brandon Cronenberg, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 839 - 998 - 0 - 0 - 0
THE POST (Steven Spielberg, 2017) 0 - 0 - 0 - 0 - 0 - 747 - 794 - 829 - 0 - 0 - 0
THE POWER OF NIGHTMARES: THE RISE OF THE POLITICS OF FEAR [TV] (Adam Curtis, 2004) 414 - 450 - 610 - 694 - 733 - 750 - 756 - 794 - 0 - 0 - 0
PRIVATE FEARS IN PUBLIC PLACES (Alain Resnais, 2006) 461 - 487 - 513 - 595 - 588 - 556 - 615 - 649 - 0 - 0 - 0
PRIVATE LIFE (Tamara Jenkins, 2018) 0 - 0 - 0 - 0 - 938 - 832 - 918 - 953 - 0 - 0 - 0
THE PROPOSITION (John Hillcoat, 2005) 517 - 476 - 516 - 552 - 544 - 718 - 705 - 712 - 0 - 0 - 0
PUBLIC ENEMIES (Michael Mann, 2009) 454 - 497 - 623 - 695 - 722 - 872 - 954 - 995 - 0 - 0 - 0
THE QUEEN OF VERSAILLES (Lauren Greenfield, 2012) 663 - 683 - 967 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE QUIET AMERICAN (Phillip Noyce, 2002) 645 - 676 - 724 - 722 - 784 - 909 - 1000 - 0 - 0 - 0 - 0
QUILLS (Philip Kaufman, 2000) 737 - 822 - 809 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RABBIT HOLE (John Cameron Mitchell, 2010) 766 - 843 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RAISING VICTOR VARGAS (Peter Sollett, 2002) 552 - 618 - 693 - 787 - 880 - 0 - 0 - 0 - 0 - 0 - 0
RANG DE BASANTI (Rakeysh Omprakash Mehra, 2006) 759 - 877 - 0 - 849 - 940 - 0 - 0 - 0 - 0 - 0 - 0
RANGO (Gore Verbinski, 2011) 954 - 824 - 671 - 711 - 667 - 729 - 764 - 768 - 0 - 0 - 0
RAY (Taylor Hackford, 2004) 532 - 588 - 666 - 765 - 907 - 978 - 0 - 0 - 0 - 0 - 0
RAY & LIZ (Richard Billingham, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 926 - 984 - 0
RAZZLE DAZZLE (Ken Jacobs, 2007) 920 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
READ MY LIPS (Jacques Audiard, 2001) 0 - 0 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RED CLIFF (John Woo, 2008) 0 - 0 - 0 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RED RIDING: 1974 (Julian Jarrold, 2009) 767 - 842 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RED ROCKET (Sean Baker, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 892 - 0 - 0 - 0
REPRISE (Joachim Trier, 2006) 480 - 531 - 644 - 729 - 650 - 819 - 907 - 942 - 0 - 0 - 0
RESCUE DAWN (Werner Herzog, 2006) 792 - 878 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RESTREPO (Tim Hetherington & Sebastian Junger, 2010) 768 - 845 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
REVANCHE (Götz Spielmann, 2008) 667 - 742 - 815 - 795 - 897 - 0 - 939 - 982 - 0 - 0 - 0
RISE OF THE PLANET OF THE APES (Rupert Wyatt, 2011) 477 - 502 - 617 - 669 - 713 - 901 - 984 - 0 - 0 - 0 - 0
THE ROMANCE OF ASTREA AND CELADON (Eric Rohmer, 2007) 602 - 666 - 515 - 594 - 669 - 706 - 768 - 779 - 0 - 0 - 0
ROOM 237 (Rodney Ascher, 2012) 718 - 703 - 869 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SAFE CONDUCT (Bertrand Tavernier, 2002) 751 - 828 - 909 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SALT OF THE EARTH (Juliano Ribeiro Salgado & Wim Wenders, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 985 - 0 - 0
LA SAPIENZA (Eugène Green, 2014) 0 - 0 - 0 - 0 - 0 - 849 - 914 - 950 - 0 - 0 - 0
THE SAVAGES (Tamara Jenkins, 2007) 588 - 647 - 785 - 745 - 845 - 710 - 777 - 769 - 0 - 0 - 0
A SCANNER DARKLY (Richard Linklater, 2006) 441 - 482 - 561 - 577 - 611 - 693 - 714 - 724 - 0 - 0 - 0
THE SCIENCE OF SLEEP (Michel Gondry, 2006) 723 - 784 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEABISCUIT (Gary Ross, 2003) 812 - 907 - 793 - 924 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEARCHING FOR SUGAR MAN (Malik Bendjelloul, 2012) 471 - 472 - 551 - 608 - 708 - 731 - 788 - 771 - 0 - 943 - 0
THE SECOND MOTHER (Anna Muylaert, 2015) 0 - 0 - 0 - 0 - 826 - 895 - 975 - 0 - 0 - 0 - 0
THE SECRET LIVES OF DENTISTS (Alan Rudolph, 2003) 660 - 728 - 885 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SERENITY (Joss Whedon, 2005) 904 - 0 - 813 - 806 - 901 - 0 - 0 - 0 - 0 - 0 - 0
SESSION 9 (Brad Anderson, 2001) 512 - 526 - 652 - 733 - 720 - 829 - 915 - 951 - 0 - 0 - 0
THE SESSIONS (Ben Lewin, 2012) 572 - 633 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEX AND LUCIA (Julio Medem, 2001) 567 - 652 - 760 - 848 - 941 - 0 - 0 - 0 - 0 - 0 - 0
SEX IS COMEDY (Catherine Breillat, 2002) 748 - 861 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHADOW OF THE VAMPIRE (E. Elias Merhige, 2000) 734 - 730 - 866 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHAOLIN SOCCER (Stephen Chow, 2001) 774 - 879 - 945 - 0 - 976 - 0 - 988 - 960 - 0 - 0 - 0
SHATTERED GLASS (Billy Ray, 2003) 523 - 576 - 715 - 790 - 820 - 994 - 0 - 0 - 0 - 0 - 0
SHE DIES TOMORROW (Amy Seimetz, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 998 - 0 - 0 - 0 - 0
SHORT TERM 12 (Destin Daniel Cretton, 2013) 579 - 596 - 803 - 676 - 700 - 883 - 913 - 954 - 0 - 0 - 0
SHOTGUN STORIES (Jeff Nichols, 2007) 874 - 966 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHUTTER ISLAND (Martin Scorsese, 2010) 780 - 780 - 802 - 910 - 998 - 869 - 953 - 943 - 0 - 0 - 0
SICKO (Michael Moore, 2007) 955 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SIGNS (M. Night Shyamalan, 2002) 0 - 0 - 965 - 982 - 863 - 0 - 0 - 0 - 937 - 964 - 0
THE SILENCE BEFORE BACH (Pere Portabella, 2007) 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SINCE OTAR LEFT (Julie Bertuccelli, 2003) 830 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SING STREET (John Carney, 2016) 0 - 0 - 951 - 803 - 716 - 723 - 782 - 729 - 0 - 0 - 0
A SINGLE MAN (Tom Ford, 2009) 474 - 501 - 616 - 625 - 629 - 715 - 754 - 751 - 0 - 0 - 0
SISTERS IN LAW (Florence Ayisi & Kim Longinotto, 2005) 0 - 0 - 837 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SKY TURNS (Mercedes Álvarez, 2004) 0 - 0 - 0 - 0 - 0 - 949 - 0 - 0 - 0 - 0 - 0
SKYFALL (Sam Mendes, 2012) 492 - 480 - 606 - 606 - 605 - 586 - 601 - 612 - 0 - 0 - 0
SLEEP FURIOUSLY (Gideon Koppel, 2008) 0 - 0 - 858 - 956 - 0 - 0 - 0 - 0 - 931 - 985 - 0
SMELL OF CAMPHOR, FRAGRANCE OF JASMINE (Bahman Farmanara, 2000) 666 - 753 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SNOWTOWN (Justin Kurzel, 2011) 0 - 0 - 0 - 0 - 0 - 1000 - 0 - 0 - 0 - 0 - 0
SO LONG, MY SON (Wang Xiaoshuai, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 893 - 955 - 0
SOMETHING IN THE AIR (Olivier Assayas, 2012) 953 - 0 - 898 - 934 - 841 - 0 - 0 - 0 - 0 - 0 - 0
SON FRÈRE (Patrice Chéreau, 2003) 0 - 0 - 696 - 798 - 866 - 993 - 0 - 0 - 0 - 0 - 0
SOUL (Pete Docter, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 811 - 975 - 0 - 0 - 0
SOUND OF METAL (Darius Marder, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 695 - 686 - 0 - 0 - 0
SPARTAN (David Mamet, 2004) 977 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SPECTACULAR NOW (James Ponsoldt, 2013) 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SPENCER (Pablo Larraín, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 1000 - 0 - 0 - 0
SPIDER-MAN (Sam Raimi, 2002) 516 - 539 - 637 - 691 - 773 - 955 - 986 - 0 - 0 - 0 - 0
SPRINGTIME IN A SMALL TOWN (Tian Zhuangzhuang, 2002) 487 - 486 - 643 - 741 - 827 - 953 - 0 - 0 - 0 - 0 - 0
THE STAIRCASE [TV] (Jean-Xavier de Lestrade, 2004) 930 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STANDARD OPERATING PROCEDURE (Errol Morris, 2008) 701 - 769 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STANDING IN THE SHADOWS OF MOTOWN (Paul Justman, 2002) 0 - 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A STAR IS BORN (Bradley Cooper, 2018) 0 - 0 - 0 - 0 - 583 - 744 - 819 - 785 - 0 - 0 - 0
STAR TREK (J.J. Abrams, 2009) 570 - 609 - 575 - 615 - 654 - 809 - 901 - 936 - 0 - 0 - 0
STAR WARS: THE FORCE AWAKENS (J.J. Abrams, 2015) 0 - 451 - 773 - 750 - 728 - 749 - 689 - 730 - 0 - 0 - 0
STAR WARS: THE LAST JEDI (Rian Johnson, 2017) 0 - 0 - 0 - 0 - 0 - 843 - 823 - 860 - 0 - 0 - 0
STARTUP.COM (Chris Hegedus & Jehane Noujaim, 2001) 559 - 626 - 761 - 883 - 974 - 0 - 0 - 0 - 0 - 0 - 0
STATE AND MAIN (David Mamet, 2000) 635 - 622 - 805 - 889 - 804 - 914 - 999 - 0 - 0 - 0 - 0
STAYING VERTICAL (Alain Guiraudie, 2016) 0 - 0 - 0 - 0 - 0 - 865 - 904 - 939 - 983 - 0 - 0
STEVE JOBS (Danny Boyle, 2015) 0 - 722 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STILL/HERE (Christopher Harris, 2001) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 990 - 0 - 0
STORY OF MY DEATH (Albert Serra, 2013) 0 - 0 - 771 - 675 - 747 - 620 - 614 - 652 - 0 - 0 - 0
STRAIGHT OUTTA COMPTON (F. Gary Gray, 2015) 0 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE STRANGERS (Bryan Bertino, 2008) 0 - 0 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUBMARINE (Richard Ayoade, 2010) 0 - 0 - 985 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUGAR (Anna Boden & Ryan Fleck, 2008) 855 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) (Questlove, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 557 - 835 - 987 - 0
SUNSET SONG (Terence Davies, 2015) 0 - 0 - 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUNSHINE STATE (John Sayles, 2002) 833 - 922 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUPER 8 (J.J. Abrams, 2011) 856 - 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUPPORT THE GIRLS (Andrew Bujalski, 2018) 0 - 0 - 0 - 0 - 849 - 777 - 818 - 855 - 0 - 0 - 0
SUZHOU RIVER (Lou Ye, 2000) 385 - 433 - 607 - 662 - 731 - 756 - 835 - 869 - 0 - 0 - 0
SWEETGRASS (Lucien Castaing-Taylor, 2009) 659 - 674 - 819 - 839 - 934 - 0 - 0 - 0 - 0 - 0 - 0
SYNONYMS (Nadav Lapid, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 979 - 0 - 0 - 0 - 0
SYRIANA (Stephen Gaghan, 2005) 422 - 455 - 427 - 474 - 521 - 639 - 701 - 741 - 0 - 0 - 0
THE TAILOR OF PANAMA (John Boorman, 2001) 769 - 767 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TAKE ME TO VIETNAM (Zhang Jianchi, 2009) 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TAKE THIS WALTZ (Sarah Polley, 2011) 840 - 849 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 973 - 0
TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY (Adam McKay, 2006) 989 - 972 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TAXI TEHRAN (Jafar Panahi, 2015) 0 - 636 - 624 - 641 - 757 - 793 - 889 - 871 - 894 - 946 - 0
TAXI TO THE DARK SIDE (Alex Gibney, 2007) 889 - 905 - 786 - 840 - 931 - 0 - 0 - 0 - 0 - 0 - 0
TELL NO ONE (Guillaume Canet, 2006) 813 - 906 - 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TENET (Christopher Nolan, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 957 - 0 - 0 - 0 - 0
TERROR'S ADVOCATE (Barbet Schroeder, 2007) 795 - 880 - 719 - 564 - 630 - 679 - 740 - 775 - 999 - 0 - 0
TEXTISM (Isamu Hirabayashi, 2003) 897 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TEZA (Haile Gerima, 2008) 711 - 816 - 0 - 843 - 809 - 971 - 0 - 0 - 0 - 0 - 0
THANK YOU FOR SMOKING (Jason Reitman, 2006) 687 - 759 - 927 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THERE'S A STRONG WIND IN BEIJING (Ju An Qi, 2000) 589 - 669 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRST (Park Chan-wook, 2009) 0 - 0 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRTEEN (Catherine Hardwicke, 2003) 0 - 956 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRTEEN CONVERSATIONS ABOUT ONE THING (Jill Sprecher, 2001) 730 - 800 - 939 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRTEEN DAYS (Roger Donaldson, 2000) 921 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIS OUR STILL LIFE (Andrew Kötting, 2011) 892 - 996 - 0 - 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (Martin McDonagh, 2017) 0 - 0 - 0 - 485 - 432 - 569 - 580 - 586 - 965 - 0 - 0
TIME OF THE WOLF (Michael Haneke, 2003) 460 - 479 - 694 - 810 - 893 - 0 - 0 - 0 - 981 - 0 - 0
TIMECODE (Mike Figgis, 2000) 632 - 692 - 730 - 870 - 969 - 0 - 0 - 0 - 0 - 0 - 0
TO DIE LIKE A MAN (João Pedro Rodrigues, 2009) 0 - 0 - 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOKYO GODFATHERS (Satoshi Kon, 2003) 998 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOKYO MARIGOLD (Jun Ichikawa, 2001) 716 - 821 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOKYO SONATA (Kiyoshi Kurosawa, 2008) 623 - 642 - 764 - 828 - 835 - 932 - 0 - 0 - 0 - 0 - 0
TONSLER PARK (Kevin Jerome Everson, 2017) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 982 - 0 - 0
TOP GUN: MAVERICK (Joseph Kosinski, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 823 - 0 - 0
A TOWN CALLED PANIC (Stephane Aubier & Vincent Patar, 2009) 903 - 700 - 714 - 818 - 803 - 964 - 0 - 0 - 0 - 0 - 0
THE TOWN IS QUIET (Robert Guédiguian, 2000) 0 - 0 - 932 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TRAINING DAY (Antoine Fuqua, 2001) 958 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TRAITOR (Marco Bellocchio, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 908 - 930 - 0 - 0 - 0
TREELESS MOUNTAIN (Kim So Yong, 2008) 912 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TRIP (Michael Winterbottom, 2010) 541 - 605 - 731 - 766 - 779 - 970 - 949 - 992 - 995 - 0 - 0
TROUBLE THE WATER (Carl Deal & Tia Lessin, 2008) 619 - 684 - 840 - 903 - 986 - 0 - 0 - 0 - 0 - 0 - 0
TUESDAY, AFTER CHRISTMAS (Radu Muntean, 2010) 721 - 795 - 874 - 958 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TUNING THE INSTRUMENTS (Jerzy Kucia, 2000) 649 - 736 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TURNING GATE (Hong Sang-soo, 2002) 534 - 612 - 821 - 969 - 0 - 0 - 0 - 0 - 877 - 0 - 0
TWO-LEGGED HORSE (Samira Makhmalbaf, 2008) 976 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE UNCERTAINTY PRINCIPLE (Manoel de Oliveira, 2002) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 975 - 0 - 0
UNDER THE SAND (François Ozon, 2000) 436 - 461 - 546 - 629 - 673 - 847 - 937 - 977 - 0 - 0 - 0
UNDINE (Christian Petzold, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 915 - 0 - 0 - 0
UNFAITHFUL (Adrian Lyne, 2002) 864 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
UP IN THE AIR (Jason Reitman, 2009) 278 - 289 - 392 - 428 - 471 - 641 - 704 - 742 - 0 - 0 - 0
VA SAVOIR (Jacques Rivette, 2001) 475 - 522 - 667 - 751 - 798 - 961 - 0 - 0 - 960 - 0 - 0
LA VALLÉE CLOSE (Jean-Claude Rousseau, 1995) 584 - 667 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE VAST OF NIGHT (Andrew Patterson, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 841 - 999 - 0 - 0 - 0
THE VELVET UNDERGROUND (Todd Haynes, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 758 - 0 - 0 - 0
THE VERTICAL RAY OF THE SUN (Tran Anh Hung, 2000) 967 - 0 - 824 - 888 - 981 - 0 - 0 - 0 - 0 - 0 - 0
A VERY LONG ENGAGEMENT (Jean-Pierre Jeunet, 2004) 761 - 838 - 878 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VICTORIA (Sebastian Schipper, 2015) 0 - 0 - 757 - 703 - 818 - 927 - 0 - 0 - 0 - 0 - 0
LA VIE EN ROSE (Olivier Dahan, 2007) 0 - 0 - 839 - 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VIOLA (Matías Piñeiro, 2012) 0 - 0 - 0 - 0 - 0 - 973 - 0 - 0 - 0 - 0 - 0
VOLCANO (Rúnar Rúnarsson, 2011) 0 - 0 - 0 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VORTEX (Gaspar Noé, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 885 - 0 - 0
THE WAILING (Na Hong-jin, 2016) 0 - 0 - 0 - 0 - 0 - 0 - 882 - 907 - 0 - 0 - 0
WALK THE LINE (James Mangold, 2005) 0 - 0 - 781 - 860 - 954 - 0 - 0 - 0 - 0 - 0 - 0
WAR HORSE (Steven Spielberg, 2011) 696 - 727 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WARM WATER UNDER A RED BRIDGE (Shohei Imamura, 2001) 886 - 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WATER (Deepa Mehta, 2005) 895 - 997 - 0 - 925 - 963 - 0 - 0 - 0 - 0 - 0 - 0
WE ARE THE BEST! (Lukas Moodysson, 2013) 368 - 380 - 492 - 519 - 567 - 698 - 778 - 814 - 0 - 0 - 0
WEDDING CRASHERS (David Dobkin, 2005) 0 - 862 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WELCOME TO NEW YORK (Abel Ferrara, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 934 - 973 - 0 - 0 - 0
WEST SIDE STORY (Steven Spielberg, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 857 - 0 - 0 - 0
WHAT NOW? REMIND ME (Joaquim Pinto, 2013) 0 - 0 - 982 - 0 - 0 - 794 - 857 - 884 - 897 - 936 - 0
WHEAT HARVEST (Xu Tong, 2008) 790 - 900 - 0 - 930 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHERE THE WILD THINGS ARE (Spike Jonze, 2009) 410 - 411 - 553 - 603 - 683 - 837 - 924 - 962 - 0 - 0 - 0
THE WHITE DIAMOND (Werner Herzog, 2004) 927 - 0 - 902 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WIDOWS (Steve McQueen, 2018) 0 - 0 - 0 - 0 - 637 - 828 - 881 - 861 - 0 - 0 - 0
WILD TALES (Damián Szifrón, 2014) 0 - 0 - 897 - 908 - 0 - 870 - 910 - 895 - 0 - 0 - 0
WIN WIN (Tom McCarthy, 2011) 585 - 644 - 908 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WOLF CREEK (Greg McLean, 2005) 985 - 0 - 670 - 717 - 751 - 745 - 780 - 788 - 0 - 0 - 0
THE WOOLWORTHS CHOIR OF 1979 (Elizabeth Price, 2012) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 953 - 969 - 0
WORKINGMAN'S DEATH (Michael Glawogger, 2005) 743 - 858 - 754 - 809 - 904 - 0 - 886 - 910 - 0 - 0 - 0
WORLD OF TOMORROW (Don Hertzfeldt, 2015) 0 - 0 - 0 - 0 - 0 - 977 - 0 - 0 - 0 - 0 - 0
THE WORLD'S END (Edgar Wright, 2013) 580 - 607 - 688 - 650 - 620 - 711 - 702 - 743 - 0 - 0 - 0
X2 (Bryan Singer, 2003) 965 - 908 - 820 - 827 - 861 - 889 - 871 - 894 - 0 - 0 - 0
X-MEN (Bryan Singer, 2000) 720 - 810 - 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YES (Sally Potter, 2004) 857 - 962 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YOUNG ADAM (David Mackenzie, 2002) 0 - 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YOUNG ADULT (Jason Reitman, 2011) 664 - 738 - 915 - 0 - 892 - 896 - 980 - 0 - 980 - 0 - 0
YOUR NAME (Makoto Shinkai, 2016) 0 - 0 - 0 - 0 - 0 - 981 - 0 - 0 - 0 - 0 - 0
YOUTH WITHOUT YOUTH (Francis Ford Coppola, 2007) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 935 - 988 - 0
Z CHANNEL: A MAGNIFICENT OBSESSION (Xan Cassavetes, 2004) 0 - 559 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ZATOICHI (Takeshi Kitano, 2003) 845 - 958 - 0 - 989 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ZOOTOPIA (Byron Howard & Rich Moore, 2016) 0 - 0 - 0 - 926 - 884 - 845 - 940 - 981 - 0 - 0 - 0
127 HOURS (Danny Boyle, 2010) 275 - 288 - 462 - 517 - 575 - 790 - 746 - 783 - 0 - 0 - 0
13 ASSASSINS (Takashi Miike, 2010) 952 - 895 - 854 - 918 - 823 - 915 - 0 - 0 - 0 - 0 - 0
3 IDIOTS (Rajkumar Hirani, 2009) 0 - 993 - 0 - 0 - 0 - 0 - 0 - 0 - 905 - 0 - 0
3:10 TO YUMA (James Mangold, 2007) 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
300 (Zack Snyder, 2006) 990 - 0 - 751 - 877 - 837 - 940 - 0 - 0 - 0 - 0 - 0
4 (Ilya Khrzhanovskiy, 2004) 724 - 787 - 846 - 988 - 0 - 0 - 0 - 0 - 0 - 0 - 0
49 UP [TV] (Michael Apted, 2005) 0 - 0 - 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
8 MILE (Curtis Hanson, 2002) 600 - 590 - 748 - 859 - 953 - 0 - 0 - 0 - 0 - 0 - 0
8 WOMEN (François Ozon, 2001) 1000 - 866 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ABOUT A BOY (Paul Weitz & Chris Weitz, 2002) 399 - 374 - 574 - 569 - 607 - 771 - 862 - 886 - 0 - 0 - 0
ACTRESS (Robert Greene, 2014) 834 - 865 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ADVENTURELAND (Greg Mottola, 2009) 542 - 563 - 609 - 631 - 703 - 836 - 922 - 958 - 0 - 0 - 0
AFTER YANG (Kogonada, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 932 - 0 - 0
AFTERSCHOOL (Antonio Campos, 2008) 797 - 903 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ALAMAR (Pedro González-Rubio, 2009) 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ALEXANDRA (Aleksandr Sokurov, 2007) 901 - 990 - 762 - 886 - 978 - 0 - 0 - 0 - 0 - 0 - 0
ALI (Michael Mann, 2001) 473 - 468 - 683 - 772 - 649 - 781 - 828 - 862 - 0 - 0 - 0
ALL IS LOST (J.C. Chandor, 2013) 386 - 373 - 442 - 425 - 488 - 692 - 770 - 777 - 0 - 0 - 0
ALL OR NOTHING (Mike Leigh, 2002) 884 - 582 - 599 - 702 - 787 - 922 - 0 - 0 - 0 - 0 - 0
ALL THE REAL GIRLS (David Gordon Green, 2002) 868 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE AMERICAN ASTRONAUT (Cory McAbee, 2001) 0 - 884 - 0 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AMERICAN HUSTLE (David O. Russell, 2013) 330 - 342 - 474 - 385 - 415 - 643 - 718 - 732 - 993 - 0 - 0
AMERICAN SNIPER (Clint Eastwood, 2014) 0 - 0 - 0 - 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ANGELS IN AMERICA [TV] (Mike Nichols, 2003) 802 - 891 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ANNA KARENINA (Joe Wright, 2012) 763 - 844 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AQUARIUS (Kleber Mendonça Filho, 2016) 0 - 0 - 996 - 0 - 0 - 734 - 534 - 558 - 939 - 1000 - 0
ARABIAN NIGHTS: VOLUME 1 - THE RESTLESS ONE (Miguel Gomes, 2015) 0 - 0 - 955 - 0 - 0 - 998 - 992 - 0 - 0 - 0 - 0
ARARAT (Atom Egoyan, 2002) 966 - 899 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARBOR VITAE (Nathaniel Dorsky, 2000) 785 - 886 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARGO (Ben Affleck, 2012) 179 - 188 - 363 - 371 - 484 - 644 - 729 - 746 - 0 - 0 - 0
ARIRANG (Kim Ki-duk, 2011) 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARTEMIS' KNEE (Jean-Marie Straub, 2008) 0 - 0 - 0 - 0 - 996 - 0 - 0 - 0 - 898 - 950 - 0
THE AURA (Fabián Bielinsky, 2005) 932 - 0 - 0 - 802 - 832 - 925 - 970 - 0 - 0 - 0 - 0
AUTO FOCUS (Paul Schrader, 2002) 841 - 928 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE AVENGERS (Joss Whedon, 2012) 647 - 637 - 725 - 808 - 777 - 591 - 632 - 656 - 0 - 992 - 0
AWAY FROM HER (Sarah Polley, 2006) 420 - 384 - 481 - 470 - 481 - 476 - 530 - 499 - 906 - 963 - 0
BABY DRIVER (Edgar Wright, 2017) 0 - 0 - 0 - 767 - 812 - 759 - 834 - 868 - 0 - 0 - 0
BACK AGAINST THE WALL (James Fotopoulos, 2002) 665 - 752 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BAD LIEUTENANT: PORT OF CALL - NEW ORLEANS (Werner Herzog, 2009) 547 - 602 - 586 - 628 - 665 - 725 - 724 - 760 - 0 - 0 - 0
BAD SANTA (Terry Zwigoff, 2003) 468 - 429 - 479 - 536 - 561 - 705 - 765 - 800 - 0 - 0 - 0
BAISE-MOI (Virginie Despentes & Coralie Trinh Thi, 2000) 928 - 887 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BALLAST (Lance Hammer, 2008) 365 - 401 - 537 - 600 - 621 - 740 - 807 - 849 - 0 - 0 - 0
BALZAC AND THE LITTLE CHINESE SEAMSTRESS (Dai Sijie, 2002) 639 - 717 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BAND'S VISIT (Eran Kolirin, 2007) 717 - 782 - 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BARKING DOGS NEVER BITE (Bong Joon-ho, 2000) 674 - 704 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BATMAN BEGINS (Christopher Nolan, 2005) 941 - 986 - 712 - 753 - 850 - 848 - 872 - 898 - 0 - 0 - 0
BE KIND REWIND (Michel Gondry, 2008) 823 - 942 - 900 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEFORE THE DEVIL KNOWS YOU'RE DEAD (Sidney Lumet, 2007) 437 - 474 - 477 - 503 - 542 - 651 - 711 - 752 - 0 - 0 - 0
BEGINNERS (Mike Mills, 2011) 367 - 357 - 581 - 602 - 627 - 787 - 716 - 754 - 0 - 0 - 0
THE BELIEVER (Henry Bean, 2001) 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BENEDETTA (Paul Verhoeven, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 947 - 0 - 0 - 0
BERNIE (Richard Linklater, 2011) 764 - 778 - 925 - 944 - 797 - 636 - 706 - 727 - 0 - 0 - 0
THE BIG SICK (Michael Showalter, 2017) 0 - 0 - 0 - 946 - 906 - 0 - 0 - 0 - 0 - 0 - 0
BLADE II (Guillermo del Toro, 2002) 0 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLANCANIEVES (Pablo Berger, 2011) 0 - 0 - 913 - 881 - 988 - 908 - 0 - 0 - 0 - 0 - 0
BLIND SHAFT (Li Yang, 2003) 445 - 448 - 598 - 670 - 715 - 764 - 849 - 875 - 0 - 0 - 0
THE BLONDS (Albertina Carri, 2003) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 969 - 0 - 0
BLOODY SUNDAY (Paul Greengrass, 2001) 302 - 317 - 396 - 475 - 537 - 627 - 676 - 687 - 0 - 0 - 0
BLUE GATE CROSSING (Yee Chih-yen, 2002) 878 - 834 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLUE JASMINE (Woody Allen, 2013) 451 - 493 - 506 - 542 - 642 - 791 - 640 - 667 - 0 - 0 - 0
BLUE RUIN (Jeremy Saulnier, 2013) 0 - 0 - 977 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BOARDING GATE (Olivier Assayas, 2007) 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BORAT SUBSEQUENT MOVIEFILM (Jason Woliner, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 997 - 0 - 0 - 0 - 0
THE BOURNE IDENTITY (Doug Liman, 2002) 896 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BOXING GYM (Frederick Wiseman, 2010) 596 - 665 - 664 - 734 - 734 - 866 - 951 - 993 - 0 - 0 - 0
THE BOY AND THE HERON (Hayao Miyazaki, 2023) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 805 - 0
BRAND UPON THE BRAIN! (Guy Maddin, 2006) 842 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BREAD AND ROSES (Ken Loach, 2000) 0 - 859 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BREAKFAST ON PLUTO (Neil Jordan, 2005) 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BRIDGE OF SPIES (Steven Spielberg, 2015) 0 - 672 - 968 - 0 - 0 - 0 - 995 - 0 - 0 - 0 - 0
BRIDGET JONES'S DIARY (Sharon Maguire, 2001) 0 - 868 - 928 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BRIGHT FUTURE (Kiyoshi Kurosawa, 2002) 599 - 604 - 708 - 825 - 922 - 0 - 0 - 0 - 0 - 998 - 0
BRIGHT LEAVES (Ross McElwee, 2003) 694 - 726 - 0 - 0 - 995 - 0 - 0 - 0 - 0 - 0 - 0
BROKEN EMBRACES (Pedro Almodóvar, 2009) 913 - 0 - 872 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BROKEN FLOWERS (Jim Jarmusch, 2005) 486 - 536 - 590 - 647 - 718 - 728 - 769 - 803 - 962 - 0 - 0
BROTHER (Takeshi Kitano, 2000) 702 - 792 - 0 - 954 - 967 - 0 - 0 - 0 - 0 - 0 - 0
BUG (William Friedkin, 2006) 733 - 811 - 862 - 967 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CAESAR MUST DIE (Paolo Taviani & Vittorio Taviani, 2012) 0 - 0 - 0 - 0 - 0 - 811 - 822 - 863 - 0 - 0 - 0
CALVARY (John Michael McDonagh, 2014) 835 - 924 - 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CAN YOU EVER FORGIVE ME? (Marielle Heller, 2018) 0 - 0 - 0 - 0 - 664 - 755 - 844 - 835 - 0 - 0 - 0
CAPTAIN PHILLIPS (Paul Greengrass, 2013) 656 - 721 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CARD COUNTER (Paul Schrader, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 830 - 0 - 0 - 0
CAST AWAY (Robert Zemeckis, 2000) 861 - 812 - 828 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHANGE NOTHING (Pedro Costa, 2009) 933 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHE (Steven Soderbergh, 2008) 509 - 521 - 612 - 578 - 648 - 584 - 592 - 624 - 0 - 0 - 0
CHEESE (Mika Rottenberg, 2008) 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHICAGO (Rob Marshall, 2002) 322 - 334 - 431 - 451 - 504 - 605 - 670 - 653 - 1000 - 0 - 0
CHIHWASEON (Im Kwon-taek, 2002) 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHI-RAQ (Spike Lee, 2015) 0 - 554 - 834 - 807 - 952 - 0 - 0 - 0 - 0 - 0 - 0
CHOP SHOP (Ramin Bahrani, 2007) 678 - 748 - 882 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHUCK & BUCK (Miguel Arteta, 2000) 421 - 453 - 594 - 644 - 719 - 813 - 855 - 881 - 0 - 0 - 0
CINDERELLA MAN (Ron Howard, 2005) 922 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CLEAN (Olivier Assayas, 2004) 837 - 850 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CLIMAX (Gaspar Noé, 2018) 0 - 0 - 0 - 0 - 0 - 988 - 0 - 0 - 0 - 0 - 0
CLOSED CURTAIN (Jafar Panahi & Kambuzia Partovi, 2013) 847 - 938 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CLOSER (Mike Nichols, 2004) 832 - 921 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
COCO (Lee Unkrich, 2017) 0 - 0 - 0 - 0 - 0 - 875 - 852 - 878 - 0 - 0 - 0
COLD MOUNTAIN (Anthony Minghella, 2003) 573 - 593 - 645 - 655 - 727 - 910 - 993 - 0 - 0 - 0 - 0
COLUMBUS (Kogonada, 2017) 0 - 0 - 0 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0
COMBAT D'AMOUR EN SONGE (Raúl Ruiz, 2000) 712 - 817 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE COMPANY (Robert Altman, 2003) 776 - 867 - 807 - 939 - 957 - 0 - 0 - 0 - 0 - 0 - 0
COMPLIANCE (Craig Zobel, 2012) 936 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CONFESSIONS (Tetsuya Nakashima, 2010) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 928 - 979 - 0
CONFESSIONS OF A DANGEROUS MIND (George Clooney, 2002) 789 - 876 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CONSEQUENCES OF LOVE (Paolo Sorrentino, 2004) 820 - 734 - 519 - 598 - 643 - 792 - 887 - 912 - 0 - 0 - 0
CONSOLATION SERVICE (Eija-Liisa Ahtila, 2000) 713 - 818 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CONSTANT GARDENER (Fernando Meirelles, 2005) 689 - 770 - 703 - 794 - 833 - 0 - 0 - 0 - 0 - 0 - 0
EN CONSTRUCCIÓN (José Luis Guerín, 2001) 0 - 0 - 838 - 611 - 685 - 548 - 524 - 551 - 998 - 961 - 0
CONTAGION (Steven Soderbergh, 2011) 765 - 765 - 732 - 796 - 829 - 0 - 0 - 0 - 901 - 960 - 0
CONTROL ROOM (Jehane Noujaim, 2004) 564 - 632 - 743 - 894 - 993 - 0 - 0 - 0 - 0 - 0 - 0
THE CORPORATION (Jennifer Abbott & Mark Achbar, 2003) 411 - 425 - 622 - 712 - 737 - 727 - 797 - 833 - 0 - 0 - 0
CORSAGE (Marie Kreutzer, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 804 - 965 - 0
COW (Andrea Arnold, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 825 - 918 - 0
COWARDS BEND THE KNEE (Guy Maddin, 2003) 557 - 578 - 746 - 895 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CRANK (Mark Neveldine & Brian Taylor, 2006) 0 - 0 - 0 - 0 - 937 - 0 - 0 - 0 - 0 - 0 - 0
CRIMES OF THE FUTURE (David Cronenberg, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 648 - 935 - 0
CRY WHEN IT HAPPENS (Laida Lertxundi, 2010) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 968 - 0 - 0
DADDY LONGLEGS (Benny Safdie & Josh Safdie, 2009) 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DAMSELS IN DISTRESS (Whit Stillman, 2011) 0 - 0 - 990 - 935 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A DANGEROUS METHOD (David Cronenberg, 2011) 574 - 562 - 548 - 570 - 678 - 545 - 599 - 629 - 0 - 0 - 0
LA DANSE: THE PARIS OPERA BALLET (Frederick Wiseman, 2009) 0 - 0 - 686 - 761 - 862 - 979 - 879 - 906 - 0 - 0 - 0
DARK DAYS (Marc Singer, 2000) 394 - 388 - 549 - 648 - 717 - 778 - 868 - 891 - 0 - 0 - 0
THE DARK KNIGHT RISES (Christopher Nolan, 2012) 443 - 446 - 717 - 786 - 929 - 934 - 903 - 946 - 0 - 0 - 0
DARK WATER (Hideo Nakata, 2002) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 957 - 991 - 0
DAVE CHAPPELLE'S BLOCK PARTY (Michel Gondry, 2005) 732 - 706 - 790 - 914 - 840 - 879 - 960 - 957 - 0 - 0 - 0
DAY NIGHT DAY NIGHT (Julia Loktev, 2006) 646 - 583 - 722 - 781 - 848 - 943 - 0 - 989 - 0 - 0 - 0
DAYS OF GLORY (Rachid Bouchareb, 2006) 885 - 889 - 784 - 838 - 933 - 0 - 0 - 0 - 0 - 0 - 0
DE HUMANI CORPORIS FABRICA (Lucien Castaing-Taylor & Verena Paravel, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 980 - 0
DEAD MAN'S SHOES (Shane Meadows, 2004) 905 - 0 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DEAD OR ALIVE 2 (Takashi Miike, 2000) 625 - 711 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DEATH IN THE LAND OF ENCANTOS (Lav Diaz, 2007) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 979 - 0 - 0
THE DEATH OF STALIN (Armando Iannucci, 2017) 0 - 0 - 0 - 0 - 768 - 642 - 619 - 598 - 941 - 967 - 0
THE DEEP END (Scott McGehee & David Siegel, 2001) 425 - 445 - 604 - 692 - 780 - 924 - 0 - 0 - 0 - 0 - 0
DEEP WATER (Louise Osmond & Jerry Rothwell, 2006) 0 - 0 - 980 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DELIVER US FROM EVIL (Amy Berg, 2006) 915 - 0 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DETROIT (Kathryn Bigelow, 2017) 0 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL AND DANIEL JOHNSTON (Jeff Feuerzeig, 2005) 691 - 620 - 811 - 864 - 959 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL'S REJECTS (Rob Zombie, 2005) 560 - 574 - 554 - 573 - 606 - 965 - 0 - 0 - 0 - 0 - 0
DIFFERENTLY, MOLUSSIA (Nicolas Rey, 2012) 0 - 0 - 0 - 0 - 0 - 929 - 955 - 972 - 0 - 0 - 0
DISORDER (Huang Weikai, 2009) 0 - 0 - 993 - 0 - 0 - 0 - 0 - 0 - 921 - 975 - 0
THE DITCH (Wang Bing, 2010) 710 - 815 - 0 - 768 - 864 - 959 - 0 - 0 - 0 - 0 - 0
DOGTOWN AND Z-BOYS (Stacy Peralta, 2001) 794 - 888 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DOLLS (Takeshi Kitano, 2002) 760 - 837 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DOMESTIC VIOLENCE (Frederick Wiseman, 2001) 668 - 648 - 733 - 882 - 913 - 0 - 0 - 0 - 0 - 0 - 0
DRACULA: PAGES FROM A VIRGIN'S DIARY (Guy Maddin, 2002) 0 - 959 - 780 - 915 - 997 - 0 - 0 - 0 - 0 - 0 - 0
DRAG ME TO HELL (Sam Raimi, 2009) 799 - 883 - 753 - 758 - 796 - 827 - 883 - 908 - 0 - 0 - 0
DREAMGIRLS (Bill Condon, 2006) 838 - 925 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUCK SEASON (Fernando Eimbcke, 2004) 888 - 976 - 910 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUPLICITY (Tony Gilroy, 2009) 950 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DURIAN DURIAN (Fruit Chan, 2000) 879 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DYING AT GRACE (Allan King, 2003) 753 - 873 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ECCENTRICITIES OF A BLONDE-HAIRED GIRL (Manoel de Oliveira, 2009) 819 - 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AN EDUCATION (Lone Scherfig, 2008) 614 - 640 - 662 - 653 - 656 - 788 - 829 - 822 - 0 - 0 - 0
EIGHTH GRADE (Bo Burnham, 2018) 0 - 0 - 0 - 0 - 616 - 580 - 595 - 627 - 988 - 0 - 0
EL VALLEY CENTRO (James Benning, 2000) 563 - 654 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ENOUGH SAID (Nicole Holofcener, 2013) 906 - 923 - 0 - 0 - 895 - 944 - 0 - 0 - 0 - 0 - 0
ENRON: THE SMARTEST GUYS IN THE ROOM (Alex Gibney, 2005) 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EPISODE 3: 'ENJOY POVERTY' (Renzo Martens, 2009) 806 - 933 - 0 - 959 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ESTHER KAHN (Arnaud Desplechin, 2000) 554 - 627 - 674 - 725 - 770 - 785 - 803 - 842 - 0 - 0 - 0
THE ETERNAL DAUGHTER (Joanna Hogg, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 737 - 874 - 0
EVERLASTING MOMENTS (Jan Troell, 2008) 796 - 808 - 877 - 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EVERYBODY WANTS SOME!! (Richard Linklater, 2016) 0 - 0 - 689 - 704 - 740 - 822 - 866 - 889 - 0 - 0 - 0
EXAMINED LIFE (Astra Taylor, 2008) 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AN EXTRAORDINARY STUDY IN HUMAN DEGRADATION (Patrik Eriksson, 2008) 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FAITHLESS (Liv Ullmann, 2000) 481 - 532 - 631 - 659 - 674 - 797 - 891 - 920 - 0 - 0 - 0
THE FALL (Tarsem Singh, 2006) 848 - 881 - 831 - 844 - 936 - 0 - 0 - 0 - 0 - 0 - 0
A FANTASTIC WOMAN (Sebastián Lelio, 2017) 0 - 0 - 0 - 0 - 781 - 805 - 864 - 888 - 0 - 0 - 0
FAST FIVE (Justin Lin, 2011) 0 - 0 - 0 - 0 - 972 - 0 - 0 - 0 - 0 - 0 - 0
FATHER (José Maria de Orbe, 2010) 0 - 0 - 0 - 820 - 915 - 858 - 943 - 985 - 0 - 0 - 0
FATHER AND SON (Aleksandr Sokurov, 2003) 0 - 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FATHER OF MY CHILDREN (Mia Hansen-Løve, 2009) 0 - 0 - 954 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FATHER (Florian Zeller, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 986 - 0 - 0 - 0
FENGMING: A CHINESE MEMOIR (Wang Bing, 2007) 900 - 994 - 904 - 961 - 0 - 903 - 859 - 882 - 0 - 0 - 0
A FIELD IN ENGLAND (Ben Wheatley, 2013) 0 - 0 - 804 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FIGHTER (David O. Russell, 2010) 325 - 336 - 489 - 534 - 506 - 622 - 656 - 695 - 0 - 0 - 0
FINDING NEVERLAND (Marc Forster, 2004) 947 - 0 - 856 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A FINE DAY (Thomas Arslan, 2001) 714 - 819 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FIRE AT SEA (Gianfranco Rosi, 2016) 0 - 0 - 817 - 791 - 898 - 789 - 873 - 896 - 0 - 0 - 0
THE FITS (Anna Rose Holmer, 2015) 0 - 0 - 842 - 897 - 990 - 931 - 0 - 0 - 0 - 0 - 0
FIVE BROKEN CAMERAS (Emad Burnat & Guy Davidi, 2011) 0 - 0 - 880 - 0 - 0 - 0 - 0 - 987 - 0 - 0 - 0
FLANDERS (Bruno Dumont, 2006) 528 - 589 - 646 - 731 - 753 - 918 - 0 - 0 - 0 - 0 - 0
FLIGHT (Robert Zemeckis, 2012) 699 - 766 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FOOD, INC. (Robert Kenner, 2008) 871 - 977 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FOOTNOTE (Joseph Cedar, 2011) 956 - 0 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FORBIDDEN ROOM (Guy Maddin, 2015) 0 - 852 - 800 - 778 - 822 - 972 - 958 - 0 - 0 - 0 - 0
FOUR LIONS (Chris Morris, 2010) 810 - 741 - 726 - 832 - 748 - 633 - 644 - 604 - 0 - 0 - 0
LA FRANCE (Serge Bozon, 2007) 762 - 839 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FRANK (Lenny Abrahamson, 2014) 0 - 0 - 0 - 0 - 799 - 921 - 0 - 0 - 0 - 0 - 0
THE FRENCH DISPATCH (Wes Anderson, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 948 - 0 - 0 - 0
FRIDAY NIGHT LIGHTS (Peter Berg, 2004) 995 - 950 - 823 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FROM HELL (Albert Hughes & Allen Hughes, 2001) 893 - 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FROM THE NOTEBOOK OF... (Robert Beavers, 1971/98) 395 - 443 - 0 - 696 - 679 - 853 - 938 - 980 - 0 - 0 - 0
FRONTIER BLUES (Babak Jalali, 2009) 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FRONTIER OF THE DAWN (Philippe Garrel, 2008) 798 - 904 - 0 - 858 - 947 - 0 - 0 - 0 - 0 - 0 - 0
FUNNY HA HA (Andrew Bujalski, 2002) 676 - 750 - 864 - 960 - 911 - 930 - 964 - 0 - 0 - 0 - 0
THE FUTURE (Miranda July, 2011) 782 - 781 - 949 - 975 - 0 - 954 - 0 - 0 - 0 - 0 - 0
GABRIELLE (Patrice Chéreau, 2005) 883 - 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GAMBLING, GODS AND LSD (Peter Mettler, 2002) 968 - 798 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GARAGE (Lenny Abrahamson, 2007) 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GATEKEEPERS (Dror Moreh, 2012) 671 - 699 - 848 - 878 - 0 - 982 - 0 - 0 - 0 - 0 - 0
A GIRL AT MY DOOR (July Jung, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 964 - 0 - 0
GIRL WITH A PEARL EARRING (Peter Webber, 2003) 0 - 807 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GIRL WITH THE DRAGON TATTOO (David Fincher, 2011) 577 - 649 - 772 - 842 - 811 - 0 - 0 - 0 - 0 - 0 - 0
GIRLFIGHT (Karyn Kusama, 2000) 740 - 829 - 943 - 0 - 865 - 969 - 0 - 0 - 0 - 0 - 0
THE GIRLFRIEND EXPERIENCE (Steven Soderbergh, 2009) 923 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GLORIA (Sebastián Lelio, 2013) 0 - 0 - 873 - 938 - 910 - 826 - 916 - 959 - 936 - 990 - 0
GONE BABY GONE (Ben Affleck, 2007) 731 - 802 - 847 - 913 - 935 - 0 - 0 - 0 - 0 - 0 - 0
THE GOOD GIRL (Miguel Arteta, 2001) 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GOOD SHEPHERD (Robert De Niro, 2006) 756 - 863 - 789 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GOODBYE SOLO (Ramin Bahrani, 2008) 519 - 580 - 678 - 762 - 859 - 0 - 0 - 0 - 0 - 0 - 0
GRADUATION (Cristian Mungiu, 2016) 0 - 0 - 0 - 891 - 968 - 976 - 0 - 0 - 0 - 0 - 0
THE GRAND BIZARRE (Jodie Mack, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 825 - 926 - 0 - 0 - 0
THE GREEN KNIGHT (David Lowery, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 583 - 955 - 0 - 0
THE GREY (Joe Carnahan, 2011) 706 - 701 - 933 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GRINDHOUSE (Quentin Tarantino & Robert Rodriguez, 2007) 746 - 719 - 806 - 904 - 989 - 0 - 0 - 0 - 0 - 0 - 0
THE GROUND (Robert Beavers, 2001) 558 - 641 - 0 - 923 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GUARDIANS OF THE GALAXY (James Gunn, 2014) 937 - 955 - 0 - 972 - 0 - 941 - 885 - 824 - 0 - 0 - 0
HAIL, CAESAR! (Joel Coen & Ethan Coen, 2016) 0 - 0 - 952 - 990 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HALE COUNTY THIS MORNING, THIS EVENING (RaMell Ross, 2018) 0 - 0 - 0 - 0 - 0 - 857 - 931 - 971 - 0 - 0 - 0
HAMLET (Michael Almereyda, 2000) 869 - 965 - 884 - 853 - 948 - 0 - 0 - 0 - 0 - 0 - 0
THE HANDMAID'S TALE (SEASON 1) [TV] (Mike Barker, Reed Morano, Kate Dennis, Floria Sigismondi & Kari Skogland, 2017) 0 - 0 - 0 - 0 - 945 - 0 - 0 - 0 - 0 - 0 - 0
HAPPENING (Audrey Diwan, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 970 - 0 - 0
HAPPY FEET (George Miller, 2006) 684 - 756 - 881 - 936 - 955 - 0 - 0 - 0 - 0 - 0 - 0
HARRY, HE'S HERE TO HELP (Dominik Moll, 2000) 757 - 855 - 770 - 816 - 918 - 0 - 0 - 0 - 0 - 0 - 0
HIGH TENSION (Alexandre Aja, 2003) 866 - 912 - 756 - 885 - 750 - 884 - 919 - 955 - 0 - 0 - 0
THE HIMMLER PROJECT (Romuald Karmakar, 2000) 715 - 820 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE HISTORY BOYS (Nicholas Hytner, 2006) 907 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HONEYLAND (Ljubomir Stefanov & Tamara Kotevska, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 912 - 952 - 0
HONOR DE CAVALLERIA (Albert Serra, 2006) 996 - 0 - 0 - 866 - 960 - 902 - 985 - 0 - 0 - 0 - 0
HORS SATAN (Bruno Dumont, 2011) 0 - 0 - 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOTEL RWANDA (Terry George, 2004) 301 - 325 - 377 - 459 - 533 - 634 - 696 - 736 - 0 - 0 - 0
THE HOUSE I LIVE IN (Eugene Jarecki, 2012) 775 - 679 - 668 - 743 - 846 - 984 - 0 - 0 - 0 - 0 - 0
HOUSE OF HUMMINGBIRD (Kim Bora, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 900 - 958 - 0
HOUSE OF SAND AND FOG (Vadim Perelman, 2003) 807 - 897 - 695 - 754 - 855 - 0 - 0 - 0 - 0 - 0 - 0
THE HOUSE OF THE DEVIL (Ti West, 2009) 804 - 833 - 791 - 850 - 816 - 863 - 869 - 856 - 0 - 0 - 0
HOW TO SURVIVE A PLAGUE (David France, 2012) 611 - 529 - 794 - 874 - 786 - 980 - 0 - 0 - 0 - 0 - 0
HOW TO TRAIN YOUR DRAGON (Dean DeBlois & Chris Sanders, 2010) 0 - 0 - 875 - 819 - 765 - 741 - 779 - 816 - 0 - 0 - 0
HUMAN (Yann Arthus-Bertrand, 2015) 0 - 0 - 0 - 993 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HUSH! (Victor Kossakovsky, 2003) 0 - 705 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HUSTLE & FLOW (Craig Brewer, 2005) 882 - 827 - 844 - 604 - 680 - 821 - 909 - 902 - 0 - 0 - 0
HUSTLERS (Lorene Scafaria, 2019) 0 - 0 - 0 - 0 - 0 - 968 - 0 - 0 - 0 - 0 - 0
I HEART HUCKABEES (David O. Russell, 2004) 415 - 436 - 496 - 549 - 555 - 662 - 723 - 711 - 0 - 994 - 0
I WISH (Hirokazu Koreeda, 2011) 0 - 0 - 946 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
I, TONYA (Craig Gillespie, 2017) 0 - 0 - 0 - 948 - 851 - 911 - 0 - 0 - 0 - 0 - 0
ICHI THE KILLER (Takashi Miike, 2001) 991 - 804 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IGBY GOES DOWN (Burr Steers, 2002) 824 - 841 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE IMITATION GAME (Morten Tyldum, 2014) 908 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE IMPOSTER (Bart Layton, 2012) 0 - 0 - 0 - 0 - 0 - 956 - 0 - 0 - 0 - 0 - 0
IN AMERICA (Jim Sheridan, 2002) 311 - 322 - 330 - 384 - 427 - 553 - 571 - 601 - 933 - 956 - 0
IN CAMERA (Ranjan Palit, 2009) 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IN FABRIC (Peter Strickland, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 984 - 0 - 0 - 0
IN THE DARK (Sergei Dvortsevoy, 2004) 962 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 922 - 974 - 0
IN THE FAMILY (Patrick Wang, 2011) 853 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IN THE FOG (Sergei Loznitsa, 2012) 0 - 0 - 870 - 979 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE INFORMANT! (Steven Soderbergh, 2009) 770 - 847 - 0 - 0 - 966 - 0 - 0 - 0 - 0 - 0 - 0
INNOCENCE (Paul Cox, 2000) 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
INSIDE (Alexandre Bustillo & Julien Maury, 2007) 0 - 0 - 936 - 861 - 730 - 816 - 876 - 901 - 0 - 0 - 0
INSIDE MAN (Spike Lee, 2006) 622 - 688 - 736 - 837 - 754 - 899 - 981 - 979 - 0 - 0 - 0
THE INTERRUPTERS (Steve James, 2011) 494 - 434 - 567 - 642 - 745 - 767 - 853 - 879 - 0 - 0 - 0
INTO ETERNITY (Michael Madsen, 2010) 0 - 0 - 0 - 868 - 924 - 0 - 0 - 0 - 0 - 0 - 0
INTO GREAT SILENCE (Philip Gröning, 2005) 592 - 585 - 700 - 804 - 870 - 886 - 966 - 0 - 0 - 0 - 0
THE INVISIBLE MAN (Leigh Whannell, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 783 - 961 - 0 - 0 - 0
IRAQ IN FRAGMENTS (James Longley, 2006) 432 - 471 - 504 - 526 - 580 - 666 - 728 - 762 - 0 - 0 - 0
IRON MAN (Jon Favreau, 2008) 0 - 0 - 711 - 639 - 709 - 839 - 833 - 867 - 0 - 0 - 0
ISLE OF DOGS (Wes Anderson, 2018) 0 - 0 - 0 - 0 - 909 - 885 - 963 - 0 - 0 - 0 - 0
I'VE LOVED YOU SO LONG (Philippe Claudel, 2008) 0 - 0 - 959 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JACKASS: THE MOVIE (Jeff Tremaine, 2002) 0 - 0 - 0 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JERSEY BOYS (Clint Eastwood, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 918 - 934 - 0
JODOROWSKY'S DUNE (Frank Pavich, 2013) 851 - 944 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JOHNNY GADDAAR (Sriram Raghavan, 2007) 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JULIA (Erick Zonca, 2008) 859 - 951 - 835 - 968 - 982 - 0 - 0 - 0 - 0 - 0 - 0
JULIETA (Pedro Almodóvar, 2016) 0 - 0 - 755 - 783 - 991 - 0 - 774 - 806 - 0 - 0 - 0
JUNEBUG (Phil Morrison, 2005) 504 - 515 - 625 - 663 - 739 - 823 - 911 - 944 - 0 - 0 - 0
KANDAHAR (Mohsen Makhmalbaf, 2001) 686 - 691 - 767 - 892 - 984 - 0 - 0 - 0 - 0 - 0 - 0
KICK-ASS (Matthew Vaughn, 2010) 0 - 0 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE KID STAYS IN THE PICTURE (Nanette Burstein & Brett Morgen, 2002) 641 - 710 - 738 - 760 - 695 - 880 - 961 - 0 - 945 - 978 - 0
KILLER JOE (William Friedkin, 2011) 909 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KILLING THEM SOFTLY (Andrew Dominik, 2012) 771 - 848 - 929 - 862 - 977 - 0 - 0 - 0 - 0 - 0 - 0
THE KING OF KONG: A FISTFUL OF QUARTERS (Seth Gordon, 2007) 758 - 793 - 750 - 873 - 965 - 0 - 0 - 0 - 0 - 0 - 0
KINSEY (Bill Condon, 2004) 293 - 316 - 324 - 395 - 512 - 664 - 726 - 761 - 0 - 0 - 0
KIPPUR (Amos Gitai, 2000) 681 - 751 - 850 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KNIGHT OF CUPS (Terrence Malick, 2015) 0 - 0 - 822 - 872 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KNIVES OUT (Rian Johnson, 2019) 0 - 0 - 0 - 0 - 0 - 658 - 719 - 693 - 903 - 971 - 0
KRISHA (Trey Edward Shults, 2015) 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
L.I.E. (Michael Cuesta, 2001) 862 - 952 - 684 - 770 - 876 - 0 - 0 - 0 - 0 - 0 - 0
UN LAC (Philippe Grandrieux, 2008) 0 - 0 - 923 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0
THE LADY & THE DUKE (Eric Rohmer, 2001) 653 - 714 - 633 - 668 - 663 - 656 - 664 - 701 - 0 - 0 - 0
LADY MACBETH (William Oldroyd, 2016) 0 - 0 - 0 - 833 - 872 - 0 - 0 - 0 - 0 - 0 - 0
LAGE RAHO MUNNA BHAI (Rajkumar Hirani, 2006) 0 - 0 - 958 - 815 - 914 - 997 - 0 - 0 - 0 - 0 - 0
LAKE OF FIRE (Tony Kaye, 2006) 867 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAND OF THE DEAD (George A. Romero, 2005) 521 - 530 - 681 - 718 - 714 - 838 - 927 - 966 - 0 - 0 - 0
LARS AND THE REAL GIRL (Craig Gillespie, 2007) 978 - 0 - 976 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST KING OF SCOTLAND (Kevin Macdonald, 2006) 0 - 0 - 871 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAST LIFE IN THE UNIVERSE (Pen-Ek Ratanaruang, 2003) 752 - 835 - 926 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST MISTRESS (Catherine Breillat, 2007) 708 - 737 - 891 - 0 - 0 - 975 - 874 - 900 - 0 - 0 - 0
THE LAST OF THE UNJUST (Claude Lanzmann, 2013) 620 - 685 - 547 - 585 - 666 - 473 - 536 - 560 - 996 - 0 - 0
LAST RESORT (Pawel Pawlikowski, 2000) 0 - 0 - 735 - 793 - 891 - 844 - 933 - 974 - 0 - 0 - 0
THE LAST SAMURAI (Edward Zwick, 2003) 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST TIME I SAW MACAO (João Pedro Rodrigues & João Rui Guerra da Mata, 2012) 0 - 0 - 867 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAST TRAIN HOME (Lixin Fan, 2009) 381 - 402 - 503 - 574 - 609 - 763 - 848 - 874 - 0 - 0 - 0
LATE MARRIAGE (Dover Kosashvili, 2001) 397 - 385 - 578 - 671 - 758 - 904 - 989 - 0 - 0 - 0 - 0
LEBANON (Samuel Maoz, 2009) 727 - 757 - 0 - 747 - 842 - 995 - 0 - 0 - 0 - 0 - 0
LET ME IN (Matt Reeves, 2010) 433 - 467 - 721 - 590 - 807 - 926 - 941 - 931 - 0 - 0 - 0
LET THE FIRE BURN (Jason Osder, 2013) 846 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LETO (Kirill Serebrennikov, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 982 - 0 - 882 - 923 - 0
LIFE DURING WARTIME (Todd Solondz, 2009) 863 - 953 - 944 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIFE IS A MIRACLE (Emir Kusturica, 2004) 993 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIFE ITSELF (Steve James, 2014) 827 - 864 - 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIKE CRAZY (Drake Doremus, 2011) 854 - 946 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LIMITS OF CONTROL (Jim Jarmusch, 2009) 612 - 635 - 849 - 985 - 994 - 0 - 0 - 0 - 0 - 0 - 0
LINE DESCRIBING A CONE 2.0 (Anthony McCall, 2010) 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LISTEN UP PHILIP (Alex Ross Perry, 2014) 508 - 553 - 797 - 893 - 999 - 0 - 0 - 0 - 0 - 0 - 0
LITTLE CHILDREN (Todd Field, 2006) 522 - 573 - 526 - 597 - 653 - 773 - 861 - 885 - 0 - 0 - 0
LITTLE OTIK (Jan Švankmajer, 2000) 348 - 377 - 589 - 632 - 702 - 835 - 884 - 909 - 0 - 0 - 0
LIVERPOOL (Lisandro Alonso, 2008) 811 - 901 - 896 - 812 - 815 - 935 - 977 - 0 - 0 - 0 - 0
LOCAL LEGENDS (Matt Farley, 2013) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 992 - 0 - 0
LOCKE (Steven Knight, 2013) 850 - 874 - 836 - 707 - 623 - 602 - 611 - 613 - 0 - 0 - 0
LOGAN (James Mangold, 2017) 0 - 0 - 0 - 0 - 0 - 996 - 974 - 967 - 0 - 0 - 0
LONGING (Valeska Grisebach, 2006) 0 - 0 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOOK AT ME (Agnès Jaoui, 2004) 672 - 653 - 859 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LORNA'S SILENCE (Jean-Pierre Dardenne & Luc Dardenne, 2008) 725 - 785 - 707 - 763 - 824 - 906 - 743 - 780 - 956 - 0 - 0
THE LOST DAUGHTER (Maggie Gyllenhaal, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 964 - 949 - 0 - 0
LOURDES (Jessica Hausner, 2009) 858 - 954 - 812 - 855 - 889 - 808 - 775 - 809 - 0 - 0 - 0
LOVE & FRIENDSHIP (Whit Stillman, 2016) 0 - 0 - 566 - 554 - 591 - 714 - 660 - 696 - 0 - 0 - 0
LOVE & MERCY (Bill Pohlad, 2014) 0 - 723 - 868 - 927 - 923 - 0 - 0 - 0 - 0 - 0 - 0
LOVE IS STRANGE (Ira Sachs, 2014) 615 - 680 - 930 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOVELY & AMAZING (Nicole Holofcener, 2001) 502 - 458 - 605 - 624 - 662 - 799 - 893 - 924 - 0 - 0 - 0
LUNACY (Jan Švankmajer, 2005) 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MAD SONGS OF FERNANDA HUSSEIN (John Gianvito, 2001) 651 - 740 - 0 - 884 - 856 - 900 - 983 - 978 - 0 - 0 - 0
MADAME SATÃ (Karim Aïnouz, 2002) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 977 - 989 - 0
THE MAGDALENE SISTERS (Peter Mullan, 2002) 488 - 540 - 685 - 773 - 868 - 846 - 932 - 919 - 0 - 0 - 0
MAGIC MIKE (Steven Soderbergh, 2012) 478 - 503 - 742 - 800 - 805 - 0 - 0 - 0 - 0 - 0 - 0
THE MAID (Sebastián Silva, 2009) 938 - 875 - 860 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MAN ON THE TRAIN (Patrice Leconte, 2002) 0 - 0 - 942 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MANDERLAY (Lars von Trier, 2005) 779 - 872 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MANDY (Panos Cosmatos, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 870 - 893 - 0 - 0 - 0
MANK (David Fincher, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 570 - 654 - 972 - 0 - 0
MARCH OF THE PENGUINS (Luc Jacquet, 2005) 617 - 702 - 669 - 748 - 752 - 920 - 0 - 0 - 0 - 0 - 0
MARGIN CALL (J.C. Chandor, 2011) 624 - 643 - 906 - 899 - 983 - 0 - 0 - 0 - 0 - 0 - 0
MARGOT AT THE WEDDING (Noah Baumbach, 2007) 503 - 557 - 655 - 716 - 793 - 948 - 0 - 0 - 0 - 0 - 0
MARIA FULL OF GRACE (Joshua Marston, 2003) 347 - 352 - 443 - 514 - 590 - 757 - 842 - 872 - 0 - 0 - 0
THE MARTIAN (Ridley Scott, 2015) 0 - 519 - 698 - 688 - 699 - 739 - 808 - 805 - 0 - 0 - 0
MARWENCOL (Jeff Malmberg, 2010) 677 - 664 - 827 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MASKED AND ANONYMOUS (Larry Charles, 2003) 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MATRIX RELOADED (Lana Wachowski & Lilly Wachowski, 2003) 935 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MENUS-PLAISIRS - LES TROISGROS (Frederick Wiseman, 2023) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 878 - 0
MERCI POUR LE CHOCOLAT (Claude Chabrol, 2000) 544 - 616 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MESSENGER (Oren Moverman, 2009) 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MID-AUGUST LUNCH (Gianni Di Gregorio, 2008) 959 - 0 - 0 - 953 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MIDNIGHT IN PARIS (Woody Allen, 2011) 482 - 507 - 600 - 521 - 519 - 661 - 645 - 630 - 940 - 972 - 0
A MIGHTY WIND (Christopher Guest, 2003) 634 - 694 - 787 - 921 - 944 - 0 - 0 - 0 - 0 - 0 - 0
THE MILK OF HUMAN KINDNESS (Dominique Cabrera, 2001) 569 - 656 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MILK OF SORROW (Claudia Llosa, 2009) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 942 - 0
MILLIONS (Danny Boyle, 2004) 735 - 825 - 894 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MINDING THE GAP (Bing Liu, 2018) 0 - 0 - 0 - 0 - 939 - 694 - 717 - 728 - 0 - 0 - 0
MISSION TO MARS (Brian De Palma, 2000) 894 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MISSION: IMPOSSIBLE - FALLOUT (Christopher McQuarrie, 2018) 0 - 0 - 0 - 0 - 1000 - 873 - 815 - 854 - 0 - 0 - 0
MISSION: IMPOSSIBLE - GHOST PROTOCOL (Brad Bird, 2011) 0 - 0 - 0 - 0 - 0 - 733 - 801 - 804 - 0 - 0 - 0
MISTRESS AMERICA (Noah Baumbach, 2015) 0 - 724 - 969 - 976 - 951 - 0 - 0 - 0 - 0 - 0 - 0
MOMMA'S MAN (Azazel Jacobs, 2008) 772 - 846 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MONDAYS IN THE SUN (Fernando León de Aranoa, 2002) 0 - 0 - 0 - 721 - 795 - 962 - 0 - 0 - 963 - 966 - 0
MONEYBALL (Bennett Miller, 2011) 256 - 265 - 432 - 406 - 466 - 578 - 609 - 596 - 895 - 947 - 0
MONSTER'S BALL (Marc Forster, 2001) 359 - 398 - 629 - 713 - 791 - 877 - 959 - 0 - 0 - 0 - 0
MOTHER! (Darren Aronofsky, 2017) 0 - 0 - 0 - 679 - 742 - 824 - 750 - 792 - 0 - 0 - 0
THE MOTHER (Roger Michell, 2003) 0 - 978 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MOUNTAIN PATROL (Lu Chuan, 2004) 852 - 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MRS. FANG (Wang Bing, 2017) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 942 - 970 - 0
MUCH ADO ABOUT NOTHING (Joss Whedon, 2012) 939 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MUD (Jeff Nichols, 2012) 828 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MUDBOUND (Dee Rees, 2017) 0 - 0 - 0 - 740 - 839 - 801 - 906 - 941 - 0 - 0 - 0
MURDERBALL (Dana Adam Shapiro, Jeffrey Mandel & Henry Alex Rubin, 2005) 0 - 909 - 775 - 900 - 921 - 0 - 0 - 0 - 0 - 0 - 0
MUTUAL APPRECIATION (Andrew Bujalski, 2005) 875 - 967 - 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY ARCHITECT (Nathaniel Kahn, 2003) 747 - 830 - 0 - 869 - 961 - 987 - 0 - 0 - 0 - 0 - 0
MY COUNTRY, MY COUNTRY (Laura Poitras, 2006) 876 - 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY GOLDEN DAYS (Arnaud Desplechin, 2015) 0 - 0 - 895 - 965 - 0 - 951 - 741 - 776 - 0 - 0 - 0
MY JOY (Sergei Loznitsa, 2010) 0 - 0 - 924 - 0 - 0 - 0 - 994 - 0 - 0 - 0 - 0
MY SUMMER OF LOVE (Pawel Pawlikowski, 2004) 463 - 392 - 524 - 601 - 641 - 766 - 851 - 877 - 0 - 0 - 0
NATIONAL GALLERY (Frederick Wiseman, 2014) 829 - 790 - 676 - 739 - 852 - 897 - 965 - 0 - 0 - 0 - 0
THE NEON DEMON (Nicolas Winding Refn, 2016) 0 - 0 - 0 - 0 - 0 - 0 - 956 - 969 - 0 - 0 - 0
NEVER LET ME GO (Mark Romanek, 2010) 773 - 851 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NIGHT ACROSS THE STREET (Raúl Ruiz, 2012) 843 - 930 - 744 - 817 - 992 - 983 - 0 - 0 - 0 - 0 - 0
NIGHT AND DAY (Hong Sang-soo, 2008) 413 - 432 - 618 - 693 - 776 - 881 - 894 - 925 - 0 - 0 - 0
NIGHT MOVES (Kelly Reichardt, 2013) 918 - 939 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NINE LIVES (Rodrigo Garcia, 2005) 877 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NO BEARS (Jafar Panahi, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 973 - 0 - 0
NO END IN SIGHT (Charles Ferguson, 2007) 902 - 911 - 876 - 854 - 949 - 0 - 0 - 0 - 0 - 0 - 0
NOCTURAMA (Bertrand Bonello, 2016) 0 - 0 - 0 - 565 - 635 - 721 - 697 - 735 - 0 - 0 - 0
NOCTURNAL ANIMALS (Tom Ford, 2016) 0 - 0 - 843 - 898 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE NOTEBOOK (Nick Cassavetes, 2004) 0 - 0 - 0 - 980 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OCEAN'S ELEVEN (Steven Soderbergh, 2001) 860 - 823 - 971 - 0 - 724 - 798 - 847 - 838 - 0 - 948 - 0
OH WILLY… (Emma De Swaef & Marc James Roels, 2012) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 991 - 0 - 0
OKJA (Bong Joon-ho, 2017) 0 - 0 - 0 - 949 - 0 - 985 - 0 - 0 - 0 - 0 - 0
OLD SCHOOL (Todd Phillips, 2003) 0 - 831 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ONE FINE MORNING (Mia Hansen-Løve, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 996 - 0
ONE FINE SPRING DAY (Hur Jin-ho, 2001) 899 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ONG-BAK (Prachya Pinkaew, 2003) 818 - 755 - 801 - 799 - 694 - 850 - 936 - 976 - 0 - 0 - 0
ONLY GOD FORGIVES (Nicolas Winding Refn, 2012) 0 - 0 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OPEN RANGE (Kevin Costner, 2003) 865 - 826 - 792 - 928 - 899 - 0 - 0 - 0 - 0 - 0 - 0
THE ORDER OF MYTHS (Margaret Brown, 2008) 726 - 788 - 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OSAMA (Siddiq Barmak, 2003) 0 - 892 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE OTHER HALF (Ying Liang, 2006) 821 - 935 - 938 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUR BODY (Claire Simon, 2023) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 865 - 0
OUR LADY OF THE ASSASSINS (Barbet Schroeder, 2000) 0 - 0 - 829 - 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUR LITTLE SISTER (Hirokazu Koreeda, 2015) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 995 - 0
OUR SONG (Jim McKay, 2000) 700 - 768 - 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AN OVERSIMPLICATION OF HER BEAUTY (Terence Nance, 2012) 0 - 0 - 0 - 0 - 0 - 990 - 0 - 0 - 0 - 0 - 0
OWNING MAHOWNY (Richard Kwietniowski, 2003) 925 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PALINDROMES (Todd Solondz, 2004) 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PALM SPRINGS (Max Barbakow, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 812 - 876 - 0 - 0 - 0
PARK LANES (Kevin Jerome Everson, 2015) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 971 - 0 - 0
THE PAST (Asghar Farhadi, 2013) 0 - 0 - 899 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PERFUME: THE STORY OF A MURDERER (Tom Tykwer, 2006) 0 - 0 - 745 - 856 - 950 - 0 - 0 - 0 - 0 - 0 - 0
THE PERKS OF BEING A WALLFLOWER (Stephen Chbosky, 2012) 919 - 940 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PIG (Michael Sarnoski, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 963 - 886 - 0 - 0
PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL (Gore Verbinski, 2003) 872 - 974 - 979 - 0 - 970 - 0 - 0 - 0 - 0 - 0 - 0
PITCH BLACK (David Twohy, 2000) 742 - 853 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PITCHER OF COLORED LIGHT (Robert Beavers, 2007) 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 984 - 0 - 0
PLEASE GIVE (Nicole Holofcener, 2010) 546 - 566 - 826 - 845 - 943 - 0 - 0 - 0 - 0 - 0 - 0
THE PLEDGE (Sean Penn, 2000) 880 - 979 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE POLAR EXPRESS (Robert Zemeckis, 2004) 0 - 987 - 966 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PONYO (Hayao Miyazaki, 2008) 628 - 689 - 729 - 723 - 769 - 887 - 967 - 0 - 0 - 0 - 0
PORTO OF MY CHILDHOOD (Manoel de Oliveira, 2001) 675 - 761 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
POSSESSOR (Brandon Cronenberg, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 839 - 998 - 0 - 0 - 0
THE POST (Steven Spielberg, 2017) 0 - 0 - 0 - 0 - 0 - 747 - 794 - 829 - 0 - 0 - 0
THE POWER OF NIGHTMARES: THE RISE OF THE POLITICS OF FEAR [TV] (Adam Curtis, 2004) 414 - 450 - 610 - 694 - 733 - 750 - 756 - 794 - 0 - 0 - 0
PRIVATE FEARS IN PUBLIC PLACES (Alain Resnais, 2006) 461 - 487 - 513 - 595 - 588 - 556 - 615 - 649 - 0 - 0 - 0
PRIVATE LIFE (Tamara Jenkins, 2018) 0 - 0 - 0 - 0 - 938 - 832 - 918 - 953 - 0 - 0 - 0
THE PROPOSITION (John Hillcoat, 2005) 517 - 476 - 516 - 552 - 544 - 718 - 705 - 712 - 0 - 0 - 0
PUBLIC ENEMIES (Michael Mann, 2009) 454 - 497 - 623 - 695 - 722 - 872 - 954 - 995 - 0 - 0 - 0
THE QUEEN OF VERSAILLES (Lauren Greenfield, 2012) 663 - 683 - 967 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE QUIET AMERICAN (Phillip Noyce, 2002) 645 - 676 - 724 - 722 - 784 - 909 - 1000 - 0 - 0 - 0 - 0
QUILLS (Philip Kaufman, 2000) 737 - 822 - 809 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RABBIT HOLE (John Cameron Mitchell, 2010) 766 - 843 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RAISING VICTOR VARGAS (Peter Sollett, 2002) 552 - 618 - 693 - 787 - 880 - 0 - 0 - 0 - 0 - 0 - 0
RANG DE BASANTI (Rakeysh Omprakash Mehra, 2006) 759 - 877 - 0 - 849 - 940 - 0 - 0 - 0 - 0 - 0 - 0
RANGO (Gore Verbinski, 2011) 954 - 824 - 671 - 711 - 667 - 729 - 764 - 768 - 0 - 0 - 0
RAY (Taylor Hackford, 2004) 532 - 588 - 666 - 765 - 907 - 978 - 0 - 0 - 0 - 0 - 0
RAY & LIZ (Richard Billingham, 2018) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 926 - 984 - 0
RAZZLE DAZZLE (Ken Jacobs, 2007) 920 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
READ MY LIPS (Jacques Audiard, 2001) 0 - 0 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RED CLIFF (John Woo, 2008) 0 - 0 - 0 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RED RIDING: 1974 (Julian Jarrold, 2009) 767 - 842 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RED ROCKET (Sean Baker, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 892 - 0 - 0 - 0
REPRISE (Joachim Trier, 2006) 480 - 531 - 644 - 729 - 650 - 819 - 907 - 942 - 0 - 0 - 0
RESCUE DAWN (Werner Herzog, 2006) 792 - 878 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RESTREPO (Tim Hetherington & Sebastian Junger, 2010) 768 - 845 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
REVANCHE (Götz Spielmann, 2008) 667 - 742 - 815 - 795 - 897 - 0 - 939 - 982 - 0 - 0 - 0
RISE OF THE PLANET OF THE APES (Rupert Wyatt, 2011) 477 - 502 - 617 - 669 - 713 - 901 - 984 - 0 - 0 - 0 - 0
THE ROMANCE OF ASTREA AND CELADON (Eric Rohmer, 2007) 602 - 666 - 515 - 594 - 669 - 706 - 768 - 779 - 0 - 0 - 0
ROOM 237 (Rodney Ascher, 2012) 718 - 703 - 869 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SAFE CONDUCT (Bertrand Tavernier, 2002) 751 - 828 - 909 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SALT OF THE EARTH (Juliano Ribeiro Salgado & Wim Wenders, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 985 - 0 - 0
LA SAPIENZA (Eugène Green, 2014) 0 - 0 - 0 - 0 - 0 - 849 - 914 - 950 - 0 - 0 - 0
THE SAVAGES (Tamara Jenkins, 2007) 588 - 647 - 785 - 745 - 845 - 710 - 777 - 769 - 0 - 0 - 0
A SCANNER DARKLY (Richard Linklater, 2006) 441 - 482 - 561 - 577 - 611 - 693 - 714 - 724 - 0 - 0 - 0
THE SCIENCE OF SLEEP (Michel Gondry, 2006) 723 - 784 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEABISCUIT (Gary Ross, 2003) 812 - 907 - 793 - 924 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEARCHING FOR SUGAR MAN (Malik Bendjelloul, 2012) 471 - 472 - 551 - 608 - 708 - 731 - 788 - 771 - 0 - 943 - 0
THE SECOND MOTHER (Anna Muylaert, 2015) 0 - 0 - 0 - 0 - 826 - 895 - 975 - 0 - 0 - 0 - 0
THE SECRET LIVES OF DENTISTS (Alan Rudolph, 2003) 660 - 728 - 885 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SERENITY (Joss Whedon, 2005) 904 - 0 - 813 - 806 - 901 - 0 - 0 - 0 - 0 - 0 - 0
SESSION 9 (Brad Anderson, 2001) 512 - 526 - 652 - 733 - 720 - 829 - 915 - 951 - 0 - 0 - 0
THE SESSIONS (Ben Lewin, 2012) 572 - 633 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEX AND LUCIA (Julio Medem, 2001) 567 - 652 - 760 - 848 - 941 - 0 - 0 - 0 - 0 - 0 - 0
SEX IS COMEDY (Catherine Breillat, 2002) 748 - 861 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHADOW OF THE VAMPIRE (E. Elias Merhige, 2000) 734 - 730 - 866 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHAOLIN SOCCER (Stephen Chow, 2001) 774 - 879 - 945 - 0 - 976 - 0 - 988 - 960 - 0 - 0 - 0
SHATTERED GLASS (Billy Ray, 2003) 523 - 576 - 715 - 790 - 820 - 994 - 0 - 0 - 0 - 0 - 0
SHE DIES TOMORROW (Amy Seimetz, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 998 - 0 - 0 - 0 - 0
SHORT TERM 12 (Destin Daniel Cretton, 2013) 579 - 596 - 803 - 676 - 700 - 883 - 913 - 954 - 0 - 0 - 0
SHOTGUN STORIES (Jeff Nichols, 2007) 874 - 966 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHUTTER ISLAND (Martin Scorsese, 2010) 780 - 780 - 802 - 910 - 998 - 869 - 953 - 943 - 0 - 0 - 0
SICKO (Michael Moore, 2007) 955 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SIGNS (M. Night Shyamalan, 2002) 0 - 0 - 965 - 982 - 863 - 0 - 0 - 0 - 937 - 964 - 0
THE SILENCE BEFORE BACH (Pere Portabella, 2007) 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SINCE OTAR LEFT (Julie Bertuccelli, 2003) 830 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SING STREET (John Carney, 2016) 0 - 0 - 951 - 803 - 716 - 723 - 782 - 729 - 0 - 0 - 0
A SINGLE MAN (Tom Ford, 2009) 474 - 501 - 616 - 625 - 629 - 715 - 754 - 751 - 0 - 0 - 0
SISTERS IN LAW (Florence Ayisi & Kim Longinotto, 2005) 0 - 0 - 837 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SKY TURNS (Mercedes Álvarez, 2004) 0 - 0 - 0 - 0 - 0 - 949 - 0 - 0 - 0 - 0 - 0
SKYFALL (Sam Mendes, 2012) 492 - 480 - 606 - 606 - 605 - 586 - 601 - 612 - 0 - 0 - 0
SLEEP FURIOUSLY (Gideon Koppel, 2008) 0 - 0 - 858 - 956 - 0 - 0 - 0 - 0 - 931 - 985 - 0
SMELL OF CAMPHOR, FRAGRANCE OF JASMINE (Bahman Farmanara, 2000) 666 - 753 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SNOWTOWN (Justin Kurzel, 2011) 0 - 0 - 0 - 0 - 0 - 1000 - 0 - 0 - 0 - 0 - 0
SO LONG, MY SON (Wang Xiaoshuai, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 893 - 955 - 0
SOMETHING IN THE AIR (Olivier Assayas, 2012) 953 - 0 - 898 - 934 - 841 - 0 - 0 - 0 - 0 - 0 - 0
SON FRÈRE (Patrice Chéreau, 2003) 0 - 0 - 696 - 798 - 866 - 993 - 0 - 0 - 0 - 0 - 0
SOUL (Pete Docter, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 811 - 975 - 0 - 0 - 0
SOUND OF METAL (Darius Marder, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 695 - 686 - 0 - 0 - 0
SPARTAN (David Mamet, 2004) 977 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SPECTACULAR NOW (James Ponsoldt, 2013) 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SPENCER (Pablo Larraín, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 1000 - 0 - 0 - 0
SPIDER-MAN (Sam Raimi, 2002) 516 - 539 - 637 - 691 - 773 - 955 - 986 - 0 - 0 - 0 - 0
SPRINGTIME IN A SMALL TOWN (Tian Zhuangzhuang, 2002) 487 - 486 - 643 - 741 - 827 - 953 - 0 - 0 - 0 - 0 - 0
THE STAIRCASE [TV] (Jean-Xavier de Lestrade, 2004) 930 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STANDARD OPERATING PROCEDURE (Errol Morris, 2008) 701 - 769 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STANDING IN THE SHADOWS OF MOTOWN (Paul Justman, 2002) 0 - 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A STAR IS BORN (Bradley Cooper, 2018) 0 - 0 - 0 - 0 - 583 - 744 - 819 - 785 - 0 - 0 - 0
STAR TREK (J.J. Abrams, 2009) 570 - 609 - 575 - 615 - 654 - 809 - 901 - 936 - 0 - 0 - 0
STAR WARS: THE FORCE AWAKENS (J.J. Abrams, 2015) 0 - 451 - 773 - 750 - 728 - 749 - 689 - 730 - 0 - 0 - 0
STAR WARS: THE LAST JEDI (Rian Johnson, 2017) 0 - 0 - 0 - 0 - 0 - 843 - 823 - 860 - 0 - 0 - 0
STARTUP.COM (Chris Hegedus & Jehane Noujaim, 2001) 559 - 626 - 761 - 883 - 974 - 0 - 0 - 0 - 0 - 0 - 0
STATE AND MAIN (David Mamet, 2000) 635 - 622 - 805 - 889 - 804 - 914 - 999 - 0 - 0 - 0 - 0
STAYING VERTICAL (Alain Guiraudie, 2016) 0 - 0 - 0 - 0 - 0 - 865 - 904 - 939 - 983 - 0 - 0
STEVE JOBS (Danny Boyle, 2015) 0 - 722 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STILL/HERE (Christopher Harris, 2001) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 990 - 0 - 0
STORY OF MY DEATH (Albert Serra, 2013) 0 - 0 - 771 - 675 - 747 - 620 - 614 - 652 - 0 - 0 - 0
STRAIGHT OUTTA COMPTON (F. Gary Gray, 2015) 0 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE STRANGERS (Bryan Bertino, 2008) 0 - 0 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUBMARINE (Richard Ayoade, 2010) 0 - 0 - 985 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUGAR (Anna Boden & Ryan Fleck, 2008) 855 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUMMER OF SOUL (...OR, WHEN THE REVOLUTION COULD NOT BE TELEVISED) (Questlove, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 557 - 835 - 987 - 0
SUNSET SONG (Terence Davies, 2015) 0 - 0 - 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUNSHINE STATE (John Sayles, 2002) 833 - 922 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUPER 8 (J.J. Abrams, 2011) 856 - 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUPPORT THE GIRLS (Andrew Bujalski, 2018) 0 - 0 - 0 - 0 - 849 - 777 - 818 - 855 - 0 - 0 - 0
SUZHOU RIVER (Lou Ye, 2000) 385 - 433 - 607 - 662 - 731 - 756 - 835 - 869 - 0 - 0 - 0
SWEETGRASS (Lucien Castaing-Taylor, 2009) 659 - 674 - 819 - 839 - 934 - 0 - 0 - 0 - 0 - 0 - 0
SYNONYMS (Nadav Lapid, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 979 - 0 - 0 - 0 - 0
SYRIANA (Stephen Gaghan, 2005) 422 - 455 - 427 - 474 - 521 - 639 - 701 - 741 - 0 - 0 - 0
THE TAILOR OF PANAMA (John Boorman, 2001) 769 - 767 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TAKE ME TO VIETNAM (Zhang Jianchi, 2009) 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TAKE THIS WALTZ (Sarah Polley, 2011) 840 - 849 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 973 - 0
TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY (Adam McKay, 2006) 989 - 972 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TAXI TEHRAN (Jafar Panahi, 2015) 0 - 636 - 624 - 641 - 757 - 793 - 889 - 871 - 894 - 946 - 0
TAXI TO THE DARK SIDE (Alex Gibney, 2007) 889 - 905 - 786 - 840 - 931 - 0 - 0 - 0 - 0 - 0 - 0
TELL NO ONE (Guillaume Canet, 2006) 813 - 906 - 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TENET (Christopher Nolan, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 957 - 0 - 0 - 0 - 0
TERROR'S ADVOCATE (Barbet Schroeder, 2007) 795 - 880 - 719 - 564 - 630 - 679 - 740 - 775 - 999 - 0 - 0
TEXTISM (Isamu Hirabayashi, 2003) 897 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TEZA (Haile Gerima, 2008) 711 - 816 - 0 - 843 - 809 - 971 - 0 - 0 - 0 - 0 - 0
THANK YOU FOR SMOKING (Jason Reitman, 2006) 687 - 759 - 927 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THERE'S A STRONG WIND IN BEIJING (Ju An Qi, 2000) 589 - 669 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRST (Park Chan-wook, 2009) 0 - 0 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRTEEN (Catherine Hardwicke, 2003) 0 - 956 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRTEEN CONVERSATIONS ABOUT ONE THING (Jill Sprecher, 2001) 730 - 800 - 939 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIRTEEN DAYS (Roger Donaldson, 2000) 921 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THIS OUR STILL LIFE (Andrew Kötting, 2011) 892 - 996 - 0 - 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (Martin McDonagh, 2017) 0 - 0 - 0 - 485 - 432 - 569 - 580 - 586 - 965 - 0 - 0
TIME OF THE WOLF (Michael Haneke, 2003) 460 - 479 - 694 - 810 - 893 - 0 - 0 - 0 - 981 - 0 - 0
TIMECODE (Mike Figgis, 2000) 632 - 692 - 730 - 870 - 969 - 0 - 0 - 0 - 0 - 0 - 0
TO DIE LIKE A MAN (João Pedro Rodrigues, 2009) 0 - 0 - 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOKYO GODFATHERS (Satoshi Kon, 2003) 998 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOKYO MARIGOLD (Jun Ichikawa, 2001) 716 - 821 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOKYO SONATA (Kiyoshi Kurosawa, 2008) 623 - 642 - 764 - 828 - 835 - 932 - 0 - 0 - 0 - 0 - 0
TONSLER PARK (Kevin Jerome Everson, 2017) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 982 - 0 - 0
TOP GUN: MAVERICK (Joseph Kosinski, 2022) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 823 - 0 - 0
A TOWN CALLED PANIC (Stephane Aubier & Vincent Patar, 2009) 903 - 700 - 714 - 818 - 803 - 964 - 0 - 0 - 0 - 0 - 0
THE TOWN IS QUIET (Robert Guédiguian, 2000) 0 - 0 - 932 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TRAINING DAY (Antoine Fuqua, 2001) 958 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TRAITOR (Marco Bellocchio, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 908 - 930 - 0 - 0 - 0
TREELESS MOUNTAIN (Kim So Yong, 2008) 912 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TRIP (Michael Winterbottom, 2010) 541 - 605 - 731 - 766 - 779 - 970 - 949 - 992 - 995 - 0 - 0
TROUBLE THE WATER (Carl Deal & Tia Lessin, 2008) 619 - 684 - 840 - 903 - 986 - 0 - 0 - 0 - 0 - 0 - 0
TUESDAY, AFTER CHRISTMAS (Radu Muntean, 2010) 721 - 795 - 874 - 958 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TUNING THE INSTRUMENTS (Jerzy Kucia, 2000) 649 - 736 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TURNING GATE (Hong Sang-soo, 2002) 534 - 612 - 821 - 969 - 0 - 0 - 0 - 0 - 877 - 0 - 0
TWO-LEGGED HORSE (Samira Makhmalbaf, 2008) 976 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE UNCERTAINTY PRINCIPLE (Manoel de Oliveira, 2002) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 975 - 0 - 0
UNDER THE SAND (François Ozon, 2000) 436 - 461 - 546 - 629 - 673 - 847 - 937 - 977 - 0 - 0 - 0
UNDINE (Christian Petzold, 2020) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 915 - 0 - 0 - 0
UNFAITHFUL (Adrian Lyne, 2002) 864 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
UP IN THE AIR (Jason Reitman, 2009) 278 - 289 - 392 - 428 - 471 - 641 - 704 - 742 - 0 - 0 - 0
VA SAVOIR (Jacques Rivette, 2001) 475 - 522 - 667 - 751 - 798 - 961 - 0 - 0 - 960 - 0 - 0
LA VALLÉE CLOSE (Jean-Claude Rousseau, 1995) 584 - 667 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE VAST OF NIGHT (Andrew Patterson, 2019) 0 - 0 - 0 - 0 - 0 - 0 - 841 - 999 - 0 - 0 - 0
THE VELVET UNDERGROUND (Todd Haynes, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 758 - 0 - 0 - 0
THE VERTICAL RAY OF THE SUN (Tran Anh Hung, 2000) 967 - 0 - 824 - 888 - 981 - 0 - 0 - 0 - 0 - 0 - 0
A VERY LONG ENGAGEMENT (Jean-Pierre Jeunet, 2004) 761 - 838 - 878 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VICTORIA (Sebastian Schipper, 2015) 0 - 0 - 757 - 703 - 818 - 927 - 0 - 0 - 0 - 0 - 0
LA VIE EN ROSE (Olivier Dahan, 2007) 0 - 0 - 839 - 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VIOLA (Matías Piñeiro, 2012) 0 - 0 - 0 - 0 - 0 - 973 - 0 - 0 - 0 - 0 - 0
VOLCANO (Rúnar Rúnarsson, 2011) 0 - 0 - 0 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VORTEX (Gaspar Noé, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 885 - 0 - 0
THE WAILING (Na Hong-jin, 2016) 0 - 0 - 0 - 0 - 0 - 0 - 882 - 907 - 0 - 0 - 0
WALK THE LINE (James Mangold, 2005) 0 - 0 - 781 - 860 - 954 - 0 - 0 - 0 - 0 - 0 - 0
WAR HORSE (Steven Spielberg, 2011) 696 - 727 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WARM WATER UNDER A RED BRIDGE (Shohei Imamura, 2001) 886 - 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WATER (Deepa Mehta, 2005) 895 - 997 - 0 - 925 - 963 - 0 - 0 - 0 - 0 - 0 - 0
WE ARE THE BEST! (Lukas Moodysson, 2013) 368 - 380 - 492 - 519 - 567 - 698 - 778 - 814 - 0 - 0 - 0
WEDDING CRASHERS (David Dobkin, 2005) 0 - 862 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WELCOME TO NEW YORK (Abel Ferrara, 2014) 0 - 0 - 0 - 0 - 0 - 0 - 934 - 973 - 0 - 0 - 0
WEST SIDE STORY (Steven Spielberg, 2021) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 857 - 0 - 0 - 0
WHAT NOW? REMIND ME (Joaquim Pinto, 2013) 0 - 0 - 982 - 0 - 0 - 794 - 857 - 884 - 897 - 936 - 0
WHEAT HARVEST (Xu Tong, 2008) 790 - 900 - 0 - 930 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHERE THE WILD THINGS ARE (Spike Jonze, 2009) 410 - 411 - 553 - 603 - 683 - 837 - 924 - 962 - 0 - 0 - 0
THE WHITE DIAMOND (Werner Herzog, 2004) 927 - 0 - 902 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WIDOWS (Steve McQueen, 2018) 0 - 0 - 0 - 0 - 637 - 828 - 881 - 861 - 0 - 0 - 0
WILD TALES (Damián Szifrón, 2014) 0 - 0 - 897 - 908 - 0 - 870 - 910 - 895 - 0 - 0 - 0
WIN WIN (Tom McCarthy, 2011) 585 - 644 - 908 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WOLF CREEK (Greg McLean, 2005) 985 - 0 - 670 - 717 - 751 - 745 - 780 - 788 - 0 - 0 - 0
THE WOOLWORTHS CHOIR OF 1979 (Elizabeth Price, 2012) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 953 - 969 - 0
WORKINGMAN'S DEATH (Michael Glawogger, 2005) 743 - 858 - 754 - 809 - 904 - 0 - 886 - 910 - 0 - 0 - 0
WORLD OF TOMORROW (Don Hertzfeldt, 2015) 0 - 0 - 0 - 0 - 0 - 977 - 0 - 0 - 0 - 0 - 0
THE WORLD'S END (Edgar Wright, 2013) 580 - 607 - 688 - 650 - 620 - 711 - 702 - 743 - 0 - 0 - 0
X2 (Bryan Singer, 2003) 965 - 908 - 820 - 827 - 861 - 889 - 871 - 894 - 0 - 0 - 0
X-MEN (Bryan Singer, 2000) 720 - 810 - 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YES (Sally Potter, 2004) 857 - 962 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YOUNG ADAM (David Mackenzie, 2002) 0 - 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YOUNG ADULT (Jason Reitman, 2011) 664 - 738 - 915 - 0 - 892 - 896 - 980 - 0 - 980 - 0 - 0
YOUR NAME (Makoto Shinkai, 2016) 0 - 0 - 0 - 0 - 0 - 981 - 0 - 0 - 0 - 0 - 0
YOUTH WITHOUT YOUTH (Francis Ford Coppola, 2007) 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 935 - 988 - 0
Z CHANNEL: A MAGNIFICENT OBSESSION (Xan Cassavetes, 2004) 0 - 559 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ZATOICHI (Takeshi Kitano, 2003) 845 - 958 - 0 - 989 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ZOOTOPIA (Byron Howard & Rich Moore, 2016) 0 - 0 - 0 - 926 - 884 - 845 - 940 - 981 - 0 - 0 - 0
Introduction / Films 1,000-251 / Top 250 Films (alpha) / Top 250 Films (250-1) / Top 250 Films (1-250) / Top 250 Films (by year) / Top 1,000 Films (sortable table) / Top 1,000 Films (ranking history) / Alternative Titles / Critics / Top 100 Directors / Starting List (sortable table) / Ex-1000 / Resources & Links