The 1,000 Greatest Films (Ex-1,000 Films)

The banner image above is from Bertrand Tavernier's A Sunday in the Country.
The 503 films listed below were included in previous editions of the 1,000 Greatest Films. The 25 films listed in bold are the most recent exclusions. Positional data is from the following 1,000 Greatest Films editions: March 2006 - December 2006 - December 2007 - December 2008 - January 2010 - January 2011 - January 2012 - February 2013 - February 2014 - February 2015 - February 2016 - February 2017 - January 2018 - January 2019 - January 2020 - January 2021.

THE 3 PENNY OPERA (G.W. Pabst, 1931) ▪ 0 - 0 - 658 - 666 - 658 - 659 - 654 - 845 - 880 - 963 - 0 - 0 - 0 - 0 - 0 - 0
THE 4 HORSEMEN OF THE APOCALYPSE (Vincente Minnelli, 1962) ▪ 0 - 0 - 0 - 0 - 979 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE 47 RONIN (Kenji Mizoguchi, 1941) ▪ 438 - 465 - 526 - 655 - 722 - 774 - 807 - 936 - 0 - 967 - 0 - 896 - 879 - 895 - 976 - 0
79 PRIMAVERAS (Santiago Álvarez, 1969) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 995 - 0 - 0 - 0 - 0 - 0

À NOUS LA LIBERTÉ (René Clair, 1931) ▪ 574 - 492 - 474 - 506 - 498 - 516 - 533 - 754 - 781 - 852 - 873 - 0 - 969 - 993 - 0 - 0
ACCIDENT (Joseph Losey, 1967) ▪ 0 - 0 - 0 - 959 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ACT OF SEEING WITH ONE'S OWN EYES (Stan Brakhage, 1971) ▪ 935 - 0 - 0 - 0 - 0 - 0 - 0 - 885 - 919 - 856 - 908 - 967 - 0 - 0 - 0 - 0
AN ACTOR'S REVENGE (Kon Ichikawa, 1963) ▪ 510 - 523 - 649 - 657 - 705 - 728 - 758 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ADVENTURES OF BUCKAROO BANZAI ACROSS THE EIGHTH DIMENSION (W.D. Richter, 1984) ▪ 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AGUAESPEJO GRANADINO (José Val del Omar, 1955) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 941 - 0
AKIRA KUROSAWA'S DREAMS (Akira Kurosawa, 1990) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 979 - 0 - 916 - 973 - 0 - 0
ALICE (Jan Svankmajer, 1988) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 878 - 798 - 0 - 0 - 0 - 0 - 0 - 0
THE AMERICAN FRIEND (Wim Wenders, 1977) ▪ 0 - 0 - 0 - 0 - 0 - 908 - 915 - 899 - 927 - 0 - 940 - 0 - 0 - 0 - 0 - 0
AMERICAN GIGOLO (Paul Schrader, 1980) ▪ 0 - 0 - 873 - 815 - 856 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AND GOD CREATED WOMAN (Roger Vadim, 1956) ▪ 784 - 835 - 900 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AND THE SHIP SAILS ON (Federico Fellini, 1983) ▪ 849 - 912 - 923 - 912 - 913 - 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ANGEL (Ernst Lubitsch, 1937) ▪ 501 - 539 - 642 - 518 - 609 - 656 - 687 - 693 - 706 - 773 - 831 - 847 - 905 - 968 - 0 - 0
ANGEL FACE (Otto Preminger, 1953) ▪ 0 - 0 - 0 - 977 - 0 - 791 - 822 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ANGELS WITH DIRTY FACES (Michael Curtiz, 1938) ▪ 711 - 706 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
L'ARGENT (Marcel L'Herbier, 1928) ▪ 826 - 884 - 0 - 0 - 888 - 929 - 0 - 0 - 0 - 0 - 0 - 978 - 0 - 0 - 0 - 0
ARNULF RAINER (Peter Kubelka, 1960) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 871 - 902 - 993 - 0 - 0 - 0 - 0 - 0 - 0
L'ARRIVÉE D'UN TRAIN À LA CIOTAT (August Lumière & Louis Lumière, 1896) ▪ 968 - 0 - 825 - 0 - 0 - 0 - 821 - 0 - 834 - 755 - 824 - 982 - 956 - 978 - 0 - 0
ARSENAL (Alexander Dovzhenko, 1929) ▪ 992 - 972 - 968 - 938 - 963 - 998 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ARSENIC AND OLD LACE (Frank Capra, 1944) ▪ 0 - 0 - 0 - 868 - 0 - 952 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ART OF VISION (Stan Brakhage, 1965) ▪ 596 - 638 - 677 - 697 - 800 - 819 - 871 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ASHES OF TIME (Wong Kar-wai, 1994) ▪ 864 - 936 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 631 - 686 - 0 - 0 - 0 - 0 - 0
ATANARJUAT: THE FAST RUNNER (Zacharias Kunuk, 2001) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 964 - 922 - 0 - 0 - 0 - 0
ATLANTIC CITY (Louis Malle, 1980) ▪ 946 - 928 - 830 - 749 - 0 - 0 - 874 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AUNTIE MAME (Morton DaCosta, 1958) ▪ 858 - 927 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AVANTI! (Billy Wilder, 1972) ▪ 0 - 0 - 841 - 807 - 761 - 708 - 740 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
AWAARA (Raj Kapoor, 1951) ▪ 709 - 770 - 845 - 0 - 0 - 0 - 865 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

BABY DOLL (Elia Kazan, 1956) ▪ 409 - 439 - 531 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BAKER'S WIFE (Marcel Pagnol, 1938) ▪ 0 - 0 - 986 - 0 - 939 - 980 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BALLAD OF CABLE HOGUE (Sam Peckinpah, 1970) ▪ 0 - 0 - 0 - 980 - 978 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BANK DICK (Eddie Cline, 1940) ▪ 559 - 514 - 646 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BAREFOOT CONTESSA (Joseph L. Mankiewicz, 1954) ▪ 467 - 531 - 545 - 598 - 526 - 556 - 581 - 890 - 922 - 0 - 978 - 0 - 0 - 0 - 0 - 0
THE BATTLE OF CHILE: PART 2 (Patricio Guzmán, 1976) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 968 - 961 - 0 - 0 - 0 - 0 - 0
BAY OF ANGELS (Jacques Demy, 1963) ▪ 0 - 0 - 0 - 993 - 993 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEAUTY AND THE BEAST (Kirk Wise & Gary Trousdale, 1991) ▪ 717 - 772 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEFORE THE REVOLUTION (Bernardo Bertolucci, 1964) ▪ 993 - 0 - 937 - 988 - 989 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEING JOHN MALKOVICH (Spike Jonze, 1999) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 968 - 0 - 0 - 0
THE BELLBOY (Jerry Lewis, 1960) ▪ 0 - 0 - 947 - 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BELLISSIMA (Luchino Visconti, 1951) ▪ 610 - 652 - 682 - 0 - 0 - 0 - 902 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BELLS OF ST. MARY'S (Leo McCarey, 1945) ▪ 0 - 0 - 0 - 978 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEND OF THE RIVER (Anthony Mann, 1952) ▪ 0 - 0 - 0 - 894 - 912 - 970 - 980 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEN-HUR: A TALE OF THE CHRIST (Fred Niblo, 1925) ▪ 0 - 0 - 959 - 888 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEYOND A REASONABLE DOUBT (Fritz Lang, 1956) ▪ 529 - 569 - 678 - 772 - 743 - 794 - 830 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BEYOND THE VALLEY OF THE DOLLS (Russ Meyer, 1970) ▪ 532 - 573 - 614 - 475 - 541 - 572 - 577 - 876 - 0 - 996 - 0 - 0 - 957 - 992 - 0 - 0
IL BIDONE (Federico Fellini, 1955) ▪ 787 - 839 - 703 - 732 - 729 - 784 - 814 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BIENVENIDO MISTER MARSHALL (Luis García Berlanga, 1952) ▪ 0 - 0 - 984 - 919 - 955 - 995 - 0 - 0 - 990 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BIG CHILL (Lawrence Kasdan, 1983) ▪ 0 - 0 - 0 - 951 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BIG CITY (Satyajit Ray, 1963) ▪ 847 - 910 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BIG PARADE (King Vidor, 1925) ▪ 957 - 960 - 780 - 724 - 798 - 818 - 870 - 825 - 856 - 898 - 910 - 0 - 0 - 0 - 0 - 0
THE BIG RED ONE (Samuel Fuller, 1980) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 857 - 0 - 0 - 0 - 0 - 0 - 988 - 0 - 0 - 0
BITTER RICE (Giuseppe De Santis, 1949) ▪ 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BITTER TEA OF GENERAL YEN (Frank Capra, 1933) ▪ 0 - 0 - 0 - 0 - 0 - 986 - 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BITTER VICTORY (Nicholas Ray, 1957) ▪ 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BLACK CAT (Edgar G. Ulmer, 1934) ▪ 0 - 0 - 0 - 0 - 0 - 969 - 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLACK SUNDAY (Mario Bava, 1960) ▪ 0 - 0 - 0 - 729 - 726 - 753 - 730 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLAST OF SILENCE (Allen Baron, 1961) ▪ 0 - 0 - 0 - 965 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BLAZING SADDLES (Mel Brooks, 1974) ▪ 0 - 644 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 829 - 0 - 0 - 844 - 0
BLIND CHANCE (Krzysztof Kieslowski, 1981) ▪ 829 - 887 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE BLOOD OF A POET (Jean Cocteau, 1930) ▪ 660 - 579 - 575 - 494 - 544 - 555 - 579 - 763 - 779 - 857 - 861 - 961 - 0 - 0 - 0 - 0
BOB LE FLAMBEUR (Jean-Pierre Melville, 1955) ▪ 429 - 433 - 480 - 559 - 582 - 542 - 563 - 820 - 855 - 829 - 875 - 878 - 939 - 949 - 0 - 0
BOY (Nagisa Oshima, 1969) ▪ 0 - 843 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
BROADWAY DANNY ROSE (Woody Allen, 1984) ▪ 894 - 970 - 878 - 827 - 801 - 853 - 739 - 954 - 0 - 988 - 935 - 976 - 0 - 948 - 0 - 0
BULLET IN THE HEAD (John Woo, 1990) ▪ 988 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

CAIRO STATION (Youssef Chahine, 1958) ▪ 978 - 0 - 0 - 0 - 0 - 0 - 0 - 687 - 675 - 741 - 810 - 901 - 958 - 915 - 988 - 0
CALIFORNIA SPLIT (Robert Altman, 1974) ▪ 0 - 0 - 0 - 968 - 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CAMILLE (George Cukor, 1936) ▪ 0 - 0 - 956 - 935 - 970 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CANTERBURY TALES (Pier Paolo Pasolini, 1971) ▪ 985 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CANYON PASSAGE (Jacques Tourneur, 1946) ▪ 0 - 0 - 957 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CARNIVAL IN FLANDERS (Jacques Feyder, 1935) ▪ 0 - 0 - 795 - 748 - 628 - 679 - 673 - 838 - 872 - 973 - 0 - 0 - 0 - 0 - 0 - 0
CEDDO (Ousmane Sembene, 1977) ▪ 535 - 576 - 566 - 621 - 687 - 748 - 774 - 692 - 704 - 769 - 839 - 944 - 951 - 984 - 0 - 0
THE CEREMONY (Nagisa Oshima, 1971) ▪ 987 - 0 - 838 - 889 - 934 - 991 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHARADE (Stanley Donen, 1963) ▪ 910 - 0 - 0 - 836 - 883 - 945 - 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHARLEY VARRICK (Don Siegel, 1973) ▪ 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CHILDHOOD OF MAXIM GORKY (Mark Donskoi, 1938) ▪ 756 - 815 - 881 - 858 - 820 - 857 - 912 - 996 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CHLOE IN THE AFTERNOON (Eric Rohmer, 1972) ▪ 0 - 0 - 943 - 990 - 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CITY GIRL (F.W. Murnau, 1930) ▪ 853 - 918 - 932 - 901 - 905 - 939 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE CLOWNS [TV] (Federico Fellini, 1970) ▪ 752 - 811 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
UN COEUR EN HIVER (Claude Sautet, 1991) ▪ 884 - 964 - 904 - 766 - 844 - 869 - 924 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LA COLLECTIONNEUSE (Eric Rohmer, 1967) ▪ 962 - 0 - 775 - 760 - 836 - 880 - 933 - 888 - 829 - 912 - 925 - 0 - 953 - 0 - 0 - 0
LA COMMUNE (PARIS, 1871) (Peter Watkins, 2000) ▪ 0 - 0 - 0 - 0 - 0 - 872 - 927 - 907 - 0 - 835 - 860 - 762 - 0 - 0 - 810 - 0
CONVERSATION PIECE (Luchino Visconti, 1974) ▪ 0 - 0 - 930 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LE CORBEAU (Henri-Georges Clouzot, 1943) ▪ 0 - 0 - 0 - 0 - 866 - 928 - 961 - 827 - 859 - 939 - 941 - 0 - 0 - 0 - 0 - 0
THE CRYING GAME (Neil Jordan, 1992) ▪ 0 - 953 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
CUTTER'S WAY (Ivan Passer, 1981) ▪ 0 - 0 - 831 - 922 - 921 - 978 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

DAMES (Ray Enright, 1934) ▪ 0 - 909 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DANCES WITH WOLVES (Kevin Costner, 1990) ▪ 900 - 820 - 0 - 0 - 759 - 754 - 760 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DANGEROUS LIAISONS (Stephen Frears, 1988) ▪ 0 - 866 - 910 - 879 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DARK EYES (Nikita Mikhalkov, 1987) ▪ 0 - 0 - 0 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DAY OF THE DEAD (George A. Romero, 1985) ▪ 833 - 0 - 891 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DAYS AND NIGHTS IN THE FOREST (Satyajit Ray, 1970) ▪ 914 - 993 - 988 - 817 - 661 - 804 - 846 - 988 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DAYS OF ECLIPSE (Aleksandr Sokurov, 1988) ▪ 967 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DEAD POETS SOCIETY (Peter Weir, 1989) ▪ 0 - 0 - 600 - 614 - 676 - 741 - 741 - 0 - 0 - 0 - 0 - 991 - 996 - 0 - 0 - 0
THE DEATH OF MARIA MALIBRAN (Werner Schroeter, 1972) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 814 - 796 - 880 - 889 - 0 - 0 - 0 - 0 - 0
DEMON LOVER DIARY (Joel DeMott, 1980) ▪ 0 - 989 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DESTINY (Fritz Lang, 1921) ▪ 0 - 0 - 750 - 799 - 796 - 847 - 896 - 965 - 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL AND DANIEL WEBSTER (William Dieterle, 1941) ▪ 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL IN MISS JONES (Gerard Damiano, 1972) ▪ 877 - 950 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DEVIL IN THE FLESH (Claude Autant-Lara, 1947) ▪ 0 - 0 - 822 - 903 - 942 - 981 - 988 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DEVIL IS A WOMAN (Josef von Sternberg, 1935) ▪ 465 - 416 - 493 - 467 - 503 - 554 - 575 - 906 - 899 - 990 - 980 - 0 - 0 - 0 - 0 - 0
THE DEVIL'S ENVOYS (Marcel Carné, 1942) ▪ 802 - 856 - 989 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DIAMONDS OF THE NIGHT (Jan Nemec, 1964) ▪ 744 - 748 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A DIARY FOR TIMOTHY (Humphrey Jennings, 1945) ▪ 687 - 742 - 774 - 823 - 887 - 913 - 895 - 0 - 0 - 873 - 919 - 875 - 936 - 990 - 993 - 0
DIARY OF A LOST GIRL (G.W. Pabst, 1929) ▪ 727 - 882 - 746 - 783 - 855 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DINER (Barry Levinson, 1982) ▪ 551 - 549 - 0 - 550 - 602 - 609 - 641 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DIVING BELL AND THE BUTTERFLY (Julian Schnabel, 2007) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 905 - 0
DO YOU REMEMBER DOLLY BELL? (Emir Kusturica, 1981) ▪ 926 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DOCKS OF NEW YORK (Josef von Sternberg, 1928) ▪ 1000 - 786 - 779 - 840 - 728 - 756 - 784 - 857 - 871 - 921 - 933 - 975 - 0 - 0 - 0 - 0
DODSWORTH (William Wyler, 1936) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 816 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DONNIE DARKO (Richard Kelly, 2001) ▪ 0 - 0 - 0 - 917 - 709 - 717 - 661 - 934 - 900 - 954 - 0 - 0 - 784 - 756 - 0 - 0
DOOMED LOVE [TV] (Manoel de Oliveira, 1978) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 887 - 0 - 969 - 0 - 0 - 0 - 0 - 0 - 0
DOUCE (Claude Autant-Lara, 1943) ▪ 745 - 805 - 0 - 0 - 839 - 895 - 942 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DRACULA (Tod Browning, 1931) ▪ 0 - 0 - 0 - 0 - 826 - 852 - 906 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DRAUGHTSMAN'S CONTRACT (Peter Greenaway, 1982) ▪ 0 - 0 - 852 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUCK AMUCK (Chuck Jones, 1953) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 841 - 874 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUELLE (Jacques Rivette, 1976) ▪ 0 - 598 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DUELLISTS (Ridley Scott, 1977) ▪ 0 - 0 - 0 - 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
DUNE (David Lynch, 1984) ▪ 0 - 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE DYBBUK (Michal Waszynski, 1938) ▪ 969 - 0 - 889 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

EL CID (Anthony Mann, 1961) ▪ 0 - 0 - 906 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EL DORADO (Howard Hawks, 1967) ▪ 0 - 0 - 0 - 743 - 841 - 840 - 850 - 799 - 825 - 913 - 963 - 926 - 920 - 947 - 983 - 0
ELECTION (Alexander Payne, 1999) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ELEPHANT [TV] (Alan Clarke, 1989) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 777 - 771 - 902 - 908 - 969 - 0 - 0
EMPIRE (Andy Warhol, 1964) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 619 - 0 - 658 - 768 - 857 - 0 - 0 - 0 - 0
EMPIRE OF THE SUN (Steven Spielberg, 1987) ▪ 0 - 0 - 0 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE END OF ST. PETERSBURG (Vsevolod Pudovkin, 1927) ▪ 995 - 977 - 858 - 785 - 861 - 901 - 946 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE END (Christopher Maclaine, 1953) ▪ 866 - 937 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
L'ENFANT SECRET (Philippe Garrel, 1979) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 907 - 849 - 895 - 0 - 0 - 0
LES ENFANTS TERRIBLES (Jean-Pierre Melville, 1950) ▪ 785 - 837 - 888 - 786 - 833 - 894 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ENTR'ACTE (René Clair, 1924) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 925 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EQUINOX FLOWER (Yasujiro Ozu, 1958) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 846 - 883 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ETERNITY AND A DAY (Theo Angelopoulos, 1998) ▪ 798 - 821 - 828 - 864 - 906 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
EUROPA (Lars von Trier, 1991) ▪ 591 - 599 - 0 - 713 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

A FACE IN THE CROWD (Elia Kazan, 1957) ▪ 0 - 610 - 691 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FALLEN ANGELS (Wong Kar-wai, 1995) ▪ 0 - 0 - 926 - 886 - 932 - 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FALLEN IDOL (Carol Reed, 1948) ▪ 640 - 678 - 666 - 671 - 681 - 743 - 668 - 730 - 750 - 822 - 862 - 993 - 0 - 0 - 0 - 0
THE FAR COUNTRY (Anthony Mann, 1955) ▪ 0 - 0 - 925 - 958 - 907 - 947 - 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FAT GIRL (Catherine Breillat, 2001) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 1000 - 0
UNE FEMME EST UNE FEMME (Jean-Luc Godard, 1961) ▪ 918 - 996 - 698 - 728 - 816 - 844 - 894 - 881 - 914 - 753 - 823 - 972 - 945 - 970 - 0 - 0
LA FEMME INFIDÈLE (Claude Chabrol, 1969) ▪ 0 - 0 - 796 - 857 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LE FEU FOLLET (Louis Malle, 1963) ▪ 0 - 0 - 929 - 846 - 818 - 878 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FINDING NEMO (Andrew Stanton & Lee Unkrich, 2003) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 928 - 928 - 938 - 953 - 0 - 0
FIRES ON THE PLAIN (Kon Ichikawa, 1959) ▪ 0 - 0 - 0 - 0 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A FISH CALLED WANDA (Charles Crichton, 1988) ▪ 638 - 574 - 667 - 750 - 751 - 778 - 752 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FLAVOUR OF GREEN TEA OVER RICE (Yasujiro Ozu, 1952) ▪ 0 - 0 - 952 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FOR ALL MANKIND (Al Reinert, 1989) ▪ 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FORTUNE (Mike Nichols, 1974) ▪ 658 - 699 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FORTY GUNS (Samuel Fuller, 1957) ▪ 0 - 0 - 0 - 998 - 985 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FOUNTAINHEAD (King Vidor, 1949) ▪ 681 - 827 - 785 - 814 - 815 - 845 - 792 - 977 - 984 - 0 - 0 - 0 - 986 - 0 - 0 - 0
FOUR FRIENDS (Arthur Penn, 1981) ▪ 0 - 0 - 0 - 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FOUR NIGHTS OF A DREAMER (Robert Bresson, 1971) ▪ 814 - 871 - 0 - 0 - 0 - 0 - 0 - 912 - 925 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE FRENCH LIEUTENANT'S WOMAN (Karel Reisz, 1981) ▪ 971 - 0 - 895 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FROM HERE TO ETERNITY (Fred Zinnemann, 1953) ▪ 796 - 985 - 0 - 878 - 0 - 727 - 754 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FROM THE CLOUDS TO THE RESISTANCE (Jean-Marie Straub & Danièle Huillet, 1979) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 638 - 653 - 723 - 782 - 919 - 971 - 985 - 0 - 0
FUNNY FACE (Stanley Donen, 1957) ▪ 854 - 788 - 768 - 528 - 599 - 620 - 605 - 925 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0
FURY (Fritz Lang, 1936) ▪ 0 - 0 - 0 - 987 - 966 - 0 - 996 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

GANDHI (Richard Attenborough, 1982) ▪ 608 - 648 - 643 - 676 - 671 - 735 - 735 - 914 - 0 - 909 - 914 - 0 - 0 - 0 - 0 - 0
GANGA BRUTA (Humberto Mauro, 1933) ▪ 0 - 0 - 976 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GASLIGHT (George Cukor, 1944) ▪ 0 - 767 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GENERAL LINE (Sergei Eisenstein & Grigori Aleksandrov, 1929) ▪ 989 - 0 - 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GETAWAY (Sam Peckinpah, 1972) ▪ 0 - 0 - 0 - 865 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GHOST IN THE SHELL (Mamoru Oshii, 1995) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 918 - 0 - 0 - 0 - 0 - 0 - 0
GION BAYASHI (Kenji Mizoguchi, 1953) ▪ 527 - 568 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GLORIA (John Cassavetes, 1980) ▪ 0 - 0 - 833 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GODDESS (Wu Yonggang, 1934) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 859 - 0 - 0 - 0 - 0 - 783 - 0
THE GODFATHER PART III (Francis Ford Coppola, 1990) ▪ 562 - 541 - 586 - 616 - 633 - 676 - 677 - 0 - 0 - 934 - 922 - 954 - 909 - 935 - 0 - 0
GOLD DIGGERS OF 1933 (Mervyn LeRoy, 1933) ▪ 550 - 572 - 692 - 881 - 928 - 987 - 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GOODBYE SOUTH, GOODBYE (Hou Hsiao-hsien, 1996) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 918 - 964 - 992 - 0 - 0 - 0 - 0 - 0
GRAVEYARD OF HONOR (Kinji Fukasaku, 1975) ▪ 944 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GREASE (Randal Kleiser, 1978) ▪ 0 - 741 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE GREAT ECSTASY OF WOODCARVER STEINER (Werner Herzog, 1975) ▪ 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A GRIN WITHOUT A CAT (Chris Marker, 1977) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 800 - 0 - 716 - 715 - 930 - 932 - 0 - 964 - 0
GUNGA DIN (George Stevens, 1939) ▪ 652 - 647 - 0 - 0 - 0 - 718 - 747 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
GUYS AND DOLLS (Joseph L. Mankiewicz, 1955) ▪ 0 - 983 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

HAIL MARY (Jean-Luc Godard, 1985) ▪ 838 - 899 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HALLELUJAH! (King Vidor, 1929) ▪ 964 - 0 - 558 - 569 - 670 - 657 - 621 - 938 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HAMLET (Laurence Olivier, 1948) ▪ 835 - 734 - 781 - 804 - 863 - 924 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HAMLET (Grigori Kozintsev, 1964) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 997 - 0 - 0 - 0 - 0 - 0 - 0
HAPPINESS (Aleksandr Medvedkin, 1934) ▪ 743 - 728 - 874 - 812 - 832 - 879 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HAPPINESS (Todd Solondz, 1998) ▪ 878 - 963 - 0 - 825 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 999 - 0 - 0 - 0 - 0
HARD-BOILED (John Woo, 1992) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 976 - 0 - 0 - 0 - 0 - 0 - 0
THE HAUNTING (Robert Wise, 1963) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 831 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HE WHO GETS SLAPPED (Victor Sjöström, 1924) ▪ 712 - 771 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HEAVEN AND EARTH MAGIC/NO. 12 (Harry Smith, 1962) ▪ 618 - 663 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HEAVEN CAN WAIT (Ernst Lubitsch, 1943) ▪ 0 - 0 - 0 - 944 - 930 - 967 - 977 - 999 - 983 - 0 - 956 - 0 - 0 - 0 - 0 - 0
HEIMAT [TV] (Edgar Reitz, 1984) ▪ 861 - 879 - 661 - 610 - 640 - 667 - 684 - 761 - 787 - 730 - 798 - 943 - 994 - 0 - 0 - 0
THE HEIRESS (William Wyler, 1949) ▪ 739 - 800 - 0 - 640 - 685 - 747 - 905 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HENRY V (Laurence Olivier, 1944) ▪ 364 - 395 - 419 - 395 - 407 - 404 - 422 - 657 - 647 - 710 - 762 - 810 - 873 - 928 - 978 - 0
HENRY: PORTRAIT OF A SERIAL KILLER (John McNaughton, 1986) ▪ 0 - 0 - 0 - 0 - 0 - 898 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE HIDDEN FORTRESS (Akira Kurosawa, 1958) ▪ 549 - 619 - 610 - 650 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOLD ME WHILE I'M NAKED (George Kuchar, 1966) ▪ 611 - 654 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOMEWORK (Abbas Kiarostami, 1989) ▪ 682 - 733 - 826 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOPE AND GLORY (John Boorman, 1987) ▪ 628 - 774 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HÔTEL DES INVALIDES (Georges Franju, 1952) ▪ 880 - 955 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOTEL DU NORD (Marcel Carné, 1938) ▪ 924 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOUR OF THE STAR (Suzana Amaral, 1985) ▪ 777 - 913 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HOUSE OF GAMES (David Mamet, 1987) ▪ 882 - 840 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
HUSBANDS AND WIVES (Woody Allen, 1992) ▪ 966 - 0 - 0 - 0 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 997 - 0 - 0 - 0
HYÈNES (Djibril Diop Mambéty, 1992) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 823 - 835 - 920 - 970 - 0 - 0 - 0 - 0 - 0

I AM A FUGITIVE FROM A CHAIN GANG (Mervyn LeRoy, 1932) ▪ 472 - 508 - 737 - 773 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
I AM CURIOUS (YELLOW) (Vilgot Sjöman, 1967) ▪ 925 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ICE STORM (Ang Lee, 1997) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 759 - 692 - 911 - 851 - 972 - 0 - 0
IN COLD BLOOD (Richard Brooks, 1967) ▪ 615 - 658 - 0 - 0 - 0 - 0 - 869 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IN THE HEAT OF THE NIGHT (Norman Jewison, 1967) ▪ 0 - 984 - 808 - 800 - 847 - 902 - 926 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE INCREDIBLES (Brad Bird, 2004) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 911 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
INDIA: MATRI BHUMI (Roberto Rossellini, 1959) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 782 - 810 - 0 - 874 - 913 - 941 - 0 - 0 - 0
THE INDIAN TOMB (Fritz Lang, 1959) ▪ 746 - 714 - 754 - 665 - 766 - 820 - 861 - 0 - 0 - 0 - 0 - 933 - 984 - 0 - 0 - 0
INFERNO (Dario Argento, 1980) ▪ 755 - 814 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE INFORMER (John Ford, 1935) ▪ 624 - 668 - 616 - 696 - 765 - 800 - 843 - 898 - 926 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE INSECT WOMAN (Shohei Imamura, 1963) ▪ 0 - 888 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE INSIDER (Michael Mann, 1999) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 879 - 913 - 945 - 954 - 0 - 0 - 0 - 0 - 0
INTENTIONS OF MURDER (Shohei Imamura, 1964) ▪ 675 - 724 - 810 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
INTIMATE LIGHTING (Ivan Passer, 1965) ▪ 728 - 784 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
IRMA VEP (Olivier Assayas, 1996) ▪ 0 - 851 - 844 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ITALIAN STRAW HAT (René Clair, 1927) ▪ 974 - 0 - 997 - 932 - 865 - 927 - 959 - 997 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0

JACOB'S LADDER (Adrian Lyne, 1990) ▪ 953 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JASON AND THE ARGONAUTS (Don Chaffey, 1963) ▪ 0 - 711 - 740 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JOHNNY GOT HIS GUN (Dalton Trumbo, 1971) ▪ 725 - 740 - 756 - 788 - 688 - 749 - 776 - 0 - 0 - 0 - 0 - 0 - 989 - 0 - 0 - 0
JOUR DE FÉTE (Jacques Tati, 1948) ▪ 0 - 0 - 0 - 0 - 918 - 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
JU DOU (Zhang Yimou, 1990) ▪ 0 - 731 - 0 - 735 - 808 - 860 - 916 - 875 - 907 - 905 - 937 - 970 - 0 - 0 - 0 - 0
JUDEX (Georges Franju, 1963) ▪ 0 - 0 - 0 - 862 - 771 - 825 - 877 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

KAMERADSCHAFT (G.W. Pabst, 1931) ▪ 972 - 0 - 732 - 705 - 792 - 826 - 852 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KANAL (Andrzej Wajda, 1957) ▪ 983 - 0 - 0 - 989 - 958 - 989 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE KILLERS (Robert Siodmak, 1946) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 898 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KING OF THE CHILDREN (Chen Kaige, 1987) ▪ 0 - 0 - 950 - 915 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KING-SIZE CANARY (Tex Avery, 1947) ▪ 869 - 944 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KLUTE (Alan J. Pakula, 1971) ▪ 0 - 962 - 0 - 797 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
KUHLE WAMPE (Slatan Dudow, 1932) ▪ 0 - 0 - 867 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

LACOMBE, LUCIEN (Louis Malle, 1974) ▪ 443 - 487 - 589 - 667 - 897 - 814 - 863 - 861 - 868 - 882 - 929 - 0 - 0 - 0 - 0 - 0
THE LADY WITH THE DOG (Iosif Kheifits, 1959) ▪ 933 - 0 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAND OF SILENCE AND DARKNESS (Werner Herzog, 1971) ▪ 813 - 870 - 914 - 839 - 0 - 0 - 0 - 0 - 0 - 943 - 1000 - 0 - 0 - 0 - 0 - 0
THE LAST OF THE MOHICANS (Michael Mann, 1992) ▪ 0 - 0 - 0 - 937 - 0 - 0 - 0 - 0 - 894 - 981 - 0 - 0 - 0 - 0 - 0 - 0
THE LAST WALTZ (Martin Scorsese, 1978) ▪ 0 - 0 - 814 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LATE AUTUMN (Yasujiro Ozu, 1960) ▪ 0 - 0 - 948 - 916 - 952 - 948 - 973 - 930 - 947 - 965 - 955 - 0 - 0 - 0 - 0 - 0
LATE CHRYSANTHEMUMS (Mikio Naruse, 1954) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 812 - 846 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LAW OF DESIRE (Pedro Almodóvar, 1987) ▪ 0 - 0 - 909 - 672 - 735 - 792 - 825 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LEAVE HER TO HEAVEN (John M. Stahl, 1945) ▪ 773 - 831 - 0 - 899 - 944 - 976 - 984 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LEAVING LAS VEGAS (Mike Figgis, 1995) ▪ 0 - 0 - 0 - 954 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LÉOLO (Jean-Claude Lauzon, 1992) ▪ 489 - 622 - 817 - 809 - 908 - 965 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LETTER FROM SIBERIA (Chris Marker, 1957) ▪ 587 - 633 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A LETTER TO THREE WIVES (Joseph L. Mankiewicz, 1949) ▪ 916 - 995 - 960 - 957 - 965 - 932 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LIEBELEI (Max Ophüls, 1933) ▪ 0 - 0 - 584 - 653 - 569 - 589 - 601 - 837 - 863 - 953 - 947 - 0 - 0 - 0 - 0 - 0
LIGHT SLEEPER (Paul Schrader, 1991) ▪ 0 - 0 - 834 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE LITTLE FOXES (William Wyler, 1941) ▪ 0 - 0 - 887 - 921 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LONE STAR (John Sayles, 1996) ▪ 883 - 938 - 797 - 824 - 868 - 893 - 866 - 746 - 785 - 867 - 900 - 949 - 973 - 991 - 0 - 0
THE LORD OF THE RINGS: THE TWO TOWERS (Peter Jackson, 2002) ▪ 0 - 0 - 0 - 0 - 943 - 951 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOST HORIZON (Frank Capra, 1937) ▪ 0 - 0 - 0 - 962 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOUISIANA STORY (Robert Flaherty, 1948) ▪ 862 - 880 - 908 - 960 - 0 - 0 - 985 - 0 - 0 - 0 - 0 - 870 - 903 - 950 - 0 - 0
LOVE AFFAIR (Leo McCarey, 1939) ▪ 888 - 922 - 849 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LOVE AND DEATH (Woody Allen, 1975) ▪ 751 - 810 - 877 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 888 - 881 - 903 - 960 - 0
THE LOVERS (Louis Malle, 1958) ▪ 720 - 778 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LUCIFER RISING (Kenneth Anger, 1972) ▪ 0 - 0 - 954 - 900 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
LUNA (Bernardo Bertolucci, 1979) ▪ 984 - 0 - 951 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

MÄDCHEN IN UNIFORM (Leontine Sagan, 1931) ▪ 825 - 883 - 919 - 774 - 851 - 907 - 940 - 975 - 970 - 0 - 0 - 984 - 0 - 0 - 0 - 0
THE MAGNIFICENT SEVEN (John Sturges, 1960) ▪ 492 - 425 - 504 - 664 - 673 - 738 - 714 - 0 - 0 - 0 - 987 - 0 - 0 - 0 - 0 - 0
MALCOLM X (Spike Lee, 1992) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 873 - 930 - 0 - 0 - 0 - 937 - 0 - 0
MAMMA ROMA (Pier Paolo Pasolini, 1962) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 923 - 0 - 0 - 0 - 0 - 943 - 927 - 929 - 0
A MAN FOR ALL SEASONS (Fred Zinnemann, 1966) ▪ 0 - 625 - 729 - 709 - 733 - 790 - 789 - 0 - 0 - 0 - 0 - 0 - 948 - 959 - 0 - 0
THE MAN FROM LARAMIE (Anthony Mann, 1955) ▪ 484 - 500 - 607 - 0 - 730 - 785 - 798 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MAN IN THE WHITE SUIT (Alexander Mackendrick, 1951) ▪ 0 - 0 - 921 - 861 - 805 - 859 - 767 - 0 - 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MAN OF MARBLE (Andrzej Wajda, 1977) ▪ 0 - 0 - 969 - 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MAN WHO FELL TO EARTH (Nicolas Roeg, 1976) ▪ 377 - 415 - 430 - 482 - 479 - 509 - 514 - 0 - 0 - 951 - 976 - 925 - 940 - 965 - 994 - 0
MAN'S CASTLE (Frank Borzage, 1933) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 869 - 898 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MARQUISE OF O (Eric Rohmer, 1976) ▪ 856 - 806 - 772 - 833 - 823 - 839 - 886 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MARRIAGE CIRCLE (Ernst Lubitsch, 1924) ▪ 0 - 0 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MASKERADE (Willi Forst, 1934) ▪ 0 - 0 - 0 - 955 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MATEWAN (John Sayles, 1987) ▪ 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE MATTEI AFFAIR (Francesco Rosi, 1973) ▪ 706 - 768 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MAUVAIS SANG (Leos Carax, 1986) ▪ 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 977 - 0 - 0 - 0 - 0 - 0 - 0
MEANTIME [TV] (Mike Leigh, 1983) ▪ 696 - 755 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MEDIUM COOL (Haskell Wexler, 1969) ▪ 0 - 0 - 975 - 0 - 0 - 865 - 920 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MÉNILMONTANT (Dimitri Kirsanoff, 1926) ▪ 620 - 664 - 0 - 0 - 0 - 892 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MEPHISTO (István Szabó, 1981) ▪ 951 - 945 - 800 - 768 - 817 - 871 - 827 - 849 - 884 - 970 - 0 - 0 - 0 - 0 - 0 - 0
MIDNIGHT (Mitchell Leisen, 1939) ▪ 772 - 828 - 730 - 745 - 824 - 816 - 824 - 953 - 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MIDNIGHT RUN (Martin Brest, 1988) ▪ 0 - 593 - 550 - 615 - 514 - 497 - 489 - 817 - 832 - 0 - 946 - 909 - 919 - 963 - 0 - 0
THE MILKY WAY (Luis Buñuel, 1969) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 934 - 0 - 0 - 0 - 0 - 0
MINAMATA: THE VICTIMS AND THEIR WORLD (Noriaki Tsuchimoto, 1971) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 828 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MISHIMA: A LIFE IN FOUR CHAPTERS (Paul Schrader, 1985) ▪ 942 - 0 - 936 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MISS OYU (Kenji Mizoguchi, 1951) ▪ 979 - 0 - 694 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MISSING (Constantin Costa-Gavras, 1982) ▪ 788 - 842 - 812 - 841 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MOANA (Robert Flaherty, 1926) ▪ 885 - 965 - 847 - 803 - 874 - 903 - 930 - 992 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MOONRISE (Frank Borzage, 1948) ▪ 860 - 930 - 935 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MOTHER (Vsevolod Pudovkin, 1926) ▪ 903 - 846 - 657 - 643 - 646 - 658 - 664 - 958 - 966 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MOTHLIGHT (Stan Brakhage, 1963) ▪ 0 - 0 - 0 - 0 - 981 - 0 - 0 - 694 - 713 - 749 - 800 - 932 - 983 - 986 - 0 - 0
A MOVIE (Bruce Conner, 1958) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 878 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MR. ARKADIN (Orson Welles, 1955) ▪ 0 - 0 - 0 - 0 - 996 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MUGHAL-E-AZAM (K. Asif, 1960) ▪ 920 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MURDER BY CONTRACT (Irving Lerner, 1958) ▪ 759 - 817 - 871 - 726 - 827 - 822 - 873 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MUTINY ON THE BOUNTY (Frank Lloyd, 1935) ▪ 832 - 862 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY APPRENTICESHIP (Mark Donskoi, 1939) ▪ 715 - 773 - 846 - 910 - 949 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY BRILLIANT CAREER (Gillian Armstrong, 1979) ▪ 0 - 859 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY FAIR LADY (George Cukor, 1964) ▪ 0 - 0 - 0 - 660 - 715 - 768 - 723 - 0 - 0 - 957 - 0 - 0 - 0 - 0 - 0 - 0
MY LOVE HAS BEEN BURNING (Kenji Mizoguchi, 1949) ▪ 0 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
MY MAN GODFREY (Gregory La Cava, 1936) ▪ 637 - 632 - 0 - 0 - 0 - 0 - 858 - 874 - 906 - 0 - 977 - 0 - 0 - 0 - 0 - 0

THE NAKED AND THE DEAD (Raoul Walsh, 1958) ▪ 0 - 0 - 990 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE NAKED SPUR (Anthony Mann, 1953) ▪ 843 - 710 - 0 - 723 - 745 - 772 - 695 - 946 - 910 - 907 - 969 - 0 - 0 - 0 - 0 - 0
NATURAL BORN KILLERS (Oliver Stone, 1994) ▪ 846 - 782 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 991 - 0 - 0 - 0 - 0 - 0 - 0
DIE NIBELUNGEN: SIEGFRIED (Fritz Lang, 1924) ▪ 0 - 0 - 0 - 781 - 821 - 868 - 900 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NIGHT AND THE CITY (Jules Dassin, 1950) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 883 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NIGHT MOVES (Arthur Penn, 1975) ▪ 994 - 0 - 840 - 874 - 900 - 957 - 967 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE NIGHT OF THE SHOOTING STARS (Paolo Taviani & Vittorio Taviani, 1982) ▪ 609 - 651 - 879 - 906 - 945 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE NIGHT PORTER (Liliana Cavani, 1974) ▪ 0 - 0 - 992 - 805 - 877 - 905 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A NIGHTMARE ON ELM STREET (Wes Craven, 1984) ▪ 958 - 942 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NO END (Krzysztof Kieslowski, 1985) ▪ 927 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
NOT RECONCILED (Jean-Marie Straub, 1965) ▪ 699 - 681 - 612 - 682 - 645 - 690 - 707 - 727 - 729 - 648 - 699 - 852 - 882 - 909 - 981 - 0
NOW, VOYAGER (Irving Rapper, 1942) ▪ 623 - 605 - 576 - 513 - 567 - 619 - 607 - 748 - 760 - 837 - 868 - 0 - 0 - 0 - 0 - 0

OASIS (Lee Chang-dong, 2002) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 995 - 999 - 0 - 0 - 0
OEDIPUS REX (Pier Paolo Pasolini, 1967) ▪ 828 - 886 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 932 - 979 - 0 - 996 - 0 - 0
OF A THOUSAND DELIGHTS (Luchino Visconti, 1965) ▪ 683 - 735 - 638 - 718 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE OFFICIAL STORY (Luis Puenzo, 1985) ▪ 724 - 673 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ON DANGEROUS GROUND (Nicholas Ray, 1951) ▪ 890 - 967 - 0 - 0 - 0 - 0 - 914 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ONE, TWO, THREE (Billy Wilder, 1961) ▪ 955 - 0 - 987 - 971 - 991 - 0 - 0 - 919 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ONLY SON (Yasujiro Ozu, 1936) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 852 - 889 - 0 - 975 - 0 - 0 - 0 - 0 - 0
OPFERGANG (Veit Harlan, 1944) ▪ 928 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ORDINARY PEOPLE (Robert Redford, 1980) ▪ 952 - 0 - 0 - 0 - 748 - 799 - 840 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ORGANISER (Mario Monicelli, 1963) ▪ 612 - 656 - 0 - 0 - 0 - 0 - 910 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUR DAILY BREAD (King Vidor, 1934) ▪ 761 - 818 - 765 - 821 - 853 - 881 - 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUT 1: SPECTRE (Jacques Rivette, 1972) ▪ 435 - 485 - 782 - 753 - 831 - 836 - 882 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUT OF AFRICA (Sydney Pollack, 1985) ▪ 0 - 0 - 979 - 848 - 903 - 959 - 0 - 0 - 882 - 869 - 981 - 0 - 0 - 0 - 0 - 0
OUTCAST OF THE ISLANDS (Carol Reed, 1951) ▪ 863 - 935 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
OUTER SPACE (Peter Tscherkassky, 1999) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 691 - 682 - 746 - 732 - 921 - 937 - 977 - 996 - 0
THE OX-BOW INCIDENT (William Wellman, 1943) ▪ 0 - 0 - 0 - 0 - 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

A PAGE OF MADNESS (Teinosuke Kinugasa, 1926) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 886 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PAKEEZAH (Kamal Amrohi, 1972) ▪ 563 - 602 - 670 - 670 - 683 - 699 - 705 - 842 - 867 - 946 - 936 - 850 - 0 - 0 - 0 - 0
PANDORA AND THE FLYING DUTCHMAN (Albert Lewin, 1951) ▪ 0 - 0 - 977 - 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE PARALLAX VIEW (Alan J. Pakula, 1974) ▪ 939 - 926 - 798 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PARIS QUI DORT (René Clair, 1923) ▪ 0 - 0 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PARTY GIRL (Nicholas Ray, 1958) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 978 - 988 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE PASSION OF ANNA (Ingmar Bergman, 1969) ▪ 0 - 0 - 0 - 950 - 950 - 922 - 956 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PATTON (Franklin J. Schaffner, 1970) ▪ 0 - 849 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PEOPLE ON SUNDAY (Robert Siodmak & Edgar G. Ulmer, 1930) ▪ 0 - 0 - 983 - 991 - 984 - 0 - 978 - 947 - 950 - 917 - 968 - 0 - 0 - 0 - 0 - 0
PERCEVAL (Eric Rohmer, 1978) ▪ 753 - 750 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PETER IBBETSON (Henry Hathaway, 1935) ▪ 695 - 754 - 636 - 695 - 764 - 815 - 867 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE PETRIFIED FOREST (Archie Mayo, 1936) ▪ 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PHANTOM OF THE PARADISE (Brian De Palma, 1974) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 960 - 0 - 984 - 0
PICKPOCKET (Jia Zhangke, 1997) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 748 - 0 - 0 - 965 - 0 - 0 - 0
THE PILGRIM (Charles Chaplin, 1923) ▪ 0 - 0 - 753 - 775 - 852 - 909 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE PILLOW BOOK (Peter Greenaway, 1996) ▪ 0 - 0 - 0 - 931 - 951 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PINK FLOYD: THE WALL (Alan Parker, 1982) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 972 - 0 - 0 - 0 - 0 - 0
PIXOTE (Hector Babenco, 1981) ▪ 0 - 716 - 762 - 0 - 838 - 810 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PLANET OF THE APES (Franklin J. Schaffner, 1968) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 959 - 0 - 0 - 0 - 0 - 0 - 0
PLATOON (Oliver Stone, 1986) ▪ 851 - 758 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE PLAYER (Robert Altman, 1992) ▪ 800 - 744 - 733 - 679 - 703 - 710 - 706 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PLEIN SOLEIL (René Clément, 1960) ▪ 0 - 0 - 0 - 855 - 870 - 885 - 937 - 990 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
POISON (Todd Haynes, 1990) ▪ 0 - 0 - 0 - 0 - 916 - 973 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PORTRAIT OF JENNIE (William Dieterle, 1948) ▪ 950 - 933 - 963 - 835 - 825 - 886 - 0 - 0 - 979 - 0 - 0 - 0 - 0 - 0 - 0 - 0
PRINCESS YANG KWEI FEI (Kenji Mizoguchi, 1955) ▪ 422 - 463 - 609 - 617 - 610 - 592 - 619 - 886 - 920 - 0 - 0 - 934 - 961 - 0 - 0 - 0
PURSUED (Raoul Walsh, 1947) ▪ 575 - 617 - 862 - 711 - 772 - 770 - 757 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

QUADROPHENIA (Franc Roddam, 1979) ▪ 0 - 469 - 0 - 771 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
QUAI DES ORFÈVRES (Henri-Georges Clouzot, 1947) ▪ 897 - 894 - 869 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
QUE VIVA MEXICO! (Sergei Eisenstein, 1932) ▪ 644 - 645 - 537 - 473 - 572 - 602 - 631 - 985 - 992 - 0 - 0 - 0 - 0 - 0 - 0 - 0
QUEEN KELLY (Erich von Stroheim, 1929) ▪ 886 - 869 - 806 - 722 - 811 - 862 - 919 - 945 - 960 - 0 - 0 - 0 - 0 - 0 - 0 - 0

RADIO DAYS (Woody Allen, 1987) ▪ 0 - 0 - 0 - 880 - 915 - 904 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RAIN MAN (Barry Levinson, 1988) ▪ 823 - 939 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
REASON, DEBATE AND A STORY (Ritwik Ghatak, 1974) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 903 - 931 - 0 - 0 - 0 - 0 - 0 - 0 - 0
REASSEMBLAGE (Trinh T. Minh-ha, 1982) ▪ 805 - 861 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE RED AND THE WHITE (Miklós Jancsó, 1967) ▪ 732 - 790 - 861 - 0 - 814 - 833 - 890 - 955 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE REMAINS OF THE DAY (James Ivory, 1993) ▪ 850 - 904 - 883 - 0 - 0 - 828 - 833 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
REPO MAN (Alex Cox, 1984) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 922 - 0 - 989 - 0 - 0 - 0 - 0 - 0 - 0
RICHARD III (Laurence Olivier, 1955) ▪ 698 - 759 - 792 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RIDE LONESOME (Budd Boetticher, 1959) ▪ 930 - 919 - 0 - 0 - 894 - 935 - 950 - 0 - 965 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RIFF-RAFF (Ken Loach, 1991) ▪ 641 - 552 - 674 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
RIO 40 GRAUS (Nelson Pereira dos Santos, 1955) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 865 - 0 - 0 - 0 - 0 - 0
RIO GRANDE (John Ford, 1950) ▪ 960 - 0 - 843 - 759 - 835 - 877 - 928 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ROAD TO LIFE (Nikolai Ekk, 1931) ▪ 0 - 0 - 897 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ROARING TWENTIES (Raoul Walsh, 1939) ▪ 0 - 0 - 0 - 0 - 968 - 936 - 966 - 994 - 996 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ROCKER [TV] (Klaus Lemke, 1972) ▪ 0 - 0 - 0 - 866 - 917 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE ROCKY HORROR PICTURE SHOW (Jim Sharman, 1975) ▪ 970 - 901 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 826 - 828 - 947 - 976 - 0 - 0 - 0
LA RONDE (Max Ophüls, 1950) ▪ 678 - 726 - 634 - 612 - 636 - 677 - 704 - 950 - 963 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A ROOM WITH A VIEW (James Ivory, 1985) ▪ 0 - 898 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
ROSE HOBART (Joseph Cornell, 1936) ▪ 0 - 0 - 0 - 887 - 895 - 953 - 974 - 961 - 964 - 0 - 0 - 968 - 0 - 0 - 0 - 0
LA ROUE (Abel Gance, 1923) ▪ 0 - 0 - 767 - 0 - 0 - 0 - 0 - 798 - 799 - 884 - 930 - 0 - 0 - 0 - 0 - 0
RUGGLES OF RED GAP (Leo McCarey, 1935) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 893 - 897 - 0 - 0 - 0 - 981 - 0 - 0 - 0
RUN LOLA RUN (Tom Tykwer, 1998) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 984 - 916 - 0 - 0 - 0 - 0 - 0
RYAN'S DAUGHTER (David Lean, 1970) ▪ 0 - 0 - 915 - 924 - 0 - 0 - 0 - 0 - 0 - 0 - 912 - 0 - 0 - 0 - 0 - 0

SAFETY LAST (Fred C. Newmeyer & Sam Taylor, 1923) ▪ 0 - 0 - 0 - 0 - 0 - 937 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SAGA OF GOSTA BERLING (Mauritz Stiller, 1924) ▪ 0 - 0 - 916 - 884 - 931 - 988 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SAMSON AND DELILAH (Cecil B. DeMille, 1949) ▪ 0 - 0 - 0 - 941 - 879 - 812 - 859 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SANT TUKARAM (Sheikh Fattelal & Vishnupant Govind Damle, 1936) ▪ 929 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SARAGOSSA MANUSCRIPT (Wojciech Has, 1965) ▪ 839 - 834 - 802 - 0 - 775 - 832 - 881 - 0 - 0 - 0 - 0 - 923 - 964 - 998 - 979 - 0
SCARECROW (Jerry Schatzberg, 1973)
▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 962 - 980 - 929 - 967 - 0
SCARLET STREET (Fritz Lang, 1945) ▪ 0 - 0 - 0 - 952 - 940 - 997 - 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SCENES FROM UNDER CHILDHOOD (Stan Brakhage, 1967-1970) ▪ 569 - 611 - 735 - 802 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SECONDS (John Frankenheimer, 1966) ▪ 0 - 0 - 0 - 0 - 857 - 920 - 955 - 995 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEDUCED AND ABANDONED (Pietro Germi, 1964) ▪ 976 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SEVEN BRIDES FOR SEVEN BROTHERS (Stanley Donen, 1954) ▪ 0 - 0 - 0 - 947 - 954 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SEVENTH VICTIM (Mark Robson, 1943) ▪ 0 - 934 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHAME (Ingmar Bergman, 1968) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0 - 0
SHANGHAI EXPRESS (Josef von Sternberg, 1932) ▪ 0 - 0 - 809 - 767 - 793 - 846 - 856 - 760 - 774 - 855 - 890 - 931 - 955 - 999 - 974 - 0
THE SHANGHAI GESTURE (Josef von Sternberg, 1941) ▪ 0 - 875 - 776 - 790 - 810 - 651 - 681 - 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SHELTERING SKY (Bernardo Bertolucci, 1990) ▪ 0 - 0 - 0 - 985 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHERMAN'S MARCH (Ross McElwee, 1985) ▪ 922 - 838 - 855 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 913 - 0
SHOESHINE (Vittorio De Sica, 1946) ▪ 583 - 636 - 637 - 694 - 744 - 782 - 812 - 962 - 968 - 0 - 997 - 0 - 0 - 0 - 0 - 0
THE SHOP ON MAIN STREET (Jan Kadar & Elmar Klos, 1965) ▪ 686 - 679 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A SHORT FILM ABOUT LOVE (Krzysztof Kieslowski, 1988) ▪ 899 - 979 - 922 - 967 - 982 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SHOW PEOPLE (King Vidor, 1928) ▪ 766 - 823 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SIGN OF LEO (Eric Rohmer, 1959) ▪ 0 - 0 - 993 - 939 - 936 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SIGNS OF LIFE (Werner Herzog, 1968) ▪ 836 - 895 - 924 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A SLAVE OF LOVE (Nikita Mikhalkov, 1976) ▪ 703 - 765 - 839 - 902 - 941 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SLEEPER (Woody Allen, 1973) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 794 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SONATINE (Takeshi Kitano, 1993) ▪ 831 - 812 - 728 - 819 - 919 - 943 - 954 - 0 - 0 - 0 - 965 - 948 - 0 - 0 - 0 - 0
SONG OF CEYLON (Basil Wright, 1934) ▪ 896 - 974 - 970 - 930 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SONS OF THE DESERT (William A. Seiter, 1933) ▪ 907 - 987 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SORCERER (William Friedkin, 1977) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 1000 - 0 - 0 - 0
IL SORPASSO (Dino Risi, 1963) ▪ 0 - 0 - 0 - 828 - 840 - 896 - 943 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A SPECIAL DAY (Ettore Scola, 1977) ▪ 757 - 769 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE SPIDER'S STRATAGEM (Bernardo Bertolucci, 1970) ▪ 748 - 779 - 705 - 751 - 830 - 849 - 899 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STAR SPANGLED TO DEATH (Ken Jacobs, 2004) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 888 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STARDUST MEMORIES (Woody Allen, 1980) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 904 - 851 - 932 - 822 - 983 - 0 - 0 - 0 - 0
STAVISKY (Alain Resnais, 1974) ▪ 729 - 785 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STELLA DALLAS (King Vidor, 1937) ▪ 921 - 915 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STILL (Ernie Gehr, 1969) ▪ 0 - 853 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STILL LIFE (Sohrab Shahid Saless, 1974) ▪ 719 - 776 - 848 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE STING (George Roy Hill, 1973) ▪ 650 - 676 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 945 - 978 - 0 - 0 - 0
STOLEN KISSES (François Truffaut, 1968) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 969 - 974 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STORM OVER ASIA (Vsevolod Pudovkin, 1928) ▪ 891 - 890 - 536 - 546 - 598 - 615 - 650 - 844 - 877 - 926 - 974 - 989 - 0 - 0 - 0 - 0
THE STORY OF A CHEAT (Sacha Guitry, 1936) ▪ 0 - 0 - 0 - 0 - 525 - 571 - 594 - 884 - 916 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE STORY OF QIU JU (Zhang Yimou, 1992) ▪ 892 - 969 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 970 - 0 - 0 - 0
STRAW DOGS (Sam Peckinpah, 1971) ▪ 555 - 553 - 676 - 686 - 675 - 739 - 710 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STRAY DOG (Akira Kurosawa, 1949) ▪ 632 - 597 - 712 - 0 - 948 - 979 - 947 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
STROSZEK (Werner Herzog, 1977) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 906 - 975 - 0
SUGAR CANE ALLEY (Euzhan Palcy, 1983) ▪ 735 - 793 - 865 - 678 - 746 - 797 - 835 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A SUNDAY IN THE COUNTRY (Bertrand Tavernier, 1984) ▪ 906 - 986 - 978 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SUPERMAN (Richard Donner, 1978) ▪ 782 - 781 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 685 - 0 - 746 - 0
SUPERSTAR: THE KAREN CARPENTER STORY (Todd Haynes, 1988) ▪ 954 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SWEET MOVIE (Dusan Makavejev, 1974) ▪ 852 - 917 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SWEET SWEETBACK'S BAADASSSSS SONG (Melvin Van Peebles, 1971) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 964 - 0 - 0 - 0 - 0
THE SWIMMER (Frank Perry, 1968) ▪ 694 - 753 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
SWING TIME (George Stevens, 1936) ▪ 0 - 0 - 0 - 541 - 0 - 0 - 620 - 0 - 844 - 0 - 0 - 0 - 0 - 0 - 0 - 0

TAIRA CLAN SAGA (Kenji Mizoguchi, 1955) ▪ 0 - 946 - 928 - 905 - 962 - 0 - 0 - 986 - 994 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TALES OF HOFFMANN (Michael Powell & Emeric Pressburger, 1951) ▪ 702 - 762 - 837 - 811 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 969 - 0 - 0 - 0 - 0
THE TARNISHED ANGELS (Douglas Sirk, 1957) ▪ 498 - 536 - 573 - 556 - 624 - 600 - 628 - 944 - 951 - 0 - 0 - 986 - 942 - 982 - 0 - 0
TENDER MERCIES (Bruce Beresford, 1983) ▪ 578 - 623 - 725 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TESTAMENT OF ORPHEUS (Jean Cocteau, 1960) ▪ 0 - 0 - 0 - 996 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TEXT OF LIGHT (Stan Brakhage, 1974) ▪ 815 - 873 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THERE'S ALWAYS TOMORROW (Douglas Sirk, 1956) ▪ 340 - 368 - 463 - 491 - 700 - 692 - 717 - 0 - 997 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THEY DIED WITH THEIR BOOTS ON (Raoul Walsh, 1941) ▪ 0 - 0 - 763 - 837 - 864 - 926 - 958 - 0 - 993 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THEY SHOOT HORSES, DON'T THEY? (Sydney Pollack, 1969) ▪ 0 - 0 - 972 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE THIN MAN (W.S. Van Dyke, 1934) ▪ 859 - 896 - 761 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THREE COLOURS: WHITE (Krzysztof Kieslowski, 1994) ▪ 734 - 630 - 673 - 736 - 843 - 856 - 909 - 0 - 0 - 0 - 0 - 966 - 0 - 0 - 0 - 0
THREE CROWNS OF THE SAILOR (Raúl Ruiz, 1982) ▪ 716 - 775 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TIH MINH (Louis Feuillade, 1918) ▪ 794 - 792 - 816 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
A TIME TO LOVE AND A TIME TO DIE (Douglas Sirk, 1958) ▪ 0 - 0 - 0 - 994 - 986 - 985 - 991 - 966 - 971 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TIMES OF HARVEY MILK (Rob Epstein, 1984) ▪ 0 - 0 - 0 - 0 - 819 - 882 - 771 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE TINGLER (William Castle, 1959) ▪ 474 - 493 - 597 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TO SLEEP WITH ANGER (Charles Burnett, 1990) ▪ 590 - 635 - 0 - 0 - 0 - 0 - 904 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOBACCO ROAD (John Ford, 1941) ▪ 0 - 0 - 727 - 843 - 898 - 956 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOM JONES (Tony Richardson, 1963) ▪ 0 - 976 - 714 - 779 - 854 - 914 - 878 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOM, TOM THE PIPER'S SON (Ken Jacobs, 1969) ▪ 629 - 672 - 721 - 619 - 684 - 745 - 772 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TONGUES UNTIED (Marlon Riggs, 1989) ▪ 0 - 988 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TONI (Jean Renoir, 1935) ▪ 840 - 900 - 980 - 997 - 973 - 0 - 1000 - 935 - 940 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TOO EARLY, TOO LATE (Jean-Marie Straub & Danièle Huillet, 1981) ▪ 911 - 836 - 903 - 882 - 929 - 944 - 0 - 0 - 0 - 978 - 0 - 886 - 928 - 971 - 998 - 0
EL TOPO (Alejandro Jodorowsky, 1970) ▪ 822 - 878 - 688 - 0 - 0 - 0 - 0 - 768 - 0 - 802 - 792 - 918 - 921 - 956 - 0 - 0
TOUT VA BIEN (Jean-Luc Godard & Jean-Pierre Gorin, 1972) ▪ 0 - 0 - 0 - 948 - 975 - 0 - 0 - 939 - 893 - 980 - 0 - 0 - 0 - 0 - 0 - 0
TOUTE UNE NUIT (Chantal Akerman, 1982) ▪ 0 - 0 - 0 - 975 - 977 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TRUE HEART SUSIE (D.W. Griffith, 1919) ▪ 697 - 756 - 880 - 942 - 881 - 916 - 953 - 707 - 720 - 780 - 848 - 977 - 963 - 0 - 0 - 0
THE TRUMAN SHOW (Peter Weir, 1998) ▪ 0 - 0 - 0 - 0 - 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
TWO FOR THE ROAD (Stanley Donen, 1967) ▪ 0 - 0 - 886 - 845 - 902 - 958 - 0 - 0 - 0 - 958 - 982 - 0 - 0 - 0 - 0 - 0
TWO RODE TOGETHER (John Ford, 1961) ▪ 0 - 0 - 854 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

ULYSSES' GAZE (Theo Angelopoulos, 1995) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 689 - 796 - 0 - 0 - 0 - 0 - 0
THE UNBEARABLE LIGHTNESS OF BEING (Philip Kaufman, 1988) ▪ 0 - 0 - 944 - 911 - 899 - 906 - 0 - 0 - 0 - 937 - 988 - 0 - 0 - 0 - 0 - 0
UNDER THE BRIDGES (Helmut Käutner, 1946) ▪ 0 - 0 - 940 - 829 - 889 - 950 - 969 - 980 - 985 - 0 - 0 - 0 - 0 - 0 - 0 - 0
UNDER THE ROOFS OF PARIS (René Clair, 1930) ▪ 692 - 749 - 579 - 629 - 698 - 729 - 759 - 979 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0
UNFAITHFULLY YOURS (Preston Sturges, 1948) ▪ 789 - 844 - 0 - 626 - 605 - 654 - 685 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE UNKNOWN (Tod Browning, 1927) ▪ 0 - 956 - 958 - 1000 - 953 - 983 - 990 - 0 - 0 - 0 - 0 - 0 - 0 - 979 - 0 - 0
UNSERE AFRIKAREISE (Peter Kubelka, 1966) ▪ 881 - 808 - 786 - 0 - 0 - 0 - 0 - 779 - 808 - 823 - 858 - 959 - 991 - 0 - 0 - 0
UTAMARO AND HIS FIVE WOMEN (Kenji Mizoguchi, 1946) ▪ 902 - 982 - 783 - 850 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

THE VANISHING (George Sluizer, 1988) ▪ 870 - 864 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
VARIETY (E.A. Dupont, 1925) ▪ 0 - 0 - 827 - 918 - 946 - 0 - 993 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE VERDICT (Sidney Lumet, 1982) ▪ 0 - 708 - 635 - 634 - 590 - 638 - 667 - 0 - 933 - 0 - 0 - 0 - 929 - 939 - 0 - 0

WAR AND PEACE (King Vidor, 1956) ▪ 526 - 567 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WAR AND PEACE (Sergei Bondarchuk, 1967) ▪ 816 - 801 - 823 - 830 - 891 - 723 - 568 - 818 - 724 - 717 - 736 - 914 - 967 - 0 - 0 - 0
THE WAR OF THE WORLDS (Byron Haskin, 1953) ▪ 842 - 902 - 0 - 0 - 806 - 793 - 826 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WARNING SHADOWS (Arthur Robison, 1923) ▪ 887 - 966 - 964 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WAY DOWN EAST (D.W. Griffith, 1920) ▪ 937 - 0 - 913 - 904 - 924 - 955 - 975 - 998 - 954 - 994 - 0 - 0 - 0 - 0 - 0 - 0
THE WAY WE WERE (Sydney Pollack, 1973) ▪ 775 - 832 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHAT'S OPERA, DOC? (Chuck Jones, 1957) ▪ 998 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHEN A WOMAN ASCENDS THE STAIRS (Mikio Naruse, 1960) ▪ 0 - 0 - 739 - 0 - 0 - 0 - 0 - 821 - 820 - 840 - 879 - 994 - 0 - 0 - 0 - 0
WHEN WE WERE KINGS (Leon Gast, 1996) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 766 - 0 - 0 - 0 - 0 - 0
WHILE THE CITY SLEEPS (Fritz Lang, 1956) ▪ 770 - 825 - 757 - 730 - 770 - 783 - 813 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHITE NIGHTS (Luchino Visconti, 1957) ▪ 613 - 655 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHITE SHADOWS IN THE SOUTH SEAS (W.S. Van Dyke, 1928) ▪ 0 - 0 - 985 - 986 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WHO FRAMED ROGER RABBIT? (Robert Zemeckis, 1988) ▪ 915 - 994 - 0 - 0 - 850 - 823 - 820 - 983 - 991 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WILD RIVER (Elia Kazan, 1960) ▪ 0 - 0 - 868 - 896 - 862 - 889 - 939 - 993 - 1000 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WILLY WONKA & THE CHOCOLATE FACTORY (Mel Stuart, 1971) ▪ 0 - 0 - 799 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WINCHESTER '73 (Anthony Mann, 1950) ▪ 0 - 0 - 0 - 0 - 0 - 990 - 971 - 0 - 961 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WIND FROM THE EAST (Jean-Luc Godard, Jean-Pierre Gorin & Gérard Martin, 1970) ▪ 0 - 0 - 933 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
WINGS (Larisa Shepitko, 1966) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 903 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE WINGS OF EAGLES (John Ford, 1957) ▪ 959 - 0 - 894 - 908 - 0 - 0 - 0 - 0 - 852 - 935 - 0 - 831 - 0 - 0 - 0 - 0
WITNESS (Peter Weir, 1985) ▪ 0 - 0 - 723 - 687 - 690 - 751 - 777 - 719 - 749 - 821 - 854 - 946 - 966 - 0 - 0 - 0
THE WOMAN IN THE WINDOW (Fritz Lang, 1944) ▪ 0 - 0 - 654 - 566 - 639 - 687 - 715 - 981 - 975 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE WOMEN (George Cukor, 1939) ▪ 876 - 948 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE WORLD ACCORDING TO GARP (George Roy Hill, 1982) ▪ 0 - 0 - 998 - 844 - 901 - 938 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
THE WRONG MAN (Alfred Hitchcock, 1956) ▪ 710 - 703 - 0 - 791 - 812 - 864 - 880 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0

THE YEAR OF LIVING DANGEROUSLY (Peter Weir, 1982) ▪ 0 - 0 - 0 - 876 - 848 - 874 - 892 - 0 - 0 - 0 - 999 - 0 - 0 - 0 - 0 - 0
YELLOW SUBMARINE (George Dunning, 1968) ▪ 0 - 0 - 0 - 0 - 0 - 0 - 0 - 897 - 0 - 878 - 903 - 971 - 0 - 0 - 0 - 0
YESTERDAY GIRL (Alexander Kluge, 1966) ▪ 0 - 0 - 896 - 897 - 938 - 996 - 0 - 0 - 981 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YOU CAN'T TAKE IT WITH YOU (Frank Capra, 1938) ▪ 0 - 0 - 0 - 992 - 999 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0 - 0
YOU ONLY LIVE ONCE (Fritz Lang, 1937) ▪ 0 - 0 - 598 - 656 - 747 - 777 - 809 - 973 - 977 - 0 - 0 - 0 - 0 - 0 - 0 - 0

ZORNS LEMMA (Hollis Frampton, 1970) ▪ 659 - 701 - 860 - 838 - 885 - 946 - 0 - 771 - 788 - 862 - 901 - 0 - 0 - 0 - 0 - 0